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ricky Irawan
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Program Studi Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia Denpasar. Jalan Nusa Indah, Denpasar 80235
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INDONESIA
Journal of Music Science, Technology, and Industry (JOMSTI)
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 26228211     DOI : https://doi.org/10.31091
Core Subject : Education, Art, Social,
Arts Social Sciences Other
Journal of Music Science, Technology, and Industry is a scientific media disseminating science, technology, aesthetic, and industry of music in relation to its uses in the society. JOMSTI is published with a focus on philosophy, aesthetic, concept, and theory of music; music analysis and genre; music education and learning; specific and/or common, traditional and/or modern, local and/or global music history and entity; music application, practice, show or performance, and technology; production, distribution, and consumption in music industrialization; anthropology, sociology, and psychology of music.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 159 Documents
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Ansambel Klenongan di Tiyuh Panaragan, Kabupaten Tulang Bawang Barat Erizal Barnawi; Bian Pamungkas; Adi Saputra; Sony Afandi4
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Tujuan: Artikel ini bertujuan untuk mengkaji bentuk penyajian musikal dan non musikal serta fungsi ansambel Klenongan di Tiyuh Panaragan. Selain itu mendokumentasikan melalui transkripsi notasi balok dari tabuhan-tabuhan yang ada di ansambel Klenongan. Metode penelitian: penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif analisis yang difokuskan pada objek ansambel Klenongan. Selanjutnya penggunakan reduksi data untuk menganalisis bentuk dan fungsinya ansambel Klenongan dengan pendekatan teori fungsinya Alan P Merriam, dan teori bentuk musik dari Pono Banoe. Hasil dan pembahasan: Bentuk penyajian musikal ansambel Klenongan meliputi instrumen Klenong, instrumen Gujih, instrumen Gung, instrumen Gender, dan instrumen Kelabay. Untuk tangga nadanya meliputi D-E-F-A-B-D’ serta tabuhannya yakni, tabuh Tari, tabuh Tigel, dan tabuh Tarub. Selanjutnya untuk penyajian non musikal meliputi tempat, pendukung, waktu, pemain, kostum pemain, tata cahaya, dan pengeras suara. Fungsi musik dalam ansambel Klenongan yakni fungsi sebagai pengungkap emosional, fungsi sebagai hiburan, fungsi sebagai sarana, fungsi sebagai repon fisik, Fungsi sebagai pengukuhan institusi sosial, fungsi sebagai keserasian norma-norma masyarakat. Implikasi: Penelitian ini memberikan kontribusi untuk media pembelajaran karena mentranskripsikan tabuhan-tabuhan asli dari daerah Panaragan, Kab. Tulang Bawang Barat, dan memberikan pandangan untuk kajian etnomusikologi mengenai bentuk dan fungsi musik ansambel Klenongan.
Bali Fusion Pop Music I Wayan Sudirana
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: In this era of globalization, intercultural interaction between musicians from all over the world is inevitable. This worldwide interaction ultimately enriches contemporary music. Methods: As Blaukopf says, “acculturation doesn’t necessarily mean the loss of cultural identity; there is also acculturation which leads to enrichment in music, independent of its economical significance. Results and discussion: The emergence of fusion pop music groups is a response of the development of human’s culture. The commercialized forms of their musics are the effect of the rapid development of tourism industry in Bali. Their innovations and creative ideas are depending on their consumers’ needs. Implication: The positive outcome of these creative ideas is that composers are looking for new styles and ways of playing, composing, and exploring that do not intersect with traditional ones.
“Kelangensih”: Karya Musik Inovatif Perpaduan Alap Bali dan Alap Hindustani Desak Made Suarti Laksmi; I Ketut Sumerjana; I Komang Darmayuda; Jyothi Devi Krishnanandayani
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Pupose: Traditional Balinese vocal karawitan has a rich variety of types and variants. It also has a function and purpose that is deeply rooted as a treasure of musical art which is firmly bound by its standards. Many efforts have been made to develop it both in its integration with instrumental music and with Western musical instruments in various genres. Research methods: Several stages of creation methods such as exploration, improvisation, formation and evaluation are a creation process that produces an innovative musical work "Kelangensih". A fusion of traditional Balinese vocal style and Hindustani Classical vocal technique, combined with chamber music accompaniment as a medium of expression. By raising the theme of beauty and love, the type of Balinese hymn "Wilet Mayura" is the main work combined with Hindustani vocal technique with varied Raga processing. Raaga was chosen to enrich musical artwork in processing the melody, mood and rhythm as well as to provide wider space for the type of hymn as an aesthetic presentation for performances apart from being a religious ritual art. Result and discussion: This work provides new colors and nuances to enrich the musical treasures of Nusantara which can open up space for traditional-song singers to develop and improve their skills in working on musical works that can open new insights. Implication: This work is a new form of work using traditional material that developed creatively and innovatively. It is expected that this work will be able to reach its audience not only locally, but also regionally and transnationally. By developing this artwork into article, it has implications for the emergence of talented young creators who can encourage the growth and development of new works.
Karya Tabuh Kreasi “Pitu” I Putu Hare Krsna Darma Yoga
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: the number seven is a mysterious, unique, magical and meaningful number. Hindu Religion, the number seven is believed to have a special feature because there are seven layers on Earth, namely patala. Methods: the process of creating Pitu's work is an attempt to create a new work of art, especially in the field of Balinese Karawitan art. Pitu's work is a musical creation that uses three parts including, part I (kawitan), part II (gegenderan and bapang), part III (cutter and pekaad). The stylist creates a creation percussion which is structurally starting from kawitan to pekaad which is based on the number seven. The media used in Tabuh Kreasi Pitu uses the gamelan Semar Pegulungan Saih Pitu with a seven-tone pelog barrel to be used as a medium for saying. Pitu's creation of tabuh uses several counts of seven which are combined with dynamics, tempo and melodic games that are developed so as not to look monotonous. Result and discussion: as an academic artist who has more abilities in the academic field, he should be able to create a quality and weighty work. Implication: It is hoped that Tabuh Kreasi Pitu can provide more space for students to be creative by organizing compositional events outside class hours.
Tabuh Kutus Lelambatan “Abdi Budaya” I Gede Mawan; I Putu Tiodore Adi Bawa; I Wayan Diana Putra
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This art research and creation aims to produce a tabuh for Kutus Lelambatan with the title “Abdi Budaya” which was presented at the Seke Gong Abdi Budaya, Banjar Anyar Perean Kangin, Baturiti, Tabanan. Methods: The method of creation or steps in the creation of the “Abdi Budaya” uses the art creation method used by two (2) gamelan composers, namely Pande Made Sukerta who composed the Content Ideas, Arranged the Arrangement Ideas and Determined the Arrangements, and I Wayan Beratha consisting of from nguping, menahin, ngalusin dan ngungkab rasa. Aesthetically, the “Abdi Budaya” refers to the style of the papayasang pegongan of Pangkung Village and the ubit-ubitan kekebyaran of Banjar Anyar Perean. Results and discussion: Lelambatan is a form of tabuh from gending pegongan which functions as an instrumental tabuh the context of ceremonies or performing arts. Conventionally there are several types according to the colotomic structure, namely tabuh pisan, tabuh telu, tabuh pat, tabuh nem and tabuh kutus. However, the Tabuh Kutus Lelambatan is very rarely found in Bali considering that its melody cycle is quite long. Long melodies from the tabuh docusus can be accomplished with the "priring" technique, namely condensing the beat divisions. Implication: The “Abdi Budaya” consists of eight parts, namely: kawitan, gineman, gegenderan, pengawak, pengisep, bebaturan, gegilakan and penyewud. Gending Tabuh Kutus Lelambatan “Abdi Budaya” is presented with the medium of Gamelan Gong Kebyar. The presentation of the Tabuh Kutus Lelambatan “Abdi Budaya” was held offline and online.
Komposisi Karawitan “Maha Aksa” I Made Andika Candra Wigraha; Ni Ketut Dewi Yulianti; I Nyoman Mariyana
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: this karawitan artwork is to transform the idea obtained from the fly’s vision system into "Maha Aksa karawitan" artwork. Meanwhile, this paper is also intended to describe the values contained in "Maha Aksa karawitan artwork." Methods: the creating process of “Maha Aksa" artwork uses the method by Alma M. Hawkins, which consists of 3 stages, namely Exploration, Improvisation, and Forming. This artwork uses “Asta Wirat Bhumi” gamelan as an expression media. Result and Discussion: “Gamelan Asta Wirat Bhumi” was created from exploration and combination of 3 Balinese gamelan elements, namely “Jegog, Balaganjur, and Selonding gamelan.” The new karawitan artwork "Maha Aksa" is an educational media inspired by the sighting system of flies with compound eyes that have a perspective on the speed of movement. Implication: the values contained in the new karawitan artwork "Maha Aksa" are the story values (moral values) and formal values (artistic values).
“Goak Ngolol”, Tranformasi Jegog ke Jes Gamelan Fusion I Putu Riangga Budi Pramana; I Gede Yudarta; Hendra Santosa
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: Music Composition "Goak Ngolol" is a form of composition created based on interest in the art of Jegog Jembrana. Methods: The research method used is a qualitative research method with a musicological perspective that focuses on aspects of the transformation of song motifs from Jegog to JES Gamelan Fusion through instrumentation techniques. Results and discussion: "Goak Ngolol" is an innovative character work created by I Nyoman Windha, S.Skar., M.A as a form of transformation of Jegog Jembrana characteristics to JES Gamelan Fusion characteristics. Jes Gamelan Fusion is a music community and a gamelan name coined by I Nyoman Windha. JES Gamelan Fusion is a form of creativity that combines two types of gamelan that is packed with innovative styles, but still rooted in Balinese characteristics. Two types of gamelan as the basic foundation are Jegog and Semar Pagulingan Saih Pitu. Implication: Although there is still Jegog in it, Jegog JES Gamelan Fusion is something different from Jegog in general, giving rise to the perspective of sound colors and game techniques as a new transformation of works.
Perubahan Daftar Lagu-lagu Pada Peribadahan di Gereja Baptis Indonesia “Getsemani” Jakarta Baptias Eko Rahayu
Journal of Music Science, Technology, and Industry Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

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Tujuan: Artikel ini akan membahas perubahan yang terjadi dalam struktur tata peribadahan Minggu. Struktur tata peribadahan yang dikenal bersifat religius berubah menjadi profan sebagai akibat masuknya gaya musik populer ke peribadahan Gereja Baptis Indonesia Getsemani Jakarta yang sebelumnya justru dilarang. Metode: Data penelitian ini berupa daftar struktur tata ibadah dan lagu-lagu yang dimasukkan dalam acara peribadahan minggu Gereja Baptis Indonesia Getsemani Jakarta. Penelitian ini menggunakan metode kualitatif dengan pendekatan gabungan studi lapangan dan studi pustaka dan bertujuan untuk memperlihatkan hubungan sebab akibat yang terjadi dalam perubahan tata peribadahan tersebut. Hasil dan diskusi: Peribadahan di Gereja Baptis Indonesia Getsemani Jakarta awalnya berlangsung secara sakral, namun pada kurun waktu dua dekade belakangan berubah menjadi profan. Implikasi: Kebaharuan dalam penelitian ini berupa temuan yang menunjukkan adanya perubahan tata ibadah dari lagu yang berbentuk himne ke gaya populer sebagai bentuk penyesuaian atas perkembangan budaya populer yang terjadi di masyarakat. Implikasi:
Development of Music in Indonesia Sukotjo Sukotjo
Journal of Music Science, Technology, and Industry Vol. 7 No. 1 (2024)
Publisher : Institut Seni Indonesia Denpasar

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Purpose: This article aims to discuss the problems that occur in the music industry in Indonesia, namely in the order of production, reproduction and marketing. Methods: This article uses a literature study method obtained from various sources. Results and discussion: production, reproduction and marketing arrangements must be handled professionally to establish harmony within the music industry network in Indonesia. Competition from several music industry players in the world does not prevent Indonesia from looking for formats to develop its music industry. The strengths that exist between government, academics, business and community are sectors that must be strengthened in developing the music industry in Indonesia. Implication: development of the music industry in Indonesia from upstream to downstream so that large areas of Indonesia can be reached in the music industry. Apart from that, we should also pay attention to some of the potential of music that exists in several regions in Indonesia which can be used as a mainstay in developing a music industry that is unique to the Indonesian nation.
Musik dalam Perspektif Islam: Memahami Dimensi Halal dan Haram dalam Musik Gradi Muhammad Ramdhani
Journal of Music Science, Technology, and Industry Vol. 7 No. 1 (2024)
Publisher : Institut Seni Indonesia Denpasar

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Tujuan: Penelitian ini bertujuan memperluas pemahaman Islam tentang musik, terutama tentang hal-hal yang dianggap halal dan haram. Dalam Islam, musik menjadi topik yang kompleks dan kontroversial, dengan pendapat yang beragam di kalangan ulama dan umat Muslim. Metode: Untuk menggali perspektif Islam yang beragam terhadap musik, penelitian ini menggunakan metode analisis literatur. Hasil dan pembahasan: Penilaian musik menurut Islam sangat rumit dan masih menjadi dilema yang belum terselesaikan, mengakui perbedaan pendapat dari berbagai mazhab dan tokoh ulama. Lirik, instrumen, konteks penggunaan, dan dampak psikologis dari musik adalah elemen penting dalam penilaian halal dan haram musik dari sudut pandang Islam. Implikasi: Hasil penelitian ini dapat membantu masyarakat muslim membuat keputusan yang lebih cerdas tentang bagaimana mereka bermain musik yang sesuai dengan syariat islam, menggabungkan nilai-nilai keagamaan dengan ekspresi seni.

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