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Bali Tourism Journal
Published by Bali Tourism Board
ISSN : 2580913X     EISSN : 25809148     DOI : https://doi.org/10.36675/btj
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Social Sciences Other
Bali Tourism Journal is a new innovative travel advisor that combines a simple newspaper and magazine, with a complexity of Educational and Scientific Academic Journal. All the contents here are well written by a reporter, journalist, academician, post-degree student, and also some lecturer. All contents are also reviewed and edited by the professional editor that also major in the specific topic of each content. We ensure you, that our stories are genuine, all our photos were personally gain by our professional photographer and correspondent. This is not an advertisement; this is a scientific based and educational mixed magazine-journal about Bali. The true Bali.
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 124 Documents
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Bali to Plan Tourist Retribution in 2024 Trisnawathi, Ida Ayu Adi
Bali Tourism Journal Vol. 7 No. 3 (2023): Available online : 1 December 2023
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v7i3.97

Abstract

There are intentions to enhance Local Revenue (PAD) in Bali Province. In recent years, tourism has emerged as a vital economic sector, contributing significantly to regional income. Local governments adept at managing tourist attractions stands a better chance of increasing local original revenue (PAD). In conclusion, the proposed introduction of a mandatory levy of IDR 150,000 per person for foreign tourists visiting Bali reflects the Bali Provincial Government's commitment to addressing budget deficits and enhancing local revenue. This initiative, aligned with Law No. 15 of 2023, aims to safeguard Bali's culture, natural environment, and infrastructure development. The funds collected are intended to support environmental conservation and waste management, contributing to the sustainability of Bali's tourism sector. The Bali Regional People's Representative Council (DPRD Bali) has taken steps to ensure transparency in fund management, emphasizing the mandatory nature of the levy and outlining sanctions for non-compliance. Tourism stakeholders, including the Bali Tourism Board, generally support the imposition of levies on foreign tourists, considering it a global practice. The success of this initiative depends on the careful management of funds, collaboration among stakeholders, and adherence to regulations. If implemented successfully, the levy has the potential to generate significant revenue, estimated at around IDR 900 billion per year if foreign tourist visits reach pre-pandemic levels. The ultimate goal is to utilize these funds for the development of Bali's tourism infrastructure, targeting premium and upper-middle-class international tourists while promoting sustainable tourism practices.
Deconstructing Symbols and Meanings in the Kecak Dance Alit Sankara
Bali Tourism Journal Vol. 7 No. 3 (2023): Available online : 1 December 2023
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v7i3.98

Abstract

Initially, tourists visited the village where the group resided to witness the Kecak dance. However, the dance's popularity grew, and it became a feature in various events. Tourists could now enjoy Kecak performances at destinations like Uluwatu, Tanah Lot, Batubulan, and others, which provided dedicated spaces for these performances. The Kecak dance, born out of creative cultural expression, became a unique art form showcased specifically for tourists. The choreography in Kecak dance is divided into five parts. In this choreography, all elements in the Kecak performance interact, creating a message directed to the audience. In dramaturgical analysis, it's important to note that Kecak Dance focuses on the aspects of performing arts. It is a dance highly specific to Balinese culture with unique characteristics reflecting their identity and cultural heritage. In the analysis of the staging of Kecak Dance using Symbolic Interactionism Theory, it portrays human life from a Hindu perspective consisting of Suka (joy), Duka (sorrow), Lara (pain), and Pati (death). The characters in Ramayana represent the qualities of protagonists and antagonists, which then interact with each other, giving rise to new universal values, such as Loyalty. Understanding the message in Kecak dance can be enhanced by increasing the involvement of tour guides as providers of additional information to tourists. Additionally, providing brochures containing synopses of the Ramayana story or the plot of Kecak dance in foreign languages during the performance can help the audience understand the presentation more easily, allowing the art to be fully appreciated.
Bridging Tradition and Tourism in Puri Saren Agung Ubud Adnyawati, Ida Ayu Agung
Bali Tourism Journal Vol. 7 No. 3 (2023): Available online : 1 December 2023
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v7i3.99

Abstract

Puri, as one of the cultural heritages, contains cultural elements worthy of conservation. In addition to culture, Puri carries a reputation and inherent authority, shaping the image of leaders in society. The ancient buildings with extraordinary architecture and carvings on each structure not only stand as witnesses to the kingdom's past but also function as a living museum. The artistic system within this cultural element is manifested by the shift in the function of Puri Saren Agung Ubud from a residence to a tourist destination packaged with cultural tourism. . Tjokorda Gde Agung Sukawati's visionary establishment of the Tedung Agung Studio in the 1980s has not only provided a space for children to learn dance and percussion but has also contributed to the preservation and evolution of traditional Balinese performing arts. The tourism experience of performing arts at Puri Saren Agung has further elevated the cultural significance of Ubud. Balinese art, with its dual functions of wali and balih-balihan, has become a captivating form of tourist performing art. From the classical Legong dance to other traditional performances, Puri Saren Agung Ubud has been a focal point for tourists seeking an authentic and immersive encounter with Balinese culture.
Political communication as a tool to strengthen customary law at indigenous village in Bali Suputra, I Gede Mas
Bali Tourism Journal Vol. 8 No. 1 (2024): (Available online: 1 April 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i1.100

Abstract

Bali is renowned for its cultural diversity and unique local wisdom, particularly within the context of Hindu traditions. Balinese customary law is a foundation that plays a crucial role in preserving cultural values, maintaining traditions, and conserving the local wisdom that defines the island. However, political communication can also be considered both a scientific activity and a political activity within the political system. In general terms, political communication is a communication process that contains political messages. In political communication, messages conveyed by communicators or communicatees do not necessarily need large-scale or deeply political messages. In the context of globalization, Bali, as part of Indonesia, faces challenges in maintaining its cultural identity, especially within the framework of customary law. Balinese customary law is critical in preserving cultural values, Hindu traditions, and local wisdom. Although customary law is private, the state's recognition and protection of the Balinese customary law community are increasingly realized through the amendments to the 1945 Constitution and the ratification of Law No. 11 of 2005. In the political context, implementing Balinese customary law involves political communication strategies, including community education, media engagement, collaboration between legal and customary institutions, shared language, dialogue, and community participation. The standard principles in Balinese customary law emphasize shared understanding when facing differences, and effective political communication is necessary to ensure the sustainable and fair enforcement of customary law.
Unveiling Transcendental Symbols in the Rejang Ayunan Tradition of Pupuan, Tabanan I Gusti Made Andrian Sumantri
Bali Tourism Journal Vol. 8 No. 1 (2024): (Available online: 1 April 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i1.101

Abstract

The Rejang Ayunan Dance tradition is one of the rituals conducted during the full moon ceremony (Purnama Kapat) in the Piodalan Ceremony at Puseh temple, Bale Agung Village, Pupuan Sub-district, Tabanan Regency, Bali. This tradition involves a group of male dancers, ranging from children to unmarried individuals, performing en masse. The Rejang Ayunan Dance is a ceremonial dance specifically intended for ritual purposes, particularly the Dewa Yadnya ceremony. According to the belief of the people of Pupuan Village, failure to perform the Rejang Ayunan Dance may result in crop failure, pest infestation, and disease outbreaks. The tradition of Rejang Ayunan Dance has been passed down from one generation to the next and plays a significant role in the social, cultural, and religious life of the Pupuan Village community. However, the existence of this tradition faces challenges from the influences of modernization, urbanization, and changing cultural preferences. The influence of mass media and popular culture can also reduce the interest of the community, especially the younger generation, in learning and practicing this tradition. To address these challenges, the Pupuan Village community needs to strengthen their commitment to preserving this tradition. Steps that can be taken include raising awareness of the value and beauty of the tradition through appropriate education and promotion, actively involving the younger generation in traditional activities, strengthening intergenerational communication, and obtaining financial support and resources from various parties concerned with the preservation of local culture.
Analysis of the Philosophical and Spiritual Meaning of Sidakarya Mask Dance I.B. Gede Putra Kinandana
Bali Tourism Journal Vol. 8 No. 1 (2024): (Available online: 1 April 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i1.102

Abstract

The Sidakarya mask is particularly important, symbolizing the descent of Wisnu Murti (Lord Vishnu) to conclude ceremonies. It belongs to the wali dance category and is typically performed close to the ceremony location, serving as a ceremonial conduit alongside the Ida Pedanda leads the prayer. This dance signifies the culmination of the offering ritual preceding the communal worship led by the Sulinggih. Consequently, the Sidakarya mask holds various theological, aesthetic, and philosophical meanings. the Sidakarya mask dance symbolizes the bestowal of prosperity, the elimination of all impurities and illnesses in oneself and nature (Bhuana Alit and Bhuana Agung). The Sidakarya mask dance is a figure of a Brahmana who has rendered service and is capable of creating prosperity for the Hindu community in Bali through the stories performed, which contain meanings and symbols of communication believed by Hindus as a sacred dance used to facilitate the conduct of yadnya ceremonies. The ngayab movement in the Sidakarya mask dance is a symbol of communication that ensures that the yadnya ceremony proceeds smoothly without any disturbances at the niskala level. The movement of scattering yellow rice symbolizes communication, containing the meaning of offering sesajen to evil spirits to prevent them from disturbing humans. The Sidakarya mask dance movement is supported by the properties carried by the Sidakarya mask dancers while dancing, which contain meanings and symbols of communication believed by Hindus as facilitators of the yadnya ceremony.
Exploring culture and tourism of Ternate Island, a prominent sultanate in eastern Indonesia : A Report Meranggi, Yogi
Bali Tourism Journal Vol. 8 No. 1 (2024): (Available online: 1 April 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i1.103

Abstract

Ternate is a city situated at the foot of the Gamalama volcano on Ternate Island in the province of North Maluku. Historically, Ternate has served as a centre of civilization for nearly all the communities in North Maluku. Its cultural landscape reflects a complex blend of historical legacies, indigenous traditions, and external influences. As a significant centre of civilization, Ternate's historical importance stems from its role in the spice trade and as the seat of the influential Sultanate. Established in the 13th century, the Sultanate merged local customs with Islamic principles, shaping its governance structures, social hierarchy, and religious practices. Despite the Islamization process, Ternate's social fabric retained a diverse ethos, with indigenous beliefs coexisting alongside Islam, reflecting a multifaceted cultural landscape. This intricate social structure is evident in Ternate's hierarchical society, where noble families interact with commoners within a structured framework, upholding ancestral traditions. Ritual practices like the kololi kie and fere kie highlight the islanders' deep reverence for their cultural roots, emphasizing a solid connection to sacred sites and ancestral spirits, reinforcing the enduring importance of tradition in shaping Ternate's collective identity. Beyond its cultural heritage, Ternate's appeal lies in its diverse natural landscape, offering a range of geographical features and scenic views. From the majestic Mount Gamalama to the serene Ngade Lake, Ternate boasts various natural attractions for exploration and admiration. Additionally, historical landmarks such as Kalamata Fort and Sultan Ternate Mosque provide insights into the island's colonial history and Islamic heritage, enriching visitors' cultural experiences.
Analysis Layout of Bukit Mentik Temple in Natyasastra Perspective Wicaksana, Ida Bagus Agung
Bali Tourism Journal Vol. 8 No. 1 (2024): (Available online: 1 April 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i1.104

Abstract

Bukit Mentik temple has long been a significant place of worship for the local community. Some people believe that this area holds mystical power for fulfilling various desires. Many visitors come with diverse intentions, from seeking a unique vacation place to fulfilling personal wishes. The temple's architecture is distinctive and unique, reflecting Hinduism's rich cultural and spiritual heritage. The temple is built according to the Tri Mandala concept, encompassing the innermost, middle, and outer courtyards. The analysis of Bukit Mentik temple within the context of Natyasastra reveals how its architectural design and use of space play a crucial role in creating a rich and meaningful religious experience for visitors and Hindu devotees. The temple's symmetrical beauty, detailed ornamentation, and expansive open spaces used for various religious rituals and performances embody the principles of Natyasastra. These elements facilitate a profound connection between the participants and the sacred atmosphere of the temple. Additionally, the symbolic interpretations of architectural forms, such as gateways and pagodas, highlight the deep spiritual significance embedded in the temple's design. By integrating concepts from the Natyasastra and research on Balinese temple architecture, Bukit Mentik temple is a testament to the intricate relationship between religious practice, architectural beauty, and cultural heritage in Balinese Hinduism.
The Performance of the Baris Goak Dance in the Pujawali Ceremony at Pura Puseh, Selulung indigenous village, Kintamani, Bangli Regency Suhendra, Eka Ari
Bali Tourism Journal Vol. 8 No. 2 (2024): (Available online: 1 August 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i2.107

Abstract

This study explores the significance of religious ceremonies in Hindu communities, with a focus on the Pura Puseh temple and the Baris Goak dance in Selulung, Kintamani, Bali. Pura Puseh, an ancient temple of the Kahyangan Tiga, serves as a key site for rituals connected to prosperity and blessings. The Baris Goak dance, unique to Selulung, is a sacred performance that symbolically represents the battle between crows (seen as harbingers of death) and a spiritual hero, Mangku Pucangan. Rooted in cultural and historical narratives, this dance integrates traditional music, costumes, and rituals, reflecting the deep relationship between art, religion, and community identity in Balinese society. The historical development of Selulung village, driven by unity and leadership, further illustrates how these cultural practices have been preserved and continue to play a central role in maintaining spiritual and social harmony. The preservation of the Baris Goak dance, supported by village customs and regulations, highlights the enduring transmission of spiritual and cultural values across generations, ensuring the continuation of a rich heritage in the modern era.
The Meaning And Function Of Rerajahan In The Religious Life Of The Balinese Hindu Community Werdiyasa, I.B. Komang Surya
Bali Tourism Journal Vol. 8 No. 2 (2024): (Available online: 1 August 2024)
Publisher : Bali Tourism Board

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36675/btj.v8i2.108

Abstract

This abstract provides an overview of rerajahan, a form of sacred symbolism prominent in Bali, often referred to as the Island of the Gods. Rerajahan consists of small cloth pieces adorned with intricate images and inscriptions, such as human figures, mythical creatures, and sacred motifs, displayed on structures like homes and shrines. These symbols, embodying both artistic and spiritual dimensions, serve to invoke blessings and protection, reflecting the deep cultural and spiritual practices of the Balinese community. The term "rerajahan" originates from "rajah," indicating an inscription or image with mystical power. In Balinese Hinduism, rerajahan is classified into two types: "rerajahan pengiwa" (left-hand path) and "rerajahan penengen" (right-hand path), each with distinct spiritual roles. These symbols are not mere decorations but require specific rituals, known as "pasupati," to activate their spiritual efficacy. The process of creating and activating rerajahan integrates sacred scripts, such as Modré, with symbolic imagery to harness their magical properties. Rerajahan plays diverse roles in Balinese rituals and daily life, including protection, healing, and enhancing spiritual well-being. It features prominently in religious ceremonies like the Panca Yadnya rituals and is used in offerings and personal amulets. The complex Balinese script and careful selection of media for rerajahan highlight its cultural and religious significance. Whether depicted on cloth, metal, or other materials, rerajahan represents a profound connection to the divine, underscoring its importance in both sacred and everyday contexts within Balinese Hinduism.

Page 10 of 13 | Total Record : 124

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