cover
Contact Name
Ni Luh Gede Meilantari
Contact Email
meilantari@unmas.ac.id
Phone
+6285600221981
Journal Mail Official
jurnaldaruma@unmas.ac.id
Editorial Address
Jalan Kamboja 11A Denpasar, Bali, Indonesia
Location
Kota denpasar,
Bali
INDONESIA
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang
ISSN : -     EISSN : 27769100     DOI : -
Jurnal DARUMA merupakan jurnal ilmiah mengambil kajian bidang Linguistik, Sastra dan Budaya Jepang, yang diterbitkan oleh Program Studi Sastra Jepang Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar. Jurnal ini memuat artikel-artikel yang ditulis oleh para mahasiswa untuk dipublikasikan agar diketahui oleh khalayak umum dan para mahasiswa di Program Studi sastra Jepang khususnya. Jurnal DARUMA terbit sebanyak 2 kali dalam setahun, pada bulan April dan September
Articles 78 Documents
DIMENSI SOSIAL DAN PERILAKU BERBAHASA MASYARAKAT JEPANG DALAM RANAH SOSIOLINGUISTIK Raditya Dewangga Hadiwijaya; wamafma, dance
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 1 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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ABSTRACT The definition of language in the sociolinguistic field is influenced by three important elements, namely the social status of the language actors, the situation of the language and the form of the language that embodies (entities) oral or written structures. This last aspect is highlighted in this article, it includes morphological elements (inflection and morphemic processes of words); syntactic elements (sentence structure and hierakhi structure). The oral structure of the Japanese language emphasizes communication through the language in its entirety, involving all of the above points. So that each form of language changes according to the social dimension that crosses the space of speech. The change in discourse will eventually be recognized as a form of language that shows or reflects Japanese politeness. So, when we observe the form of the language in Japanese, it will be the same as observing the polite behavior of the Japanese people. The objective of this study is to examine the forms of language in the field of Japanese politeness and its relationship with the social dimensions of society. Keywords: sociolinguistics, uchi-soto, kinship, social dimension
METODE PERTAHANAN EGO TOKOH YUJI ITADORI DALAM ANIME JUJUTSU KAISEN SEASON 1 Pande Ayu, Ayu Bella Ananda Putri; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 1 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract This article analyzes the ego defense mechanisms employed by Yuji Itadori, the main character in the first season of the anime Jujutsu Kaisen, using Sigmund Freud's theory of ego defense mechanisms. The study explores how Yuji navigates internal and external conflicts arising from his new role as the vessel for Sukuna, the King of Curses. The analysis reveals that Yuji utilizes various ego defense mechanisms, such as repression, sublimation, projection, and displacement, to maintain his psychological balance. This study provides insight into how fictional characters can represent the complexity of human emotions. Keywords: ego defense, personality, literary psychology
ALIH WAHANA MANGA KUSURIYA NO HITORIGOTO KE DALAM ANIME Theresia Ni Putu Tiara Supantri; I Made Budiana; Ni Putu Candra Lestari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 1 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

The title of this research is “Transformation from Kusuriya no Hitorigoto Manga into Anime”. This study aims to determine the transfer of vehicles sourced from literary works in the form of manga into anime in the form of shrinkage, addition and varied changes. The method used in this research is descriptive analysis method. This research uses the theory Transformation by Damono and Structural by Stanton. Based on the results of the study, it was found that the removed, addition and changes varied in the intrinsic elements that occurred in the vehicle transfer from manga to anime. The changes include; 1) removed parts from manga that occurs in the plot and setting; 2) addes parts from anime that occurs in the plot and setting (setting place and time); 3) varied changes in the storyline that occur due to changes in the function of the story Keywords: transformation, anime, manga
ANALISIS PERBANDINGAN DONGENG ISSUNBOUSHI DAN SI KELINGKING I Made, Yoga Arisaputra; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 02 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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This study discusses cultural elements in the Indonesian fairy tales of Si Kelingking and Issunboushi from Japan, focusing on the social organization system, livelihood, arts, religion, language, and technology system. A descriptive qualitative approach is used to analyze the similarities and differences between the two fairy tales. The results show that Si Kelingking emphasizes family-based and kingdom-based social organizations, and depicts a diversity of livelihoods through farming and hunting. In contrast, Issunboushi focuses more on agriculture as a source of livelihood. In terms of art, Si Kelingking displays a wedding feast that reflects the collective values ​​of society, while Issunboushi displays kenjutsu (martial arts) and waka (classical poetry), which emphasize philosophical values. In terms of religion, Si Kelingking reflects traditional beliefs based on myths and nature, while Issunboushi is influenced by Buddhist teachings with an emphasis on morality and spirituality. Another difference is seen in the use of language, where Si Kelingking uses Indonesian with Malay influences, while Issunboushi uses everyday Japanese. In terms of technology, Si Kelingking features simple elements such as "kerusung" clothing, village settlements, and horses, while Issunboushi highlights the more complex sokutai, goten, and ox carts. This study concludes that both fairy tales reflect unique local cultural values, while also showing how universal cultural elements can be adapted to the social, geographical, and historical contexts of each society. Keywords: Analysis, comparison, fairy tales, Si Kelingking, Issunboushi.
ANALISIS MAKNA PADA LAGU SENKOU HANABI KARYA HONEYWORKS Kadek Ayu, Diah Krisnayanti; Anak Agung Ayu Dian Andriyani
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 02 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

This study aims to determine the meaning of the song "senkou hanabi" by HONEYWORKS. This type of research is qualitative. The data source used in this study is one of the songs by HONEYWORKS entitled senkou hanabi. The data that has been obtained are analyzed using Riffaterre's semiotic theory. Methods and techniques of data collection in this study using the method of document study and literature study. Methods and techniques of data analysis using qualitative methods described by informal methods, namely by describing ordinary words in Indonesian that are easy to understand. The results of the semiotic research obtained in the song senkou hanabi are life, and there is a symbolic figure of speech in the form of senkou hanabi and also hotaru, both of which are symbolized as short life.
KLASIFIKASI EMOSI TOKOH KAZUMA DALAM DRAMA TODOME NO KISS KARYA SUGAWARA SHINTARO Mogot, Angelsita; Wayan Nurita
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 02 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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This study is a qualitative descriptive study using a literary psychology approach that examines the classification of emotions possessed by the character Kazuma in the Japanese television drama, Todome No Kiss by Sugawara Shintaro. This study aims to describe the emotional classification of Kazuma's character which displays an unnatural psychological side. As for the results of this study, it can be seen that the character Kazuma in the drama Todome No Kiss has 5 classifications of emotions from 7 classifications of emotions that exist according to David Krech's theory.
TINDAK TUTUR ILOKUSI DEKLARASI PADA KARAKTER HIBIKI DALAM FILM HIBIKI: SHOUSETSUKA NI NARU HOUHOU Istni Mutiara Wardhani Ainur Rofiq Hidayat, Bunga; Idah Hamidah; Hartati
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 02 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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This article discusses the forms and functions of declarative illocutionary acts performed by the character Hibiki in the film HIBIKI: Shousetsuka ni Naru Houhou. This study employs a descriptive qualitative method with a pragmatic approach. Data were collected using observation and note-taking techniques, then analyzed using speech act theory by J.L. Austin and Searle, supported by local theories from Usami Mayumi (2002) and Kindaichi Haruhiko (1957). The results show that the character Hibiki uses declarative speech acts both directly and indirectly, not only in formal contexts but also in informal situations with social impact. The sub-function of Statements was found to be the most dominant, followed by Declaration of Intention and Ultimatum. This study reveals that illocutionary force in Japanese culture can be effectively conveyed through implicit speech forms, as long as they are supported by social context and the speaker’s position. Keywords: speech act, declaration, illocution, Japanese film, pragmatics, Hibiki
MAKNA VERBA NERAU DAN MEZASU DALAM SINONIM BAHASA JEPANG Ni Wayan Meidariani; Wahyu; I Gusti Ayu Regina Dhira
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 02 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Japanese is a foreign language with a wide variety of words. One such variation is in the verb class. This article discusses the meaning and use of the verbs "nerau" and "mezau" in Japanese ruigigo. This research focuses on sentences used by native Japanese speakers. Data collection was conducted through interviews and the recording technique. The author conducted direct interviews with Japanese speakers while recording sentences containing synonyms for the verbs "nerau" and "mezau" in Japanese. The data were analyzed using a contextual meaning approach (Pateda, 2010) with their presentation in Japanese sentences. The data found that in Japanese, the verb "nerau" has the following meanings: aiming for position/status, attacking with words, wanting a scholarship, wanting to win an election, seeking a large profit, pushing an enemy's head, shooting and seducing a bottle, fishing and seducing fish, and wanting a salary increase. Meanwhile, the verb 'mezasu' has the following meanings: focusing on customer satisfaction, aiming to pass an exam, aiming for a promotion, aiming for economic stability, aiming for a higher level, and aiming for the best service. The data shows that the verbs 'narau' and 'mezasu' have different meanings and usages depending on the context.