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GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja
Published by Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja
ISSN : 25986848     EISSN : 27221415     DOI : -
Core Subject : Religion, Humanities,
Religion Humanities
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja hadir untuk memberi ruang bagi para penulis yang ingin mengembangkan dan menyebarkan nilai-nilai filsafat Hindu. Implementasi ajaran filsafat khususnya filsafat Hindu ini hampir setiap saat dijumpai dalam setiap aspek kehidupan umat beragama. Genta Hredaya sebagai Jurnal Filsafat Hindu berusaha melakukan pencerahan melalui kontemplasi hakikat berbagai macam pengetahuan keagamaan. Fokus Genta Hredaya adalah: 1. Filsafat Hindu 2. Ilmu Filsafat 3. Ilmu Agama 4. Ilmu Budaya 5. Filsafat India 6. Filsafat Nusantara 7. Kajian Susastra Hindu
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 124 Documents
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PEMUJAAN AGNI DALAM SAMA WEDA I Nyoman Suka Ardiyasa; I Nyoman Raka Astrini
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 4, No 1 (2020): Filsafat Ketuhanan
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v4i1.518

Abstract

One of the Sama Weda holy book is  discuss Agni worship which is believed to be able to destroy sins and be able to provide information or efforts towards success or efforts to obtain art. In the Reg Vedic scriptures, in the first mantram, the first Sukta at the first Mandala Agni is called Purohita the devata which leads to prosperity and happiness. In Sama Weda, Agni is said to be a witness who still exists today in every Hindu worship. Agni is a visible manifestation of God Almighty who is very close to his people who are believed to always give his holy light to help his people in life, where in the implementation of the yajna ceremony conducted by his people Agni is always the witness as an ambassador, chosen, in the organizer of the holy yajna because it is believed Agni who gave all the wealth and protect his people from all suffering.Anggraini, P. M. R., & Somawati, A. V. (2020). PRAMANA DALAM PERSPEKTIF PENALARAN FILSAFATI. Genta Hredaya, 2(2).Artiningsih, N. W. J. (2020). ESTETIKA HINDU PADA PEMENTASAN TOPENG SIDAKARYA DALAM UPACARA DEWA YADNYA. Genta Hredaya, 3(2).Dewi, N. M. E. K. (2020). TEOLOGI DALAM PEMUJAAN SIWA LINGGA. Genta Hredaya, 3(2).Eka Suadnyana, I. B. (2020). IMPLEMENTASI NILAI ETIKA HINDU PADA GEGURITAN NI SUMALA. Bawi Ayah: Jurnal Pendidikan Agama Dan Budaya Hindu, 11(1), 100-116. https://doi.org/10.33363/ba.v11i1.445Gunawijaya, I. W. T. (2020). TEOLOGI SEKS DALAM PENCIPTAAN KETURUNAN SUPUTRA. Genta Hredaya, 3(2).Hartaka, I. M. (2020). MEMBANGUN SEMANGAT KEBANGSAAN PERSPEKTIF ETIKA HINDU. Genta Hredaya, 3(2).Heriyanti, K. (2020). KEUTAMAAN API SEBAGAI SIMBOL DEWA AGNI DALAM AKTIVITAS RITUAL KEAGAMAAN UMAT HINDU. Jñānasiddhânta: Jurnal Teologi Hindu, 2(1).Krishna, I. B. W. (2020). KAJIAN MULTIKULTURALISME: IDE-IDE IMAJINER DALAM PEMBANGUNAN PUJA MANDALA. Genta Hredaya, 3(2).Marselinawati, P. S. (2020). FILSAFAT KETUHANAN DALAM BHAGAVAD GITA. Genta Hredaya, 3(1).Minsarwati, W. 2002. Mitos Merapi dan Kearifan Ekologi. Kreasi Wacana  : Yogyakarta. Pudja, Gede. 1979. Sama Weda. Departemen Agama RI : Jakarta.Semadi Astra Dkk. 2010. Mutiara Warisan Budaya Sebuah Bunga Rampai Arkeologis. Arkeologi Fakultas Sastra Kerjasama dengan Progran Studi Magister dan Program Doktor Kajian Budaya Universitas Udayana Denpasar. Titib., I Made. 2007. Teologi dan Simbol-Simbol dalam Agama Hindu. Paramitha : Surabaya.Untara, I. M. G. S., & Suardika, I. N. (2020). MAKNA FILOSOFI AJARAN SIWA BUDDHA DALAM LONTAR BUBUKSAH. Genta Hredaya, 3(1).Windya, I. M. (2020). KAKAWIN ARJUNA WIWĀHA: KAJIAN TEOLOGI HINDU. Genta Hredaya, 3(2).Yhani, Putu Cory Candra. "RELEVANSI AJARAN SOCRATES DALAM AGAMA HINDU." Genta Hredaya 3.2 (2020).Yogiswari, K. S. (2020). Tabu, Perspektif Filsafat Seputar Seksualitas Manusia. Nilacakra.Yogiswari, K. S. (2018). PENDIDIKAN HOLISTIK JIDDU KRISHNAMURTI. GUNA WIDYA: JURNAL PENDIDIKAN HINDU, 5(1).Suadnyana, I. B. P. E. (2020). AJARAN AGAMA HINDU DALAM GEGURITAN KUNJARAKARNA. Genta Hredaya, 3(1).
PRAMANA DALAM PERSPEKTIF PENALARAN FILSAFATI Putu Maria Ratih Anggraini; Ayu Veronika Somawati
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 2 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i2.443

Abstract

Pramana or the way to observe or know knowledge is a method used to find truth in the Hindu tradition. Pramana is divided into 3 parts commonly referred to as Tri Pramana, namely Pratyaksa Prana or direct observation giving us knowledge about objects according to their respective circumstances. Anumana Pramana seeks the truth based on 5 (five) things, namely 1) Pratijana, namely introducing the object of the problem about the truth of observation, 2) Hetu,namely the reason for deviation, 3) Udaharana, which connects with the general rules about a problem, 4) Upanaya, namely the use of rules The general is in the fact that seen, and 5) Nigama, in the form of correct and definite conclusions from all previous processes. Sources that are related to the problems faced are not valid or valid in their existence so that the sources that have a relationship are included to strengthen their opinions and help in drawing conclusions tobe analyzed in search of the true truth. The third Pramana is Upamana Pramana is a way of observing by comparing the similarities that may occur or are contained in objects observed with objects that already exist or have been known. This comparison is used as a helper and complementary in the analysis process and draws a conclusion from the problem at hand.
TEOLOGI DALAM PEMUJAAN SIWA LINGGA Ni Made Evi Kurnia Dewi
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 2 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i2.467

Abstract

Bali is an area that has a lot of culture, one of them in the form of phallus worship. phallus a is a symbol to worship Lord Shiva, This worship has a role and function that is quite important in the life of the Hindu community in Bali. he existence of phallus worship in Bali can be seen from the actions of the community to carry out the worship. Existence is the result of the social actions of the adherents, based on stimulus or response from the community to preserve the implementation of the phallus worship until it still exists until now. Implications or involvement of Hindus in the implementation of the worship of Shiva lingga in Bali, namely: 1). Increase sradha bhakti, sradha bhakti is done by way of Marga bhakti realized through arcanam namely worship in the form of media statues or pratimas. Increase beliefs about Hindu cosmology, Cosmology in the worship of the phallus places Lord Shiva the primary cause which lives the entire universe, the phallus is also believed to be the cause of creation, when the phallus is worshiped together with the yoni (phallus yoni) this pratima is believed to have two purusa powers and pradana, the meeting between these elements of power is believed to be able to create life in the universe
PERMAINAN TRADISIONAL SEBAGAI MEDIA PELESTARIAN BUDAYA DAN PENANAMAN NILAI KARAKTER BANGSA I Gusti Agung Jaya Suryawan
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 2 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i2.432

Abstract

Game activities that can develop the psychological aspects of the child can be used as a learning tool in preparation for the adult world. Traditional gameplay is an intergenerational heritage that has a symbolic meaning behind movement, speech, and tools used. These messages are useful for the cognitive, emotional and social development of children as a preparation or means of learning toward life in adulthood. The rapid development of electronic games makes the position of traditional games increasingly eroded and almost unknown. The traditional game of the child is one form of folklore in the form of which circulates orally among certain collective members, traditionally inherited and inherited, and many have variations. Since it includes folklore, the nature or characteristics of the child’s traditional game is old age, unknown to its origin, who it is and where it came from. Traditional games are usually spread by word of mouth and sometimes experience a change in name or form even though they are essentially the same. In relation to character education, the family has a considerable share, because starting from where the planting of moral values can be developed so that juvenile delinquency problems can be avoided. Broadly speaking, character education aims to guide children toward maturity so that children can get a balance between sense and cultural sense and can realize the balance in the future. Therefore, a certain step that can be taken by parents that is, able to provide a positive stimulus and fun to his son, one of them through the traditional game. The traditional permanent development as a vehicle for educating a pleasant character is not so difficult.
SAKRAL-PROVAN DALAM PERSPEKTIF EPISTIMOLOGI BRAHMA WIDYA I Putu Gede Parmajaya
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 1 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i1.143

Abstract

Art in Hindu perspective in Bali has a very basic position, because it can not be separatedfrom the Hindu community relegius. Ceremonies in temples (holy places) also can not be separatedfrom the arts such as sound art, dance, karawitan, painting, fine arts, and literature. Temples,temples and others are built in such a way as an expression of the aesthetic, ethical, and religiousattitudes of the Hindus in Bali. Pragina or dancers in the spirit of ngayah or work withoutshowing pamelih various forms of art as a form of bhakti before Ida Sang Hyang Widhi Wasa(God Almighty). In it there is a sense of devotion and devotion as a form of longing to meet thesource of art itself and artists want to be one with the art because in fact every human being inthis world is a spark of art. Thus our knowledge of the art of sacred dance needs to be improved,so that we have the basis of penguuan and philosophical meaning of sacred and provan artform. This is important to do considering the essence of sacred art (especially) dance isincreasingly less understood by the Hindus, so it is feared over time the sacral dance will becomeprofane.
FILOSOFI ORANG SUCI HINDU DAN PERAN KEPEMIMPINAN HINDU I Ketut Subagiasta
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 2 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i2.458

Abstract

This paper described about “The philosophy the holy man and the role of leadership of Hinduism”. Some explanation about its namely about the philosophy the priest of Hidu, some names the priest of Hindu, the role of priest of Hindu, and the duty of piest of Hindu, also about existence the priest of Hindu. Then also described about the philosophy leadership of Hindu, the role of the Hindu leadership, teaching the Hindu leadership, some efforts Hindu leadership in the connect in the quality human resourses of Hindu, and also about the sinergy Hindu leadership in the depelovment of physical and nonphysical.
AJARAN AGAMA HINDU DALAM GEGURITAN KUNJARAKARNA Ida Bagus Putu Eka Suadnyana
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 1 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i1.448

Abstract

Geguritan is one of Bali literary works that is easier to understand than Kekawin sincemit uses language of Bali kepara. Geguritan divided into several stanzas. Geguritan is a media tonconvey the teachings, particularly the Hindu teachings, to the people so the readers can understand the teachings contained. Moreover, Geguritan Kunjarakarna contains of teachings and high philosophy of life.  Geguritan contains of 2 elements, namely Shiva and the Buddhist religion, which is saw the presence of Wairocana (Embodiment Buddhist Deity) in the hermitage Kunjarakarna to give Dharma teachings. On the island of Java precisely in the city of Malang, Central Java, there is also a historical relic temple called the temple Jajaghu (Jago) which shows Kunjarakarna relief. The teachings of Hinduism are contained in geguritan Kunjarakarna include: a) Teaching Asta Brata that teaches about the nature of leadership; b) the teaching of Tri Hita Karana which teaches how to maintain harmonious relationship with God, the environment and each other; c) The doctrine that teaches Tri Color for love, d) The doctrine that teaches all Karmaphala no reward good deeds or bad, e) The doctrine of the existence of Atman Beliefs, f) Sad Guna and Sad Ripu that teach good and bad attitudes that exist within human.
KOMODIFIKASI UPACARA NGABEN PADA MASYARAKAT HINDU DI DKI JAKARTA (Kajian Bentuk, Makna, dan Implikasi) Untung Suhardi; Anak Agung Ketut Patera
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 4, No 1 (2020): Filsafat Ketuhanan
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v4i1.514

Abstract

Based on the research I have done that this funeral procession is an implementation of the activities that have a religious ritual sacred functions and is linked between one another procession. The implementation in Jakarta ngaben different implementation cremation held in Bali that the implementation of cremation has been judged to be in accordance with the nature of thinking citizens jakarta high mobility, but in practice does not detract from the core implementation of the cremation. So that's besides the cremation ceremony for the dead to deliver atman abstract nature, it is also used to foster a sense of social solidarity with other Hindus. Implement holiness is essentially the purpose of human birth senagai, namely as a process of purification for all the sins of the past were not depleted of life enjoyed in the past is called karma Wasana so now's the life of man should strive to cleanse the sins of those. Agency is a tool to achieve dharma, artha, kama, moksanam, sariram, sadanam, therefore, through the agency of human trying to achieve a goal in life, that one way is by continuing to maintain the sanctity of her. Of implementation there is also the positive and negative aspects arising from the implementation of the implementation of the cremation.
NILAI TEOLOGIS ARSITEKTUR TRADISIONAL MASYARAKAT HINDU DI BALI I Made Pasek Subawa
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 2 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i2.438

Abstract

The traditional architecture of Hindu society in Bali is a blend of material and spiritual dimensions. The combination of these two dimensions form the energy and strength in the building that is created, so, it can give a sense of comfort and quiet in the person who occupy it. In the belief of Balinese, the people of Bali, the process of building construction is not just to build, but it is done by stages and careful  lanning, from the selection of good days, the selection of building materials, up to the means of ceremony. The stage is implemented because the building is not only used as a residence, but also used as a place to carry out various ceremonial activities. This is what causes the traditional Balinese architecture has a spiritual value that makes the building has magical power that can make people who occupy it to be comfortable and quiet.
MAKNA FILOSOFIS ELEMEN ELEMEN PERTUNJUKAN WAYANG KULIT LEMAH BALI I Putu Ardiyasa
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 2 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i2.463

Abstract

Wayang kulit art has many types, one of which is the Weak Wayang as a sacred performance that is used as an accompaniment to a yadnya ceremony. As the name suggests Weak puppets should be performed during the day and in line with the accompanying yad, but if the ceremony takes place at night, still use the Weak Puppet Show, because its main function is to accompany the Panca yadnya, namely: Manusa Yadnya, Pitra Yadnya, Dewa Yadnya, Bhuta yadnya and yadnya receipt. This research seeks to examine in more depth the elements of the Weak Skin Puppet show from a philosophical aspect. The research data was obtained through observation, interviews with five masterminds and looked for additional data through literature study. this research shows that each of the elements (people, puppets, gamelan and supporting properties) have interconnected philosophical meanings.

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