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Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 84 Documents
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I Dewa Putu Rai's Creative Process in Creating the Music Accompanying “Kumbang Atarung” Dance Bisma, I Wayan Arya; Yudarta, I Gede
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3699

Abstract

This study was conducted to explore creativity in the dance’s accompanyment musical work called "Kumbang Atarung" by a musical artist from Pengosekan, Ubud, Bali, Indonesia I Dewa Putu Rai so as to reveal his views and method of creating work. I Dewa Putu Rai is an artist who has courage, artistic intelligence, innovative spirit and high creative power. This study uses a qualitative descriptive approach, through observation and interview data collection techniques. One of the results of his creativity is the accompaniment to the Kumbang Atarung dance. The factors driving I Dewa Putu Rai's creativity can be explored through the theory of creativity drivers. As a dance accompaniment that combines elements of Kebyar and Legong, this work was created by exploring musical potentials as well as palegongan and kekebyaran playing techniques, which were then recomposed with other (new) opportunities.
Kembalikan Baliku Community’s Concept of Janger Semara Ratih Dance and the Interest of Jakarta’s Young Generation Permata, Faizha Dyah; Trisnawati, Ida Ayu; Sustiawati, Ni Luh
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3701

Abstract

This research was conducted to examine the concept of the Janger Semara Ratih dance work which aims to attract the interest of visitors to the Indonesia Kaya Gallery, especially the younger generation. This research was conducted using qualitative methods. This was carried out in an interview process with the Janger Dance choreographer Semara Ratih, founder of the Kembalikan Baliku Community. Apart from that, data can also be obtained from recordings of the Janger Semara Ratih dance, choreographer interviews from several media and supporting books that match the focus of the discussion. The traditional art of Balinese dance is still very popular among the younger generation, especially in the city of Jakarta, Indonesia. There is a dance community in Jakarta, founded three years ago which presents a dance performance entitled Janger Semara Ratih. This dance work has been performed at an annual event namely Indonesian Cultural Heritage and also at regular events at the Indonesia Kaya Gallery. The Janger Semara Ratih dance work was performed by several dancers who are members of the Kembalikan Baliku Community. This performance is presented to attract the interest of the younger generation in Jakarta to help preserve Balinese dance arts by providing story concepts related to the lives of today's young people.
The Influence of Music on Adolescent Psychology under Construction at Corpus Christi Lawang, Malang, East Java Sabath, Brill Obed; Ardini, Ni Wayan
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3702

Abstract

This research aims to determine the influence of music on the psychological aspects of teenagers involved in coaching at Corpus Christi Lawang in Malang District, East Java, Indonesia. The research method used is a qualitative approach using observation, interview, and literature study data collection techniques. The findings of this study highlight that music influences various psychological aspects of adolescents, including mood, behavior, self-identity, and social interactions. The results of this research provide an in-depth understanding of the role of music in the development of the young generation in Corpus Christi Lawang. The practical implications of this research can help foundation administrators design more effective coaching programs by utilizing music's power to influence adolescent psychology positively. Music's influence on adolescent psychology at Corpus Christi Lawang aims to influence a person's emotions and provide calm to the subconscious (id) which can be controlled and build emotional, spiritual, and social structures in the rhythm of music when listening and expressing it.
Aji Susanto Anom's Black and White Photographic Works: A Study of Visual Psychology Widhiyanti, Ni Wayan Widhi; Saryana, I Made
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3704

Abstract

This study aims to map the aesthetics and emotional content implied in black and white photographic works by Aji Susanto Anom, a leading photographer from Indonesia. This research uses a visual arts approach and literature study to analyze various aspects which include techniques, compositions, themes, and messages conveyed in the works of Aji Susanto Anom. The research method used is a qualitative analysis of a number of black and white photographic works of Aji Susanto Anom that have been carefully selected. By paying attention to every visual and narrative detail, this study will identify the unique aesthetic characteristics and emotional content implicit in each work. It will also involve an understanding of the context of these works, including cultural influences, traditional values, and Aji Susanto Anom's career journey as a photographer. The results of this study are expected to provide a deeper understanding of how aesthetics and emotional content in black and white photography can be expressed through the works of Aji Susanto Anom. The findings of this study are also expected to contribute to the development of our understanding of black and white photography as a powerful artistic medium in conveying profound and inspiring messages.
Tabuh Pat Lelambatan Pari Anom in the Karawitan Composition and Its Psychological Influence on Gamelan Players Yoga, I Nyoman Wiradarma; Yudarta, I Gede; Mawan, I Gede
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3705

Abstract

This study aims to explore Tabuh Pat Lelambatan Pari Anom within the framework of musical composition and the psychological influence on gamelan musicians. Tabuh Lelambatan is a form of musical system that exists in the Gong Gede gamelan in its classical form. As a system, the tabuh of the lelambatan accommodates various types of tabuh, one of which is the Tabuh Pat Lelambatan. In this research, the Tabuh Pat Lelambatan Pari Anom was used as the research subject because this tabuh has fluctuating dynamics in its compositional presentation which results in an influence on the psychology of gamelan players when playing it. This was the background for this research which was then carried out using qualitative methods. The transcription of Tabuh Pat Lelambatan Pari Anom notation was used as a scalpel in detailing the data and interviews were also used as a data collection technique. This tabuh which can reach the realm of psychology is an opportunity to become an additional point in achieving the aim of this research, namely as academic information related to the psychological role of the performance of Tabuh Pat Lelambatan, in this case, Tabuh Pat Lelambatan Pari Anom.
Architectural Development of Lusi Island Tourism and Natural Conservation Area in Sidoarjo Regency Mulkan, Muhammad Balya Ibnu; Sadana, Agus S
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i2.3710

Abstract

Lusi Island was formed from Sidoarjo mud in Sidoarjo, East Java, Indonesia. This artificial island can be developed into a mud-based tourism area that represents natural events and conservation in mangrove forests. Based on regional architectural principles, this research is aimed at developing and designing educational tourism areas including creating tourist zoning, facilities and supports including educational tourism. The process of designing the Lusi Island Tourism and Nature Conservation Area was carried out by combining data from field surveys, literature studies and precedent studies. The research results show that the tourism area created includes mangrove planting activities including witnessing the Lapindo mud remains which is supported by adventure tourism, such as off-roading, camping and outbound. The facility space program includes accommodation, prayer room, toilets, culinary center, and supporting space consisting of waste water management installations. The benefits of developing Lusi Island as a tourism and nature conservation area that applies the principles of building environmentally friendly and sustainable areas as well as tropical architectural buildings to become the main attraction for tourists.
Designing Museum and Plaza in Brebes as a City Icon Putri , Sukma Rizki Cahyaning; Prasetya, L Edhi
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i2.3711

Abstract

This research aims to address the lack of facilities supporting arts and culture in Brebes, Central Java, Indonesia, while maximizing its economic and cultural potential. It proposes the design idea of a museum building and a public park as an icon in Brebes Regency, aiming to create an integrated zone for artistic and community economic activities that will enhance the new face of the city. The research methodology involves searching for design ideas by identifying existing problems around the location, which serve as the foundation for designing a building that can accommodate cultural diversity and serve as a space for street vendors within a well-organized zone. Through a contemporary architectural theme inspired by the unique cultural blend of Brebes, the project envisions not only a space for preserving and educating about local culture but also a center for economic activities, ultimately contributing to the socio-economic development of Brebes Regency. The Museum and People's Park serves as a means of development and education of culture and art. It is a solution to the problems that exist, especially for street vendors. The implications of the design concept of the museum building and public park serve as an economic driver for Brebes and will become a new landmark for the city on the northern coast of Java.
Digital Community Hub in Serpong, Tangerang Selatan (An Eco-Technology Architecture) Kristi, Nandini Anindita; Wibisono, Adryanto Ibnu
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i2.3714

Abstract

Serpong District in South Tangerang, Banten Province, Indonesia, is an area that has the greatest potential for creative economic development but does not yet have facilities capable of accommodating this activity. Therefore, a digital community hub is needed that can fulfill the facilities and needs for the development of the creative economy in the fields of information and technology. It is necessary to plan and design the digital community hub that pays attention to and responds to climate and environmental conditions by applying eco-technological architectural concepts, to obtain a building design that is responsive and in harmony with the surrounding environment. Methodologically, the application of the concept of eco-technology architecture includes the application of design strategies for energy efficiency and adding value to the quality of buildings for the environment, utilization of renewable energy, selection of materials and openings in buildings. Its design is divided into four zonings, namely, rental office zoning, digital capability development zoning, culinary zoning and service zoning. In its operation and maintenance, this building utilizes energy efficiency in the use of water and lighting. The green roof which is used as a communal space adds aesthetic value while supporting the eco-technological architectural concept implemented.
Application of Deaf Space in the Interior of Creativity and Art Center for the Deaf Aurelius, Alexia; Rachmayanti, Ika; Fajarwati, Ade Ariyani Sari
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i2.3736

Abstract

Deaf people have difficulty or cannot even hear, so they develop sign language to communicate. Difficulty of hearing and communication differences prevent deaf peo-ple from learning. However, the potential and talent of each deaf person are the same as those of other hearing people. From this point of view, deaf people can continue to work in the field of art that prioritizes form, visuals, and movement or motor skills that do not require the sense of hearing. By being creative, deaf people can voice their opinions and provide messages and stories for people who enjoy their work. This study aims to give awareness to the public and opportunities for deaf people to get space and facilities to be creative. The method used in this study is qualitative analy-sis and design thinking method. The design facilitates creative and artistic activities as outlined in the exhibition room for deaf works, painting, drawing, makerspace, deaf theater practice, multipurpose room, classroom, mini library, and co-working space ensuring that deaf people are comfortable doing activities in the room. This research was developed for the community to provide opportunities for deaf people to be more accessible and dare to be creative.
Transforming Lives: The Power of Community Art in Bendungan Hilir's Dense Slum Housing Muharrami, Aprilia; Dharmaraty, Ashri Prawesthi
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 2 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i2.3746

Abstract

The purpose of this study is to explore the impact of community art initiatives on improving living conditions and social cohesion in the dense slum housing of Bendungan Hilir. The research employs a qualitative approach, involving in-depth interviews with community members, local artists, and NGO representatives, as well as participatory observation. These methods allowed for a comprehensive understanding of how community art influences the environment and social dynamics in the area. The results demonstrate significant aesthetic improvements, enhanced social cohesion, reduced crime rates, and improved mental well-being among residents. Specifically, murals and art installations have made the area more vibrant and welcoming, fostering a sense of community and shared purpose. The beautification efforts are linked to a decrease in petty crimes, as the improved environment discourages vandalism and other criminal activities.

Page 4 of 9 | Total Record : 84

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