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All Journal Jurnal Pendidikan Seni Rupa Gorga : Jurnal Seni Rupa Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran V-art: Journal of Fine Art Cendikia Pendidikan Jurnal Pengabdian Masyarakat dan Riset Pendidikan
Tarigan, Nelson
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Arts Humanities Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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The Tungkot Tunggal Panaluan Batak Statue As A Source Of Inspiration For The Creation Of Painting Artworks Manalu, Joel; Tarigan, Nelson
V-art: Journal of Fine Art Vol 3, No 1 (2023): Desember 2023
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v3i1.3939

Abstract

The author's fascination inspired the creation of this work with the Tungkot Tunggal Panaluan Batak statue, a significant element of Batak culture, notable for its shape, history, and function. This statue portrays seven individuals supporting each other, diminishing in size, set against diverse backgrounds. The research seeks to visualize the form, history, and applicability of the Tungkot Tunggal Panaluan statue from the distant past to the present day, manifesting as paintings accompanied by descriptions of their meanings and the techniques employed in their creation. The author produced 12 paintings in this study using acrylic and oil paints on canvas. These artworks feature human figures and primitive Batak figurative statues, characterized by stylized forms, set against a simple village backdrop that serves as a historical context for Tungkot Tunggal Panaluan. Historically, this statue was employed by leaders in traditional Batak community events. The author combined three techniques—plaque, chiaroscuro, and bravura—to infuse the paintings with dynamic impressions, contrasts, and vitality. Notably, the chiaroscuro technique was employed to balance dark and light, utilizing paint colors derived from raw umber and yellow ocher combined with primary colors to evoke a vintage atmosphere. The outcomes of this research comprise 12 paintings, each titled uniquely, reflecting the author's interpretation of the Tungkot Tunggal Panaluan statue in the realm of fine art. These works offer a profound insight into the statue's form, history, and function, contributing significantly to the author's impact on the evolution of painting.
KAYU SEBAGAI MEDIA KARYA SENI LUKIS BERNUANSA UNING-UNINGAN BATAK TOBA Silaban, Parulian; Tarigan, Nelson; Azis, Adek Cerah Kurnia; Yumielda, Vivi Destri
Jurnal Pendidikan Seni Rupa Undiksha Vol. 14 No. 2 (2024): Agustus 2024
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penciptaan ini dilatarbelakangi dengan keberadaan penulis sebagai orang asli suku Batak Toba yang lahir di Kecamatan Lintongnihuta, Kabupaten Humbang Hasundutan. Mengingat Kecamatan Lintongnihuta yang merupakan daerah penghasil kayu pinus dan memiliki limbah seperti sisa potongan kayu yang dibiarkan di pinggiran sungai hutan, limbah ini dapat diolah menjadi media berkarya seni lukis dengan menjadikan objek Uning-Uningan Batak Toba sebagai ide penciptaan seni lukis. Uning-Uningan ini memiliki peran penting pada saat upacara adat dan ritual Batak Toba yaitu untuk menyampaikan doa kepada Mulajadi na Bolon ( Tuhan Yang Kuasa). Penelitian ini bertujuan untuk mewujudkan visualisasi bentuk, sejarah, dan fungsi Uning-Uningan Batak Toba dalam bentuk karya seni lukis dengan menampilkan bentuk secara sederhana sesuai dengan fungsinya serta menampilkan nilai karakteristik objek tersebut. Penciptaan ini menggunakan metode yang dijelaskan Hedriyana dalam tahapan penciptaan karya seni yaitu tahap persiapan, elaborasi, kontemplasi, penciptaan dan sampai tahap hasil karya. Hasil penelitian ini adalah 5 karya seni lukis yang menggunakan cat akrilik dengan media kayu pinus dengan judul Sarune Bolon, Tagading, Saga-saga, Sulim, dan Sordam. Lukisan-lukisan ini mencerminkan interpretasi penulis tentang Uning-Uningan Batak Toba.
Development of Teaching Materials for Dual Visual Work Assessment Parameters : P-Books and E-Books in the Department of Fine Arts Azis, Adek Cerah Kurnia; Sugito, Sugito; Kartono, Gamal; Mesra, Mesra; Tarigan, Nelson; Alhail, Hadi; Yumielda, Vivi Destri
Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Vol 10, No 4 (2024): December
Publisher : Universitas Pendidikan Mandalika (UNDIKMA)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v10i4.12969

Abstract

This study aims to develop assessment-focused teaching materials for dual-dimensional visual works in the form of valid, practical, and effective p-books and e-books for the Department of Fine Arts. Employing the R&D method with the 4D model (define, design, develop, and disseminate), the research used a Likert scale questionnaire as the instrument, with data analysis techniques covering validity, practicality, and effectiveness assessments. The study results indicated that the teaching materials, both p-books and e-books, were highly valid with an average score of 87.8%. Furthermore, these materials proved to be highly practical for students in Shape Drawing, Illustration Drawing, Visual Communication Design (DKV), Graphic Arts, and Sketching courses, with a practicality score of 84.16%. They were also deemed effective, as students’ activities (such as reading modules, asking and answering questions, and completing assignments) resulted in an effectiveness score of 85.41%. Thus, the teaching materials are confirmed to be valid, practical, and effective for application in the specified Fine Arts courses.
KAIN PERCA SEBAGAI BAHAN DASAR PENCIPTAAN LUKISAN EVENING GOWN DENGAN TEKNIK KOLASE PADA KANVAS Ginting, Susiko Loipebina Br; Tarigan, Nelson
Sindoro: Cendikia Pendidikan Vol. 13 No. 11 (2025): Sindoro Cendikia Pendidikan
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9644/sindoro.v13i11.12386

Abstract

Penelitian ini bertujuan untuk mengeksplorasi potensi kain perca sebagai bahan dasar dalam penciptaan karya seni lukis dengan teknik kolase pada kanvas. Kain perca dipilih karena ketersediaannya yang melimpah serta potensinya dalam memberikan nilai estetika melalui variasi warna, tekstur, dan bentuk. Teknik kolase digunakan untuk menciptakan karya lukisan bertema Evening Gown yang tidak hanya menonjolkan keindahan visual tetapi juga membawa pesan tentang keberlanjutan dan pemanfaatan bahan sisa. Metode penciptaan karya ini mengacu pada tahapan proses kreatif L.H. Chapman, yang meliputi pencarian gagasan, pengembangan dan pematangan ide, serta visualisasi dalam media. Proses penciptaan dimulai dari pemilihan bahan, perencanaan desain, hingga penempelan kain perca pada karton kanvas. Hasil akhir menunjukkan bahwa kain perca mampu memberikan kesan tiga dimensi, kedalaman visual, serta harmoni komposisi warna dan tekstur yang unik. Karya-karya yang dihasilkan membuktikan bahwa kain perca dapat menjadi media ekspresi artistik yang kuat, fleksibel, dan bernilai estetika tinggi. Selain itu, pendekatan ini juga mendukung prinsip daur ulang dan ramah lingkungan, serta membuka peluang eksplorasi lebih luas dalam seni rupa kontemporer.
The Marriage Traditions of the Parmalim Community as Inspiration for Painting Creation Simbolon, Jollin Josep; Tarigan, Nelson
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.64364

Abstract

Indonesia is renowned for its rich cultural heritage and diverse beliefs, one of which is Ugamo Malim, a tradition embraced by the Parmalim community of the Batak tribe. The wedding customs of the Parmalim, particularly in Sianjur Mula-Mula, preserve ancestral rituals that diverge significantly from those of Christian or Islamic Batak communities. This research investigates how the Parmalim wedding tradition, particularly its symbolic six-movement ceremonial dance, can inspire the creation of painting artworks. The study aims to delve into the cultural significance of these traditions, enhance appreciation for the beauty of Parmalim’s heritage, and promote the preservation and celebration of Indonesia’s cultural diversity. The creative process employed a structured methodology comprising preparation, elaboration, contemplation, and realization to develop meaningful and impactful artworks. Utilizing bravura and chiaroscuro techniques, the artist produced twelve paintings inspired by Parmalim’s wedding traditions, each capturing symbolic elements such as “Hohom,” representing gentleness, and “Mangurdot Somba,” reflecting joy. However, this article presents only three of these paintings, focusing on their symbolic elements and artistic interpretation. These works demonstrate a fusion of traditional themes and creative expression, employing freely chosen materials and tools on sketched canvases to achieve optimal visualization and proportionality. The study concludes that creating paintings based on Parmalim wedding traditions not only showcases artistic prowess but also serves as an act of cultural appreciation and preservation. This body of work underscores the profound connection between art and cultural identity, reinforcing the significance of valuing Batak heritage and fostering cultural diversity.
Pelatihan Bantuan Hidup Dasar Bagi Masyarakat Awam: Pengabdian Kok Mesa, Nofita Dewi; Warimilena , Soleman; Sasari, Yamamoto; Baransano, Yulyanus; Tarigan, Nelson; Suprayitno, Guruh; Tanawani, Pithein
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 1 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 1 (Juli 2025 -
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i1.1942

Abstract

Cardiac arrest is a condition of emergency that often occurs. Cardiac arrest is the leading cause of death in many countries. Worldwide patient survival rates after OHCA are still poor. Death from cardiac arrest can occur within minutes if the victim does not receive intervention. Early initiation related to Cardiopulmonary Resuscitation (RJP) by people around the patient is one of the main factors in saving patients with cardiac arrest, so it is very important to train ordinary people in Basic Life Assistance measures. The purpose of this community service is so that the community can understand and demonstrate the actions of Basic Life Assistance (BHD) properly and correctly. The method is carried out by providing education and simulation training directly on basic life support. The results obtained were that 73 people in groups were able to demonstrate BHD properly and correctly.
Sumatran Hornbill As An Idea For Creating Paintings Buana, Lalang Cakra; Muslim, Muslim; Azmi, Azmi; Saleh, Khaerul; Tarigan, Nelson; Muhammad Amirulloh, Tifan; Sugito, Sugito
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The creation of this work is driven by the author’s profound interest in hornbills, particularly given the alarming rate of their extinction. The author’s objective is to convey the aesthetic significance of this animal to the broader community. The Sumatran hornbill, with its distinctive and striking characteristics, including its large beak, robust claws, and vibrant plumage, serves as the subject matter for this study. Through the meticulous application of acrylic paint on canvas, the author has crafted twelve paintings that meticulously capture the physical attributes of the bird and its natural habitat. Furthermore, these paintings depict the hornbill’s omnivorous lifestyle. The author employs a combination of three distinct techniques: plaque, chiaroscuro, and bravura. These techniques work synergistically to create a dynamic, contrasting, and vivacious portrayal of the hornbill within the paintings. The resulting twelve paintings, each bearing a unique title that reflects the author’s interpretation of the hornbill, provide an in-depth understanding of its physical characteristics, habitat, and behavior. Additionally, these works contribute to the advancement of the art form through the author’s unique perspective and creative expression.
The Ornament of the Malay Keris Hulu “Tumbuk Lada” as a Medium for Student Creativity in Fine Arts Azis, Adek Cerah Kurnia; Azmi, Azmi; Saleh, Khaerul; Tarigan, Nelson; Purba, Rinanda; Mesra, Mesra; Yumielda, Vivi Destri
V-art: Journal of Fine Art Vol 4, No 2 (2025): June 2025
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/vartjofa.v4i2.5490

Abstract

This study aims to develop and evaluate teaching materials in the form of printed books and e-books for the Ornamen Nusantara course, focusing on the ornamental design of the Hulu Keris Melayu Tumbuk Lada. The development process employed the Research and Development (R&D) method using the 4D model (Define, Design, Develop, Disseminate). The results indicate that the teaching materials are valid (78,75%), practical (82,15%), and effective (88,53%). Their use has been shown to enhance students’ understanding of traditional ornamental richness; particularly the Melayu Tumbuk Lada ornament; and to encourage the preservation of local cultural values. More broadly, the findings contribute to strengthening cultural identity in art education and support the development of creative industries based on cultural heritage.
Development of Teaching Materials for Dual Visual Work Assessment Parameters : P-Books and E-Books in the Department of Fine Arts Azis, Adek Cerah Kurnia; Sugito, Sugito; Kartono, Gamal; Mesra, Mesra; Tarigan, Nelson; Alhail, Hadi; Yumielda, Vivi Destri
Jurnal Kependidikan : Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran, dan Pembelajaran Vol. 10 No. 4 (2024): December
Publisher : LPPM Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v10i4.12969

Abstract

This study aims to develop assessment-focused teaching materials for dual-dimensional visual works in the form of valid, practical, and effective p-books and e-books for the Department of Fine Arts. Employing the R&D method with the 4D model (define, design, develop, and disseminate), the research used a Likert scale questionnaire as the instrument, with data analysis techniques covering validity, practicality, and effectiveness assessments. The study results indicated that the teaching materials, both p-books and e-books, were highly valid with an average score of 87.8%. Furthermore, these materials proved to be highly practical for students in Shape Drawing, Illustration Drawing, Visual Communication Design (DKV), Graphic Arts, and Sketching courses, with a practicality score of 84.16%. They were also deemed effective, as students’ activities (such as reading modules, asking and answering questions, and completing assignments) resulted in an effectiveness score of 85.41%. Thus, the teaching materials are confirmed to be valid, practical, and effective for application in the specified Fine Arts courses.
Co-Authors Alhail, Hadi Azis, Adek Cerah Kurnia AZMI, AZMI Baransano, Yulyanus Buana, Lalang Cakra Gamal Kartono Ginting, Susiko Loipebina Br Kok Mesa, Nofita Dewi Manalu, Joel MESRA MESRA, MESRA Muhammad Amirulloh, Tifan Muslim Muslim Saleh, Khaerul Sasari, Yamamoto Silaban, Parulian Simbolon, Jollin Josep Sugito - Suprayitno, Guruh Tanawani, Pithein Warimilena , Soleman Yumielda, Vivi Destri