cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Made Ratna Dian Aryani
Contact Email
dian_aryani@unud.ac.id
Phone
+6281999556168
Journal Mail Official
jurnal.sakura@unud.ac.id
Editorial Address
Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana Jalan Pulau Nias 13, Sanglah, Denpasar Bali Indonesia 80114
Location
Kota denpasar,
Bali
INDONESIA
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Published by Universitas Udayana
ISSN : 26231328     EISSN : 26230151     DOI : https://doi.org/10.24843/JS.2019.v01
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, merupakan jurnal yang memuat artikel hasil penelitian serta kajian ilmiah di bidang sastra, linguistik, kebudayaan dan pranata Jepang. Terbit dua kali dalam setahun, pada bulan Februari dan Agustus. Jurnal SAKURA bertujuan menjadi wadah bagi para peneliti, dosen, mahasiswa dan para praktisi di bidang Sastra, Linguistik, Kebudayaan dan Pranata Jepang untuk mempublikasikan karya ilmiahnya secara luas
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 12 Documents
 1   2 
Search results for , issue "Vol 3 No 2 (2021)" : 12 Documents clear
Invensi dalam Genre Detektif Viona Rizky Handayani; Diana Puspitasari; Hartati Hartati
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p04

Abstract

The purpose of this research to describe the detective formulas in Japanese anime produced in the period 2014-2016, including Meitantei Konan I Jigen no, Ryuugajou Nanana No Maizoukin, Sniper Psycho-Pass : The Movie ( Gekijou-ban Psycho-Pass ), Ghost In The Shell, Meitantei Konan Junkoku no Naitomea, and Bungou Stray Dogs Season 1. The method used was descriptive qualitative with literary formula approach based on Cawelti. The data analysis technique uses were observing recording and classifying data. The results of this study show that there were 132 data with detective action pattern conventions consisting of six phases and four roles. That are 1) introduction of detectives, 2) crime and guidance, 3) investigation, 4) announcement of solution, 5) solution explanation, 6) end of story. In addition, these four roles are those who are exposed to the threat of 1) victims, 2) criminals, 3) detectives, and 4) crimes, but cannot resolve them. Then, it was found that the ending of the story was an archetypal invention in the anime Ryuugajou Nanana No Maizoukin, while the other five anime had archetypal conventions according to Cawelti's theory. In addition, in this study, it was found that there is a formula invention that occurs in every detective anime. The form of invention in detective anime is to add a supernatural formula to the storyline. Based on the results of data analysis, the conclusion is that the six animes contain the rules and inventions of the formula detective genre. Formula conventions and inventions occur as the audience becomes more interested in the genre. The more popular a particular genre, the more conventions and inventions as a development of formulas and archetypes.
Analisis Modalitas Pada Cerpen Isshunboushi Femiga Salsa Nabila; Santi Wahyuni; Tania Luksiana Putri; Tiara Desi Kintansari
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p09

Abstract

Linguistics studies language as a means of communication. Communication is not limited to verbal speech but also written ones, such as remarks available in short stories. This means that modalities in a short story can be a valid object to be researched. Modality is a marker that expresses a speaker's attitude towards a proposition as well as towards an interlocutor. This research aims to determine modalities used in the short story of Issunboushi. Data is gathered by library research technique, meanwhile analysis method used is qualitative descriptive by observation and note-taking technique. As a result, there are 7 types of modality that can be found, such as irai, ishi, setsumei, meirei, ganbou, hikyou, and gaigen. These modalities' usage are related to context and settings presented in the story.
Perubahan Perilaku Anak-Anak Panti Asuhan yang Tercermin Dalam Drama Ashita, Mama ga Inai Karya Saya Matsuda Tia Eka Retno Palupy; I Nyoman Rauh Artana; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p05

Abstract

The research was titled "The Behavior of Orphanage Children in the Drama Ashita, Mama ga Inai by Saya Matsuda". Research aims to know the living environment of the orphanage children, behavior of orphanage children at the time of trial before and after the trial with the adoptive parents. The study used literary psychology theory from Endaswara and the theory of behaviorism of B. F Skinner. The method used in this research is a descriptive qualitative. The results of the analyzing show orphanage children’s simply life. being the countryside and the orphanage living the life with responsibility. The orphanage children’s behavior are describes as having undergone trials with new adoptive parents, a changes due to the uncomfortable feeling of affection given by adoptive parents. The cause of the inconvenience is because the children had previously suffered trauma after being abandoned by their biological parents.
Teknik dan Metode Penerjemahan Kalimat Imperatif dalam Novel Girls in The Dark oleh Andry Setiawan Nadya Rizkiana Madjid; Ni Made Andry Anita Dewi; Ngurah Indra Pradhana
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p10

Abstract

This study discusses the translation of imperative sentences contained in a literary work in the form of a novel. In general, the use of imperative sentences is characterized by the meaning of orders and prohibitions. However, there are differences between the imperative sentences of one language and another. Methods of data analysis are using translational equivalent method and glossing technique. The data were analyzed in two stages. First, categorizing the translation techniques used based on the theory of translation techniques according to Molina and Albir (20002), and second, determining the translation method using the theory of the translation method according to Newmark (1988). Based on the analysis, there were eight types of translation techniques found, namely 1) adaptation techniques; 2) amplification techniques; 3) established equivalent techniques; 4) generalization techniques; 5) linguistic compression techniques; 6) literal translation techniques; 7) modulation techniques; and 8) reduction techniques. Furthermore, translation method classified based on the orientation of the source language and target language is found. The translation method which is oriented to the source language consists of two translation methods, namely the semantic translation method and the literal translation method. Meanwhile, the translation method which is oriented towards the target language consists of three translation methods, namely the free translation method, the idiomatic translation method, and the communicative translation method. The results of this study indicate the translation method that is most widely used in this research is free translation method so that the translation of the imperative sentences applied in translating the novel Girls in the Dark by Andry Setiawan tends to be oriented towards the target language.
Perubahan Bervariasi dalam Ekranisasi Manga Death Note Karya Tsugumi Ohba dan Takeshi Obata ke dalam Drama Death Note Karya Inomata Ryuichi Ni Wayan Nadia Setyawati; Silvia Damayanti; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p01

Abstract

This research is entitled "Variety Changes in the Ecranization of the Death Note Manga by Tsugumi Ohba and Takeshi Obata into the Death Note Drama by Inomata Ryuichi". The purpose of this study is to provide an understanding of ecranization with sources in the form of manga related to changes in intrinsic elements. The research method used is descriptive qualitative method. The data sources used in this study are the Manga Death Note by Tsugumi Ohba & Takeshi Obata and Drama Death Note by Inomata Ryuichi. The theory used in this research is Ecranization Theory proposed by Eneste and Structural Theory by Nurgiyantoro. The results of this study indicate that there is a change in the intrinsic elements contained in the manga into drama. These changes are in the form of varied changes that occur in the plot, characters, and setting of the place. These varied changes aim to change the story, atmosphere, impression, role, and adjust production costs.
Pengembangan Karakter Ikari Shinji Dalam Anime Neo Genesis Evangeliom Marisa Rianti Sutanto; Adriel Hans Wahyudi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p06

Abstract

This research discusses the character development of the main character Ikari Shinji from the anime Neon Genesis Evangelion. Neon Genesis Evangelion is an anime series directed by Hideaki Anno that tells the story of humanity's struggle against shitos using a giant robot called Evangelion. To interpret the character of the main character, the method used is descriptive analysis, and the analysis refers to Weiland's theory of character development. The results of the research show that Ikari Shinji at the beginning of the story has a ‘lie’ that he believes in, namely running away from problems. However, he has the capability to beat ‘the lie’. Throughout the story he gets the consequences of his ‘lie’, he also finds out the truth and what he actually needs. At one point he had to make a decision between the truth and the ‘lie’. The result was Ikari Shinji's old self becomes 'dead' after he made that decision. He left the ‘lie’ and proved that he had developed into a better person. The story’s ending is the answer to this anime thematic question.
Kepribadian Dan Ikigai Tokoh Utama Pelaku Pembunuhan Dalam Film Kokuhaku Diani Ratna Pungkasari; Yusida Lusiana; Muammar Kadafi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p11

Abstract

This study aims to examine the relation between the character's personality and the Japanese motivational concept of ikigai on the murderers of the Kokuhaku’s movie, Yuko Moriguchi, Shuya Watanabe, and Naoki Shimomura. The method used in this study is a qualitative descriptive method with a literary psychology approach. The data analysis technique used is the listening technique followed by the note-taking technique. The personality theory used is Carl G. Jung's theory of personality typology, and the concept of ikigai in this study uses the concept by Akihiro Hasegawa. The results of this study indicate that Yuko Moriguchi has an extroverted-thinking personality and her ikigai is her daughter, then Shuya Watanabe has an introverted-thinking personality with gaining recognition as his ikigai, and Naoki Shimomura has an introverted-thinking personality and his ikigai is gaining recognition. The conclusion that can be drawn from this research is that a person's personality and ikigai influence each other, especially in their behavior.
Interferensi Leksikal Pada Vlog Kenta Manis Channel berjudul “Kenta Pamit, Semua Nangis Denger Surat dari Kenta” Ningrum Tresnasari; Faizal Muhammad Akbar; Naufal Muhammad Rafif; Raditya Jagadhita
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p02

Abstract

Lexical interference is the case most often encountered in the speech community. This occurs when speakers (regardless of foreign or native speakers) experience vocabulary limitations or do not know the exact vocabulary equivalent in a particular language. The purpose of this study was to identify the forms of lexical interference contained in the kenta manis channel vlog entitled "Kenta Pamit, All Nangis Denger Surat from Kenta". The research method used is descriptive qualitative data collection methods observation method and the method of analysis used is the orthographic equivalent method. The data source used in this study came from the YouTube vlog of Kenta Manis channel. The total amount of lexical interference data in the study was 8 pieces of data. From the analysis that has been done, it can be concluded that lexical interference by kenta in his vlog is divided into two classifications, namely there are 7 lexical interference in English and 1 lexical interference in Chinese.
Penggunaan Dandan, Dondon, Gungun, dan Masumasu pada Artikel Asahi Shinbun (edisi Juni 2020) Ni Putu Desi Ratnasari; Renny Anggraeny; Ngurah Indra Pradhana
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p07

Abstract

This research is entitled "The use of Dandan, Dondon, Gungun, and masumasu in the Asahi Shinbun article (June 2020 edition)". Dandan, dondon, gungun, and masumasu have something in common, which means "more and more", but there are differences between the four adverb that can be seen in the sentences listed in the Asahi Shinbun article. This study aims to determine the structure, function, and contextual meaning of adverb dandan, dondon, gungun, and masumasu found in the June 2020 edition of the Asahi Shinbun article. The data in this study were obtained using the observation method and were collected using note-taking techniques. The collected data were analyzed using Verhaar's (2010) syntactic theory which is supported by the concepts of fukushi dandan, dondon, gungun, and masumasu by Akira (1998) and Pateda's theory of contextual meaning (2010). The method used to analyze the data is the descriptive method, namely by describing the results of the analysis. Based on the results of the analysis, the structure that forms a sentence contains dandan, dondon, gungun, and masumasu, namely followed by verbs, nouns, adjectives, and some are followed by verbs. Dandan shows that it serves to explain verbs, nouns, and verbs. Dondon serves to explain verbs and nouns. Gungun functions only to explain verbs. Masumasu functions to explain verbs and adjectives. Four types of contextual meanings affect dandan sentences, namely the context of the time, the context of the mood of the speaker/listener, the context of the situation, and the context of the goal. Three types of contextual meanings influence the dondon sentence, namely the object context, the objective, and the situation context. Two types of contextual meanings affect the sentence, namely the mood context of the speaker/listener, and the context of the goal and then the contextual meaning affects the masumasu sentence are four types, namely the context of the time, the context of the object, the context of the situation, and the context of the mood of the speaker/listener.
Front Matter Sakura Vol. 3.2. Agustus 2021 Editorial Team Sakura
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

-

Page 1 of 2 | Total Record : 12

 1   2 

Filter by Year

2021 2021


Reset
Filter By Issues
All Issue Vol 7 No 1 (2025) Vol 6 No 2 (2024) Vol 6 No 1 (2024) Vol 5 No 2 (2023) Vol 5 No 1 (2023) Vol 4 No 2 (2022) Vol 4 No 1 (2022) Vol 3 No 2 (2021) Vol 3 No 1 (2021) Vol 2 No 2 (2020) Vol 2 No 1 (2020) Vol 1 No 2 (2019) Vol 1 No 1 (2019) More Issue