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Program Studi Seni Karawitan - Fakultas Seni Pertunjukan Institut Seni Budaya Indonesia (ISBI) Bandung Jl. Buah Batu No. 212 Bandung 40265, Telp. (022)-7314982, 7315435; Fax. (022) – 7303021
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PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24076716     EISSN : 28284240     DOI : 10.26742/para
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences Other
Jurnal Paraguna merupakan jurnal di lingkungan Jurusan Karawitan, Fakultas Seni Pertunjukan ISBI Bandung, yang mengedepankan pelestarian, pengelolaan dan pengembangan potensi seni, serta budaya dan kearifan lokal nusantara yang berdaya saing dalam percaturan global. Karawitan secara khusus dapat diartikan sebagai seni musik tradisional yang terdapat di seluruh wilayah etnik Indonesia. Khususnya di Pulau Jawa, Madura dan Bali. Dalam hal ini, jurusan karawitan ISBI Bandung menjadikan kebudayan Sunda sebagai kekhususan etnis yang dimaksud.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 150 Documents
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GAMELAN SELAP - PADA WAYANG GOLEK SUNDA Sopandi, Caca
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1860

Abstract

The show of wayang golek purwa in Sunda has under gone considerable creativities by using gamelan selap as  the karawitan element. The use  of gamelan selap by the puppeteers  in the show of   waang  golek purwa becomes so phenomena that its background  needs to be known. Gamelan selap is created as  the fulfillment of laras/surupan  which  has not been fulfilled so that there  is an innovation  in  the instruments  which produce several series of tones as  the  new formation. Gamelan selap  is also used as  the puppeteer 's attraction to get market opportu nities.  This is proven by the  increase  ownership of gamelan selap by the groups  of wayang golek purwa   in   West  Java.    Nevertheless, the   use  of  gamelan  selap   has weakness  on  percussion   technique  problems, especially   on  the   bar instrument.  At Gamelan   selap  the  tones   can  be automatically  stepping passes through  three or even four tones.  The organological improvements are  therefore  required   in  order  the  use gamelan  selap  really  brings significant changes, not only for  the  benefit of working on the  composition but also for the sake of aesthetics.
SENI KARAWITAN YANG MANDIRI Sekarningsih, Ening
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1861

Abstract

Sundanese Karawitan is currently experiencing stagnation resulting from the foreign cultural influences thereby impacting the continuity of Karawitan itself.    Various attempts of preservation,    fostering, and development for Karawitan have continuously and sustainably been done by individuals, communities, and institutions for the sake of the continuity and eternity of the art.  One of Karawitan  arts  needs   to be preserved is Karawitan Mandiri that  comes from  people for  people"   such  as  the Gamelan   Ajeng/ Goong  Renteng,   Pantun   Beton   and  Tarawangsa.   Theexistence of such art is currently quite alarming so it is needed efforts to preserve to remain preferable and sought by various segments of society. It is required innovative and creative thinking by supporting artistsof Karawitan  Mandiri but is still grounded in the cultural roots of their regions.  Creativity and innovation performed on the folk arts are expected to lift up the art with local culture spirit into the art with national and even international spirit.   Ultimately the folk arts are able to become a local cultural asset and provide social welfare.
BASALE SIRIH LAYANG NGUBAT REVITALISASI UPACARA BASALE PADA SUKU ANAK DALAM Nopiansyah, Radius
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1862

Abstract

Basaleis  name  ofthe  ritual  of Anak Dalam  Tribe  in Jambi.  There are some function soft his ritual, such  as  wedding  ceremony,  santet  (local  voodoo ),  and medication. Since1978, their Basale's medication ceremony is developed to an art performance  without losing its sanctity  named Basale Sirih Layang  Ngubat.  This performance has been developed  by Darwan Asri  with  Maliki (Alm.),  one  of the leaders of Anak Dalam Tribe in Batanghari Regency of Jambi
PATRONAGE DALAM DENDANG MINANG BASIROMPAK VERSUS BAUWOIK Herizal, Maspon
Paraguna Vol 2 No 1 (2015): FENOMENOLOGI KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v2i1.1863

Abstract

The purpose  of this research  is to determine the function  of patronage in Basirompak and Bauwoik cases  in Payakumbuh.  This research applies descriptive-analytical approach undertaken by  a systematic procedure. The the theory applied is the decisional  theory that  explains about   thinking concept of culture,  music, patronage, and social events.  Basirompakand Bauwoik  are  originatedfrom  Payakumbh.The developmentofIslamin thelocal community  is not  necessarily  removing  the animistic understanding.  This ideology persists in the development of Basirompak and Bawoik inwhich  ever show always creates  the scary impression especially among    women.    Such  condition affects   the psychological community    that   the  existence   of  Basirompakand  Bauwoik   become detestable  andeventually marginalized from public support. However,  the patronage makes Basirompak  still be  maintained.  This is  not  valid  on Bauwoik which gradually  becomes drowned and died
PANDANGAN MANG KOKO DALAM BERKESENIAN Ruswandi, Tardi
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1869

Abstract

This study focused Mang Koko in view ofthe arts in general,  the artist,  and the Sundanese karawitan. Mang   Koko   view   of  the   matters   that   will   be   discussed   in   further description.  The purpose is to explain Mang Koko view of the arts and artists.  The method used is a qualitative method. While the results of this study revealed that the views Mang Koko the arts in general, because the art is an ancestral cultural heritage that should be maintained and developed. In everyday life the artist is not enough just good practice,  but also to be godly,  because the artist must have the mental strength,  discipline,  honesty,  and can  avoid  the  things  that  are  negative. Similarly  Sundanese  gamelan,  is  not  only  an essential element in kahidupan artist,  but should be part ofhuman life.
PENGERTIAN, HUBUNGAN, DAN IMPLEMENTASI SOFT SKILLS, PEMBELAJARAN AFEKTIF, DAN PENDIDIKAN KARAKTER DALAM PROSES BELAJAR MENGAJAR Suganda, Dadang
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1870

Abstract

This paper is  the  result of the  author  who  has  participated in  various  trainings organized  by   the  Director  General   of Higher  Education,  Ministry  of National Education.  Based on that,  it can  be stated that  both soft skills,  effective  learning, and  character  education,  the three  are not in the  realm  related  to technical  skills, professional  scientific fields,  or things  that  are  motoric in nature.  All three  are  in the  area  ofpersonality competence. All three  are more closely related  to EQ., SQ., Heart,  to live together  and  to be than  with IQ,  hand,  head,  to do,  or to know.  Thus the  meaning of sofs skills,  character  education  is  not much  diferent from affective abilities.  However,  of course  there  are  diferences,  such  as  the  sofs skill gives  a broader picture  ofpersonality,  while  character  education provides a more specific and specific personality picture than  affective competence.  This can be seen  clearly from  the  many   and  broad  scope  of the  attributes  of soft skills,  as  well  as  the specific and  specific character  education goals  that  emphasize the  basic values  of character, namely honesty, smart, tough, and  caring. Efforts to carry out character education  in  the  ISBI  Bandung  environment will  be  confronted  with   the  main problem,  namely  the  ability  to make changes in the  level  of thought  patterns and patterns   of  action.    The   mindset   of  entering    into   the    realm,    namely    the implementation  of activities  carried  out in  the ISBI Bandung environment must be able  to  incorporate  elements  of the  basic  values   of character  into  each  activity carried  out.  The pattern of action  can  be in  the form  of building  synergy between lecturers   and   students.   The   synergy  between  lecturers  and   students  is   an intellectual capital to realize success..
PROBLEMATIKA PENGGUNAAN DESAIN INDUSTRI PADA ALAT MUSIK TRADISIONAL Kurniawan, Budi
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1871

Abstract

Industrial  Design  Act No.  31  of 2000 provides protectiontoany   ornamental  or aesthetic  aspect  of  an   article.  Hence,  it  gives  widestopportunity  to  people  to createa  creativedesign.  On  the  other  side,  Traditional  MusicInstrument  which is  partoffolkloreortraditional  cultural  expression(TCE)  insome  way  still  give an   opportunity  to  anyone  also   to  add   an   element  and   or  make    new   design inherenttoinstruments.A mix  betweenpublicowned rightsof TraditionalMusic Instrument  and  theprivaterightofIndustrial  Designarisenew  problemin  legal sense  including  to  define  an   exact  definition  ofa  "novelty"  element  adhere  in every   Industrial  Design  application  submitted.  Thefactthat  Industrial  Design Office  is   in   a   passive  standing  when  they  accept  a  new   Industrial  Design's application  bothfrom  a  good  faith's  creator   oreven    abadfaith'screatormake theoffice  couldnotrejectthat  applicationuntil  some   onepropose  an  objection. On  the    other  side,    legal   awareness  of  interested  parties,   in   this  case,   are traditional   music   instruments    manufacturers    who   have   been     producing instruments  for  manyyearsare   stilllow  when  opposeon  suchproblems.  This article  will  focus  on  reviewing  "a  novelty"  element  adhere  in   every   on   a  new application  ofIndustrial  Designsubmittedfaced  on"anotnovelty"  elementwhich isarisinginTraditionalMusic  Instruments  base.
KACAPI DALAM TEMBANG SUNDA CIANJURAN: KETERKAITANNYA DENGAN GAMELAN DEGUNG Nugraha, Asep
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1872

Abstract

Kacapi in tembang sunda cianjuran  related  to gamelan degung.  Bonang melodies in  gamelan  degung  were   adopted  by  Kacapi  Indung,  and  peking  melodies   in gamelan degung   were  adopted  by  kacapi rincik.  This paper tries  to explore the relationship  by  comparing the  melodic  between the  kacapi instruments  and  the instruments in the  gamelan gamelan degung.  The  result was   kacapi in tembang sunda cianjuran  as miniature of the gamelan degung performance.
KONSTRUKSI MAKNA ISTILAH DALAM GARAP REBAB SUNDA Sopandi, Caca
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1873

Abstract

The terms  applied in working  on playing the rebab  in Sunda certainly  appear after the musical form.  In fact,  the terms  also mostly use terms  that are considered to be the  closest to reality  both audio  and  visual.  However,  there  are a number of other terms  which  are based more on things  outside of reality,  so that  the construction of the  meaning   of these  terms   contains   messages far  beyond  the  technique.  The problems  in  this  study are:  (1)  What  are  the  meaning  constructions  that  underlie the  creation  of terms  in  the  Sundanese rebab  work?  (2) What  is  the  correlation between the terms  that are built with  the form of Sundanese rebab  musicality? The purpose of this study is to find out,  understand and  explain:  (1) the construction  of the meaning  of terms  in the Sundanese rebab,  (2) the correlation of terms  with  their musicality.  Data collection techniques used were participant observation,  interview and  documentation study.  Data  analysis is  carried  out  by  identifying,  reducing, clarifying,  describing,  interpreting and  concluding  all information selectively.  The results   of the  research show  that:  (1)  the  terms  used in the  rebab  play are  two categories   of terms,  including   terms  with   denotative  conceptual  meanings,  and terms  with  connotative meaning  concepts,  (2) The  technique  of playing  the  rebab requires  accuracy, precision, and  interpretation. Therefore these terms  are used as methods and strategies in the process ofinheritance.
MASS-CULTURE: DALAM DIALEKTIKA DENGAN MUSIK KITA Kusnendi, Cecep
Paraguna Vol 4 No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jp.v4i1.1874

Abstract

The  development of music in Indonesia today  are quite  encouraging quantity,  but the quality  is  very doubtful.  The phenomenon is predicted as a result  of the spread of mass-culture which  have  an impact on the proliferation of kitsch  in our music.In our music kitsch  showed  in  repetitive forms,  sensational,  sensual,  sentimentality, vulgar,  glamour,  eroticism,  sex,  etc.  These forms  mainly  seen in the lyrics,  singer's body   movements,  stage   costumes,  and   so  many   repetitions  songs   sold  in  the market.  The  conditions   in  the  realms   of our  music,  is  motivated  by  a  variety problems such  as  economics  which  resulted the  artist (composers)  should  follow the  mass-culture  tasted.  The  other  sad  phenomenon  also  seen   in  the  lack  of infrastructure for the art trainings,  also in adequate number of music critics.   Now, the growth  and  development of the diatonic  and pentatonic's music in our country, showed "kitsch" or product of the mass-culture. 

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