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Andri Wicaksono
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Ksatra: Jurnal Kajian Bahasa dan Sastra
Published by STKIP PGRI Bandar Lampung
ISSN : 26849291     EISSN : 26861844     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Education Languange, Linguistic, Communication & Media
Ksatra: Jurnal Kajian Bahasa dan Sastra diperuntukkan sebagai media informasi dalam penyebarluasan hasil penelitian dan publikasi ilmiah mengenai berbagai kajian kesusastraan, baik sastra Indonesia maupun sastra lokal (daerah), fenomena kebahasaan, dan pembelajaran bahasa-sastra. Jurnal ini hadir atas kerjasama antara STKIP PGRI Bandar Lampung, Kantor Bahasa Lampung (KBL), dan Himpunan Sarjana Kesusastraan Indonesia (HISKI) Komisariat Lampung. Jurnal Ksatra diterbitkan oleh Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) STKIP PGRI Bandar Lampung yang pengelolaannya dipertanggungjawabkan pada Program Studi Pendidikan Bahasa dan Sastra Indonesia.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 233 Documents
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Kebenaran Sebagai Misteri: Tinjauan Epistemologis Terhadap Konsep Spiritualisme Kritis Ayu Utami Hasan Labiqul Aqil
Ksatra: Jurnal Kajian Bahasa dan Sastra Vol. 8 No. 1 (2026): Ksatra
Publisher : LPPM STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/196j9x85

Abstract

This study departs from the problem of the dichotomy between positivistic rationalism and religious dogmatism, both of which reduce truth to absolute claims. It aims to formulate the position of “mystery” as an epistemic category within the concept of Critical Spiritualism developed by Ayu Utami. The research employs a qualitative approach based on library research with a descriptive-analytical method, combined with philosophical hermeneutic analysis of Utami’s major works, particularly Simple Miracles (2014), Anatomi Rasa (2019), and the essay Critical Spiritualism (2015). The findings reveal that “mystery” is not positioned as ignorance, but as an epistemic horizon that preserves the openness of knowledge and resists claims of totality. This concept gives rise to epistemic humility, which functions as a critique of both scientific and religious absolutism. The discussion shows that Critical Spiritualism operates as an integrative epistemological model that connects reason, experience, and the spiritual dimension in a dialogical manner without falling into relativism. In conclusion, truth within this framework is processual, partial, and open-ended, making it more relevant for contemporary plural societies. The contribution of this study lies in formulating mystery as a valid mode of knowledge while also serving as an ethical foundation to prevent ideological domination in claims of truth.
A Rigorous Stylistic Analysis of My Chemical Romance’s "Disenchanted": A Leech and Short Approach to the Lexico-Grammatical Construction of Disillusionment Reyhan Habib Akbar; Evaness Jocelym; Rahmadsyah Rangkuti
Ksatra: Jurnal Kajian Bahasa dan Sastra Vol. 8 No. 1 (2026): Ksatra
Publisher : LPPM STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/3x4h3454

Abstract

This study investigates the linguistic and stylistic architecture of the song "Disenchanted" by the alternative rock band My Chemical Romance, utilizing the comprehensive framework proposed by Geoffrey Leech and Michael Short (1981/2007). While contemporary musicology frequently prioritizes acoustic performance, this paper treats modern lyrical texts as autonomous literary discourse. Employing a bottom-up methodology, the text is analyzed across six distinct linguistic strata: lexical choices, grammatical structures, figurative language, foregrounding mechanisms, phonological patterns, and cohesive devices. The empirical findings reveal a systematic reliance on stative and mental predicates (75% of total verbs) over dynamic actions, a calculated second-person pronominal dominance (50%) that serves as an identity-distancing tool, and striking semantic deviations that flatten human suffering into a mundane, failed theatrical production. Phonologically, dense clusters of sibilance create a cynical, whispering atmosphere that undercuts the typical energy of a rock anthem. Ultimately, this study demonstrates that the emotional resonance of 2000s alternative rock is a meticulously patterned linguistic construct, proving that contemporary popular lyrics possess the structural complexity to warrant rigorous stylistic inquiry.
The Digital and Multimodal Turn in Eid Greetings: Reconfiguring the Meaning of Text in the 2026 Digital Eid al-Fitr   Greeting Puji Laksono; Rochyani Lestiyanawati; Arif Widyantoro
Ksatra: Jurnal Kajian Bahasa dan Sastra Vol. 8 No. 1 (2026): Ksatra
Publisher : LPPM STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/26c04r97

Abstract

  This study aims to examine the implications of digital communication in expanding the definition of text from linguistic and cultural studies perspectives, focusing on Eid al-Fitr greetings in 2026 as the object of analysis. Traditionally, text has been understood as a linear linguistic structure centered on verbal elements. However, the rapid development of digital technology has transformed communication practices into multimodal forms that integrate various semiotic resources, including visuals, colour, typography, layout, audio, and animation. This study employs a qualitative approach using Multimodal Discourse Analysis (MDA) to investigate how meaning is constructed through the interaction of these semiotic modes in digital greeting messages. The findings reveal that text can no longer be confined to a purely verbal entity but must be understood as a complex and dynamic semiotic ensemble. Meaning is produced through the orchestration of multiple modes that function simultaneously and interdependently. Visual elements, such as religious symbols, colour schemes, and compositional design, play a dominant role in shaping audience interpretation and emotional engagement, often preceding verbal processing. Additionally, the study highlights the significant role of users within digital ecosystems as active producers (prosumers) who creatively combine semiotic resources to express religious identity, cultural values, and social relationships. Furthermore, digital Eid greetings function not only as religious expressions but also as social practices that maintain and strengthen interpersonal connections in virtual spaces. This transformation indicates a broader paradigm shift in communication, where texts become participatory, multimodal, and context-dependent. Consequently, this study contributes theoretically to the redefinition of text in the digital era and emphasizes the importance of multimodal approaches in analyzing contemporary communication practices.

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