cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
ricky Irawan
Contact Email
rickyirawan@isi-dps.ac.id
Phone
+6285694109326
Journal Mail Official
jomsti@isi-dps.ac.id
Editorial Address
Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
Location
Kota denpasar,
Bali
INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 159 Documents
 10   11   12   13   14 
Asta Wirat Bhumi: Musik Eksperimental sebagai Refleksi dan Resepsi Lontar Tutur Bhuwana Mabah Putu Tiodore Adi Bawa
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This article is about to discuss the process of creating an experimental musical composition entitled Asta Wirat Bhumi which is the result of reflection and reception of the ejection of Tutur Bhuwana Mabah. Method: Creation in Balinese karawitan art becomes very interesting when the exploration of tools and ideas is poured simultaneously. The process of developing Asta Wirat Bhumi uses the theory of creation according to Alma M. Hawkins which consists of the stages of exploration, improvisation, and formation. Asta Wirat Bhumi as a reflection of the Lontar Speech reception of Bhuwana Mabah as an idea for a piece of music that is outlined in Asta Wirat Bhumi's gamelan barungan. Results and discussion: Processed activities starting from exploration, improvisation, and formation to become a reference in a framework that is refined with animating stages. Reflection and reception were chosen as techniques for understanding texts as the ideas of Asta Wirat Bhumi's musical works which are contained in the form/structure of the piece and the performance of the work. Implication: The results obtained are in the form of an experimental musical work "Asta Wirat Bhumi" by casting it in the gamelan barungan "Asta Wirat Bhumi" carrying a message to the audience
Karya Karawitan Inovatif “Dancing in The Storm” I Gede Esa Supartha; Ni Ketut Dewi Yulianti; I Nyoman Mariyana
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: Human life has various kinds of unexpected things in it, just like lightning that can appear without waiting for rain to arrive. Lightning occurs because there is a potential difference between the cloud and the earth. The process of charge occurring in the cloud is due to its continuous, regular movement, and during that movement it will interact with other clouds so that negative charges will gather on one side, and positive charges on the other side. The purpose of creating this innovative karawitan work is to transform ideas that are born from natural phenomena, namely lightning, and to describe the values contained in the innovative karawitan work Dancing In The Storm. Method: The creation of the work "Dancing In The Storm" uses a method which consists of several elements in its creation, namely Composition, Creativity, and Exploration by Pande Made Sukerta. Composition is knowing the difference between timbre and sound quality. Results and discussion: Creativity (sening, feeling, imaging) exploration is an action to realize something you want. Karawitan's Innovative work dancing in the storm is an educational medium inspired by a natural phenomenon and someone's life story which, when combined, can become a correlation. Implication: In addition, there are also values contained in the Innovative Karawitan's Dancing In The Storm, namely story values (moral values) and formal values (artistic values).
Perencanaan Manajemen Seni Pertunjukan Ubud Village Jazz Festival I Gde Made Pandu Vijayantara Putra; Putu Sandra Devindriati Kusuma
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This article aims to find out how to plan the management of performing arts at the Ubud Village Jazz Festival. Management is the main thing in every performing arts performance starting from pre-production to post-production. Method: The method used in this writing is a qualitative method with a descriptive presentation. Data obtained by interviews and literature review, which will then be analyzed through triangulation from raw data collection, selection, processing to drawing conclusions. Results and discussion: The Ubud Village Jazz Festival was made out of concern, where the founder felt that there was a period of jazz music that had been forgotten and caused the loss of the true identity of jazz music. The findings in this article show that management planning is carried out by setting goals, designing budgets, looking for sponsors by looking at previous year's activities, making timelines, deadlines, job descriptions, hiring outsourcing and recruiting volunteers to support the achievement of the goals of UVJF activities. Implication: Good management planning for the Ubud Village Jazz Festival is also a means to educate the public about jazz music, help the economy of the surrounding community in Ubud, and more than that to show the identity of the jazz festival.
Tahapan dalam Produksi Komposisi Iringan Tari Satya Gora Dharma Komang Wahyu Dinata; I Pt. Lukita Wiweka Nugraha Putra
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This paper discusses the series of stages of production of Satya Gora Dharma Dance Accompaniment composition, where this work is a karawitan composition work that the author made in 2021. Method: This work is produced by the author using Digital Audio Workstation technology, with a series of stages starting from the beginning until this work is completed. Digital Audio Workstation is a digital-based technology that is often used by musicians, arrangers, composers and other work sectors related to data processing in the form of audio recordings. Satya Gora Dharma dance is the great dance of Satya Dharma Singaraja College of Economics (STIE) initiated by Dr. A.A.A.N Tini Rusmini Gorda, Dr. A.A.N Oka Suryadinatha Gorda, Dr. A.A.N Eddy Supriyadinata Gorda, Dr. A.A.A.N Sri Rahayu Gorda. Satya Gora Dharma dance accompaniment compositions are produced with 3 software, namely Cubase Pro 10.5, WaveLab Pro 10, and Virtual Studio Technology (VST) from Native Instrument Kontakt 6. Result and Discussion: The discussion in this paper will focus on how this composition work is produced starting from the stage of taking audio sampling from the gamelan instruments used, making VST, composing arrangement, mixing, balancing, to the final stage in the production process, namely the mastering stage. The data analysis technique used in this paper is qualitative descriptive analysis. The qualitative descriptive analysis technique is carried out by analyzing the data that has been obtained through qualitative descriptive analysis. Then at the end a conclusion is drawn and accompanied by the necessary advice
Proses Produksi Musik pada Lagu Tyok Satrio di Studio DS Records Puput Pramuditya; Arya Putra Hananta
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: The purpose of this research is to identify and describe the music production process for Tyok Satrio's songs which were performed independently at Studio DS Records by Danurseto Bramana Adhi. Various stages from writing songs to making musical accompaniment are integrated into one unified music production process. According to Sawyer and Golding, music production has 3 (three) general stages, namely: (1) Pre-production which contains all musical concept planning as an efficiency of the recording process; (2) Production, namely the recording process in music production which involves all musicians; (3) Post Production is the last phase which contains the process of editing, balancing, mixing-mastering to present songs ready to be heard. Method: This study uses qualitative methods to discover and understand the various phenomena encountered to then be analyzed carefully. Data collection techniques were carried out by observation, interviews, and documentation. Results and discussion: The results and discussion show that the music production process carried out by Danurseto is carried out using the Sawyer and Golding methods with all departmental roles integrated with each other by the same person. Implication: the music production process for the song Tyok Satrio, which was carried out by Danurseto as producer, A&R, songwriter, arranger, instrumentalist, and sound engineer, can simultaneously achieve work efficiency by way of work mechanisms that are mutually integrated at each stage.
Analisis Bentuk Lagu “Bhuana Santhi” Karya I Komang Darmayuda I Pt. Lukita Wiweka Nugraha Putra; Komang Wahyu Dinata
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This article is an analysis of the form of the song Bhuana Santhi by Komang Darmayuda. Bhuana Shanti performed by students of SMPN 1 Denpasar as Indonesia's representative in the 2014 international level vocal group (Celesta) has succeeded in making Indonesia proud as the best performer in the 2014 international vocal group event. The purpose of writing this article is to describe the form of the song Bhuana Shanti by Komang Darmayuda. Komang Darmayuda is the sole informant in writing this article. Method: This article focuses on the form of the song Bhuana Shanti by Komang Darmayuda in order to obtain the musical elements contained therein (melody, harmony/chord, and dynamics). Result and Discussion: Before obtaining the forms and musical elements contained in Bhuana Shanti's songs, the structure is first described, namely motifs, sentences, and periods. The musical elements that have been obtained through the process of analyzing structure and form will explain the beauty contained in the Bhuana Shanti song. Data in the form of numeric notation, audio, and information on the performance of the Bhuana Shanti song were obtained through direct observation and interviews with Komang Darmayuda as the composer of Bhuana Shanti. Analysis of the form of music is the most basic effort to find out the beauty contained in a piece of music. Implication: By writing this article, it is hoped that it can provide insight or material for consideration for future composers representing Indonesia in the international level vocal group (Celesta) event.
Analisis Struktur Melodi dan Makna Lagu “Sayur Kol” Karya Punxgoaran Eben Ezer Sormin; Junita Batu Bara; Emmi Simangunsong
Journal of Music Science, Technology, and Industry Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This research discusses about analysis of the melodic structure of Sayur Kol by Punxgoaran. Sayur Kol was published in 2017. The theoretical basic used in this research is William P. Malm's theory to get a musicological study, and Ferdinand de Saussure's semiotic theory to explain the meaning of this song. The song Sayur Kol by Punxgoaran was performed in the Batak language with Rock and Punk nuances with drums, electric guitars, and bass guitars. Method: In this thesis, the writer uses a qualitative descriptive analysis method. Results and Discussion: The results of the study of the melodic structure of the Sayur Kol song are Song Form with 2 parts consisting of A (a, a'), B (b, b') and the song Sayur Kol performed by Punxgoaran consists of the Intro, the beginning, continuation part, chorus part, interlude part, and outro part. Implication: The meaning contained in song Sayur Kol is about the personal story of the creator, Guido Virdaus Hutagalung, expressing a picture of the situation of the people of North Sumatra when they meet each other and strengthen the relationship between fellow tribes, especially the Toba Batak tribe. Punxgoaran loves and supports the preservation of Batak Cultural Arts.
Construction of Malayan Zapin after Covid-19 Pandemic Robby Hidajat; Muhammad ‘Afaf Hasyimy; Ni Wayan Mudiasih
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: the research reviews the recent condition of Malayan Zapin dance in various regions in Indonesia, including Palembang, Riau, Banjarmasin, Gresik, and Tarakan. These regions are places where Malayan Zapin dance are redesigned for entertainment. Although the conserver societies are not quite wealthy, their existence is not extinct despite the outbreak of Covid-19 pandemic for two years. The objective of this research is therefore to understand the construction of Zapin dance from Malay ethnic in several conservation regions. Methods: The method of this research is using qualitative descriptive approach. Data concerning Zapin development are collected by conducting virtual interview with key informants through Whatsapp, Zoom and video call. Data analysis procedure involves collecting, sorting, and tabulating the data. Analysis technique is interpretative descriptive. Result and discussion: The results of this research show that (1) Zapin is constructed as the complement to local ethnic dances, (2) Zapin is constructed as the alternative dance material to be taught at school, and (3) Zapin is constructed a creative work. Implication: The authors find that the effort of the conserver societies to develop Zapin dance as a remarkable topic and the development of Zapin dance as a genuine art of Indonesian archipelago are barely studied.
“Square Numbers”: Komposisi Musik Hibrid Dengan Konsep Deretan Bilangan Persegi I Gede Raditya Yudhistira; Ni Wayan Ardini; I Wayan Sudirana
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan: Artikel ini digunakan untuk memperkenalkan komposisi musik yang menggunakan deretan angka square numbers yang ditransformasi menjadi ide musikal seperti pergerakan pitch, pengembangan rhythm, dan time signature. Karya musik hybrid “Square Numbers” ini merupakan karya yang terdiri atas tiga bagian dengan format septet (7 orang). Metode Penciptaan: Karya musik hybrid “Square Numbers” mengacu pada lima tahapan penciptaan oleh Konsorsium Seni, yaitu persiapan, elaborasi, sintesis, realisasi konsep, dan penyelesaian. Hasil dan pembahasan: Karya musik hybrid “Square Numbers” terdiri atas tiga bagian (I, II, III), yang setiap bagiannya dibagi lagi menjadi dua sub bagian (IA, IB, IIA, IIB, IIIA, IIIB), dengan interpretasi yang berbeda tetapi dalam satu kesatuan. Karya musik hybrid “Square Numbers” adalah musik hybrid yang menggabungkan idiom musik tradisional Bali, idiom musik Barat. Implikasi: Pencipta meminjam idiom musik Bali seperti pola kotekan, tangga nada pelog dan selendro. Pencipta meminjam idiom musik barat seperti invert, chord, retrograde pitch and rhythm, counterpoint.
Proses Produksi Musik pada Lagu Tyok Satrio Puput Pramuditya; Arya Putra Hananta
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tujuan: penelitian bertujuan untuk mengidentifikasi dan menguraikan proses produksi musik untuk lagu-lagu Tyok Satrio yang dilakukan secara mandiri di Studio DS Records oleh Danurseto Bramana Adhi. Metode: Berbagai tahapan dari penulisan lagu hingga pembuatan iringan musik saling terintegrasi dalam sebuah kesatuan proses produksi musik. Menurut Sawyer dan Golding, produksi musik mempunyai 3 (tiga) tahapan umum yaitu: (1) Pre-Production yang berisi segala perencanaan konsep musikal sebagai efisiensi proses perekaman; (2) Production yaitu proses perekaman dalam produksi musik yang melibatkan seluruh musisi; (3) Post Production adalah fase terakhir yang berisi proses editing, balancing, mixing-mastering untuk menyajikan lagu siap dengar. Penelitian ini menggunakan metode kualitatif untuk menemukan dan memahami berbagai fenomena yang ditemui untuk kemudian dianalisis secara cermat. Teknik pengambilan data dilakukan dengan observasi, wawancara, dan dokumentasi. Hasil dan pembahasan: penelitian ini menunjukkan bahwa proses produksi musik yang dilakukan Danurseto dilakukan menggunakan metode Sawyer dan Golding dengan keseluruhan peran departemen yang saling terintegrasi oleh orang yang sama. Implikasi: menunjukkan bahwa proses produksi musik pada lagu Tyok Satrio yang dilakukan oleh Danurseto sebagai Produser, A&R, songwriter, arranger, instrumentalis, dan sound engineer sekaligus dapat mencapai efisiensi kerja dengan cara mekanisme kerja yang saling terintegrasi dalam setiap tahapannya.

Page 12 of 16 | Total Record : 159

 10   11   12   13   14 

Filter by Year

2018 2025


Reset
Filter By Issues
All Issue Vol. 8 No. 1 (2025) Vol. 7 No. 2 (2024) Vol. 7 No. 1 (2024) Vol. 6 No. 2 (2023) Vol. 6 No. 1 (2023) Vol. 5 No. 2 (2022) Vol. 5 No. 1 (2022) Vol. 4 No. 2 (2021) Vol. 4 No. 1 (2021) Vol. 3 No. 2 (2020) Vol 3 No 1 (2020) Vol. 3 No. 1 (2020) Vol 2 No 2 (2019) Vol. 2 No. 2 (2019) Vol. 2 No. 1 (2019) Vol 2 No 1 (2019) Vol 1 No 1 (2018) Vol. 1 No. 1 (2018) More Issue