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Dr. Mochamad Aviandy, S.Hum., M.Hum
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International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 22 Documents
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Search results for , issue "Vol. 5, No. 2" : 22 Documents clear
DIGITAL TECHNOLOGY AND COSTUME DESIGN IN ANIMATTION: A STRUCTURALIST READING OF PETER DEL’S FROZEN Akpan, Margaret; Udofia, Anietie Francis; Edem, Ndifreke Enefiok
International Review of Humanities Studies Vol. 5, No. 2
Publisher : UI Scholars Hub

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Abstract

The deployment of digital technology to create captivating spectacles in films has reflected the boundlessness of man’s ingenuity in recreating his world. Such creativity reflects considerably in the fluidity of using the computer to generate human concepts of the role of costume grounded on theatrical system in animation. The world of animation is always synergized with marvels that defy the rational proofs for objectivity in the human world. This paper evaluates the use of digital technology to generate costume design to reflect the system of human thought in animation using Peter Del Velcho’s Frozen as paradigm. The paper uses qualitative research method to examine facts and bases its argument on Structuralism. Findings show that costume functions as a system in theatrical and film productions. In animation, the insight of human imagination through costume design is easily brought to bear, and the reality of creativity to man is ingrained in communication through captivating pictorials without impairment. Costume design can be generated from computer through knowledge and expertise. With the knowledge of computer, especially in the academic environment, unlimited streams of creativity may unfold to support the reality of entrepreneurial schemes in the society. When a costume is designed to conform to the order of a design system within a system of thought to pass on information, any medium can function as a dependable conduit to communicate.
MEMORY, BIAFRA AND THE QUESTION OF NATIONHOOD IN BIYI BANDELE’S HALF OF A YELLOW SUN Adebisi, Ademakinwa, Dr.
International Review of Humanities Studies Vol. 5, No. 2
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The essential place of film in engaging the idea of memory and collective memory is established by the fact of its historical origins and development over the centuries. This, in every sense is connected to the socio-cultural, political as well as economic and aesthetic evolution, influenced and controlled by the reality of the people’s experience. From classical to the contemporary times, film makers have drawn montage-like pictures of their world, in concrete terms as historical films for the world to see. However, through the approaches of Social Interaction and Trauma Theories, Image Analysis and Historical Contextualization, this paper interrogates Biyi Bandele’s Half of a Yellow Sun, an adaptation of Chimamanda Adichie’s novel of the same title and how it has been deployed as a tool for the construction of collective memory of the Biafra/ Nigerian civil war experience. Data were collated through library research and critical study of related films. The findings therefore, reveal that memory plays cogent roles in the process of reconstruction of history. The film therefore serves as a point of reference for Nigerians to have reminiscence over the negative effects of the war on the people. It is however clear that the agitation by some groups to call for the renegotiation of the country’s unity is meant for the purpose of self- interest rather than collective. The reconstruction of the memory of agony of the war in the film, if not properly managed could be burdensome to the country, and may degenerate into another internal crisis. Hence, there is the need for any aggrieved party to be cautious in their approaches towards the question of National unity and perceived marginalization.
LOVE CONFESSIONS IN JAPANESE FROM STREET INTERVIEW Filia, Filia; Nurfitri, Rizki
International Review of Humanities Studies Vol. 5, No. 2
Publisher : UI Scholars Hub

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This paper examines expressions of love confession in Japanese. Love confession is expressed not only verbally but also nonverbally. Sometimes it needs to be communicated both verbally and nonverbally. It seems the variations of love confession not limited to the common phrases (such as suki desu 'I love you', tsukiatte kudasai 'can we have a relationship?'). In preliminary observation, we found love confession declared not only in common phrases but also in indirect expressions of love confession. This is become a point of departure to overview expression of love confession in Japanese.The data are collected from 12 street interview videos. Street interview videos are used as corpus because those videos are impromptu and no language editing. Based on observations of 79 data of love confessions in Japanese, there are 16 expressions of love confessions. There are expressions of love confession closely related to culural context, such as oishii gohan o tsukutte kudasai 'please make delicious rice for me', ore no kakigori o issho ni tskutte kudasai 'please make shaving ice for me together', kono hanabi no yoo ni, atsui natsu o sugosoo ze 'let's have a hot summer like this firework'. These love confessions have cultural context related to sustainability and togetherness. Sustainability and togetherness are the values of love relationship.
COMPARISON TRADITIONAL FOLKLORE BETWEEN CHINESE PI YING AND INDONESIAN WAYANG KULIT Guannan, Zhang
International Review of Humanities Studies Vol. 5, No. 2
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Chinese Pi Ying and Indonesian Wayang Kulit as known as the crystal of folklore from two different countries. This article is aim to make a comparison between these two traditional folklore. Pi Ying and Wayang Kulit both are made from wood and paper or animal skin. The function of these two folklore is giving a show or performance to audiences based on traditional stories or mythological stories. Compared with Wayang Kulit, Chinese Pi Ying was originated from Han Dynasty, earlier than Wayang Kulit. As traditional arts, coming with improvement of digital technology, Chinese Pi Ying and Wayang Kulit are losing their influence now, these two traditional folklore only can be seen more frequently in theater or rural area. Through this article, Pi Ying and Wayang Kulit will be analyzed, compared and found out the same and different aspects from these two traditional folklore, furthermore, this article will also give certain solutions to solve the problems these two folklore are facing.
ARTIFICIAL INTELLIGENCE AND JOURNALISM PRACTICE IN NIGERIA: PERCEPTION OF JOURNALISTS IN BENIN CITY, EDO STATE Guanah, Jammy Seigha; Agbanu, Venatus Nosike; Obi, Ijeoma
International Review of Humanities Studies Vol. 5, No. 2
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Abstract

The emergence of Artificial Intelligence (AI) is gradually having effects on every facet of the society; the mass media, being an indispensable part of any society, are not exempted from this AI bug hence they must synergise with new technologies to remain relevant. This study looked at how AI can, or has been impacting journalism practice in Benin City, Edo State, Nigeria. The study was anchored on the mediamorphosis theory while Survey and In-depth oral interview were adopted as the research methods for obtaining data. The 254 registered journalists under the Nigerian Union of Journalists (NUJ), Benin City Chapter, formed the population, and the sample size of 152 was determined using Cozby`s Precision of Estimate table. Among other findings, the study revealed the agreement of journalists in Benin City that automated journalism (usage of AI-driven media applications) is an improvement over the current reporting practices which are still done “manually.” It concluded that automation is the future, and Nigerian journalists cannot afford to be left out in the ultimate move to a world of automation, hence they have to prepare themselves, and embrace AI. Its recommendation included that Journalism schools should have curricula that embrace technology that will effectively prepare potential journalists for the future use of AI for their work.
DEATH AND ONE OF ITS MANY NARRATIVES: THE STORY OF THE STOLPERSTEINE-PROJECT IN GERMANY Suganda, Sonya Puspasari
International Review of Humanities Studies Vol. 5, No. 2
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Within the contemporary German society, there is an initiative that has been ongoing for over 25 years. This initiative is called the Stolperschwelle which is conducted to commemorate the falling victims of the Nazi. An artist named Gunter Demnig started the whole project in 1992, and in 2017 – with the support of the society – he succeeded to place the 70.000th stumbling stone (in German; Stolpersteine), a 96 mm x 96 mm x 100mm brass plaques in the pavement of the last victim’s address. At first, it was meant to remember the death of the Jewish during the Nazi era, but nowadays the stumbling stones also represent the death of the marginalized groups including the Gipsy, the homosexuals, people with physical disability, and people who are falsely accused because of their religious and political belief. In the Stolpersteine-project, anybody can show their respect for the victims of the Nazi by sponsoring a stumbling stone – its manufacture and its installation for 120 euro – dedicated to one victim. This article analyses how this Stolpersteine-project can be viewed from various perspectives by using socio-cultural, historical, and urban landscape perspectives. The study is conducted using a qualitative approach through literature review. The findings show that the main story evolving around the Stolperstein project is the death of someone, caused by extremely terrible matter. By engaging in the Stolperstein, the modern German society tries to commemorate someone’s death, even someone they do not personally know. The historical perspective looks at the difference of microhistory and macrohistory when it comes to one nation’s history. In the Stolpersteine project, people deal greatly with microhistory. Finally, the urban landscape perspective emphasizes that the construction of space can contribute to reliving the past as well as building a better understanding for a nation’s generation.
BLOCKING AND EXTENDED EXPONENCE OF SUFFIX PRONOUNS IN ARABIC PERFECTIVE VERB CONJUGATION Mardiah, Zaqiatul; Hizbullah, Nur; Niswah, Awaliyah Ainun
International Review of Humanities Studies Vol. 5, No. 2
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Noyer (1997) utilized blocking and extended exponence to encode pronouns in the conjugation of imperfect verbs in Arabic. His findings were criticized by Stump (2001) and Xu (2010), because the formulation was considered too complex. Xu (2010) offered a unified integrated account based on Optimality Theory while still relying on blocking and extended exponence. However, their for-mulation only focuses on the pronouns of imperfect verb conjugations. So far, the optimality of conjugations of perfective Arabic verbs which are also complex in nature, have not been considered yet in their studies. This study extends the work of Xu (2010) by developing the formulation of the optimal forms of the suffix pronouns of the Arabic perfective verb conjugations. The results of study reveal that several exponences which in different situations, each can realize several assingments. Instead, there is an assignment that is realized by more than one exponen
COLLABORATIVE POLICING FOR HANDLING COMMUNALCONFLICTS (CASE STUDY: CONFLICTS BETWEENPAPUANS AND YOGYAKARTANS) Hutapea, Tagor
International Review of Humanities Studies Vol. 5, No. 2
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In this study, there are 2 (two) groups of conflicting citizens, namely the Papuans living in Yogyakarta which consist of students and working residents, and Yogyakartans, that is several ethnic groups other than ethnic Papuan. This study uses a qualitative approach and the paradigm of constructivism. The root of the conflicts is the Papuans’ perception of their historical past as well as cultural elements such as poverty, lack of education, and lifestyle. The triggers of conflict is the Papuans’ negative lifestyles, namely frequently get drunk, eating without paying the bill, breaking traffic rules, and always shouting “merdeka” (meaning independence) when making protesting rallies. On the other side, the people of Yogyakarta have negative prejudices against Papuans and discriminate them accordingly, which could even be perceived as a racial attitude. The Yogyakartan police seem not to have a good understanding about the root and causes of conflicts, because they tend to handle conflicts by repressive measures only after the violence had occurred. They clearly believe Papuan case is politically sensitive and full of outsiders’ influences. They also fail to have an open communication with the Papuans because the Papuans do not trust the police. For those reasons, the police often let Papuans who broke the law left unpunished, which produces suspicion among the people of Yogyakarta that the police might be afraid of the Papuans.
UKHTI VS UGHTEA: ARABIC KINSHIP ADDRESS TERM AS SLANG AND IDENTITY IN INDONESIAN TWITTER Qonitah, Salma; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 5, No. 2
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Microblogging has taken a quotidian position in the scope of internet usage. This research explores the pragmatic of ughtea, a slang form of ukhti, as a term of address slang and identity in Twitter’s prominent behaviour on virtual sphere: tweeting. Semantically, ukhti refers to “sister” of a possessive pronoun of the first person i.e. the speaker, both in biological and ideological contexts. For the last two years (2018—2019), the usage of the term ukhti has undergone the extension of its meaning through its use among Indonesian Twitter users by changing its form into ughtea as a slang with degenerative meaning, in order to insinuate the exclusivity of the use of the term ukhti among Indonesian conservative Muslims and the misbehavior of ukhti. As a result, the meaning of the term ukhti experiences pejoration. These certain Indonesian Twitter users, according to McCulloch’s classification of Internet People (2019) are classified as Post Internet People. This research problem focuses on the analysis of the speakers, terms, and how both terms used in the context of pejoration. This study aims to analyze both terms in terms of shifting meaning in terms of speakers, speech, and usage by implementing corpus linguistic approach and Martin and White (2005)’s appraisal system. Data sources were obtained from Twitter users' tweets during a certain period (October 2019).
FRENCH SUBTITLING STRATEGIES AND TECHNIQUES USED IN INDONESIAN FILM MARLINA SI PEMBUNUH DALAM EMPAT BABAK Aisyah, Tesyalia Zara; Budiman, Arif
International Review of Humanities Studies Vol. 5, No. 2
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This qualitative research aims to describe the use of subtitling strategies and techniques in Indonesian film Marlina si Pembunuh dalam Empat Babak due to spatial constraints. The corpus consists of Indonesian audio script of the movie and its French subtitle. The theoretical framework is based on Gottlieb’s ten strategies of subtitling, and Carmitroglou’s, Carroll and Ivarsson’s codes of subtitling. The results indicate that out of ten strategies, one strategy, transcription, is not applicable to the corpus. The most common strategies are transfer, then condensation. Transfer is used to translate simple phrases, while condensation is used to translate dialogs with unimportant utterances. It is concluded that the genre of Marlina has a crucial role in the variation of used strategies. The dialogs in Marlina are short and fast tempo. Therefore, in order to create good subtitles, the use of those strategies become essentials for translators.

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