Titian: Jurnal Ilmu Humaniora
Titian merupakan jurnal ilmiah akademik dalam bidang kajian ilmu Humaniora (budaya) yang diterbitkan oleh Fakultas Ilmu Budaya, Universitas Jambi. Penerbitan jurnal ini dimaksudkan untuk mempublikasikan berbagai artikel hasil penelitian, studi kepustakaan, studi lapangan, gagasan konseptual, kajian penerapan teori dalam bidang ilmu humaniora. Jurnal ini dapat ditulis dalam bahasa Indonesia, Inggris, maupun Arab. Jurnal ini mengutamakan pendekatan lintas disiplin yang menggabungkan ilmu bahasa (linguistik), ilmu sastra (Daerah, Indonesia, Inggris, Arab), Sejarah, Arkeologi, Seni, Sosiologi, Antropologi, Etnografi dan Agama. Jurnal Titian terbit secara berkala dua kali setahun pada bulan Juni dan Desember.
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<![CDATA[Ritus ayoa, dalam tari aseak bebuak kerinci ]]>
<![CDATA[Deli Monica Asmara]]>;
<![CDATA[Erlinda Erlinda]]>;
<![CDATA[Martion Martion]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.14351
<![CDATA[The dance work entitled "Ritu Ayoa" is a dance work that starts from the Aseak ceremony in the Kerinci community, Jambi Province. This work is done with the format of presenting the results of imagination that provides an alternative creation in the form of dance compositions. Mainly is the form of composition whose cultivation is based on the Aseak ritual event for the treatment that exists in the Kerinci community. The form or structure of the performance of the dance work "Ritu Ayoa" consists of three parts. The first part describes or reveals the activities of the handler with his environment which emphasizes water as a vital thing in life. The second part describes the conflict that occurs in the Aseak ritual in medicine, and the final part reveals the environmental balance that focuses or describes water that must be preserved in life. These three parts become a unified form of choreography in harmony with the musical bonds that are part of strengthening the dance work.]]>
<![CDATA[KEARIFAN LOKAL SEBAGAI SOLUSI PENANGANAN SERTA MITIGASI PANDEMI COVID-19 DI PROVINSI LAMPUNG DAN DAERAH ISTIMEWA YOGYAKARTA ]]>
<![CDATA[Hafis Vian Yudha Ardhana]]>;
<![CDATA[Rizky Ramadhani Satrio Wibisono]]>;
<![CDATA[Muhammad Rayhan Kurnia Pratama]]>;
<![CDATA[Sofiah Rizki Jannatulloh]]>;
<![CDATA[Fachrurizal Mahendra Sujonot]]>;
<![CDATA[Agung Wicaksono]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.14672
<![CDATA[Pandemi covid-19 yang telah berlangsung sejak awal tahun 2020 memberikan dampak yang cukup besar pada kehidupan masyarakat. Permasalahan muncul akibat belum siapnya masyarakat serta kebijakan yang mengatur tentang situasi pandemi. Mengutip penelitian yang dipublikasikan CIGO terhadap masyarakat urban Jabodetabek pada tahun 2020, sebanyak 22,5% masyarakat DKI Jakarta dan 24,1% masyarakat Kota Bogor masih percaya bahwa covid-19 adalah sebuah konspirasi elit global. Fakta tersebut menunjukan masih belum terwujudnya point ke sebelas (kota dan komunitas berkelanjutan) yang tertuang dalam cita-cita pembangunan keberlanjutan tahun 2030. Penelitian yang mengacu pada aspek urban dan personal belum dapat dijadikan sebagai acuan dalam melihat Indonesia secara keseluruhan. Pada penelitian ini memiliki fokus pada masyarakat rural serta komunitas setempat dalam menyikapi pandemi covid-19 dengan wilayah sample Provinsi Lampung dan Daerah Istimewa Yogyakarta dengan pendekatan kearifan lokal masyarakat setempat. Kata kunci: mitigasi covid-19, masyarakat rural, kearifan lokal, Lampung, DIY]]>
<![CDATA[REPRESENTASI FEMINISME DALAM FILM JANE EYRE (2011): STUDI ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE ]]>
<![CDATA[Rima Sarah]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15283
<![CDATA[This study aims to represent feminism in a film entitled Jane Eyre through elements of Charles Sanders Peirce's Theory of Semiotics. The science of Semiotics used in this study serves as a basis for interpreting the signs found into a clear meaning. By using descriptive qualitative method, the researcher analyzes signs that contain hidden meanings in Jane Eyre's film, which is based on a novel with the same title by Charlotte Bronte. The researcher uses the data found in the film and then analyzes it to be able to interpret it using Pierce's Semiotic Theory. The subject of this research is the Jane Eyre film with the object of research being the scenes which represent the feminism of the main character Jane Eyre. The results of the research conducted, researchers found the meanings of representation of feminism that can be interpreted through the characters, scenes, and properties used in the film. The conclusion of this study is the representation of feminism in the Jane Eyre film which is reflected in the main character Jane Eyre.]]>
<![CDATA[Pandemi Covid-19 dan Transformasi Budaya Digital di Indonesia ]]>
<![CDATA[Bambang Arianto]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15309
<![CDATA[This article aims to elaborate on the impact of the Covid-19 pandemic on the transformation of digital culture in Indonesia. Although digital transformation has occurred so far, the Covid-19 pandemic has also strengthened cultural change at the level of Indonesian society, which in turn created digital culture. In this context, digital culture is the result of thinking, creating and creating digital-based human works. However, the emergence of digital culture has had a positive impact, such as the development of a digital economy ecosystem and the strengthening of civic digital communication. While the negative impact can be seen from lifestyle changes due to the high dependence on social media. This research uses a literature study approach in elaborating the research topic. In the end, this study states that the impact of the Covid-19 pandemic has created a cultural shift from conservative to digital culture. Even so, changes in digital culture at the public level must be anticipated through a program to strengthen digital literacy.]]>
<![CDATA[TRADISI ADAT KALOMBA: KAJIAN MAKNA DAN NILAI BUDAYA PADA MASYARAKAT DESA BONTO BIRAENG KABUPATEN BULUKUMBA ]]>
<![CDATA[Ainun syafitri Muslimin]]>;
<![CDATA[Andi Kurniawan]]>;
<![CDATA[Nunu Vebriani]]>;
<![CDATA[Nurul Hikmah]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15371
<![CDATA[AbstractThe purpose of this study is to determine the process of the Kalomba tradition, meanings and valuescontained in the traditional process of the Kalomba tradition. Kalomba tradition is a tradition carriedout by the Kajang Tribe aimed at the age of children to avoid skin diseases. The method used in thisresearch is qualitative with an ethnographic approach. Determination of informants using purposivesampling and snowball sampling. Data collection was carried out through interviews, observation anddocumentation as well as data analysis consisting of data collection, data reduction, data presentationand deduction. The results of this study revealed that the Kalomba tradition began during the KaraengPadulu Soreang period whose marriage was not approved and then a child was born. When parentswho do not agree to meet must fulfill these terms and conditions, this is known as Kalomba. Thetraditional Kalomba tradition is carried out based on stages starting from the ma'jenne procession,burning incense and lighting candles, reading prayers, waving incense smoke, tompong procession,baccing children procession, paddingi-dingi stage, massolo (giving money to children) and the eventends the setting of kampalo on eating together by family and relatives.The meaning of the Kalombatradition is as medicine and safety to avoid skin diseases and as a thanks giving from parents tochildren. The Kalomba tradition reveals the value of helping each other and togetherness, establishingfriendship and responsibility.]]>
<![CDATA[KONSTRUKSI SOSIAL PEREMPUAN NELAYAN DALAM POLA DAN RELASI SOSIOKULTURAL DI KAWASAN PESISIR PANTAI KARANGANTU SERANG BANTEN ]]>
<![CDATA[Indrianti Azhar Firdausi]]>;
<![CDATA[Ahmad Sururi]]>;
<![CDATA[Abdul Malik]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15441
<![CDATA[The phenomenon of the status, position and role of fisherwomen are still objects and minorities in the household with an unequal division of labor, tend to be subordinates, marginalized social status, lack of access to decision-making processes and as well as gender socio-cultural barriers in carrying out various activities in the public sphere. problems in this research. The purpose of this study is to discuss how the sociocultural patterns and relations of women fishermen in the Karangantu Coastal Area, Serang Banten and the efforts made to encourage the strengthening of women's roles in sociocultural relations that can be accepted and agreed upon in social communication. This research method uses a social construction approach through 3 stages, namely: externalization, internalization and objectivation. Data collection techniques were carried out through interviews and in-depth observations. The results show that the social construction of fisherwomen in the process of social action and interaction in the public sphere is limited by a patriarchal cultural tradition that is strongly formed and internalized in the form of adherence to norms, values, patterns and cultural relations. The implication of this research is to encourage the strengthening of women's roles within boundaries that can be constructed socially and culturally as well as through equality of social communication.]]>
<![CDATA[IMPLIKATUR BERMAKNA BUDAYA SOSIAL PADA NYANYIAN RAKYAT DENGE SUKU TOBELO DI DESA WOOI KEC. OBI TIMUR ]]>
<![CDATA[Agus Boriri]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15643
<![CDATA[This study aims to describe the meaningful implicatures of social culture found in the Tobelo tribe conducted in Wooi Village, East Obi District, South Halmahera Regency. The sources of data in this study are direct (primary) sources obtained by the community in Wooi Village, while indirect (secondary) sources can be obtained through books, articles, and so on from libraries or places. The results of the study prove that the implicatures contained in the folk songs of the Tobelo tribe in Wooi Village, Kec. East Obi, namely: 1) implicature type of invitation there are 7 stanzas, 2) implicature type of statement action there are 9 stanzas, 3) implicature type of Command there are 2 stanzas. It can be concluded that 1) The implicatures contained in folk songs with the Tobelo tribe in Wooi Village are invitation implicatures, statement action implicatures, and Command implicatures. 2) Implicature means that the social culture found in the Tobelo tribe in Wooi Village is an attitude of social care, friendly/communicative and peace-loving, honest, hard working and tolerant.]]>
<![CDATA[REFERENT LANGUSNG, TAK LANGSUNG, GAIB, DAN PLESETAN (Kajian Pengembangan Teori Ferdinand de Saussure) ]]>
<![CDATA[Idrus Ahmad]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15700
<![CDATA[Referent or reference to the meaning of a word is hardly discussed in detail by linguists after Ferdinand de Saussure. The reason is because the meaning of the word is very dynamic or raises the possibility of various meanings. Another reason, there are referents who are not in the real world but in the shadow or fantasy. Therefore, this study is a form of developing reference theory into direct, indirect, occult, and play referent referents. The analytical method used in this study is a qualitative descriptive method. Meanwhile, the collection technique used is a documentation study, which is collecting writings related to the object of research, namely word studies as one of the elements in the linguistic field, followed by reading techniques. Reading is done to: (1) understand the overall content of the data sources used in this study; (2) sharpen previous understanding; (3) understand the focus of the research, namely the word described by linguist Ferdenand de Saussure. Data analysis techniques in this study include: (1) data reduction as a selection process, focusing attention on simplification, abstracting, and transformation of rough data, obtained from various written records. Reports or data obtained are stated in the form of a complete and detailed description of the referent as one element of the meaning of the word.]]>
<![CDATA[An Analysis of Implicature Forms and Functions in the Film Ajari Aku Islam ]]>
<![CDATA[Neldi Harianto]]>;
<![CDATA[Nurfitri Susanti]]>;
<![CDATA[Anggi Triandana]]>;
<![CDATA[Sahrizal Vahlepi]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15890
<![CDATA[This research aimed to express the implicature of forms and functions in the film Ajari Aku Islam. This research used descriptive qualitative research. The source of the research was the utterances among the characters in the film Ajari Aku Islam. The data were collected by listening and taking notes technique with advanced method of uninvolved conversation observation technique.The finding of the research in this film that the researcher found conventional and conversational implicatures. The forms of conversational implicature in this research was revealed through violation of the cooperative principle which included: a) the quantity maxim violation, b) the quality maxim violation, c) the relationship maxim violation, and d) the way maxim violation. Next, the functions of the implicature in the film Ajari Aku Islam were: a) the function of implicature in directive speech act, b) the implicature function in expressive speech act, c) the implicature function in assertive speech act, d) the implicature function in commissive speech act, and e) the function implicature in declarative speech act. Between conventional and conversational implicature, conversational implicature was more dominant. Likewise the maxim violation and the function implicature, both were equally dominant.]]>
<![CDATA[Konstruksi Afiks Dalam Kumpulan Puisi “Buku Latihan Tidur†Karya Joko Pinurbo ]]>
<![CDATA[Rengki Afria]]>;
<![CDATA[Ahyatun Magfiroh]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 5 No. 2 (2021): Desember 2021 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v5i2.15913
<![CDATA[Abstrak: Penelitian ini bertujuan untuk mendeskripsikan bentuk konstruksi afiksasi dalam kumpulan puisi “Buku Latihan Tidur†karya Joko Pinurbo. Menjelaskan tentang proses pembubuhan afiks dalam suatu kata, pembubuhan afiks tersebut dapat berupa prefiks, infiks, sufiks, konfiks dan simulfiks. Metode pengumpulan data dilakukan dengan menyimak dan mencatat berdasarkan pada objek kajian yang diteliti. Metode analisis data dilakukan dengan metode analisis data secara deskriptif dimana peneliti menggambarkan objek penelitian dengan apa adanya. Metode penyajian hasil analisis data yang digunakan yaitu metode formal dan informal dengan memaparkan hasil analisis dalam bentuk grafik dan menguraikannya. Adapun data diperoleh berdasarkan objek kajian yang diantaranya terdiri dari lima puisi yang terdapat pada kumpulan puisi “Buku Latihan Tidur†karya Joko Pinurbo. Penelitian ini membahas mengenai adanya pemakaian kata dan pemakaian afiks yang membangun konstruksi pada puisi tersebut sehingga terciptanya puisi yang tersusun dengan konstruksi yang baik dan menarik. Dari penelitian ini ditemukan bahwa dari lima puisi yang di analisis terdapat 640 kata secara keseluruhan. Afiksasi yang ditemukan sejumlah 123 kata yang terdiri dari 73 prefiks, 2 Infiks, 23 sufiks, 10 konfiks, dan 15 simulfiks. Kata Kunci : Konstruksi, Afiksasi, Kata, Morfem, Puisi]]>
