cover
Contact Name
Dani Nur Saputra
Contact Email
daninursaputra@unj.ac.id
Phone
+6289689202848
Journal Mail Official
daninursaputra@unj.ac.id
Editorial Address
Jl. R.Mangun Muka Raya No.11, RT.11/RW.14, Rawamangun, Kec. Pulo Gadung, Kota Jakarta Timur, Daerah Khusus Ibukota Jakarta 13220
Location
Kota adm. jakarta timur,
Dki jakarta
INDONESIA
Jurnal Penelitian Musik
ISSN : -     EISSN : 28071050     DOI : -
Jurnal Penelitian Musik is a publicly accessible journal published by Department of Music Education, Faculty of Languages and Arts, Jakarta State University (UNJ). Jurnal Penelitian Musik collaboration with Asosiasi Pendidik Seni Indonesia (APSI) and Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI). This journal is published twice a year, every March and August. This journal contains the results of music research in the fields of music education, music studies, composition, technology, media, psychology, performing arts, and others in music scope. Jurnal of Music Research can be a reference for academics, practitioners and researchers in scientific publications in the field of music.
Articles 92 Documents
The INFLUENCE OF PARENTS' SINGING HABITS ON CHILDREN'S ABILITY TO PRODUCE CHURCH CHOIR VOCAL HARMONIES AUTODIDACTICALLY (FEELING) Branckly Egbert Picanussa; Jermias Hartes Van HArling; Paolo Fabris; Ketrina Tiwery Tiwery; Fridolin L Muskitta; Pravasta B Maulany; Ronaldo B Alfons; Cleopatrik Teyuhayo; Gerrard R Maail
Jurnal Penelitian Musik Vol 7 No 1 (2026): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.71.04

Abstract

The paradigmatic change in arts globally and the strengthening of awareness regarding the relationship between arts and cultural plurality in global life have given rise to a contemporary discourse, namely the legitimacy of Ambon as a world music city. The question that needs to be reflected on is how much musical ability the people of Maluku, especially the city of Ambon, have as an asset to make Ambon a world music city. This study aims to find the musical skills of the people of Maluku with a focus on testing the influence of parents' musical background on children's abilities in creating vocal harmony of church choirs autodidactically (constructing vocal harmony of church choir autodidactically feeling). The theory used in this study musical ability according to Sloboda-Juslin and Bordieu. The research approach used is quantitative with multiple regression analysis design. The data collection technique used a questionnaire, the data analysis technique used multiple linear regression. The results of the study found that the ability to produce vocal harmony division (constructing vocal harmony of church choir autodidactically / feeling) is influenced by the musical background of parents who are natural abilities. This is indicated by the multiple linear regression test which states there is an influence of 30%. The division of voices by feeling is not a matter of the accuracy of sound construction based on scientific principles but what is needed is to avoid out of tune which in musical terms is "fals"
Kombinasi Harmonisasi Stambul I dan Langgam dalam Lagu “Keroncong Pertemuan” Karya Koes Plus Satria Galih Samodra; Abdul Rachman
Jurnal Penelitian Musik Vol 7 No 2 (2026): Jurnal Penelitian Musik (Issue in Progress)
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.72.01

Abstract

This research is motivated by the emergence of the keroncong pop genre carried by the 1970s band pioneered by Koes Plus with the song "Keroncong Pertemuan". This study aims to examine the song form and harmony of the song "Keroncong Pertemuan". This research was conducted using a qualitative method with a musicology approach that allows for an in-depth study of the song form and harmony of the song "Keroncong Pertemuan".The research findings show that the song "Keroncong Pertemuan" by Koes Plus consists of 32 bars and has a 2-part form, namely A-A'-B-A. The harmony uses a combination of stambul I and langgam forms, where the harmony of stambul I form is used in sentences A and A', while the harmony of langgam form is taken from sentence B and used in sentence B of the song "Keroncong Pertemuan". As a whole, the song tends towards the langgam form, but the initial part applies the stambul I form. The song "Keroncong Pertemuan" by Koes Plus, which applies a combination of harmonizing stambul I and langgam forms, is an innovation in the new form of keroncong music offered by Koes Plus. It is hoped that through this step, keroncong music can continue to develop without having to be fixated on standard rules. Keywords: harmony, stambul I, langgam, keroncong pop, Koes Plus.

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