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Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 166 Documents
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The Influence of Visual Art in Irwan Jamal’s Theatre Artistic Vision Oktavianti, Yeni Sari; ., Jaeni; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3604

Abstract

Irwan Jamal, the founder of the Pictorial Theatre and the Casanova Theatre, is an artist who has studied several art disciplines at once, including theatre, visual arts, literature, and music. Genetic influences from his father’s family, who are skilled in drawing, as well as his education and experience in theatre, have resulted in a form of theatre that is rich in visual expression. This is based on Sigmund Freud’s theory of primary creativity which grows and becomes the foundation of one’s creativity. This article will also discuss and analysed the influence of the visual arts on Irwan Jamal’s vision of theatrical creations in terms of the several works he has directed, both theatrical productions as well as films and music videos. Irwan Jamal’s artistic vision and expression, which was later categorized as a form of “expressionist theatre” was very strongly influenced by the fine arts that Irwan Jamal also studied. The method used to analyse Irwan Jamal’s works (theatre and music videos) will also use the formal structure criticism method, which is usually used for the analysis of a painting. The presentation of critical works uses the method introduced by Edward S Feldman.
Glorify the Lord Ensemble’s Existence and Strategy in the Indonesian Music Industry Nida Ulhanifah Setiadi; Ignasius Herry Subiantoro; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3606

Abstract

Indonesia’s music industry has undergone a significant transformation from the vinyl disc era to the digital era, with new challenges and opportunities in maintaining the existence of music groups. This research aims to explore Glorify the Lord Ensemble’s journey in gaining attention in the music industry and analyse their strategies for long-term sustainability. Qualitative research methods were used, including observation, interviews, and documentation studies to collect data from rehearsals, performances, and internal group interactions. The results revealed that Glorify’s initial appeal came from their founder, Daud PM Saba, who blended pop, rock, R&B soul, and black gospel genres with signature choreography, attracting the attention of renowned artists and fans. Their sustainability strategy involves regular activities for members and active publications on social media, maintaining their existence during the passing pandemic and in the midst of music industry competition. Recommendations from this research are to continue adapting innovations in content, and social media interactions, as well as maintaining the quality of rehearsals, and collaborations that strengthen their reputation. This research provides important insights into successful existence strategies in the competitive music industry.
Analysis of the Effect of DJ Transition Techniques on Discotheque Visitor Behavior: A Case Study of Entrainment at Panic Paradise Club Rizal, Samsul; Suhendi Afryanto; Hinhin Agung Daryana
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3626

Abstract

The phenomenon of trance that occurs when watching music performances, especially traditional music in Indonesia, is common and is often associated with the supernatural, beliefs, and other mystical aspects. However, scientific research has provided an explanation for this phenomenon. Entrainment, a condition in which the body of a living being is synchronized with the music’s emitting source (oscillator), is the scientific explanation for the phenomenon. This research focuses on how music in nightspots (discos) can make listeners reach the entrainment phase. The entrainment phase can be achieved if the beat of the music is stable when perceived by the listener. The researcher hypothesized that music transition techniques are very influential to achieve the entrainment phase. In addition, the individual and collective behavior of participants can influence other discotheque visitors. This research uses a qualitative method with a grounded theory approach. Data were collected through field observations with a number of participants in two trials. The first test (pre-test) was conducted with music from a disc jockey who was less proficient in transition techniques, while the second test (post-test) was conducted under the opposite conditions. The results showed that the participants were able to achieve the third phase of entrainment and affect other visitors collectively, which was not the case in the pre-test. This shows that entrainment can be achieved with effective music transition techniques from a disc jockey, and an individual’s entrainment state can influence other discotheque patrons both individually and collectively. The successfully achieved entrainment phenomenon is also able to explain the phenomenon of trance influenced by music.
Kotekan Technique As An Idea For The Creative Process In Music Creation Ardiansyah, Aris; Mohamad Rudiana; Sukmawati Saleh
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3655

Abstract

The creative process in the creation of musical works is a multifaceted journey that begins with the acquisition of ideas or inspirations. These ideas are transformed into musical concepts, which are then meticulously developed into compositions that are played using a variety of instruments, each representing the unique vision of the creator or composer. This transformation reaches its conclusion in the realisation of the compositions in the form of live performances, which may be experienced as both audio-visual experiences and music recordings. It is also noteworthy that this creative process has the additional function of serving educational purposes. Such activities have the potential to encourage collective action and community engagement, thereby strengthening social solidarity among participants. This research employs an interpretative qualitative methodology, drawing upon literature studies, audio-visual sources, and the empirical experiences of the researcher as both a musician and educator in the field of music. This interpretative approach entails a meticulous examination of selected and organized data through the triangulation of multiple sources. The interpretative phase is enhanced by a synthesis of creative processes and theoretical frameworks, thereby facilitating a comprehensive understanding of the complex relationship between musical creation and its cultural implications. This study illuminates the significance of the creative process in both individual and communal contexts, demonstrating its capacity to shape musical identity and foster social connections.
Avant-Garde Sebagai Ilustrasi Mitos Dewi Sri Budiono, Nadia Rachmaya Ningrum
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 3 No. 1 (2018): Estetika Budaya Urban
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v3i1.881

Abstract

This paper aims to explain the concept of the creation of avant-garde works inspired by the mythical fgure of Dewi Sri in Javanese society in the form of an illustrated fashion. The purpose is to introduce the mythical fgure of Dewi Sri in Java to the modern society. Dewi Sri is a character who is trusted in the Javanese people life. She is identifed with the goddess of rice, the goddess of wealth, the goddess of fertility and prosperity, the goddess of fame and success. She is believed to be able to provide long life, health and lots of children. She is the mother of life on earth. Avant-garde is one type of artwear or wasable-art focusing on an aesthetic value rather than a function. The research is conducted by collecting literature data and interviews. This study applies Paul Ricour’s Hermeneutic approach which is conducted through appreciation of symbols to the idea of ‘thinking of’ symbols. Ricour considers that hermeneutics is a way to explore hidden meanings in texts that appear to contain meaning, also an atempt to fght against “cultural distortion”, through semantics, re?ection, and existential or ontological.Keywords: Avant-Garde, Artwear, Dewi Sri.
Rahaidi Bamboo Music Therapy For Concentration In Adults with Autism Fahdi Hasan; Arthur S. Nalan; Dinda Satya Upaja Budi
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3806

Abstract

This research aims to highlight the effects of using the Rahaidi bamboo musical instrument in increasing the concentration of adults with autism at the Special Individuals Cultural Foundation (YBUIS) Bandung. The research was conducted using qualitative methods with an action research approach based on the Lin S. Norton model. The techniques used include observation, interviews, literature study, as well as five research steps: identifying problems, solutions, implementation, evaluation, and modification. Data analysis was carried out using an organological approach (Sue Carole DeVale) and concentration theory (Santrock), with data validation through the ITDEM model which involves triangulation and data reduction. The research results show that the use of Rahaidi bamboo musical instruments can increase four types of attention, namely Selective Attention, Sustained Attention, Executive Attention, and Divided Attention. The process is divided into three stages: beginner, intermediate, and advanced, including assessment, design, therapy implementation, recording, and evaluation. This research proves that there is a significant increase in all aspects of attention in adult individuals with autism after therapy using Rahaidi bamboo music. These results confirm that a tailored approach using musical instruments can be an effective therapeutic tool in supporting the development of concentration in adults with autism.
Cultural Flows of Korean Drama in Changing the Orientation of Indonesian Cultural Identity in the Younger Generation Afifah, Mira Aulia; Firman Aziz; Ryan Ferdiana; Fatimah Azzahra NF; Ronald Yehezkiel Sitompul; Rizqya Aufa Nuraini
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3891

Abstract

Globalization has triggered cross-cultural exchanges across countries, with Indonesia as a multicultural country also experiencing the impact. One significant global phenomenon is the Korean Wave, including the popularity of Korean dramas among Indonesians. Korean dramas are more than just entertainment, they have the potential to influence the cultural identity orientation of the younger generation who are the main consumers. With this, the main focus of the research is to analyze how the impact Korean dramas have on changes in cultural preferences among the younger generation of Indonesia. This research uses an interview method with a qualitative approach. This research involved 5 informants with the criteria of Indonesian young generation aged 18-19 years who actively consume Korean dramas. The results showed that the flow of Korean culture through Korean dramas has the potential to influence the orientation of the cultural identity of the Indonesian people, but the sense of pride and dominance of Indonesian culture still has the potential to be maintained and developed. The contribution of this research lies in its understanding of the interaction between the Korean Wave and the formation of cultural identity among Indonesia's younger generation. The findings show that despite the strong influence of foreign cultures, the younger generation still demonstrates cultural resilience. In addition, this research opens up strategic opportunities for the revitalization of local culture through a more creative and relevant approach to popular media that appeals to young people's tastes.
Mooi Indie Image Style in Salon Photography Works Iljas, Sjuaibun; Regina Octavia Ronald; Akhmad Yani Surachman
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3913

Abstract

The application of the Mooi Indie image style in salon photography depicts the natural beauty and traditional life of the archipelago inherited from the colonial era. The image depicts the view of Western nations who consider the Malay region to be exotic and pure as an orientalist discourse. The urgency of this study lies in the need to document and preserve cultural heritage through photography media. The aim is to understand how Mooi Indie elements are applied in contemporary salon photography and have an impact on the appreciation of local culture. The methodology used includes visual analysis of salon photography works. The results of the study show that works with the Mooi Indie image style display a 'beautiful' utopian impression in aesthetic composition, dramatic lighting, and subjects that represent the beauty of nature and tradition. The implication is that the application of this style in salon photography enriches visual aesthetics while contributing to the preservation and promotion of local culture, encouraging public appreciation of Indonesian cultural heritage.
Pancamain Tourism Rides Based on Traditional Toys for Media to Introducing Pancasila Values Zaini Alif, Mohamad; M. Shidiq; Kusdiana, Hilman; Turgarini, Dewi
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3917

Abstract

The purpose of this community service is to realize an Independent Village by improving the ability of the community is a global and national commitment in an effort to improve the welfare of the community to achieve a better and more sustainable life in the goals of sustainable development. Increasing the diversification of tourism products in the Kampung Bolang Ranca Group, through Knowledge in the implementation of the management of traditional Pancamain game tourism rides, by 80%, Increasing the skills of the Service Training Workshop through the use of Pancamain as a medium for Pancasila value education tourism rides by 80%, Increasing marketing skills to schools through the approach of learning media rides both inside and outside schools (general) 80%. The training implementation method is carried out in three stages, namely 1) Socialization of partner needs material; 2) Training and mentoring for diversification of traditional game rides; and 3) skills training in the form of improving partner capabilities in service and the ability to become more communicative instructors. The impact of the training results can be seen through the formation of divisions in managing village tourism in the Bolang cobra group, the ability in service with the availability of rides with the availability of supporting products for tourist rides, and marketing capabilities by building social media contacts and schools in Tanjungsiang and Cisalak Subang districts.
Representation of Alpha Woman in Korean Series (Roland barthes Semiotics Analysis on Pachinko Season 1 Series) Afrina Nabila Azhari; Herlina Agustin; Samson CMS
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 10 No. 1 (2025): Interdisciplinary Approaches to Cultural Expression in Modern Art, Media, and
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v10i1.3921

Abstract

Korean dramas are not merely artistic works without meaning or purpose. They serve as a medium to depict social realities through storytelling and visual art. One of Korean dramas that reflects the social realities of Korea is Pachinko, set in the 1930s when patriarchal culture and the low status of women were still prevalent. The purpose of this study is to explore how the representation of alpha woman is depicted in Pachinko. The study adopts a qualitative approach, utilizing Roland Barthes’ semiotic analysis method to interpret the signs within the drama through three levels of analysis: denotation, connotation, and myth. The researcher selected three episodes from the eight-episode series (episodes 3, 4, and 5) for a detailed analysis of scenes referencing alpha woman characteristics. The findings of this research reveal various ways in which Pachinko portrays alpha woman. The study highlights the courage, independence, and resilience of woman characters. This research recommends that future Korean dramas continue to feature alpha women characters to inspire gender equality. Additionally, future studies could explore similar representations in different cultural contexts to provide comparative analyses, enriching the understanding of gender representation across cultures.

Page 15 of 17 | Total Record : 166

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