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Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 84 Documents
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Cultural Inheritance of Joged Pingitan Dance in Pengosekan, Ubud Agus Made Wira Hadi Kusuma; Gusti Ayu Erma Yunita Dewi; Gusti Ayu Ratih Candra Giri; Ni Putu Putri Ditha Sumaridewi Oka; Ni Putu Candra Dewi Cahyanti; Ni Luh Putu Winda Sari Maharani K. A.; Ni Wayan Somawati
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2353

Abstract

This study discusses the existence of Joged Pingitan dance in Banjar Pengosekan, Mas Village, Ubud, Bali. Joged Pingitan dance is included in the sacred dance which is believed to have strong religious and magical values by the people of Pengosekan Costumary Village. The religious value possessed by Joged Pingitan dance can be seen from its function as a wali/sacred dance to accompany the ceremony. This study raises three main issues, namely the history of Joged Pingitan dance, the functions of Joged Pingitan dance, and the values contained therein and the inheritance of Joged Pingitan dance in the globalization era. The purpose of this research is to answer all the problem formulations and dig deeper about Joged Pingitan dance. The method used is descriptive qualitative method with data collection techniques using observation and interview techniques. The results of this study explained that Joged Pingitan dance in Banjar Pengosekan is still preserved today, has the main function of being an accompaniment and complement during religious ceremonies and contains many values such as aesthetic values which are is the value of beauty, religious value, educational value, and social value.
Designing a Building for Shadow Puppet Shows in Semarang City David Herlambang; Yuke Ardhiati
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v2i2.2745

Abstract

The study aim is how to create a different building design that is able to attract the interest of young people who are able to accommodate and also preserve the art of Shadow Puppet (shadow puppet) that it is known by the wider community. Based on the shortage of shadow puppet show facilities in Semarang as the capital of Central Java, the procurement of a shadow puppet performance facility which has educational facilities for the Dalang or puppeteer profession is felt to be the right solution to preserve and revive this art of Shadow Puppet. The design of the shadow puppet show building in Semarang City raises the philosophy of the mountains of Shadow Puppet called “Kayon". Harmony with Nature as the architectural theme of the shadow puppet performance building was chosen so that the architecture of the building can live in harmony with nature by understanding and accepting the inanimate reality of natural forces.
The The Riau Islands Province Arts Building in Tanjungpinang City Fajar Noer Kholis
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The activities of art actors in Tanjungpinang City are not well developed because they are not supported by the existence of supporting art activity facilities. This study aims to plan and design the Riau Islands Province Arts Building in Tanjungpinang which can accommodate various forms of art in it. The theme "Malay Stage" (Panggung Melayu) with the concept of Post-Modern Architecture, namely the Metaphor to Natural and Cultural approach can be used as a solution in responding to the problems that occur. This approach focuses on designing forms by analyzing the surrounding nature and culture today. The design of this arts building uses a qualitative descriptive research method, namely design by research. The use of Malay ornamentation and the choice of roof shape bring the historical atmosphere of Malay buildings to the present. Balanced with the use of building facade materials and roof parts by giving a neutral and bold color creates the impression of modernism in the building and can be used to organize art activities for the people of the Riau Islands Province. This study has resulted in the plan and design of the “Riau Islands Province Arts Building in Tanjungpinang”, which is hoped to become a medium for all kinds of Malay art forms in it. The theme "Malay Stage" with the concept of Postmodern Architecture used in this study is considered appropriate to be used as a solution in responding to problems that occur in the Riau Islands, especially in the aspect of preserving Malay arts and culture.
Gending Architectural Design of the Javanese Arts Performance Center in Wonogiri City, Central Java Farras Anwar; Yuke Ardhiati
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v2i2.2749

Abstract

The aim of this study is to provide facilities for fans and performers of the arts, in the form of a building that is able to accommodate a number of local cultural arts activities that represent Wonogiri's local wisdom while at the same time being able to reflect technological advances so that they can embrace young people's interest in loving traditional culture. The approach used in the design is research-based design, and the study of architectural history, namely design that is supported by research results, regarding the wishes and expectations of residents for activities and facilities, which takes into account the history of the city, traditional buildings, patterns of life and culture of the community, to support the design. The results showed that the design consists of several zones of public, semi-public, semi-private, private, service, with 4 main room divisions including the main lobby room, main performance room, semi out door show room, and education and training room. The layout of the building, site, and external performance of the building are designed with a mix of cultures and illustrate the meaning of the name Wonogiri which means forest and mountain, which is combined with modern architecture.
The Style of Indonesian Contemporary Art Gallery in West Jakarta Puspitarini Subagyo; Swambodo Murdariatmo Adi
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Some contemporary art works with regional elements can be used as a tool to introduce and preserve the culture of various tribes in Indonesia. Even so, there are still very few places that serve as 'homes or exhibitions' for works of contemporary art. Therefore, an art gallery is needed that can accommodate, exhibit, and store contemporary art works from all over Indonesia. The design method used is a descriptive-qualitative research method with a rationalistic approach. The descriptive-qualitative research method with a rationalistic approach is expected to be able to analyze the shape of the building, the relationship between the building and the environment, and people's views of the Indonesian Contemporary Art Gallery Building. The Indonesian Contemporary Art Gallery building in West Jakarta can accommodate contemporary art works and is considered a building with high property value. In this case, artists can combine their contemporary works of art with elements of culture and art from all corners of Indonesia.
Study of Literary Arts Education by Applying Basic Technique Learning Media of “Masatua” Bali Gusti Ayu Erma Yunita Dewi; I Wayan Karja
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v2i2.2803

Abstract

The existence of application media can facilitate the learning system, because it can be used anytime and anywhere. All of this can affect the learning outcomes of students, especially in the field of Balinese past (telling satua Bali or Balinese fairy tales or stories). This paper aims to find out the study of interdisciplinary science contained in art and literature education (the Satua Bali) through the application of learning media on the basic techniques of the Balinese past. The method used in this study is a descriptive qualitative approach method. A qualitative approach is in the form of expressions, sentences and descriptions of form, aesthetics and meaning in satua Bali, as well as other scientific studies contained in satua Bali. Masatua Bali lessons are very important to be instilled in students, because indirectly they can learn various other scientific studies through satua Bali. The lack of utilization of instructional technology media is also one of the triggers for students' lack of interest in learning Balinese past which will certainly affect student outcomes.
The Kalpika Natha Mascot Dance: A Substance of Anthropological, Semiotic, and Aesthetic Studies I Gusti Ayu Mas Nari Wulan; I Wayan Karja
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v2i2.2804

Abstract

The creation of a mascot dance entitled Kalpika Natha at SMP Negeri 2 Abiansemal is one of the ideas to create a symbol or identity through performing arts including dance, vocal art, and karawitan. In this interdisciplinary research, anthropological, semiotic, and aesthetic approaches are used. In anthropological studies, the art of mascot dance can be studied from the point of view of cultural and social aspects. The Kalpika Natha Mascot Dance as a representation of organizational identity can be a reflection of societal values and norms. Apart from that, the Kalpika Natha Mascot Dance can also be a medium to introduce and promote the culture of a region or country. Semiotic studies can assist in understanding the meaning and symbols contained therein which are interpreted through semiotic analysis to reveal the message the choreographer wants to convey. Furthermore, in the study of aesthetics, it can be seen from the form, the weight of the content of the Kalpika Natha dance. In this research, interdisciplinary studies of anthropology, semiotics, and aesthetics can provide a more comprehensive understanding of mascot dance as a form of performing art and promotional media. Thus, this research can provide broader implications for the development of the Kalpika Natha Dance in the future.
The Musical Aesthetics of "Likad" Composed by Dewa Ketut Alit I Gede Ngurah Divo Sentana Divo
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 2 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v2i2.2805

Abstract

The music “Likad” was composed in 2020 by Dewa Ketut Alit, a composer born and living in Pengosekan Ubud, Bali. The purpose of this study is to explore (1) the process of formation, the form of the work which consists of, (2) the form, (3) the content or things discussed in this work, and (4) the aesthetics of the form "Likad". The reason for carrying out this research is considering that the work "Likad" contains innovations that are important to examine for clarity, as one manifestation of the development of gamelan music, especially Balinese gamelan. This research is qualitative in nature which reveals the clarity of the creative process, the form of "Likad". The data source for this study is the work of "Likad" himself. The values contained in the work of "Likad" were examined by theory of musical form and theory of aesthetics. Data in this study were obtained through observation, and interviews. The results of this study, among others, the title "Likad" which means ‘difficult’ is reflected in the kotekan pattern of this work which is made more complex than the Balinese traditional pattern. Most of these works present interlocking patterns and a kind of ostinato or short rhythm with repetitions that tend to be more intense. This work raises the issue of Covid-19, in which many parties are ‘likad’ or unable to do activities freely.
”Kasama Weki” in the Architecture of the West Nusa Tenggara Weaving Museum Nafasia, Sahadat; Anggita, Diptya
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3695

Abstract

The aim of this research is to incorporate the wisdom of West Nusa Tenggara, Indonesia, into the design of the museum building, to preserve culture as a symbol of respect and love for the Indonesian homeland. The approach is carried out using a qualitative-correlational analysis approach to local socio-cultural activities and also using a conceptual design approach regarding design themes that highlight a cultural wisdom in Dompu called "Kasama Weki". "Kasama Weki" is the advice of Bima-Dompu West Nusa Tenggara which means togetherness, solidarity, kinship, justice, volunteerism (selfless), responsibility, active role of society as well as unity and oneness. This advice has locality and synergy values contained in the Bima-Dompu culture so that it can be applied in the design of the weaving museum building. "Kasama Weki" as an international tourist attraction is based on a series of cultural thematics as part of the design concept. The application of this theme is a symbol of respect and love for Indonesia's homeland so that it becomes an iconic architectural work as a contextual and communicative platform and as an educational tourist attraction and has the potential on the international stage to advance tourism and the creative economy which spurs improvements in the quality of Indonesian woven products in accordance with the spirit of Sustainable Development Goals (SDGs).
Designing Healing Center for People with Mental Problems in Lembang, West Bandung Regency Salafiyah, Jihan Salma; Damayanti, Setia
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3696

Abstract

The 2018 Riskesdas results for provinces throughout Indonesia noted that the graph of mental disorders and depression in DKI Jakarta and West Java tends to increase from 2013 to 2018. The Least and Most Stressful Cities Index 2021 report also states that the city of Jakarta is a city with high levels of 9th highest stress in the world. The Healing Center for ODMK (Orang dengan Masalah Kejiawaan or People with Mental Problems) in Lembang, West Bandung Regency aims to provide a means of restoring health to the human mind. The authors used qualitative methods by collecting secondary and primary data through research journals, books/ebooks, and articles related to the research object. They also conducted a survey of the design location as analysis material. The results of the  analysis show that the basic recovery method that can be applied by many people is the Self Healing method so that in terms of building the appropriate theme is Healing Environment. The Healing Environment theme aims to create an environment that can heal. It is hoped that the Healing Center for the ODMK (People with Mental Problems) in Lembang, West Bandung Regency can be a solution for recovering a person's mental problems and providing sensitivity to mental health.

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