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Program Studi Seni Murni, Fakultas Seni Rupa dan Desain Institut Seni Indonesia Padang Panjang Jl. Bahder Johan No.35 Padang Panjang, Indonesia
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V-art: Journal of Fine Art
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 28092589     DOI : 10.26887
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences Other
V-art: Journal of Fine Art is an academic journal published by the Department of Fine Art, Faculty of Visual Art and Design, Institut Seni Indonesia Padang Panjang twice a year. This journal publishes original articles with a focus on the results of studies in the field of fine art since November 2021. V-art: Journal of Fine Art focuses on articles resulting from research and creation (applied research) in the field of fine art. Its scope includes, among others: History of fine art; Methodology of fine art; Discourse on fine art; Sociology of fine art; Management of fine art; Fine art criticism; Anthropology of fine art; Psychology of fine art; Fine art education in schools.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
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Search results for , issue "Vol 4, No 2 (2025): June 2025" : 6 Documents clear
The Ornament of the Malay Keris Hulu “Tumbuk Lada” as a Medium for Student Creativity in Fine Arts Azis, Adek Cerah Kurnia; Azmi, Azmi; Saleh, Khaerul; Tarigan, Nelson; Purba, Rinanda; Mesra, Mesra; Yumielda, Vivi Destri
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5490

Abstract

This study aims to develop and evaluate teaching materials in the form of printed books and e-books for the Ornamen Nusantara course, focusing on the ornamental design of the Hulu Keris Melayu Tumbuk Lada. The development process employed the Research and Development (R&D) method using the 4D model (Define, Design, Develop, Disseminate). The results indicate that the teaching materials are valid (78,75%), practical (82,15%), and effective (88,53%). Their use has been shown to enhance students’ understanding of traditional ornamental richness; particularly the Melayu Tumbuk Lada ornament; and to encourage the preservation of local cultural values. More broadly, the findings contribute to strengthening cultural identity in art education and support the development of creative industries based on cultural heritage.
Rubber Duck Toy as a Happy Metaphor in the Creation of Painting Artworks Qurani, Cllauvitra Rheyna; Susanto, Moh. Rusnoto; Cahyono, Nugroho Heri
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5148

Abstract

This art research explores rubber duck toys as a metaphor for happiness, representing childhood memories and positive emotions evoked by simple things. The objectives of this art creation are: (1) to elaborate the concept of happiness through the symbolism of rubber duck toys, (2) to develop creative ideas as artistic expressions in painting, and (3) to explore techniques and concepts that enhance the visualization of artworks. The urgency of this project lies in uncovering the potential of everyday objects to convey philosophical and aesthetic meanings that can be universally appreciated. The method employed is exploration, which includes gathering references, developing ideas, and creating artworks using oil paint on canvas. The exploratory process involved observing the shape, color, and characteristics of rubber duck toys and transforming them metaphorically within the context of happiness. This creation resulted in seven paintings of various sizes, emphasizing aesthetics, narratives, and emotions.The outcomes of this project, represented by paintings, introduce the aesthetics of rubber duck toys, provide insights into painting based on everyday objects, and inspire appreciation for the simplicity of often-overlooked happiness. Beyond being a medium of expression, these artworks serve as a reflection of childhood memories for the audience.
Bundo Kanduang Monument in The Nagari Sijunjung Traditional Village, Sijunjung Regency, Form And Color Study Kamel, Genta Fransisma; Rian, Rica; Hamzah, Hamzah; Suryanti, Suryanti
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5078

Abstract

This research discusses the Bundo Kanduang Monument in the Nagari Sijunjung traditional village, Sijunjung Regency. According to the KBBI (Kamus Besar Bahasa Indonesia), a monument is a large and tall pillar made of stone, brick and so on. In another sense, a monument can also be a symbol/icon of the area concerned. This research includes a brief history, shape and colour. This research uses a qualitative approach which includes observation, interviews and literature study. The data used includes primary and secondary data. This research was carried out directly in the field, namely in Nagari Sijunjung, Sijunjung Regency, West Sumatra Province. Based on the results of this research, it shows that Nagari Sijunjung has a strong culture and customs. The existence of traditions and harmony among the people of Nagari Sijunjung is reflected in how they preserve their culture. Bundo Kanduang plays an important role in preserving culture and customs. With the existence of the Bundo Kanduang institution in Nagari Sijunjung, the deliberation and planning process for activities in Nagari Sijunjung runs smoothly. The shape of the Bundo Kanduang monument is a visual of Bundo Kanduang holding a carano on his head, telling how Bundo Kanduang is proof of the high status of women in Minangkabau. How do women and men have the same rights, and no one is superior to men or women in Minangkabau, because everyone has the right to express their own opinions. The colours on the monument illustrate that the characteristics possessed by Bundo Kanduang represent leadership, responsibility, fairness and wisdom.
The Black Cat as an Ornamental Motif in Hand-Drawn Batik for Upiak's Bedroom Aesthetic Design Elinda, Yosi; Jupriani, Jupriani
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5355

Abstract

This article explores the creation process of hand-drawn batik artworks featuring the black cat as the main motif in aesthetic bedroom furnishings for a Minangkabau girl, traditionally referred to as “Si Upiak.” The choice of the black cat was driven by the intention to challenge negative stereotypes rooted in traditional myths. Through stylized forms and the hand-drawn batik technique, the author produced seven textile works functioning as both decorative and educational elements, including bed sheets, pillowcases, night lamps, and sleepwear. Each piece combines the visual elements of the black cat and lily flowers as symbols of strength, sincerity, and comfort within a personal space. The creation process follows the stages of preparation, elaboration, synthesis, conceptual realization, and finishing. The resulting works demonstrate a blend of aesthetic, symbolic, and functional values within the context of local culture and contemporary artistic expression. This work aims to enrich the discourse of textile craft art while serving as a medium for value transformation in society.
"The Broken Wings" by Kahlil Gibran as an Inspiration in the Creation of Painting Artworks Pratiwi, Retno Amalia; Hamzah, Hamzah; Aprisela, Jeki
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5372

Abstract

The Broken Wings is a novel by Kahlil Gibran that portrays a tragic love story rich in symbolism and emotional depth. This literary work, which stimulates strong visual imagination, inspired the creation of a series of surrealist-style paintings. The central themes—unfulfilled love and irreversible loss—are reinterpreted visually through impasto techniques using oil paint on canvas. The creative process began with a deep reflection on the novel’s emotional layers, followed by textual and visual research to develop symbolic compositions. A series of sketches explored various compositional possibilities before final realization on canvas. Each painting expresses aspects of the novel’s narrative through metaphorical imagery, colour symbolism, and textured surfaces. The outcome consists of five paintings, each representing key moments or emotional states drawn from the novel. These artworks were exhibited as part of a curated presentation, demonstrating how literature can be transformed into a compelling visual language. This creation contributes to the discourse of interdisciplinary art by bridging literary and visual narratives, offering new insights into emotional storytelling through painting.
Flowers as Ornaments in Room Accessories Based on Ribbon and Macramé Techniques Putri, Martaleny Kurnia Zazilah; Jupriani, Jupriani
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5356

Abstract

The aim of this final work is to create and introduce creative ideas for craft arts using ribbon and macrame techniques as the completion of the final work. Then introduce to the general public what ribbon flowers and macrame are, then later they will be educated as a display idea in the area of the room which has a function as decoration on thatch media. The method that the author uses is a method that has been proposed in creating art which is carried out in stages, namely the preparation stage by searching for information, elaboration by analyzing the problem, synthesis expressing ideas, realization of the concept by creating the work and completion by doing it together. Based on the method that has been carried out to produce seven various flower works as ideas for creating works with ribbons and macrame the author creates works in the form of accessories. The rooms have the titles: Matahri 1, Mataharri 2, Matahari 3, Matahari 4, Seluran 1, Seluran 2, Tangga

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