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JOURNAL OF LANGUAGE
Published by Universitas Islam Sumatera Utara
ISSN : 26559080     EISSN : 26858878     DOI : https://doi.org/10.30743/
Core Subject : Humanities, Education, Social,
Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Journal of Language (JoL) is an open access and a peer reviewed scientific journal covering research reports in linguistics, literature or language teaching, and critical evaluations of books on the related areas published by Faculty of Literature, Islamic University of North Sumatra (UISU), Medan, Indonesia. The main objective of JoL is to provide a platform for scholars, academicians and researchers to share the contemporary thoughts mainly in the fields of language, literature, and language teaching. This journal is published twice a year in May and November.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 28 Documents
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Search results for , issue "Vol 6, No 2: November 2024" : 28 Documents clear
CATALYSTS FOR SELF-RELIANCE IN WHERE THE CRAWDADS SING BY DELIA OWENS Desyara, R.A Trivani; Manugeren, M.; Pawiro, Muhammad Ali; Siwi, Purwanto
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9609

Abstract

This research aims to provide an in-depth analysis of self-reliance and its major causes, focusing on the concept proposed by Emerson and other related theories and concepts. The study employs a sociology of literature approach, which is well-suited to examine the social environment of the characters within the literary work. Additionally, the behaviorism perspective is utilized to analyze the behavioral phenomena that arise in relation to self-reliance. According to Savatagi, the causes of self-reliance include social, economic, political, and human agency factors, which set the boundaries for this analysis. Delia Owens' novel Where the Crawdads Sing serves as the primary source for this qualitative descriptive study, with additional books and related publications as secondary sources. The findings indicate that Kya's self-reliance is primarily driven by unsupportive social conditions, which prevent her from becoming dependent on others. Instead, these conditions foster a perception of self-reliance that helps Kya develop into a strong, independent individual who does not rely on external help.
NEGATIVE POLITENESS STRATEGIES IN ANDREA HIRATA’S NOVEL LASKAR PELANGI Khair, Muhammad; Manugeren, M.; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9328

Abstract

This research delves into the intricate portrayal of negative politeness strategy in Andrea Hirata's novel Laskar Pelangi. Employing linguistic politeness theory by Brown and Levinson and a structuralism approach, the study aims to elucidate the connection between linguistics and literature within the novel's context. Utilizing a qualitative research methodology, the text is analyzed, focusing on instances of negative politeness strategies employed by characters in various social interactions. Through a descriptive qualitative approach, 53 instances of negative politeness strategies are identified in the novel. The literature review underscores the significance of negative politeness for maintaining rapport and respect in social interactions, particularly in contexts prone to imposition or conflict. Extracted examples from the novel illustrate how characters utilize negative politeness to navigate complex social dynamics and preserve harmonious relationships within their community. The findings reveal cultural nuances embedded in politeness strategies, reflecting Indonesian societal norms and values. Characters in Laskar Pelangi employ indirect speech acts, hedging language, and deferential expressions to mitigate threats to others' autonomy or comfort, contributing to the narrative's tone of warmth and sincerity. Overall, this research highlights the integral role of negative politeness strategies in shaping character interactions and reflecting cultural values in Laskar Pelangi. By employing these strategies, characters negotiate social hierarchies and navigate interpersonal relationships while demonstrating respect and consideration for others.
ILLOCUTIONARY SPEECH ACTS IN TAYLOR JENKIS REID’S NOVEL MALIBU RISING Hendriyani, Silvi; Pratiwy, Devi
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10102

Abstract

This research aims to identify the types of illocutionary speech acts found in the main characters' utterances in Taylor Jenkins Reid's novel Malibu Rising. Using Searle’s theory of illocutionary acts, the study examines the contextual meanings behind these acts. A qualitative descriptive methodology was applied, focusing on character dialogues as data. Data collection involved reading and analyzing dialogues, selecting utterances containing illocutionary acts. Analysis followed Miles and Huberman’s framework, encompassing data reduction, data display, and conclusion/verification. Results reveal that the main characters' utterances incorporate five types of illocutionary acts: representatives, directives, declaratives, commissives, and expressives, with directives and expressives being predominant. The research underscores the role of competitive and conflicting speech acts in character interactions, demonstrating how these acts advance the narrative and depict social dynamics. Findings suggest that illocutionary acts in Malibu Rising illustrate internal states, facilitate social interactions, and navigate interpersonal relationships. This study offers insights into the pragmatic functions of language in literature, enhancing understanding of how speech acts reflect real-life communication and contribute to character development and narrative structure. Future research could build on these findings by examining illocutionary acts in various literary genres and comparing their use across different authors and themes.
POLITICAL CONFLICT IN LAUT BERCERITA BY LEILA S. CHUDORI: INSIGHTS FROM NEW HISTORICISM Hartati, Rita; Pratiwy, Devi; Anayati, Wan
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9676

Abstract

This research investigates the political conflict depicted in Leila S. Chudori's novel Laut Bercerita, focusing on the portrayal of the student’s movement and authoritarian regime dominated by military force in Indonesia during the New Order era. Drawing on the theories of Sociology of Literature and New Historicism, the study aims to analyze the socio-political dynamics embedded within the narrative. The qualitative descriptive method is employed to examine the text in-depth, considering its historical significance and literary merits. Through close textual analysis, the research reveals the intricate interplay between fiction and reality, shedding light on the experiences of activists and the repressive tactics of the regime. The novel vividly captures the determination, struggles, and sacrifices of student activists as they challenge authoritarian rule, providing valuable insights into Indonesia's socio-political landscape. Additionally, the study explores the ways in which literature serves as a vehicle for social critique and historical remembrance, emphasizing the enduring relevance of Chudori's work in contemporary discourse. This research contributes to a deeper understanding of Indonesian history and literature, underscoring the importance of literature as a tool for socio-political commentary and cultural preservation.
SUFFERING IN EMILY DICKINSON’S SELECTED POEMS Yusni H., Yusni H.; Suhadi, Jumino; Purwarno, Purwarno
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9327

Abstract

This research examines the theme of suffering in Emily Dickinson’s selected poems, focusing on her unique poetic approach and the profound emotional resonance her work evokes. Emily Dickinson, a pivotal figure in 19th-century American literature, frequently explored themes of death, pain, and existential questions. Despite her reclusive life, her poetry is rich with personal imagery and symbols, reflecting her deep preoccupation with mortality and the human condition. The study utilizes a structural analytical approach, combining library research with descriptive qualitative analysis. This method involves a thorough examination of relevant literary critiques and an in-depth textual analysis of Dickinson’s poems. The aim is to uncover how Dickinson’s portrayal of suffering contributes to a deeper understanding of human experience. Findings indicate that Dickinson’s treatment of suffering is multifaceted, often depicting pain as a necessary aspect of the human soul's development and a precursor to joy and peace. Her poems suggest that pain and suffering are integral to personal growth and resilience. Dickinson’s ability to articulate the complexities of suffering through her innovative use of language and metaphor makes her work both timeless and universally relatable. Overall, Emily Dickinson’s exploration of suffering provides a profound insight into the human experience, highlighting the interconnectedness of pain, joy, and personal growth. Her poetry remains a significant contribution to American literature, offering a nuanced perspective on the inevitability of suffering and its role in shaping the human soul.
HUMAN EXPLOITATION IN ARAVIND ADIGA’S NOVEL THE WHITE TIGER Seftina, Dera; Suhadi, Muhammad Fatih
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10023

Abstract

Aravind Adiga’s The White Tiger explores the stark social disparities between the wealthy and impoverished in India, illustrating how systemic poverty perpetuates marginalization. The protagonist, Balram Halwai, narrates his journey from a lower-caste background to becoming a self-made, successful individual in India. Balram's story is not just one of personal ambition but also of navigating a rigidly stratified society. This study addresses two primary issues: the exploitation Balram endures due to his socioeconomic status; and his strategic actions are to attain freedom from the oppressive forces in his life. Using a library research method, the study integrates secondary sources, including books and articles, to deepen the analysis of the novel. Employing a psychological approach, this study examines the psychological complexities of Balram’s character, supported by theories on character development, data credibility, theoretical triangulation, and reliability. Balram is depicted as an astute yet morally ambiguous character, exhibiting selfishness, cunning, irresponsibility, dishonesty, and a lack of remorse. The analysis reveals how his behaviors and attitudes—such as detachment from others and deviant tendencies—are shaped by his environment. India’s entrenched caste system underpins various social issues in the novel, including poverty, unemployment, corruption in education, inadequate healthcare, exploitation, discrimination, and the persistence of hierarchical master-servant relationships. These factors collectively influence Balram’s psychological development, and shape him into a figure both reflective and critical of the society he navigates.
MAGICAL REALISM ELEMENTS IN DIANNA WYNNE JONES’ NOVEL HOWL’S MOVING CASTLE Juwairina, Salsa Ismil; Ekalestari, Susi
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10018

Abstract

This study offers an in-depth analysis of the elements of magical realism in Diana Wynne Jones' novel Howl's Moving Castle. The research focuses on specific instances of magical realism, examining their impact on character development, relationships, and personal growth throughout the narrative. Using Wendy B. Faris' theoretical framework of magical realism, this study aims to reveal how fantastical elements shape character interactions and influence readers’ perceptions of the genre’s unique attributes. A qualitative descriptive method is employed to identify three core elements of magical realism within Howl's Moving Castle: the irreducible element, the phenomenal world, and the disruption of time, space, and identity. These components are shown to significantly impact character dynamics and personal transformations, highlighting how magical realism blends reality with myth to explore complex human experiences and social themes. The findings provide valuable insights into the narrative techniques and thematic depth of the genre, enriching the understanding of magical realism’s role in literature.
MACHIAVELLANISM IN EKA KURNIAWAN’S NOVEL LELAKI HARIMAU Sonya, Trisya; Anayati, Wan; Pratiwy, Devi
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9519

Abstract

This research examines Machiavellianism in Eka Kurniawan’s novel Lelaki Harimau (Man Tiger), investigating how characters navigate power dynamics and ethical dilemmas in rural Indonesia. Drawing on Niccolò Machiavelli’s The Prince (1532), the study analyzes how characters employ cunning, manipulation, and strategic thinking to achieve personal goals. Utilizing textual, thematic, and interpretative analysis, the study dissects the novel’s narrative structure, character development, and thematic concerns related to Machiavellianism. Key passages reveal that characters, notably Margio, exemplify Machiavellian traits through concealing intentions, manipulating perceptions, and rationalizing morally ambiguous actions. The novel portrays a complex interplay of power dynamics, personal ambition, and cultural influences, shedding light on human capacity for deception and pursuit of power. This research deepens understanding of Machiavellianism in Southeast Asian literature, illuminating its role in exploring universal themes of power, morality, and human nature within an Indonesian context. By contextualizing Machiavellian behavior, the study enriches discussions on literature’s reflection of societal norms and ethical dilemmas, offering a nuanced perspective on Kurniawan’s portrayal of complex moral landscapes in contemporary fiction.
SUPPRESSION EFFORTS BY THE COLONIAL GOVERNMENT AGAINST THE PROTAGONIST IN PRAMOEDYA ANANTA TOER'S HOUSE OF GLASS Berutu, Achmanudin; Wulan, Sri
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.10095

Abstract

This research examines the Dutch colonial government's efforts to suppress the actions of Minke, the protagonist in Pramoedya Ananta Toer's novel House of Glass. Using a descriptive qualitative approach, the study analyzes words, phrases, and sentences in the novel that indicate colonial attempts to hinder Minke’s activities. The methodology involved qualitative data collection focused on identifying events that reflect the colonial government's interventions. The analysis centers on two key aspects: Minke's actions, which include spreading nationalist ideas, organizing movements, leading the SDI (Serikat Dagang Islam), and using speech and writing as tools for resistance. The findings reveal that the colonial government employed various strategies to curb Minke's influence, including surveillance and reporting, legal restrictions and extrajudicial measures, exile of prominent figures, property confiscation, and rumor-spreading. These efforts underscore the colonial regime's reliance on military force and the loyalty of indigenous officials, highlighting its fundamental weaknesses due to a lack of democratic foundations.
EXPRESSIVE SPEECH ACTS IN DANIELLE STEEL'S A PERFECT LIFE Al Mirrah, Mailisa; Pawiro, Muhammad Ali; Ezir, Ely
JOURNAL OF LANGUAGE Vol 6, No 2: November 2024
Publisher : Universitas Islam Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/jol.v6i2.9945

Abstract

This study explores the use of expressive speech acts in Danielle Steel’s novel A Perfect Life, aiming to uncover how these acts contribute to character development and narrative progression. The primary objective is to analyze the prevalence and functions of expressive speech acts—such as expressions of pleasure, pain, joy, sorrow, like, dislike, and apology—within the text. The theoretical framework is grounded in speech act theory, particularly focusing on expressive speech acts as defined by J. L. Austin and further developed by John Searle. This research employs a qualitative approach to dissect and categorize the expressive language used by the novel’s main characters. The analysis reveals a notable dominance of dislike and apology among the expressive speech acts, with a lesser focus on pain, joy, and pleasure. Dislike emerges as the most frequently utilized act, reflecting significant emotional and narrative weight in the characters' interactions. The study's findings suggest that expressive speech acts are crucial in conveying emotional depth and relational dynamics within the novel. The implications of this research highlight the role of expressive speech acts in enhancing narrative engagement and character development. Understanding these dynamics offers valuable insights for literary analysis and can inform future studies on character expression in fiction. The study anticipates that further research could explore the comparative application of expressive speech acts across different genres and authors, expanding the understanding of emotional expression in literature.

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