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Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 166 Documents
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Creativity in noise: Transforming urban elements into innovative music in POSUA Niki Sampurna, Muhammad Raihan; Ruchimat, Ismet; Herdini, Heri
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3925

Abstract

This article examines the influence of urbanization and industrialization on musical expression, with a focus on the role of urban noise as a creative element. The processes of urbanization and industrialization are frequently linked with an increase in noise levels, which is commonly regarded as a form of noise pollution. Nevertheless, this article underscores the potential for such noise to be transformed into a valuable aesthetic element within musical compositions. The research employs electro-acoustic theory and innovative techniques to transform noise into a novel musical element. The methods utilized include sound exploration and experimentation, evaluation, and composition employing both conventional and unconventional instruments. The techniques of sound manipulation are also employed in order to transform noise into an engaging musical experience. The outcome of this research is the musical work POSUA, which illustrates how urban noise can be transformed into a contemplative and creative musical experience, encouraging listeners to perceive noise from an original and innovative perspective. This article introduces a novel perspective on the potential of noise as a musical material and its role in fostering diversity within the contemporary music landscape.
Transformation of the Seven Seas Characters from The Little Mermaid into Carnival Costume Design Dinda Julia Maudy Suryalina; Naufal Arafah; M. Tavip
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.4182

Abstract

This costume design project aims to present an imaginative visual interpretation of the Seven Seas characters from The Little Mermaid, while highlighting the potential of fantasy narratives as a source of inspiration in costume design development. The primary inspiration is drawn from the book The Little Mermaid: Guide to Merfolk, which details the unique characteristics of each character and the seas they originate from. Carnival costumes were chosen as the medium of expression due to their fusion of aesthetic, cultural, and imaginative elements. The main issue addressed in this study is how to interpret the Seven Seas characters into costume designs that can effectively represent both the visual identity and narrative value of each character through the adaptation of diverse elements such as color, texture, and silhouette. The creative method refers to the concept by S.P. Gustami, which comprises three stages: (1) exploration, involving literature review and character analysis; (2) design development, which includes ideation and sketch creation; and (3) realization, presented in the form of visual costume design renderings. The outcome of this design process consists of seven carnival costume designs that visually and narratively represent the Seven Seas characters. This work is expected to contribute to the development of fantasy-based costume design and serve as a reference for future conceptual fashion design projects.  
Budaya Populer sebagai Medium Perlawanan dan Penghindaran: Studi Kasus Situs Kaskus Adrianto, Aditya Eko
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.734

Abstract

The purpose of this study is to show how popular culture is formed and its influences ot he com-munity in the digital age. The data collected from Kaskus is analyzed to show how popular culture can become a medium of resistance and evasion against the dominant culture. Furthermore, throughout its development, Kaskus transformed from a social networking website into information/news website. Analyzed from kitsch standpoint, Kaskus is also actively using its potential to earn profit from its popularity in the community. Thus, using Cultural Capital and Field concepts popularized by Pierre Bourdieu, Kaskus, as a popular culture, can be analyzed thoroughly. Keyword: Popular Culture, kaskus, kitsch, resistance, evasion.
Relevansi Selera Musikal dengan Politik Golongan di Indonesia Era Soekarno Ali, Arhamuddin
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.739

Abstract

The aim of this study is to explain differences in musical tastes in upper social class. The study also describes the relationship between musical tastes with the political groups in the community of Indonesia in Sukarno era. As a conceptual basis, we use the views of Bourdieu about habitus, arenas, andcultural capital. Also used a conceptual view of the Schuessler relationship of musical tastes and ages.This case study concludes that the old group closed with the development of new music tends to assume the old music as the best. On the other side, the young man open to the development of new types of music. Besides, the differences in musical tastes of young and old groups lead to a clash between them. Differences in their taste of music creates an identity as a differentiator between them, resulting in a process of political groups in it.Keywords: musical tastes, political group, age and identity
Mitologi Lakon Wahyu Eka Bawana dalam Pandangan Masyarakat Sangiran Kuncoro, Bimo; Sarwanto, Sarwanto
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.741

Abstract

Lakon Wahyu, which is a kind of Lakon Carangan, has been increasingly requested in the last two decades by penanggap wayang (those who summon wayang) in Sangiran region. The high request is predicted because of those who summon this Lakon hope for blessing. There is a belief for generations among Sangiran people that summoning Lakon Wahyu will make their life peaceful and prosperous. LakonWahyu Eka Bawana which tells about the trip of Puntadewa in ge!ing the divine revelation through meditation becomes the main choice of the Sangiran society. They believe that after summoning the Lakon, they will get good impact in their life. Keywords: mythology, lakon Carangan, belief, value, Wahyu Eka Bawana
Museum Sri Baduga dalam Paradigma New Museology Fitriany, Detty
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.742

Abstract

Museum experiences a paradigm shift from the traditional museum into a modern museum then post-modern museum which gave birth to the movement of the eco-museum. As a museum established in the modern era, Museum Sri Baduga needs to adjust to the new paradigm of museology. The focus of this study is to find the suitability of the museum Sri Baduga current principles with the principles of eco-museum both physical and managerial aspects of the museum and what changes should be madeto achieve the ideal eco-museum. Methods of data collection is done with literature study and field observation. Methods of data analysis is conducted qualitatively by using the Eco-museum guidance indicator of Corsane Gerard (2006. The presentation method of data analysis is done informally in the form of a narrative. The findings in this study are the strengths and opportunities that are owned by the museum Sri Baduga to meet the principles of eco-museum that cannot be completed at this time. Keywords: new museology, Museum Sri Baduga, eco-museum
Mengungkap Identitas Sosial Iklan Komersial Bank Panin Dan Iklan Religius Dompet Dhuafa Yuliansyah, Hendy
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.743

Abstract

Advertising as it faces a state of society, can be understood as an easy way to get to know in brief social identity. With a variety of a!ributes imposed in an ad, then the level of maturity, life style as well as the vision of a society can be portrayed. Commercial advertising Panin Bank offers ease in all types of banking transactions, which raises the need for new base. While advertisement designed by DompetDhuafa offers the easy way how to do the belief in Islam, and this is the ultimate key of all religious advertising of Dompet Dhuafa. So that the vision in all advertisement of Dompet Dhuafa is how to increase awareness of Moslem in Islamic teaching with zakat or shadaqah.Keywords: advertise, commercial, religious
Kuasa Kolase dalam Ekologi Estetika Postmodern Wahyudi, Nandang Gumelar
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.744

Abstract

Nowadays, in the field of art, talking about (art) collage is more than just a technical ma" er to attach various other elements - beyond the conventions of painting - on a piece of canvas. It is more than the project that Picasso and Braque have been started in the exploration of experimental cubism to havethe new visual images. Collage today is not merely an expression of rebellion as Kurt Schwi"ers, Raul Hausmann or Hannah Hoch did in the spirit of anti-art that developed in Dada. Nowadays, Collage even transcends the iconic composition prowess ad world of Richard Hamilton or Eduardo Paollozi in pop-art. Thus, Collage in the art map inside postmodern era could be some sort of perspective, a way of thinking and looking, spirit, or footing (“blue-print”)/concept, even the idea of itself. Collage is probably a vast stretch of landscape civilization that celebrates itself among history, knowledge, technology, gaming, market, hospital, war, television and popular culture fanfare. Collage today are the images that were lined-piled around us as a reality that is layered, that seemed real and visible in everyday life - and we’re in it as an inevitable part of the composition of the layers inside collage umpteenth great life.Keywords: art, collage, popular culture, postmodern
Tari Pabbitte Passapu pada Upacara Tradisi Perkawinan di Suku Kajang Dalam Oktaviani, Ragil Tri
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 1 No. 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.745

Abstract

This article tries to reveal the existence of dance pabbitte passapu on pa’buntingang ceremony and dance forms of presentation. The existence of pabbitte passapu dance is believed to be a fertility rite and custom entertainment facilities. However, the presence of dance in the ceremony pa’buntingang pabbitte passapu is already secondary. In a sense, the dancers are not anymore considered as participants but ‘performers to be seen’. Meanwhile, the presentation of the dance, although in the form of a ‘response’, it does not change the structure of dance movement pa!erns pabbitte passapu. The focus of the analysis is the form of dance pabbitte passapu presentation in a traditional marriage ritual ceremony of Inner Kajang. The substance aims to reveal the analytical and descriptive of the subject matter associated with, the presence of dance pabbitte passapu in a traditional marriage ritual ceremony of Inner Kajang In; and the form presentation of pabbitte passapu dance. This article is expected to be contributive to the people of Inner Kajang to maintain the dance arts pabbitte passapu, as well as for the art people to add the inland art discourses in the archipelago.Keywords: Pabbitte Passapu Dance, Kajang Dalam tribe
Simbol Diskursif dan Presentasional Sintren Putra, Agung Trihandono
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 4 No. 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1178

Abstract

Sintren was born and developed in the coastal areas of the island of Java, precisely in the Cirebon area. Sintren is unique and sacred in which makes the dancers feel the trance (angelic trance). This study analyzes the meaning of the symbols applying the symbol theory. Susanne Langer divides art symbols into two categories, discursive and presentational symbol theory. Discursively, sintren has several sequential stages. First, sintren is tied. Then she is put into a cage, exiting from the cage while clothes have been changed. Getting out from the cage, the dancers are already in their full costume including the glasses. The final phase is the dancer to be awaken from the trance conditions. Meanwhile for presentation symbol, it is initially as cleaning village ritual for the safety and blessing in the village. This ritual is to pray for the village to be protected from catastrophe or unwanted calamities. Keywords: Art, dance, sintren, trance, symbol

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