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Program Studi Seni Murni, Fakultas Seni Rupa dan Desain Institut Seni Indonesia Padang Panjang Jl. Bahder Johan No.35 Padang Panjang, Indonesia
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V-art: Journal of Fine Art
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 28092589     DOI : 10.26887
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences Other
V-art: Journal of Fine Art is an academic journal published by the Department of Fine Art, Faculty of Visual Art and Design, Institut Seni Indonesia Padang Panjang twice a year. This journal publishes original articles with a focus on the results of studies in the field of fine art since November 2021. V-art: Journal of Fine Art focuses on articles resulting from research and creation (applied research) in the field of fine art. Its scope includes, among others: History of fine art; Methodology of fine art; Discourse on fine art; Sociology of fine art; Management of fine art; Fine art criticism; Anthropology of fine art; Psychology of fine art; Fine art education in schools.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 57 Documents
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Karya Patung Abstrak Lisa Widiarti Ditinjau Dari Bentuk Dan Medium Khairun Nisa; Elvis Elvis; Armen Nazaruddin
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (470.48 KB) | DOI: 10.26887/vartjofa.v1i1.2219

Abstract

This study discusses the form and medium used by Lisa Widiarti in making abstract sculptures. This study also briefly discusses Lisa Widiarti's short artistic journey. The discussion uses qualitative research methods, which include: observation, interviews, and literature study as well as research conducted in the city of Padang, West Sumatra. Based on the results of research on Lisa Widiarti's abstract sculpture, Lisa has produced dozens of abstract sculptures and almost every year always participates in exhibition events. Lisa tends to bring objects with the themes of love, social, everyday life, and beauty into her sculptures which are made with abstract shapes, and the mediums used in her work are various such as resin, stone, wood, cement, gypsum, metal plate and slurry. paper. Lisa is a female sculptor who is also a lecturer at Padang State University. Lisa is still able to survive with her abstract sculptures and become a resilient, creative, and active female sculptor in West Sumatra. Much can be learned andresearched from Lisa Widiarti's sculptures, especially abstract sculptures in terms of form and medium. It is hoped that research on Lisa Widiarti's abstract sculpture can be a reference so that there are opportunities for other researchers to research from a different scientific point of view. 
Unity, Complexity, dan Intensity Lukisan Karya Yazid Yoan Fahira; Yandri Yandri; Maulid Hariri Gani
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.529 KB) | DOI: 10.26887/vartjofa.v1i1.2135

Abstract

This study discusses how to understand the unity, complexity, and intensity of Yazid's painting using Monroe Beardsley's theory. Yazid is a West Sumatran artist who is quite famous for his naturalist flow and cannot be separated from the concept of natural beauty. This study uses a qualitative method which includes observation, interviews, and literature study. The research was conducted in the cities of Padang, Padang Pariaman and Padangpanjang, West Sumatra. After conducting research, it was found that Unity (unity) in Yazid's paintings as a whole shows how the arrangement of lines, colors, and compositions are produced in a perfect shape so that it looks like a unity. This makes for distinctive strokes and soft colors and object capture. The complexity of Yazid's paintings can be seen in the lighting which is described as similar to what is captured by the five senses so that the object does not look simple. How Yazid tries to present the refraction of light that is shown in each of his paintings. The intensity (seriousness) in Yazid's paintings can be seen in the lighting as the key in each of his works.
Cover Vol 2 No 1 (2022): Januari - Juni 2022 Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (168.882 KB) | DOI: 10.26887/v-art.v2i1.2610

Abstract

Teman Sebagai Objek Penciptaan Karya Seni Lukis Jefri Rahmat; Rajudin Rajudin; Ibrahim Ibrahim
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (466.535 KB) | DOI: 10.26887/v-art.v2i1.2331

Abstract

Teman adalah istilah yang menggambarkan perilaku kerjasama dan saling mendukung. Teman memegang peranan penting dalam kehidupan sehari-hari, pada ruang lingkup pertemanan terkadang tidak berjalan baik dengan semestinya, pada semua pertemanan pasti memiliki permasalahan didalamnya seperti penghianatan, perundungan dan penghinaan. Hal tersebeut menjadi landasan dalam penciptaan karya seni lukis. Bentuk karya yang dihadirkan adalah karya dua dimensi dengan pendekatan gaya abstrak, dengan mengkombinasikan abstraksi bentuk di dalamnya menggunakan cat akrilik dan kombinasi arang pada kanvas.  Metode penciptaan dilakukan adalah persiapan, tahap ini melakukan observasi di lingkungan pertemanan pengkarya dan pencarian referensi yang berkaitan dengan tema yang diangkat, selanjutnya tahapan perancangan dilakukan rancangan atau strategi visual, teknik yang digunakan adalah teknik plakat dan aquarel kemudian tahap perwujudan adalah tahap penggarapan dan eksplorasi teknik pada karya hingga selesai, setelah melakukan semua tahap, masuk ketahap penyajian, dimana pada tahapan ini dilakukannya pameran. Perwujudan karya seni lukis ini berhasil menghasilkan tiga buah karya yang berjudul “Toxic”, “Cemooh”, dan “Penghasut”.
Representasi Rumah Gadang Pada Karya Lukis Hamzah Mukhtia Resfa; Suryanti Suryanti; Rica Rian
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (479.488 KB) | DOI: 10.26887/vartjofa.v1i1.2134

Abstract

This study discusses the representation of the rumah gadang presented by Hamzah in his paintings, viewed from an aesthetic point of view. This research will explain how the form of representation presented by Hamzah. In this study, qualitative methods used include observation, interviews, and literature study. In this study, we will review Hamzah's paintings based on the period from 2010-2020, so eight Hamzah paintings will be studied. Hamzah's paintings illustrate how the social life of the Minangkabau community has changed due to the changing times. Physical changes from the results of Minangkabau culture are changes that occur in the form of the rumah gadang. The visual of the rumah gadang is expressed in the forms of the rumah gadang that has been damaged, weathered, and even collapsed. Hamzah does not emphasize the forms of rumah gadang in one type only but symbolizes the symbolic rumah gadang. The representation of rumah gadang in Hamzah's painting can be analyzed that there are 3 visual types of rumah gadang in this study, namely the type of rumah gadang Gajah Maharam, Lipek Pandan and Balah Bubuang.
Editorial Team Vol 2 No 1 (2022): Januari - Juni 2022 Rajudin Rajudin
V-art: Journal of Fine Art Vol 2, No 1 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (81.213 KB) | DOI: 10.26887/v-art.v2i1.2612

Abstract

Estetika Karya Seni Lukis Kaligrafi Zulhelman Azizul Ardhi; Suryanti Suryanti; Hamdan Akromullah
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (676.878 KB) | DOI: 10.26887/v-art.v2i1.2328

Abstract

Zulhelman adalah seniman Sumatera Barat yang cukup terkenal dengan karya lukis kaligrafinya. Penelitian ini membahas tentang bagaimana memahami estetika karya lukis kaligrafi Zulhelman dengan menggunakan teori Djelantik. Penelitian ini menggunakan metode kualitatif yang mana meliputi observasi, wawancara, dan studi pustaka serta penelitian dilakukan di kota Padang dan Padang Panjang, Sumatera Barat. Dilanjutkan dengan pembahasan tentang perjalanan berkesenian Zulhelman. Pembahasan tentang visual karya lukis Zulhelman untuk memahami estetika karya kaligrafi Zulhelman dengan menggunakan teori estetika A.A.M Djelantik. Berdasarkan hasil penelitian tentang estetika seni lukis kaligrafi Zulhelman, penggunaan garis yang tajam mendominasi setiap karya seni lukis kaligrafinya. Penggunaan huruf atau khat dalam kaligrafi Zulhelman berbeda dengan penulisan khat baku yang terlihat pada bentuk penulisan ayat. Hampir setiap kaligrafi Zulhelman memiliki tekstur. Nilai-nilai yang terkandung di dalam karya Zulhelman berupa nilai ketauhitan.
Cover Vol 1, No 1 (2021): Juli - Desember 2021 cover depan
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (273.1 KB) | DOI: 10.26887/vartjofa.v1i1.2155

Abstract

cover depan
Karakteristik Warna Pada Lukisan Wakidi Alfiqra Aswat; Rajudin Rajudin; Rica Rian
V-art: Journal of Fine Art Vol 1, No 1 (2021): Juli - Desember 2021
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (366.862 KB) | DOI: 10.26887/vartjofa.v1i1.2133

Abstract

This study discusses the color character that Wakidi presents in his paintings, which mostly uses soft colors in his naturalist paintings. The method used in this study refers to a qualitative method which includes field observations, interviews, documentation, and literature studies as well as research conducted in the Padang area, West Sumatra. Based on the results of research on the characteristics of Wakidi's color in his paintings, the use of soft colors in Wakidi's paintings is to remind him that nature is very beautiful and has a calm atmosphere. Based on the type of human according to the typology of Hypocrates and Galenus Wakidi, it is a Phlegmatic type. Wakidi tends to present natural scenery in the evening with a reddish color. The color characters in Wakidi's works are discussed based on color dimensions, color composition, and differences with other artists. There is a lot that can be learned and researched from Wakidi's active work in addition to being a painting teacher and an Mooi Indie artist at the beginning of the pioneering of fine arts in West Sumatra, as well as being able to become a cultural asset that elevates natural scenery and ancient culture into his paintings. It is hoped that research on the color character of Wakidi's paintings can be a reference so that there are opportunities for other researchers to research from other scientific points of view.
Trauma Masa Kecil Sebagai Rangsang Cipta Dalam Karya Seni Lukis Reno Masril; Suryanti Suryanti; Miswar Miswar
V-art: Journal of Fine Art Vol 1, No 2 (2022): Januari - Juni 2022
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (607.525 KB) | DOI: 10.26887/v-art.v2i1.2352

Abstract

Trauma pada masa kecil yang dihadirkan dalam karya ini diciptakan dari pengalaman masa kecil pengkarya yang sering dibuli, disakiti baik secara fisik ataupun mental. Dalam penciptaan karya seni lukis ini menghadirkan perasaan sedih dan pilu karena pernah mengalami buli tersebut dan menyebabkan trauma tersendiri pada pengkarya. Bentuk karya yang akan diciptakan adalah dengan bentuk representasional dengan penggunaan bentuk distorsi dan konsep disformasi dengan gaya pop surealis. Metode penciptaan yang dilakukan adalah persiapan dimana dalam tahap ini melakukan perenungan dan ingatan-ingatan masa lalu yang mengganggu kemudian dilanjutkan pada pembuatan sketsa alternatif pada tahap perancangan, proses pembuatan karya dilanjutkan pada tahap perwujudan dimulai dari proses penyediaan bahan, proses pemasangan kain kanvas, pendasaran kanvas, proses pemindahan sketsa pada kanvas, proses melukis sampai finishing dan setelah melakukan semua tahapan tersebut dilakukan pameran pada tahap penyajian. Hasil karya menggunakan mixed media, teknik plakat dan aquarel, penciptaan karya ini telah menghasilkan lima karya lukis yang berjudul Leave Me Alone, Gold Fish, Fight Back, dan Refrain.

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