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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 950 Documents

77 78 79 80 81

The Integration of Religion and Culture to Construct Social Identity Through The Pukul Sapu Ritual in Mamala Village, Moluccas Flavius Floris Andries
Humaniora Vol 30, No 1 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The integration of religion and culture to build the discourse of social identity is an interesting issue. For Mamala, a village in the Moluccas, Indonesia, society consists of two embedded identities, namely religion and culture, in the construction of social identities. This research discusses religious and cultural integration in the construction of social identity by means of a flagellation ritual known as pukul sapu. This research applies qualitative methods to analyze qualitative data gathered through observation, in-depth interviews and document reviews. In particular, this research attempts to answer (a) why the pukul sapu ritual is performed by the Mamala community on the seventh day after Iedul Fitri, (b) how the ritual is carried out, (c) what elements are used in the ritual process, and (d) what meaning emerged in connection with the construction of their identity as Muslims and also as a society of customs. The research subjects consisted of a number of religious figures, customary figures, and people who are directed to participate in the review process of the ritual. This study shows that the ritual is regarded as a medium to construct the social identity (religion and culture). The integration of religion and culture in Mamala has proven that the social identity of this society includes religion and culture formed by dialectical processes, namely adaptation, relations, and negotiations between local traditions coupled with the influence of Javanese traditions. This, in fact, describes liquid social identity instead of static movement.

Postcolonial Aesthetics: Talempong Kreasi and Talempong Goyang in West Sumatra Andar Indra Sastra; Nadya Fulzi; Syahri Anton
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The aim of this article is to disclose the postcolonial aesthetics of talempong kreasi and talempong goyang in West Sumatra. Aesthetics can be defined as a sense of perception or the various kinds of feelings that are aroused by an art object that is being observed. Postcolonialism is understood to be the continuation of colonialism; hence postcolonial aesthetics discusses the sense of perception, in this case with reference to talempong kreasi and talempong goyang as the material object. Talempong is a type of bronze musical instrument found in West Sumatra; the word kreasi means ‘creation’ or something new, while the word goyang means ‘rocking’ or ‘swaying’ and refers to the body movements of the spectators as they appear to dance in time to the talempong music. The addition of the words kreasi and goyang after the word talempong create the impression that this type of music belongs to the domain of popular music. The emergence of these two concepts in West Sumatra cannot be separated from the influence and power of a number of leading figures in the field of education – specifically artists – from the colonial era, who had a background in Western music education. Talempong kreasi and talempong goyang are dynamic in nature and have the ability to play both major and minor melodies as the talempong instruments are tuned to chromatic pitches. The tuning system of the talempong is akin to that of diatonic musical instruments, and as a musical system it presents the harmonies of Western music through its melodies and chords. The problem to be addressed in this article focuses on postcolonial aesthetics, with talempong kreasi and talempong goyang in West Sumatra as the material object of the study. This phenomenon is examined using the postcolonial theory, relying on qualitative data which is supported by additional qualitative data. The results of the research show that talempong kreasi and talempong goyang in West Sumatra are a product of postcolonialism.

The Impact of Translation Shift and Method on Translation Accuracy Found at Bilingual History Textbook Kammer Tuahman Sipayung
Humaniora Vol 30, No 1 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Well-translated bilingual history textbook can be as a well source of language knowledge. The purposes of this research were to figure out the dominant translation shift, method and the impact of dominant shift and method on accuracy translation aspect. The researcher used descriptive qualitative method to figure out the purpose of research. There are two kinds of data in this research: affective and objective data. The affective data are from key-informants in the form of scale. Objective data are from bilingual history textbook choosen randomly sampling in the form of words, phrases, clauses, sentences and text. The findings of this research shows that 1) The dominant translation shift is unit shift 58,33%, structure shift: 30%, class shift: 7,77% and intra-system shift: 3.88%. 2) The dominant translation method is free translation: 57.57%, communicative translation: 19.69%, adaptation translation: 13.63% and semantic translation method: 9.09%. 3) The impact unit shift and free translation method influence the lack accuracy of translation level: 2.38. There are 60% from the bilingual history textbook is lack accuracy of translation.

From Gender Identity Oppression to Power Reversal in the Novel Calabai I Gusti Ayu Agung Mas Triadnyani
Humaniora Vol 30, No 2 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Recently, the sociocultural problems of transgender have shown an increase. The novel, Calabai, vividly depicts various acts of violence perpetrated by Bugis tribesmen against transgender members of the community. They consider transgender as deviant or different. From a humanist perspective, this view forms a violation of the principles of human rights. Actually, this novel develops the idea of cultural identity. Through deconstructive analysis according to Derrida, this study exposes the ideology embedded within such a textual representation of transgender. It reaches two conclusions. First, a reversal of ideology takes place in the text; from oppression based on discrimination, to a power reversal. Second, being regarded as a human being and receiving respect from another human being become a form of recognition of personal and cultural identity.

City Architecture as the Production of Urban Culture: Semiotics Review for Cultural Studies Daniel Susilo; Mega Primatama
Humaniora Vol 30, No 3 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article aims to describe correlation between city's architecture as urban culture and cultural studies, specifically in semiotics. This article starts from Chris Barker's statement about city and urban as text in his phenomenal book, Cultural Studies, Theory and Practice. City as a complex subject has been transformed as the representation of urban culture. In the post-modernism view, urban culture as cultural space and cultural studies' sites have significantly pointed to became communications discourse and also part of the identity of Semiology. This article uses semiotics of Saussure for the research methods. Surabaya and Jakarta has been chosen for the objects of this article. The result of this article is describing the significant view of architecture science helps the semiotics in cultural studies. In other way, city's architecture becomes the strong identity of urban culture in Jakarta and Surabaya. Architecture approaches the cultural studies to view urban culture, especially in symbol and identity in the post-modernism era.

A Study of Dialectology on Javanese "Ngoko" in Banyuwangi, Surabaya, Magetan, and Solo Erlin Kartikasari; Kisyani Laksono; Agusniar Dian Savitri; Diah Yovita Suryarini
Humaniora Vol 30, No 2 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Dialectology study on Javanese language in Banyuwangi, Surabaya, Magetan and Solo is significant as it reveals the lexical and phonological differences of Javanese “ngoko” in the four areasresearched. The areas were chosen due to the following reason; Banyuwangi is located in the eastern tip of Java Island and directly borders the islands of Bali and Madura, Surabaya is the capital of East Java province as well as a metropolitan city, Magetan is located in the western tip of East Java Province which is directly adjacent to Central Java Province, and Solo is the center of Javanese culture in Central Java. The focus of this research is to calculate the number of lexical and phonological differences of Javanese “ngoko” in Banyuwangi, Surabaya, Magetan and Solo. This research uses quantitative researchwith (the or a) descriptive method. The data of the research is Javanese “ngoko”.The instrument is Nothofer questionnaires modified by Kisyani by developing Swadesh's list into 829 words/phrases. The results of the research reveal(1) the largest number of Javanese “ngoko” lexical is found in Solo while theleast were found in Surabaya. The lexical differences of Javanese “ngoko” in Banyuwangi, Surabaya, Magetan, and Solo resulted in one utterance, two dialects and four subdialects, (2)19 patterns of phonological differences in Javanese “ngoko” were found. Finally, the phonological differences of Javanese “ngoko” in Banyuwangi, Surabaya, Magetan, and Solo resulted in four utterances.

Bride-Wealth: Is There Respect for Women in Manggarai, Eastern Indonesia? Yohanes Servatius Lon; Fransiska Widyawati
Humaniora Vol 30, No 3 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study explores the perspective of women in Manggarai, Flores Island in Indonesia, and the communaltraditional concept of bride-wealth as a symbol of respect for women. This study uses a qualitative approach by interviewing forty women, both married and unmarried. The respondents were asked their opinion regarding their imagination about bride-wealth and its influence on their courtship, engagement, wedding, and married life. The results indicated the presence of a gap between the social imagination of bride-wealth and the women’s true experience. Most respondents stated how bride-wealth had strained their relationship and become a source of worry. The study therefore argues that bride-wealth as a sign of respect for women in Manggarai is merely a social imagination ingrained into the women’s expectations. The study also indicates that education has changed the status of women and enables them to be independent.

Interpretation and Overinterpretation of Ja’far Ibn Hasan Al-Barzanji’s Mawlid Al-Barzanji Fadlil Munawwar Mashur
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article examines the use of interpretation and overinterpretation in understanding Ja’far ibn Hasan al-Barzanji’s text, Mawlid al-Barzanji, one of the religious literatures in Indonesia. The results of the study indicate that Mawlid Al-Barzanji which contain majesty, miracles, prayer, and profound love for the Prophet is widely responded by Indonesian Muslims through the process of reading, interpretation, and appreciation. Such widespread acceptance is due to the fulfillment of interpretation requirements which requires the existence of a common world view between author and reader or interpreter. On the other hand, overinterpretation occurs when the text of Mawlid Al-Barzanji is interpreted by those who have different world views as a result of different religious ideas and religious ideologies. Such overinterpretation invites negative response, ideological prejudice, and rejection of some parts of Al-Barzanji text by those who identify themselves as a salafi group.

Preliminary Study on Worldviews Sartini Sartini; Heddy Shri Ahimsa-Putra
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Worldviews are an important part of human life because they illustrate the ways people think and act. This article aims to review studies conducted by scholars, definitions of the term "worldview", and scientists' explorations of worldviews, and to examine how such categories may be applied to capture reality. This study concludes that worldviews have been the focus of intensive studies since the 1980s. Many scientists have defined the concept of "worldview" and attempted to explain its dynamics. Studies of worldviews can be grouped into several paradigms. Because of the extent of the study area, theoretically worldviews can be classified into several categories based on, for example, views of self and others, time, space, relationships, and causation. In reality, the worldview of a society can be seen in how members of the society live in relation to God, nature, people, and the environment. In examining the worldviews held in social reality, the specific categories mapped by scholars must be made congruent with the realities in the field, because sometimes these categories are interrelated and difficult to understand separately.

Book Review. Sirkus Pohon Muhammad Hafidh Al-Mukmin
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Page 79 of 95 | Total Record : 950

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Home Page

OAI Link

Editorial Team

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Reviewer

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Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

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Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA