BAJU: Journal of Fashion and Textile Design Unesa
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
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<![CDATA[PENCIPTAAN BRIDAL GOWN MUSLIM INSPIRASI DARI BURUNG KAKAKTUA ]]>
<![CDATA[Antika, Defi Dwi]]>;
<![CDATA[Russanti, Irma]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p211-218
<![CDATA[The creation of a bridal gown is inseparable from inspiration, which is the prose of creative thinking. In this study, inspiration is drawn from the beauty of the cockatoo, an endemic Indonesian fauna. The double diamond method is used for the creation process, which includes the stages of discovery, define, develop, and deliver. The discovery stage involves the search for ideas from the inspiration of the cockatoo, while the define stage involves elaborating themes in a moodboard. The develop stage produces design concepts, including feather embroidery that realizes the inspiration. The deliver stage involves product testing, resulting in bridal gowns and men's suit sets. The bridal gown, inspired by the cockatoo, combines traditional elements with modern touches, while the men's suit sets highlight uniqueness in classic design. The overall work reflects the beauty of Indonesian nature and innovative elements in wedding fashion.]]>
<![CDATA[Sebuah Inspirasi Bunga Anemone sebagai Sumber Ide Penciptaan Modest Fashion dan Busana Pria ]]>
<![CDATA[Shaumu, Elma Madani]]>;
<![CDATA[Yulistiana, Yulistiana]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p227-240
<![CDATA[Anemone flowers are ornamental plants, they have several beautiful colors, one of which is burgundy. The purpose of writing this article is to describe the manufacturing process and finished results in creating modest fashion and men's clothing using the idea of Anemone flowers. The method used in this writing is the Double Diamond Design Process consisting of the stages: discover, define, develop and deliver. The initial stage of discover, design which includes searching for inspiration. The second stage, define, creates a moodboard after determining the source of the idea. Develop stage, making the development of five basic designs for modest fashion and men's clothing. The final stage of delivery, the stage of applying details and decorations, is in modest fashion, applying the A silhouette, embroidery details and tucking inspired by the wave shape of anemone flowers. Details on men's clothing, applying asymmetrical shapes to. The detailed application of the Palembang songket cloth refers to the borderless theme, namely a combination of east and west styles. The results are modest fashion and men's clothing as expected, having a smart and casual style with an elegant look and a center of interest that is realized in the clothing details.]]>
<![CDATA[Perancangan Busana Avant Garde dengan Inspirasi Bunga Titan Arum ]]>
<![CDATA[Lie, Sherly Sanjaya]]>;
<![CDATA[Renaningtyas, Luri]]>;
<![CDATA[Yessica, Evania]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p160-172
<![CDATA[Fashion in Indonesia is also increasing, where fashion itself is used as a means of self-expression which is through avant garde. The need for avant garde fashion itself is quite increasing, but avant garde fashion designers are still rarely found in Indonesia. Avant garde fashion has become a necessity, especially in the showbiz sector, such as artists and influencers who need attention from the public through unique and attractive clothing. In line with the concept of avant garde fashion, this fashion collection inspired by Indonesian flora Titan Arum which has a quite unique shape. The Titan Arum flower is a type of corpse flower native to Indonesia whose existence is threatened and is still protected. Based on the government's efforts to preserve Indonesian flora, this design highlights the Titan Arum flower as an inspiration and also to increase awareness of Indonesia's endangered flora. Based on these problems, this design adopts an avant garde concept which has a unique form of meeting fashion needs in Indonesia as well as attracting the public to increase public interest in Indonesia's endangered flora. The method used in this design is design thinking and qualitative methods by collecting data through books, news, interviews, and so on.]]>
<![CDATA[SONGKET PALEMBANG dan BUNGA HELLBORE SEBAGAI SUMBER IDE PENCIPTAAN BUSANA MUSLIM ]]>
<![CDATA[Rachmawardani, Rizmaningrum]]>;
<![CDATA[Suhartini, Ratna]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p182-188
<![CDATA[Hellebore flowers in Indonesian are also called helleborus flowers, a type of flowering plant from the genus Helleborus which is known for its beautiful flowers and often blooms in winter or early spring. The purpose of this study was to determine the results of the application of Palembang songket cloth and Hellebore flowers to Muslim clothing. This study uses a double diamond model research methodology consisting of four stages, namely discovery, definition, development, and application. The main materials used are Palembang songket cloth, duchess cloth, and wool. The garment making process consists of making patterns and adding fabrics that can be manipulated to women's and men's clothing. The silhouette of this dress is an A-line silhouette with a loose blouse and accessories. Palembang songket applied to the blazer gives a unique and ethnic impression. The results of this study apply manipulating tucking to the clothing and accessories to give a unique impression so that the appearance looks different.]]>
<![CDATA[Penciptaan Busana Ready to Wear dengan Motif Gendang Beleq dan Rumah Bale ]]>
<![CDATA[Yunika, Anif Fatma]]>;
<![CDATA[Kusumawardani, Hapsari]]>;
<![CDATA[Aini, Nurul]]>;
<![CDATA[Nafiah, Annisau]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p241-251
<![CDATA[Gendang Beleq and Bale Lumbung House are traditional arts and traditional houses that characterise the Sasak Lombok tribe. Gendang Beleq and Bale Lumbung House are used as a source of ideas and realised as digital printing motifs with the intention of preserving and introducing traditional arts and culture in Indonesia. The research results stated: (1) The concept of ready to wear fashion creation combines elements of nature and culture, namely the beauty of Kuta Beach Lombok, the traditional art of Gendang Beleq and the traditional house of the Sasak tribe, namely the Bale Lumbung House. (2) The process of creating the fashion work refers to Hendriyana's Practice-led Research method which consists of four stages, namely Pre-design, Design, Realisation and Presentation of Work. (3) The final result of the work consists of 2 fashion looks that are classified as ready to wear clothing with a loose cut. The first work consists of 5 items, namely outer printing top, plain white culottes made from duchess satin, skirt made from navy duchess satin with additional wide rope ties around the waist with a width of 4 cm, tie printing bodice and white knit inner. The second look consists of 5 items, namely outer printing, printed culottes, obi belt with circular strap with seashell motif printing, printed ikat skirt and white inner knit.]]>
<![CDATA[Penerapan Estetika Kebaya Kutubaru dengan Style Casual pada Remaja ]]>
<![CDATA[Meliawati, Annissa]]>;
<![CDATA[Sesnawati, Yeni]]>;
<![CDATA[Zahra, Lutfia]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p173-181
<![CDATA[This research aims to gather aesthetic assessment data on five modified Kutubaru kebayas with casual style, measured using aspects of design form, weight, and presentation based on the aesthetic theory by A.A.M Djelantik. The research method employed is descriptive quantitative with a pre-experimental design approach, specifically a one-shot case study. The instrument used was a questionnaire consisting of 20 statements rated on a scale, administered to 5 expert panelists in the field.The evaluation data on modified Kutubaru kebayas based on the three aspects were categorized as excellent, with the presentation aspect receiving the highest score 88,33 and the form aspect the lowest score with 82,4. Following closely was the weight aspect, also categorized as excellent with score 84,5, consistent with Djelantik's aesthetic theory.The aesthetic assessment data indicates that the form, weight, and presentation aspects of Kutubaru kebayas in casual style received excellent ratings. This suggests that the application of aesthetic form, weight, and presentation in modified Kutubaru kebayas with casual style.]]>
<![CDATA[Perancangan Vest Dengan Teknik Patchwork Menggunakan Kain Perca Motif Batik Tanah Liek: Perancangan Vest dengan Teknik Patchwork Menggunakan Kain Perca Motif Batik Tanah Liek ]]>
<![CDATA[Muliandra, Aristi]]>;
<![CDATA[Sesnawati, Yeni]]>;
<![CDATA[Wesnina, Wesnina]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p150-159
<![CDATA[This research aims to determine the assessment of vest products using patchwork techniques using Tanah Liek batik patterns. This research uses an experimental research method of the Pre-Experimental Design type with a one-shot case study design. The data obtained used a mixed questionnaire research instrument, and the scale used was the Rating Scale with a value range between 1-5 (Very Poor – Very Good). The results of the research assessment of vest products using patchwork techniques with Tanah Liek batik pattern based on the product quality aspect were in the good category, then the assessment based on design elements also got the good category, and finally the assessment based on the design principle aspect was also in the good category so that It can be concluded that in the three assessment aspects used to evaluate vest products with patchwork techniques with Tanah Liek batik patterns, they are all in the good category. Vest design with patchwork technique with Tanah Liek batik pattern, design 1 gets the highest score which is in the very good category, while the design with the lowest score is obtained by design 3 which is in the good category.]]>
<![CDATA[Pengembangan Bentuk Kebaya Bangaw dengan Sumber Ide Legenda Batoe Tinagat pada Perancangan Adibusana ]]>
<![CDATA[Anakirin, Nurin Fauhan]]>;
<![CDATA[Santoso, Ratna Endah]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p219-226
<![CDATA[Foreign cultures that enter Indonesia are slowly eroding the existence of local culture. There is an urgency to preserve and introduce the Tidung Tribe to the community, by developing this traditional kebaya bangaw traditional clothing into a more modern and relevant form to attract the interest of the community today. This design applies the transforming tradition method with 7 stages, namely ATUMICS, with Artefact which is the design object and six basic elements, namely Technique, Utility, Material, Icon, Concept, and Shape to create product innovations or systems that are traditional products so that they can be accepted by modern society while maintaining the cultural values in it. This design produced 9 evening fashion designs, but from the 9 designs, 4 designs were selected to be realized. Based on this design, it can be concluded that the traditional clothing of the Bangaw kebaya can be developed into the design of the costume while maintaining its uniqueness and the source of the idea of the legend of Batoe Tinagat can be used as a source of inspiration in designing the motif of the costume to create an exploration of the more modern traditional clothing of the Tidung tribe through the stages of visual processing, construction, and surface processing.]]>
<![CDATA[PENCIPTAAN DESAIN KEBAYA BERGAYA FUNKY BERTEMA “ KEBAYA AROUND THE WORLD “ DENGAN INSPIRASI BAR JACKET ]]>
<![CDATA[Kuncoro, Argi Dwi]]>;
<![CDATA[Arifiana, Deny]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p252-261
<![CDATA[The aim of this research is, among other things, to describe the process and results of creating a funky style kebaya design with the theme "kebaya around the world" with the inspiration of a bar jacket. The theme “Kebaya Around the World” was chosen to align the creative process in processing the essence of tradition in kebaya and modern funky style. Research includes creation research, which uses the Practice-Ied Research method, which consists of 4 stages which include (1) exploration, (2) design process, (3) embodiment of the work, and (4) dissemination of the work. The results of this research show that the process of creation Funky kebaya design with an around the world kebaya theme, inspired by the bar jacket style includes exploring the source of ideas, creating alternative designs, realizing the work and disseminating the work in the form of presentation via mannequin displays and demonstrated by model in accordance with the theory of practice-led research in the form of 1 set design and produce ready-to-wear clothing in the form of kebaya, trousers and accessories with funky style, and the theme of kebaya around the world.]]>
<![CDATA[BUSANA READY TO WEAR DELUXE MENGGUNAKAN PEWARNAAN ALAM AMPAS KOPI DAN KOMBINASI SLASHING KAIN BATIK KOPI PECAH BANYUWANGI ]]>
<![CDATA[hidayat, Dinda Anisa Nur]]>;
<![CDATA[Indarti, Indarti]]>
<![CDATA[ BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/baju.v5n2.p200-210
<![CDATA[The fashion industry is currently looking for more environmentally friendly alternatives. This research aims to describe the process of making Ready-To-Wear Deluxe clothing with the innovative use of natural dyes from coffe grounds and a combination of slashing techniques on Banyuwangi broken coffee batik cloth. The use of natural coloring from coffee grounds as an alternative to synthetic dyes and a combination of slashing techniques on Banyuwangi broken coffe batik cloth provide added value to the final product. This research applies the FEA Consumer Needs Model method to identify the Functional, Expressive, and Aesthetic that consumers most seek in this product. The uniqe Ready-To-Wear Deluxe fashion product can contribute to the development of a sustainable fashion industry by utilizing the potential of local natural resources from the natural color characteristics of coffee grounds and also the attreactive modern aesthetic appearance of slashing techniques with traditional values. Apart from that, this research will analyze the final results of clothing produced from a combination of these techniques and materials. The research results can be used by designers of manufacturers to create products that not only meet functional needs, but also provide emotional and social value for consumers.]]>
