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Contact Name
Reflinaldi
Contact Email
reflinaldi@uinib.ac.id
Phone
+6285268930567
Journal Mail Official
diwan@uinib.ac.id
Editorial Address
Fakultas Adab dan Humaniora, UIN Imam Bonjol Padang
Location
Kota padang,
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INDONESIA
Diwan: Jurnal Bahasa dan Sastra Arab
ISSN : 23392088     EISSN : 25992023     DOI : -
Diwan: Jurnal Bahasa dan Sastra Arab is specially designed for studies on Arabic language and literature. Firstly published in 2009, Diwan : Jurnal Bahasa dan Sastra Arab purposes to facilitate scholarly articles on Arabic language and literature. Diwan : Jurnal Bahasa dan Sastra Arab is a periodical academic journal, published twice a year, every June and December. Diwan : Jurnal Bahasa dan Sastra Arab is published by Arabic Language and Literature Department, Faculty of Adab dan Humaniora, Imam Bonjol State Islamic University of Padang.
Articles 99 Documents
ANALISIS KESALAHAN MAKHRIJUL HURUF SANTRI MADRASAH AS-SALAM Kosim, Nanang; Ardiyansah, Ade Arip; Aryawan, Sandi
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 16 No. 2 (2024)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v16i2.1520

Abstract

Arabic language learning begins with the pronunciation of Arabic letters (hijaiyah) due to the differences in phonetic systems between Indonesian and Arabic, which often lead to pronunciation errors, especially when reading the Qur'an. This study aims to identify pronunciation errors among TPA students and explore solutions through alternative teaching methods, focusing on students from Madrasah As-Salam Sukajadi Bandung, divided into two groups. The study employs a qualitative approach with a case study method. Techniques such as observation, interviews, and evaluations were used to gather case study data. Data were analyzed continuously from the start to the end of the study, involving data collection, identification, classification, frequency analysis of errors, identification of error areas, and error correction. Based on the discussion and data analysis, the most frequent errors among Madrasah As-Salam students occurred in pronouncing the letters ء, ف, and ش for Iqra students, and ق, ف, and ع for Qur'an-reading students. To address these errors, the study implemented the attartil method, which showed significant improvements. For Iqra students, the error rate for pronouncing ف decreased from 90% to 40%, ء from 80% to 20%, and ش from 70% to 20%. Meanwhile, for Qur'an-reading students, the error rate for pronouncing ف dropped from 35.75% to 21.5%, ق from 41.65% to 23.85%, and ع from 34.05% to 18.20%.
Evaluasi Skripsi Mahasiswa Prodi Bahasa dan Sastra Arab dari Perspektif KPT KKNI: Analisis Bagian Teori Wartiman, Wartiman; Ilyas, Erizal; Safitri, Silvie Dwi
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 16 No. 1 (2024)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v16i1.1534

Abstract

Penelitian ini bertujuan menguraikan bagian masalah, teori, dan metode penelitian skripsi mahasiswa Prodi BSA dari perspektif KPT-KKNI. Penelitian ini menggunakan landasan campuran kualitatif dan kuantitatif, di mana data terlebih dahulu dikuantifikasikan sebelum dianalisis dari aspek konten. Data yang dikumpulkan dengan teknik dokumentasi diambil dari 67 skripsi mahasiswa angkatan masuk 2016 dan 2017 yang menyelesaikan studi sepanjang tahun 2020 dan 2021. Data berupa skripsi tersebut dianalisis dengan content analysis untuk menguraikan sejauh mana ketercapaiannya terhadap indikator-indikator yang diderivasikan dari kompetensi pada KPT-KKNI. Hasil penelitian menunjukkan bahwa bagian teori skripsi mahasiswa Prodi BSA belum merefleksikan ketercapaian kompetensi menurut perspektif KPT-KKNI. Secara spesifik, mahasiswa belum maksimal dalam mengoperasionalisasikan teori sebagai pisau analisis data serta memetakan dan mengkritisi kajian terdahulu yang relevan guna menegaskan nilai-nilai novelty penelitian mereka. Realitas ini mengharuskan pihak pengelola program studi dan dosen untuk melakukan evaluasi terhadap pembelajaran dan pembimbingan skripsi dengan tujuan menyesuaikan hasil penelitian dengan standar yang ditetapkan pada dokumen KPT-KKNI.
ANALISIS SEMIOTIKA ROLAND BARTHES PADA IKLAN COCA-COLA CHANGE HAS A TASTE - كوكا كولا- للتغييرطعم/ COCA-COLA LITTUGAIRI AT- TA’AM Shela Putri, Fadillah; Nasution, Fatimatuzzahra; Nabila, Aisyah; Ramadani, Wahyu; Ritonga, Aulya Raudhoh
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 16 No. 2 (2024)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v16i2.1567

Abstract

This study aims to analyze the Coca-Cola Change Has a Taste advertisement using Roland Barthes' semiotic approach, with the objective of uncovering the denotative, connotative, and mythical meanings within the advertisement. This research is based on the phenomenon of advertisements not merely functioning as promotional tools but also serving as communication media that convey social and cultural messages. The one-minute-and-six-second advertisement, published on YouTube by Coca-Cola Middle East, presents a narrative that represents social issues in the context of Middle Eastern culture. The study employs a qualitative approach with a descriptive method, aiming to systematically describe the visual elements, text, and monologue. The data were analyzed using Roland Barthes' semiotic theory, which involves the stages of sign identification, meaning classification, and cultural context interpretation. The findings reveal that, at the denotative level, the advertisement depicts scenes reflecting daily routines, such as a father teaching his daughter to drive, set against a desert backdrop with traditional cultural elements. At the connotative level, the advertisement emphasizes messages of social transformation, particularly women's empowerment, along with symbols of a modern lifestyle. At the mythical level, the narrative conveys the integration of tradition and modernity, aligning with the vision of social transformation promoted by Saudi Arabia's Vision 2030. The study concludes that the Coca-Cola Change Has a Taste advertisement not only promotes the product but also constructs a narrative that reflects social change and the relationship between globalization and local identity.
الدراسة التحليلية عن نشأة اللغة العربية في عصر الدولة العثمانية Habibi, Nicolas; Patrah, Ideal; Malik, Khairil
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 16 No. 2 (2024)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v16i2.1598

Abstract

كانت الدولة العثمانية قد استولت على بلدان الأوروبية الشرقية وبلدان العربية في آسيا وأفريقا الشمالية في القرن الثالث عشر إلى القرن التاسع عشر الميلادى وجعلت القسطنطينية عاصمة لها بعد أن تغير باسلامبول أي مدينة الإسلام المشهور الإستانبول وظهرت قوتها من ناحية الجيوش والعثمانيون يعيشون في صراعهم العسكرى وقلهم الاهتمامى بالاتجاهات الفكرية والعلمية والأدبية. عصر الدولة العثمانية هو عصر الفساد للحضارة الإسلامية عامة واللغة العربية وأدبها خاصة إن حياة الحضارة الإسلامية في مجال العلم والأدب في بلدان العربية التي تضعف في القرن الخامس عشر الميلادى فترادد ضعفا بعد إستلاء العثمانيين وإستعمال اللغة العربية محدودة فى الأمور الدينية والمعاملة اليومية لكن مع أن ذلك لا تزال اللغة العربية تدرس وتعلم في المدارس والجامعات.
The complexities of “fear” in Palestinian resistance literature: Revealing elegy as a distinct theme of Mahmoud Darwish’s poetry in qāla anā khā’if Arsyad, Hafid; Patah, Akhmad
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1829

Abstract

Numerous studies of Mahmoud Darwish's poetry concerning Palestine elucidate exile, identity, nationalism, politics, and resistance. This study offers a fresh perspective on this gem by examining another theme of Darwish, specifically elegy, as expressed in the poem Qāla Anā Khā’if. A qualitative descriptive-analytical approach was utilised to investigate data from al-Dīwān, an official repository of Arabic literary works. The data was gathered by textual authenticity, translation, close reading, and categorisation. The poet's history and the socio-political setting of the poem are deemed crucial interpretive instruments that facilitate analysis. The data analysis concentrated on the poem's linguistic and symbolic frameworks, particularly examining repetition as a literary device. The findings indicate that Darwish intensifies the complexity of fear, which encompasses fear of self, home environment, situations outside the home, loss and damage, uncertainty and losing identity, and sounds of fear. Darwish's poetry articulates the psychological and social suffering of the Palestinian people via recurring motifs, transforming it into a multifaceted experience that encompasses both personal reflection and collective strife. The poem's imagery, illustrating domestic items, urban environments, and peacefulness, underscores the idea that terror is both an inward feeling and a communal experience influenced by external factors. This study's findings enhance the corpus of Darwish and Palestinian poetry scholarship by highlighting elegy as a central topic and characteristic of Darwish’s work, alongside exile, identity, nationalism, politics, and resistance. This study solves a research gap by analysing current Arabic poetry's examination of psychological and socio-political themes, underscoring its significance in Palestinian resistance literature.
After modernism, do conservatism and Wahhabism still exist in Saudi Arabia? Critical discourse analysis on x users' comments about religious sentiment issues Andika, Kenny; Kurniawan, Vani
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1845

Abstract

The existence of conservatism and Wahhabism in Saudi Arabia creates a complex discourse in light of the modernism introduced by Saudi Vision 2030. Although much research has been conducted on this topic, none have approached the phenomenon through the lens of social media discourse. To fill the gap in the study, this research examines the existence of Conservatism and Wahhabism as reflected in the comments of internet users concerning the Islamic religious sentiment that emerged on the X platform. This research analyses the contentious event of two non-Muslim women entering the Nabawi Mosque in unsuitable clothing on February 7, 2023, utilising descriptive qualitative methods. The data obtained through internet archive documentation were analysed utilising Theo van Leeuwen's framework. The findings revealed a process of actor exclusion marked by a passivation and actor inclusion utilising differentiation, abstraction, identification, and indeterminacy. The processes and strategies utilized led to a polarisation in the discourse. The emotional discourse observed in the comment section suggests the continued influence of Wahhabism on conservatism within social media discussions. This existence is characterised by Islamic exclusivity, the purification of tauhid, adherence to conservative principles, rejection of modernism, and a literal interpretation of religious texts. The findings of this study indicate that de-conservatisation and de-wahhabisation, integral to the Saudi Vision 2030 program designed to mitigate extremism, do not automatically eliminate this viewpoint from the public sphere. The findings of this study have implications for the advancement of thought studies in the context of modernisation and moderation in Saudi Arabia.
What do memes tell us about the image of Arab modern women: A cyber pragmatics analysis of memes in a prominent Arabic Instagram account Aini, Resty Syahrotul; Delami; Rahmi, Awliya; Aji, Arif Rahmatul; bin Mustafa, Nurul Amin
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1851

Abstract

Diverse studies over the portrayal of women in memes have led to narratives and opposition against women, typically expressed by both feminists and anti-feminists. Despite numerous prior studies, the elaboration of Arabic memes remains significantly restricted. This study seeks to elucidate the image of contemporary Arab women as shown in memes. A qualitative descriptive study utilised memes from the prominent Arabic Instagram account @mzajeat.lady as the data source. Presupposition category analysis employing a cyberpragmatics approach was used to examine the representations of women within the pragmatic meanings of each meme. According to the presupposition types, contemporary Arab women are more physically and intellectually empowered, allowing them to break free from masculinity. Arab women may function without men due to psychological stability. Self-actualisation allows women to achieve their goals and pursue different activities. They are confident and can choose their marriages. The findings indicate a substantial transformation in the perception of contemporary Arab women. Meme, as conveyed on social media, represents liberation from the constraints of patriarchal culture that is often oppressive and confining. The findings significantly contribute to altering the preconceptions and stigmas historically associated with them. Furthermore, these findings advance the discourse of feminism on social media by introducing new and previously unexamined data on Arab memes.
Voicing Palestinian resistance through literary work: Analysis of metaphor in manshūrāt fidā’iyyah 'alā judrān isrāīl by Nizar Qabbani Farah, Zulfa Khuriyatul; Halim, Mustabir; Shbair, Ahmed; Syahidin, Amal
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1861

Abstract

Manshūrāt Fidā'iyyah 'alā Judrān Isrāīl is one of the iconic Palestinian resistance literature pieces composed by Nizar Qabbani. Although several scholars have analysed the poem, none have focused on the meaning and value of resistance. For this reason, this study aims to identify metaphors to emphasise the spirit of resistance in the poem. The descriptive qualitative method is used to achieve this goal. Data collected through documentation, reading, and note-taking techniques were then analysed through the stages of reduction, presentation, and conclusion drawing. The research findings show the types of metaphors consisting of objective (36.5%), human (22.2%), metaphysical (17.4%), actual (8.7%), living (6.3%), animate (4.7%), and inertia (3.9%). The metaphorical expression employed in the poetry carries profound and impactful meanings, serving as a powerful call for resistance against the occupiers. Through his verses, Qabbani underscores the enduring presence of Palestine and its people, asserting that no matter the efforts of Israel and its allies to obliterate them, Palestine will persevere and remain steadfast. Therefore, the metaphors in this poem are not just symbols, but are expected to form a cognitive awareness. On the other hand, Qabbani uses metaphors that are close to the perception of the Palestinian people to encourage resistance. Theoretically, this research has implications for strengthening semantic theory, especially human perception space, which has proven effective in revealing poetry's more profound and comprehensive meanings. While practically, this research has implications for amplifying the voicing of resistance through poetry and literary studies to defend humanity in Palestine.
Literature as critique of social stratification: Unveiling the intersectionality of race, class, gender, and ethnicity in sāq al-bāmbū by Sa’ūd Al-San’ūsī Fathurrahman, M. Syauqi; Saputri, Maulidarni; Abrar, Atthariqul
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 17 No. 1 (2025)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwan.v17i1.1863

Abstract

Although there have been many studies on the novel Sāq Al-Bāmbū, none have highlighted the issue of social stratification. Previous studies have focused on psychology, identity, cultural hybridity, social protest, and translation problems. To fill this gap in academic studies, this article aims to discuss the issue of how social stratification is represented in the novel, specifically how the intersections of race, class, gender, and ethnicity affect the lives of marginalised characters such as José. This study uses a qualitative approach, and data are collected through close reading and textual analysis, focusing on narrative elements. The data are then analysed using the sociology of literature, specifically social stratification. The analysis reveals four main aspects of social stratification illustrated in the novel: First, citizenship-based stratification shows that José’s legal Kuwaiti citizenship does not guarantee social acceptance due to his Filipino heritage, highlighting the dominance of ethnicity and race over legal status in determining inclusion. Second, economic class-based stratification reveals the rigid class divisions in Kuwaiti society, where wealth and family background influence social status. Third, gender-based stratification emphasises the economic exploitation and limited autonomy of women, especially migrant workers like José’s mother, reflecting how patriarchal norms limit women’s roles. Finally, ethnic-based stratification illustrates the marginalisation of mixed-race individuals, like José, who face discrimination in Kuwait and the Philippines, with ethnic hierarchies shaping their social standing. The findings of this study contribute to and have implications for sociological studies in Arabic literature while offering critical insights into how literature can influence awareness and reflection on social practices in real-world contexts.

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