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Journal of Aesthetics, Creativity and Art Management
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 29637171     DOI : https://doi.org/10.31091/jacam
Core Subject : Art,
Arts
Journal of Aesthetics, Creativity and Art Management focus and scope cover aesthetics, artistic creativity and works, art management and business, and art tourism. This inter-, multi-, and transdisciplinary journal is intended to develop a mutual understanding of ideas, philosophies, theories, and practices in aesthetics, artistic beauty and phenomenon, artist’s creativity, as well as production, marketing/promotion, distribution, and consumption of artistic works in order to carry out the embodiment of transformation into a better quality of life.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 77 Documents
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Aesthetic hybridity of the song “Jali-jali” in Gambang Kromong music Yusuf Arrahman; Ni Wayan Ardini; I Komang Sudirga
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (827.3 KB) | DOI: 10.31091/jacam.v1i2.1828

Abstract

"Jali-jali" in Gambang Kromong (Kromong Xylophone) music is a very popular Betawi song. This song is the result of acculturation of Betawi and Chinese culture. The popularity of “Jali-jali” is inversely proportional to the existing literature about this song. This study aimed to understand its specificity thoroughly. It is a type of field research by describing the data qualitatively and the selection of theory is based on data in the field. The type of data in this study is qualitative data. Research data sources consist of primary and secondary data sources. Data were collected through interview, observation, documentation and literature studies. Data analysis was carried out by data reduction, data presentation, and data verification. The results show that in "Jali-jali" the hybridity of Chinese and Betawi culture can be seen from the cultural aspects, namely ideas, activities, and artifacts. There is also a musical aspect in the playing of Tehyan which has a diatonic scale and Gambang Kromong which has a pentatonic scale. The form of "Jali-jali" in Gambang Kromong music is A-B-A-B-C, has 10 sentences and 5 periods. The aesthetics of "Jali-jali" is found in the melodic tone that sounds distinctive because the differences in the hybridity of Betawi music and Chinese music produce a contrasting melody, from which there is a very distinctive harmonization so that "Jali-jali" in Gambang Kromong music is closely related to Betawi cultural identity.
Arjuna Tapa: A new creation dance I Ketut Sariada; I Gede Oka Surya Negara; I Gede Mawan
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (843.678 KB) | DOI: 10.31091/jacam.v1i2.1832

Abstract

: Arjuna Tapa New Creation Dance is a new creation inspired by Arjuna Tapa's story. It is about the sending of Arjuna by Yudhisthira to meditate to Mount Indrakila in the hope of obtaining a powerful weapon, which can be used in the face of a major war against the Kauravas. In the hermitage Arjuna received many temptations such as the temptation of a number of angels from heaven, the temptation of the big pig incarnate Momosimuka, and the temptation of the hunter Kirata. But all the temptations can be overcome properly and finally because of Arjuna's determination, Lord Shiva gave Pasupati's Arrow as a gift that would later be able to destroy his enemies. This dance is performed by seven male dancers, carrying arrows. These seven dancers in certain scenes will be divided into two characters, namely five male characters who play the five pandavas, namely Yudistira, Bima, Arjuna, Nakula, and Sahadewa. While the other two dancers play female characters as Dewi Kunti and Dewi Drupadi. The creation process went through the stages of exploration, experimentation, and formation. The structure of the work consists of four parts, namely pepeson, pengawak, pengecet, and pekaad. The dance moves refer to the line dance movements. This dance is accompanied by a gamelan gong that lasts 12 minutes. The message conveyed in Arjuna Tapa New Creative Dance is that a true warrior will succeed in doing his job well and smoothly if he can overcome all the obstacles and temptations he faces in achieving his goals.
Swakaryaloka: Naturalist based street chic creation Anak Agung Sagung Istri Trisnadewi; Tjok Istri Ratna C.S; Anak Agung Gede Rai Remawa
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (480.788 KB) | DOI: 10.31091/jacam.v1i2.1833

Abstract

The creation of this naturalist-based street chic ready-to-wear fashion was made with the aim of minimizing liquid waste from chemicals and displaying environmentally friendly clothing. The method used is an experimental method with natural dye techniques, namely dyeing or coloring derived from plants and eco print techniques, which are unique in the form of leaf traces with contemporary art. The creative process used is the ten steps of creating a frangipani fashion design, including idea exploration, research, aesthetic element analysis, design development, sample making, promotion, branding affirmations, to the fashion business. The final collection is entitled Swakaryaloka which is a creative work of art in visualizing clothing using natural dyes that utilize the surrounding nature as an object to produce an environmentally friendly fashion product. The creation of this street chic fashion design is adapted to the trend of spirituality, a change in mindset that is more grounded in preserving nature and respect for the work process. There is a total of 9 looks which are divided into three groups, namely memorable, contemporary, and hopeful. The groups displayed environmentally friendly clothing that had a storyline from the condition of the color of the polluted water to the color of the water being clean or normal. Each look is analyzed using design elements and principles using aesthetic theory. Keywords: natural dye, eco print, spirituality, street chic.
Tri Hita Karana: A contemporary sculpture creation Pande Putu Ogy Mega Sanjaya; I Wayan Adnyana; I Ketut Muka
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (310.999 KB) | DOI: 10.31091/jacam.v1i2.1847

Abstract

Tri Hita Karana in Hinduism is the understanding of three main things that cause prosperity for human life which consist of Parhyangan, Pawongan, and Palemahan. The phenomenon stimulates creator to create a sculpture that aimed to provide an understanding related to Tri Hita Karana. The method applied in this creation uses five stages, namely the search for ideas, the search for materials, experiments, the embodiment of the work, and the presentation of the work. In this creation of three-dimensional works of art in the form of sculptures, the creator tries to express Tri Hita Karana issues with the concept of recycle, a process to turn used materials into new materials with the aim of preventing waste that can actually be turned into useful goods. The form of the work will be in the form of contemporary sculpture by displaying unique and authentic new forms. Keywords: Tri Hita Karana, recycle, contemporary sculpture.
Onthel Bicycle: Creation Model of Experimental Photography using Iwan Zahar Method I Made Dennis Penn Yohan Kayansa; I Nengah Wirakesuma
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2320

Abstract

In Indonesia, the development of bicycles was heavily influenced by the colonialists, especially the Dutch. They brought bicycles produced in their country to use around to enjoy the fresh nature of Indonesia. This habit was transmitted to the aborigines with blue blood. Finally, the bicycle became a prestigious means of transportation. Onthel bicycles were a means of transportation that were relatively expensive before the independence period. Onthel bicycles, also known as camel bicycles, kebo bicycles, or pit pancal, are standard bicycles with 28-inch tires that were commonly used by urban communities until the 1970s. The heritage factor and the classic shape of the bicycle are interesting to be used as an experimental bicycle photography work. Starting from this phenomenon, the authors argue that research related to bicycles is necessary and interesting to do because in the globalization or modern era which is full of modern lifestyle offers, bicycles actually choose a classic lifestyle.
Gending Aesthetics in Janger Menyali Dance in Sawan District, Buleleng Regency Ketut Tara Listiawan; Ni Luh Sustiawati; I Ketut Sariada
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2322

Abstract

Janger dance is a variety of Balinese art which is classified as a type of social dance for young people in the form of groups (between 16-20 people), very popular among Balinese people. During the dance, groups of female dancers (janger) and groups of male dancers (kecak) dance and sing in unison (mutual sinawurin) with humorous and sometimes romantic songs. The gamelan that is usually used to accompany the Janger dance is called Batel (Tetamburan) which is equipped with a pair of gender puppets. The dance moves are still based on the aesthetic principles of Balinese dance, and the clothing uses the typical janger. Janger dance can adapt to contemporary developments, so janger activists have the freedom to interpret its form, melodies with song lyrics, musical accompaniment, and choreography. In the Janger Menyali dance, the uniqueness of this dance is in terms of the clothes that look quirky, resembling the clothes of the Dutch soldiers when they docked at the Buleleng customs, and the name for the dancers, namely for male dancers it is called jipak, while for female dancers it is called parik. In this study, it is more specific to the aesthetics of gending in the Janger Menyali dance regarding the two pieces that must be performed, namely Dewa Ayu Janger and Mepamit Ring Ratu Gusti Ayu which have the meaning of inviting Dewa Ayu Janger to attend the performance and returning Dewa Ayu Janger to return to his stana with the use of sekar alit banten properties and also kuwud mepayas.
Everyday Life of Women Workers in Badung Market (A Documentary Photography Study) Febrian Putra; I Gede Yudarta; I Wayan Mudra
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2345

Abstract

Capturing the everyday life of women workers in the badung market through documentary photography is a work that reveals the lives of women workers in the Badung Market in a powerful and effective way by using visual storytelling techniques. This technique involves using images and narration that complement each other to bring the audience into the story presented in images that can be used to present the lives of women workers in the Badung Market, while narration can be used to provide background on the lives of these women workers, as well as describe conflicts. they face in carrying out their work. The purpose of creating this work is to provide a visual depiction of the daily life of female workers, to use documentary photography as a medium to reveal the beauty and dignity of the work of female laborers as porters at Badung Market, Bali. The research method used in this study is a qualitative method with a case study approach. Data analysis techniques used include descriptive analysis, qualitative analysis, and thematic analysis. The result of creating this work focuses on the lives of female laborers transporting goods at the Badung Market in raising awareness about social issues, able to describe the activities carried out by women workers in the Badung Market in each photo so that they can provide in-depth information.
Pemedal Agung at the Kertha Gosa Site, Klungkung, Bali (A Study of the Shape of the Statue) I Putu Putra Suryadana; I Wayan Mudra
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2346

Abstract

Pemedal Agung is one of the historic buildings located on the Kertha Gosa site, founded by the founder of power and the first throne holder of the Klungkung kingdom in Semarapura, namely Ida I Dewa Agung Jambe. The identity of Pemedal Agung has very unique forms of statues and ornaments. The uniqueness of the statues in Pemedal Agung can be seen from the use of ideas which certainly have their own uniqueness from the use of the idea of placing statues as ornaments or decorative elements in traditional architecture in Bali in general. The existence of the statues at the Kertha Gosa site, especially at the foot of Pemedal Agung, is not known specifically regarding the form of its embodiment, so this study is considered important to answer the proposed phenomenon. The purpose of this study was to find out the shape of the statues on the foot of Pemedal Agung at the Kertha Gosa Klungkung site. This study uses a qualitative descriptive approach, with data collection methods, namely observation and documentation. Data collection will be carried out in 2023 at the Kertha Gosa Klungkung Bali site, as the whereabouts of the research subject. The results of the study show that the shape of the statues found at the foot of Pemedal Agung at the Kertha Gosa site is one of the decorative elements of architectural heritage from the royal era in Bali. Researchers hope that this study can provide an overview in the form of science related to the existence of statues at the foot of Pemedal Agung at the Kertha Gosa site which is a decorative element of architectural heritage from the royal era in Klungkung.
Aesthetic Values of Batak Toba Gondang Sadinding Music Performances at Gondang Sianjur Mula-mula Community Yessica Yosia Virginia Simanjuntak; I Gede Yudarta
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2347

Abstract

Gondang Sabangunan is one of a musical ensemble type that functions as an accompaniment to traditional ceremonies of the Toba Batak people. The Gondang Sabangunan performance by Gondang Sianjur Mula-Mula community has different form characteristics compared to other forms of Gondang. The performance of Gondang Sabangunan by Gondang Sianjur Mula-Mula community still maintains the use of original musical instruments amidst the rampant changes in the form of Gondang Sabangunan performances that use a mixture of modern musical instruments such as electric keyboard. The Gondang Sabangunan performance of the Gondang Sianjur Mula-Mula community is interesting to be studied more deeply to see the form and the aesthetic values of Gondang Sabangunan. This paper aims to find out the form and aesthetic value of Gondang Sabangunan. This article uses qualitative methods with an aesthetic approach The results of the discussion found that the form of three parts in the Gondang Sadinding performance related to traditional rituals, traditional ceremonies and social systems of the Batak people, while the aesthetic values found were pure values and extra aesthetic values based on Dalihan Na Tolu as the philosophy of kinship of the Batak community.
Transcription, Inheritance, and Meaning of Tri Sandya Puja Mantra Ni Made Ayu Dwara Putri; Ni Wayan Ardini; I Wayan Rai S
Journal of Aesthetics, Creativity and Art Management Vol. 2 No. 1 (2023): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/jacam.v2i1.2350

Abstract

Tri Sandya Puja is a mantra (prayer) that is routinely performed three times a day by Hindus in Bali. Derived from two words, namely Tri which means "three" and Sandya which means "relationship". Tri Sandya is three times to connect with God (Ida Sang Hyang Widhi Wasa). It is a chant of a mantra and is categorized as an oral literature in the form of magical poetry. The Tri Sandya Mantra has been passed down orally in Bali and consists of six stanzas. In this article the authors will discuss the Tri Sandya Puja in more detail in terms of the meaning of the mantra, transcription of the melody of the mantra as well as cultural inheritance and its existence to date.

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