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Ranang Agung Sugihartono
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INDONESIA
ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 116 Documents
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JAVANESE FARMERS’ PRANATA MANGSA CONCEPT AS THE IDEAS OF WAYANG BEBER CREATION Faris Wibisono; Basuki Teguh Yuwono
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.4499

Abstract

Javanese farmers practice the pranatamangsaas their agricultural way. This conception has guided the Javanese agricultural approach in treating nature for generations from their ancestors to the present day. This teaching also inspires the creation of wayangbeberwith the sunggingtechnique. The creation process consists of three phases, namely (1) exploration, (2) design, and (3) realization. The resulting work is divided into 24 pejagongsand six scrolls of wayangbeber, with each pejagongcontaining a continuous narrative. The applied sunggingancolors represent the changing seasons, while the gununganof kala at the beginning and conclusion of each pejagong represents the change in time and setting. The descriptions are separated into various categories, including the farming community, village officials, religious leaders, and intermediaries.
SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE Chatur Rhama; Tatik Harpawati
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5068

Abstract

Surono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? This discussion uses a qualitative method with Sunardi and Umar Kayam's cross-styled approach. Observational and interview-based were analyzed descriptively and qualitatively. The study results indicate that Surono's performance uses a cross-styled approach between the Surakarta style as the dominant style and the East Java and the Yogyakarta styles as the supporters. Surono's cross-style has made his performance attractive to contemporary spectators.
THE CREATION PROCESS OF THE PELUK JIWA DANCE WITH DEAF CHILDREN Smirna Wardanny; Sri Rochana Widyastutieningrum
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5069

Abstract

Adopting a distinctive dance with movements and musical accompaniment to children with hearing impairments is exceptional. One can imagine the process and complexity that surrounds it. This article illustrates the PelukJiwa dance creation process by Jonet Sri Kuncoro and WasiBantolo with deaf children. This analysis employs a qualitative method by observing the creation and staging of the dance and conducting interviews with dancers, choreographers, and directors, which are then descriptively analyzed qualitatively. The analysis outcomes indicate that the process of creating this dance incorporates dance movement, theme selection, technique, exploration, organization, cohesion, and presentation. In addition, the performance conveys a message of social equality for deaf and normal children.
BADUI HOUSE AS AN IDEA SOURCE FOR CREATING CHILDREN'S BATIK MOTIFS Lisa Tri Agustin; Muhammad Arif Jati Purnomo
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5075

Abstract

Badui (Bedouin) tribe is one of the ethnic groups that continues to exist and thrive today, including the traditional house-building method. Accordingly, the Badui traditional house is transformed into a batik motif for the children's casual dress to maintain continuity. This creation seeks to design and implement the traditional Badui house batik motif in casual clothing for 10-year-old girls. Exploration, design, and embodiment were the means of creating works. The process of creating works startedwithexploring motifs, clothing, material, and technique, followed by motifs and children's casual clothing designs. This work utilizedthe written batik technique;colet-tutup-celupcoloring;Remasol, Naptol, and Indigosol dyes; Japanese cotton and Primissima; and bright colors as embodiment techniques. Implementing batik motifs (ImahSawarna,ImahNgahiji,ImahSalonjor,ImahKahuripan) to children's casual clothing resulted in 4 pieces of clothing, namely: Inleum, Makaul, Galis, and Bageur.
WATER AS THE IDEAS FOR KERIS CREATION Muhammad Ra'uf Dwi Fajri; Bening Tri Suwasono
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5076

Abstract

Water is a natural element that inspires artistic creation. Water is crucial for life. Almost all organisms inhabit habitats ecosystems with sufficient water availability. Water as a source of inspiration in the creation of this artwork is embodied in the dhapurkeris. This work uses the Mor-Jo-Si-Ngun aesthetic approach, with exploration, design, and embodiment serving as its production method. There are three keris made with the names dhapurTirtaPanguripanluk-7, TirtaSegara luk-5, and TirtaAwang-awang. Each created work carries a meaning according to the title and philosophy of water as a symbol of life.
THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART Krisna Prabu, A.A. Gede Bayu Paramarta
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.4678

Abstract

The creator, born in Padangtegal, Ubud, has appreciated Pita Maha artwork. Pita Maha painting is a genre that emerged in 1936, characterized by the fusion of classical Balinese and Western painting styles. The creator believes that the aesthetics of Pita Maha painting can serve as a foundation for artistic creation. This study employs a qualitative methodology, utilizing data collection techniques such as observation, documentation, interviews, and supplemented with library resources. The gathered data undergoes two phases: analysis to identify the concept, followed by the creation phase. The outcome of the study is a painting titled "Wayang Wong". This contemporary artwork is created employing the techniques and aesthetics of Pita Maha painting, allowing it to resonate within the context of modern life.
ARESTOP BULLYING SONGS USED EFFECTIVELY TO STOP BULLYING BEHAVIOR IN ADOLESCENTS? AGOES DARIYO
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i2.5543

Abstract

Bullying victims feel psychologically traumatized by the malevolentbullying behavior perpetrated by an individual or group of people. They suffer from psychological distress, including depression, social anxiety, social withdrawal, fear of recurrence, and in severe cases, suicidal ideation.Meanwhile,bullying perpetrators fail to comprehend the adverse consequences resulting from their actions. It is imperative that prior bullying cases are not repeated and are promptly handled, prevented, and halted. One effective method to combat bullying behavior is to produce artistic creations in the form of anti-bullying songs. This study is a research project that utilizes the ADDIE approach (Analysis, Design, Development, Implementation, and Evaluation). The data collection method employed a questionnaire encompassing several elements of poetry, rhythm, beat, style, tempo, instrument, and visual display. The sample technique employed was purposive sampling, resulting in 87 participants. Utilizing the ADDIE idea, this study employed a thematic method for data analysis. The findings indicate that the development of anti-bullying songs has adhered to the ADDIE framework. Stop bullying songs have fulfilled the criteria of excellent musical compositions, including lyrics that are easily comprehensible (77 = 88.6%), melody (71 = 81.6%), rhythm (74 = 85.1%), beat (73 = 83.9%), style (73 = 83.9%), tempo (76 = 87.4%), and instruments (70 = 80.5%). Moreover, the stop-bullying songswere efficient in curbing bullying tendencies among adolescents(73 = 83.9 %).
INCREASING VISUAL IMPACT IN MSME STUDY CASE: KUE GIPANG TIGA BUNDA Camila Zahra Alrazi; Anung Rachman
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i2.5555

Abstract

Micro, Small, and Medium-Sized Enterprises (MSMEs) are vital for Indonesia's economic growth, specifically in promoting local products. However, numerous MSMEs in Cilegon face difficulties due to an absence of robust visual branding. Accordingly, this study seeks to explore the influence of visual branding on MSMEs in Cilegon, with a specific focus on Kue Gipang Tiga Bunda by applying design thinking approach. Creating a strong brand identity requires the use of visual branding elements such as logos and key visuals. The objective of this research is to develop a distinct brand identity for Kue Gipang Tiga Bunda to set them apart from competitors and enhance brand awareness. Branding may improve brand recognition, attract customers, and facilitate MSME expansions, thereby promoting Cilegon's socio-economic development and competitiveness in the tourism industry.
EMBODIED EXPERIENCES OF DRAWING: A PHENOMENOLOGICAL INQUIRY INTO STRESS AND EVERYDAY LIFE IN ART EDUCATION Francis Ankyiah
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Drawing's impact on students' stress levels and coping with daily life is underexplored. This study used a phenomenological approach to understand how undergraduates experience drawing in art studio courses. Five art students were interviewed during regular assignments, and Moustakas' method was used to analyse the data. Three themes emerged: drawing as an "escape" from worries, a mindfulness practice fostering relaxation and present moment awareness, and beneficial for stress management and coping skills applicable to other areas of life. Immersion in drawing cultivates mind-body awareness, aiding students in managing stress. It buffers academic demands and enhances overall well-being, but can also induce stress during heavy workloads. This study offers qualitative insights into drawing as stress relief and emotional regulation for art students navigating educational and everyday demands.
THE CREATION OF THE BEDHAYA KETAWANG DANCE STORY BOOK AT SURAKARTA PALACE Bedjo Riyanto; Jasmine Aurelia Kartono
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the Bedhaya Ketawang dance in relation to the cultural traditions of the Surakarta Palace in Indonesia. This research primarily seeks to elucidate the significance of introducing and preserving Javanese culture, which still adheres to established norms. This study employs a qualitative research approach, utilizing a literature review method and complemented by interviews focusing on the Bedhaya Ketawang dance. The audience's responses indicate a positive reception towards the illustrations that have been created. They could easily comprehend the material presented in the storybook, enabling them to articulate the uniqueness of the Bedhaya Ketawang dance and its significance.

Page 4 of 12 | Total Record : 116

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