cover
Contact Name
Elan Ardri Lazuardi,
Contact Email
humaniora@ugm.ac.id
Phone
-
Journal Mail Official
humaniora@ugm.ac.id
Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Humaniora
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Articles 950 Documents
Pola Konstruksi Klitik Bahasa Tolaki Hilaluddin Hanafi
Humaniora Vol 21, No 3 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1417.374 KB) | DOI: 10.22146/jh.973

Abstract

Tolakinese is one of the dominant languages used in South East Sulawesi. Like other languages, Tolakinese also recognizes the forms of clitic. This paper discusses the construction pattern of clitic in Tolakinese language and classifies it into two forms: proclitic and enclitic. These two forms are classified based on their distribution criteria. Proclitic is a clitic preceding its host, while enclitic is a clitic that follows its host.
Makna dan Nilai Tuturan Ritual Lewak Tapo pada Kelompok Etnik Lamaholot di Pulau Adonara, Kabupaten Flores Timur Simon Sabon Ola
Humaniora Vol 21, No 3 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2151.622 KB) | DOI: 10.22146/jh.974

Abstract

Lewak topo ceremony is a traditional ritual of Lamaholot an ethnic group in Adonara Island, East Florest regency. This ritual is performed in sacred ambience, either in its speech or supporting objects. This ritual is headed by molan 'traditional shaman' that is believed have pure personality. Ritual lewak topo consists of some steps. Each of them is espoused by ritual speech which contains symbolyc meaning. Symbolic meaning means the world view of Lamaholot people. Behind the meaning, it implies cultural values taken to be a way of behaving that is oriented in making harmonious relation in social and religious dimension.
Body Parts, Sex, and Landscapes: an Explication of Eliot's Symbolism in the Love-song of J. Alfred Prufock Bernardus Hidayat
Humaniora Vol 21, No 3 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2999.943 KB) | DOI: 10.22146/jh.975

Abstract

Situasi kultural dan intelektual baru, seperti di awal abad ke-20, membutuhkan mode-mode ekspresi yang juga baru yang mampu memberikan bentuk sekaligus kemampuan mengendalikan makna pada sensibilitas sang seniman. T.S. Eliot memenuhi kebutuhan itu dengan menciptakan teknik objective correlative yang diwarnai oleh disjunction, pengalaman personal, realisme simbolik, dan kompleksitas makna. teknik ini diberikan untuk mengandalkan bentuk dan kontrol pada chaos dan hilangnya arah hidup yang mewarbai zaman itu. Dalam kajian ini, teknik itu diterapkan dalam salah satu karya Eliot dengan harapan pembaca akan terbantu untuk menyimak karya-karya Eliot yang lain, atau karya-karya lain yang juga modernis, yang biasanya sangat sulit bagi orang-orang yang masih harus bergulat dengan bahasa asing dasar.
“Kancil the Mousedeer of Sumatra” and “Kancil Saves the Rainforest of Sumatera”: an American Perspective Eddy Pursubaryanto
Humaniora Vol 21, No 3 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1848.715 KB) | DOI: 10.22146/jh.976

Abstract

Tulisan ini melihat bagaimana Tamara Fielding, seorang story teller dari Amerika, menyajikan dua episode cerita kancil versi Indonesia lewat acara TV "Tell Me a Story". Analisis berdasarkan konsep fungsi seni pertunjukan dan bagaimana sebuah sajian untuk publik Amerika diberi makna dengan perspektif Amerika. Dalam episode "Kancil the mousedeer of Sumatra" Tamara Fielding menyuarakan nilai kesetaraan setiap makhluk hidup dan lewat episode "Kancil Saves the Rainforest of Sumatra", dia mengingatkan pentingnya menjaga hutan hujan dari pembalakan liar.
“Syair Perang Mengkasar”: antara Otensitas Sejarah, Transformasi Emosi, dan Eksistensi Komunitas Melayu di Gowa Ahyar Anwar
Humaniora Vol 21, No 3 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2081.366 KB) | DOI: 10.22146/jh.977

Abstract

Syair Perang Mengkasar is a manuscript written by Encik Amin, a Malayan men of letters, who stayed in Kingdom of Gowa in the seventh century. Its text position is too dialectic with Makassarese Battle held between 1666 until 1669 and involved the kingdoms of Gowa and Bone with it's ally, VOC led by Speelman. There are three fundamental aspects in Syair Perang Mengkasar manuscript. They were historical authenticity, emotional transformation, and the existence of Malayan community in the history of Gowa kingdom. Those three aspects have became the basic analysis in understanding the position of Syair Perang Mengkasar manuscript in history escalation and the complexity of Perang Mengkasar incident.
Social Movements in Southeast Sulawesi, 1906-1942 La Ode Rabani
Humaniora Vol 22, No 1 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1836.223 KB) | DOI: 10.22146/jh.981

Abstract

The social movement in period of 1906-1942 started with the intervention of the Dutch colonial government to the economic income resources of the people which then triggered social chaos and unrest marked by open conflict and opposition between the Dutch and the indigenous people of South East Celebes. The collection of personal tax, the reduction of economic resources of traditional authorities such as port tax and levy, tobacco tax, export import tax, and others created instability and unrest at the level of traditional authorities as well as low class people who had been always the objects of tax. The opposition of the local people indicated the existence of strong refusal to the economic condition which was going on among the indigenous people, even when it was done by the local authorities or sultanate of Buton. So, it can be understood that the social movement was caused not only by political factors, but also by economic factors intervened by the intervention of external power.
A Study of 'Kenry' in Japanese and 'Hak' in Indonesian . Azhar; Matsumura Yoshiyuki
Humaniora Vol 22, No 1 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1922.187 KB) | DOI: 10.22146/jh.982

Abstract

This research basically aims at exploring the word 'kenry' (in Japanese) and 'hak' (in Indonesian). This study also attempts to compare the views of the Japanese towards the word 'kenry' and the Indonesian towards the word 'hak'. The research findings indicate that the understanding of the Japanese towards the concept of 'hak' has some contradictions in connection with the consideration of relation between the people and society. This indicates that right and consideration of the human relation is a very different thing in Japan. In Indonesia, on the other hand, the statement of right, consideration to the weak, and consideration of the human relation is regarded as a factor with is not contradictory to one another.
Universitas, Negara, dan Masyarakat Indonesia: Implementasi Paradigma Modernisasi di Era Orde Baru Hanneman Samuel
Humaniora Vol 22, No 1 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2941.888 KB) | DOI: 10.22146/jh.983

Abstract

More than just a slogan, modernization is a complex of political knowledge. Scientific studies intertwine with development strategy in such a way that modernization theories became means of communications as well as means of orientations. This is exemplified during the New Order era: Indonesian academic intellectuals justify their support for the New Order government on scientific bases. Based on the use of library research, there are four fields upon which intersections between the interests of the New Order government and the interests of academic intellectuals have rested. The first is the systemic integration of Indonesian society. The second is New Order era as the beginning of development. The third concerns with technocratisation of development. The fourth concerns with the dilemma of poverty.
Metafora dalam Bidang Pertanian Padi Masyarakat Dayak Buket Kabupaten Kutai Barat Kalimantan Timur (Suatu Tinjauan Linguistik Antropologi) Ishak Bagea
Humaniora Vol 22, No 1 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2185.855 KB) | DOI: 10.22146/jh.984

Abstract

Metaphor in the field of rice farming is not only an unusual form of utterances in a society but also an indication of the local wisdoms of the society using them. This can be seen in the Dayak Buket society in Linga Tivab village, Long Apari district, West Kutai, East Kalimantan, which has strong Dayak cultural background. This research aims at describing the forms and the types of metaphor based on its elements as well as describing the worldviews of Dayak Buket society as reflected through the use of metaphor that they ised in the field of rice farming. This research employs descriptive qualitative method which covers three steps, namely, data collection, data analysis, and result presentation of data analysis. The data collection is executed by recording the utterances, transcribing the utterances phonetically, classifying the according to the kinds of semantic field of metaphor in the field of rice farming, analyzing the forms of metaphor and the description of its types based on the underlying elements, and describing the local wisdoms that exist in the metaphor. This research results in both the exposition of the forms of metaphor of the Dayak Buket society such as verbs, nouns, adjectives, verbal phrases, noun phrases, adjective phrases, and their worldviews which can be recognized from the metaphors that hey use in the field of rice farming.
Tokoh Ganjil dalam Karya Sastra Budi Darma Wahyudi Siswanto
Humaniora Vol 22, No 1 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2826.649 KB) | DOI: 10.22146/jh.985

Abstract

The literary works of Budi Darma represent a successful masterpiece in the renewal efforts, especially in the field of fiction techniques and in the case of content. He represents a writer who lays open the world of anomaly. Many figures in its literary works are presented as anomalous figures. Anomalous figures in the literary works of Budi Darma can be (I) physically or seemingly physically anomalous and (2) psychologically anomalous. This article explores anomalous figures particularly those of physically or seemingly physically anomalous. The solution of the literary works is also related to the background of Budi Darma.

Filter by Year

1989 2025


Filter By Issues
All Issue Vol 37, No 1 (2025) Vol 36, No 2 (2024) Vol 36, No 1 (2024) Vol 35, No 2 (2023) Vol 35, No 1 (2023) Vol 34, No 2 (2022) Vol 34, No 1 (2022) Vol 33, No 3 (2021) Vol 33, No 2 (2021) Vol 33, No 1 (2021) Vol 32, No 3 (2020) Vol 32, No 2 (2020) Vol 32, No 1 (2020) Vol 31, No 3 (2019) Vol 31, No 2 (2019) Vol 31, No 1 (2019) Vol 30, No 3 (2018) Vol 30, No 2 (2018) Vol 30, No 1 (2018) Vol 29, No 3 (2017) Vol 29, No 2 (2017) Vol 29, No 1 (2017) Vol 28, No 3 (2016) Vol 28, No 2 (2016) Vol 28, No 1 (2016) Vol 27, No 3 (2015) Vol 27, No 2 (2015) Vol 27, No 1 (2015) Vol 26, No 3 (2014) Vol 26, No 2 (2014) Vol 26, No 1 (2014) Vol 25, No 3 (2013) Vol 25, No 2 (2013) Vol 25, No 1 (2013) Vol 24, No 3 (2012) Vol 24, No 2 (2012) Vol 24, No 1 (2012) Vol 23, No 3 (2011) Vol 23, No 2 (2011) Vol 23, No 1 (2011) Vol 22, No 3 (2010) Vol 22, No 2 (2010) Vol 22, No 1 (2010) Vol 21, No 3 (2009) Vol 21, No 2 (2009) Vol 21, No 1 (2009) Vol 20, No 3 (2008) Vol 20, No 2 (2008) Vol 20, No 1 (2008) Vol 19, No 3 (2007) Vol 19, No 2 (2007) Vol 19, No 1 (2007) Vol 18, No 3 (2006) Vol 18, No 2 (2006) Vol 18, No 1 (2006) Vol 17, No 3 (2005) Vol 17, No 2 (2005) Vol 17, No 1 (2005) Vol 16, No 3 (2004) Vol 16, No 2 (2004) Vol 16, No 1 (2004) Vol 15, No 3 (2003) Vol 15, No 2 (2003) Vol 15, No 1 (2003) Vol 14, No 3 (2002) Vol 14, No 2 (2002) Vol 14, No 1 (2002) Vol 13, No 3 (2001) Vol 13, No 1 (2001) Vol 12, No 3 (2000) Vol 12, No 2 (2000) Vol 12, No 1 (2000) Vol 11, No 3 (1999) Vol 11, No 2 (1999) Vol 11, No 1 (1999) Vol 10, No 1 (1998) No 9 (1998) No 8 (1998) No 6 (1997) No 5 (1997) No 4 (1997) No 3 (1996) No 2 (1995) No 1 (1995) No 1 (1994) No 3 (1991) No 2 (1991) No 1 (1989) More Issue