cover
Contact Name
Yoga Sudarisman
Contact Email
yogasudarisman@uinsgd.ac.id
Phone
+6285220520800
Journal Mail Official
saksama@uinsgd.ac.id
Editorial Address
Lt. 3 Gedung Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung Jl. AH. Nasution No. 105 Cipadung Cibiru Bandung 40614 Telp. (022) 7810790 Fax. (022) 7803936
Location
Kota bandung,
Jawa barat
INDONESIA
Saksama: Jurnal Sastra
ISSN : -     EISSN : 29864550     DOI : https://doi.org/10.15575/sksm
Core Subject : Humanities, Art,
Saksama: Jurnal Sastra is a twice-yearly open access journal starts on the structural, post-structural, post-modern, comparative and post-colonial approaches to the critical analysis and interpretation of literature, with a special preference given to underrepresented works. Articles submitted should offer a critical viewpoint on modern works and contribute to ongoing literary discussions.
Articles 8 Documents
Search results for , issue "Vol 1, No 1 (2022): Saksama" : 8 Documents clear
MANIFESTATION OF ROMANTICISM IDEOLOGY IN LEILA S. CHUDORI'S PULANG Yuani Nurdwi Kaesari
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (605.464 KB)

Abstract

This article aims to analyze the elements of romanticism ideology in the novel entitled Pulang by Leila S. Chudori. Pulang was published in 2012 with the genre of historical fiction. Romanticism is an ideology in which prioritizes feelings and imagination. The theory used in this article is romanticism ideology by William Wordsworth on one of his books Preface to the Second Edition of Lyrical Ballads. Based on the analysis conducted towards the narratives within the novel, it can be found several elements of romanticism which expressed by the author through the description of nature and the portrayal of the characters.
THE ADAPTATION OF RICK RIORDAN’S PERCY JACKSON AND THE OLYMPIANS: THE SEA OF MONSTERS NOVEL INTO FILM Muhammad Ghifari Rizki Pratama; Hasbi Assiddiqi
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.849 KB)

Abstract

Adaptation is the process of adapting a novel into a film. The emergence of the phenomenon of adaptation of novels into film form is a substantial change in discourse that gave rise to the term Adaptation. Percy Jackson and the Olympians: The Sea of Monsters novel is a popular novel that is good to be adapted into a film. The novel and film are the second installment in the Percy Jackson and the Olympians series after Percy Jackson and the Olympians: The Lightning Thief. Currently, the adaptation process is becoming increasingly important to analyze because the adaptation process can provide interpretation and comparison between novels and films. The adaptation in literary field is become normal as there are a lot of works that produced with helps of adaptation. One of many adaptations case that happens is the shifting process from written literary works into the films, which will produce some changes and variations on its adaptation and that is the interesting topic to be discussed.This study examines the intrinsic adaptation of the elements in it. This study uses a descriptive qualitative method because the research data is in the form of images and text. The data from this study are several pictures from a film as well as excerpts from novels. This study uses the adaptation theory from Eneste Pamusuk and the Structuralism theory from Ferdinand de Saussure. The results of the research show that there have been subtractions, additions, and varied changes to the plot and setting in the film. The plot sequence in Percy Jackson: The Sea of Monsters underwent many changes. In the process of intrinsic element adaptation, the writer found 1 character who experienced a reduction in the film out of a total of 12 characters, Equalization of points of view from novel to film, 1 addition of the theme of friendship, 5 plots that were reduced, 8 plots that were added 1 subplot that was reduced, and 3 flow changes vary. In addition, the setting in the film Percy Jackson: Sea of Monsters also underwent many changes. In the process of adaptation the settings, the writer found 11 backgrounds that were reduced, 7 settings that were added, and 1 setting that underwent various changes. In this study, the authors found several influences related to the process of adaptation of intrinsic elements.First, when adaptations occur on intrinsic elements, not too many changes occur in the film. This change makes the film acceptable and in demand by the audience. Second, when several parts that are quite influential in the plot and setting are removed or changed, important things related to the story are eventually lost. Third, adaptations made in film settings provide many real-life images that novels cannot explain. The setting in the novel is made to look real and very good. Fourth, this film was closer to the tastes and conditions of society at that time, so that this film was more acceptable to the public.
IRONY AS REPRESENTATION OF RACIAL SEGREGATION IN AUGUST WILSON’S “FENCES” Ihya Aditya Fahmi Maarif; Andang Saehu; Lili Awaludin
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.961 KB)

Abstract

Irony is figurative language that is frequently employed in literary works as a way to add interest to the text. Irony is a figure of speech employed in a sentence so that the intended meaning is different from the real meaning of the word, according to various dictionaries. One of the historical occurrences in the United States was racial segregation, which was intended to be a diplomatic separation between white society and African American society but instead supplied the same level of discrimination. Considering how the history of discrimination is depicted in play through figurative language: irony, the researcher conducted a study that focused on August Wilson's play entitled Fences (1984). This study used the theory of irony from Perrine (1994), to analyze the types of irony found in Fences and several sources of journals and history books to describe the history of racial segregation in the United States of America that occurred. This study uses a descriptive qualitative method, and the main data is the script of the drama Fences. The research result showed the type of irony in this playscript are able represent the racial segregation in United States. In conclusion, Wilson as a playwright effectively used irony in almost every round of his drama and this irony was also able to describe the situation of racial segregation that had occurred in United States.
EMBRACING THE ABSURD CONDITION OF EXISTENCE IN SAMUEL BECKETT’S ENDGAME CHARACTERS Restu Dwi Gilang Permana; Dewi Kustanti
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (618.977 KB)

Abstract

This research initially attempts to determine characteristics and characterization of the characters; Clov, Hamm, Nagg, and Nell, as well as how it represented the concept of absurdity. The play involves a critical review and otherwise, more appropriately, a conception addressed toward the audience or reader. As a result, researcher chooses to utilize a moral-philosophical approach to conduct this research. As according Camus, absurdity cannot be fully investigated. It is only determined by utilizing the method for explaining the concept of absurdity. Several concepts are represented throughout the drama by the characters' acts, utterances, and thoughts. Those ideas include monotony routine, meaningless circumstances, and the end. Depending to Camus' theory of absurdity, those concepts might well be classified as a representation of such the absurdity concept. The author's condemnation on existence of humankind in the play script may be recognized by considering the perspective regarding Camus' absurdity concept as the characteristics and characterization of characters represents the absurdity concept.
THE STRUGGLE OF MUTANT HUMAN AS A GROTESQUE CHARACTERS IN FUTURAMA (1999) Lutfi Fachrulrozi; Dian Nurrachman; Bunyamin Faisal Syarifudin
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (850.098 KB)

Abstract

This study examined the struggle of the mutant human as a grotesque characters in Futurama animated series. The grotesque theory that is being used are from Bakhtin, Bloom, Haar and Thomson to analyze the mutant character in the story. The aims of this study was to identify the struggle of the mutant caused by their grotesque body as well as how the grotesque body has impacted their life in the story. The study examines a couple of material mainly scenes and the visual of the series. it does this using a qualitative research methodology. In order to be interpreted, the researchers specify the research into two section, the first section is analyzing Leela’s struggle as a grotesque character because she was one of the main cast of the character, and the second one is analyzing the mutant human as a whole. The finding demonstrate that all of the mutant kind faced struggle caused by their body deformity, those struggle are usually in the form of discrimination, prejudice and degradation.
SOCIAL INJUSTICE PRINCIPLES IN JENNY BICKS’S MOVIE SCRIPT THE GREATEST SHOWMAN ON EARTH 2015 Nabila Fitria Fazrin; Ruminda Ruminda
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (639.91 KB)

Abstract

This research aims to analyze the representation of social injustice in the film script of The Greatest Showman on Earth. The film, released in 2017, is a musical drama that tells the story of P.T. Barnum, a visionary who creates the Barnum & Bailey Circus and becomes one of the most famous showmen in the world. However, the film has received criticism for its depiction of social injustice, particularly in its representation of marginalized communities such as people of color and individuals with disabilities.The research will employ a qualitative analysis of the film script, focusing on the themes, characters, and storylines that address social injustice. The script will be analyzed for its accuracy in depicting the representation of social injustice principles.
REPRESENTATION OF HARD-BOILED DETECTIVE FORMULA IN THE BATMAN (2022) BY MATT REEVES Jidan Mustopa; Yoga Sudarisman
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (835.538 KB)

Abstract

This research focuses on finding the action patter of hard-boiled detective formula and its effect to the main character in The Batman (2022) movie by Matt Reeves using John G. Cawelti theory of hard-boiled detective formula, the action pattern of hard-boiled detective formula was detective as a hero, suspense and threat, a modern city as a background, the role of women and changing meaning Furthermore, this research used the qualitative descriptive method. This method aims to examine text and image data, have unique steps in data analysis and draw on diverse designs. This method was used to analyze the data from the visual and narrative standpoint because those elements can be represented through both of them. The result of this research is the representation of Hard-boiled detective formula in The Batman movie. The action pattern were presented in the form of narrative structure especially on plot, characters, and dialogue. Those elements can have effects to the main character development, for example a modern city as a background depicted the corruption, and death, a moral wasteland in which crime pre dominants.
SOCIAL DRAMATURGY ROLES PERFORMANCE IN BATMAN THE DARK KNIGHT RISES 2012 BY CHRISTOPHER NOLAN Asyraf Sulaeman; Sape'i Sape'i
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (661.938 KB)

Abstract

This study aims to analyze the social dramaturgy aspect in the film "The Dark Knight Rises" using the qualitative descriptive method. The study is guided by the sociological perspective of Erving Goffman, who proposed the concept of front and backstage behavior as a way to understand social interaction by its role. The objective of this study is to examine how the film represents the complex interplay between public and private behavior and how characters navigate different roles and expectations in their daily lives.The data was collected through a close reading of the film, focusing on the character interactions and the themes and symbols that are central to the narrative. The results show that "The Dark Knight Rises" portrays a complex interplay role behavior, with characters shifting between public and private roles depending on the situation.For example, the character of Batman is seen as a protector of the city in his role, while his private life is marked by his struggle with physical and emotional pain. Similarly, the character of Catwoman is depicted as a criminal in the role behavior reveals her to be a complex and multifaceted individual. Overall, this study demonstrates that the film "The Dark Knight Rises" provides a rich and nuanced representation of the social dramaturgy of daily life and highlights the ways in which characters navigate the interplay between public and private behavior. This study is significant because it sheds light on the role of the media in shaping our understanding of the complex interplay between public and private behavior and provides a useful lens through which to analyze the representation of social dramaturgy in popular culture.

Page 1 of 1 | Total Record : 8