International Review of Humanities Studies
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Articles
324 Documents
<![CDATA[URBAN CULTURE AND PRIORITY VILLAGE PROGRAMS IN A GLOBAL CONTEXT: CASE STUDY OF KAMPUNG SUSUN BAHARI AKUARIUM ]]>
<![CDATA[adwani, abdul azis, Mr]]>;
<![CDATA[Hasan, Chotib]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[Settlement arrangement in Jakarta is refer to the concept of global development context began in the 1900s with the Menteng and New Gondangdia projects at the first. After independence, the expansion of residential land extended to Kebayoran and Tebet, resulting a lesser land for housing development. The existence of kampungs in Jakarta is increasingly shifted by the development of housing complexes. And the impact of increasing urbanization has led to the development of slum areas in Jakarta, thereby putting pressure on the government to provide vertical population services. The DKI Jakarta government then compiled a development strategy to remove slum area in 445 RWs recorded in 2017 through the Priority Kampung development program, one of which was the construction of the Kampung Susun Bahari Akuarium (KSBA) in Penjaringan, North Jakarta. This theme study is a development of an existing study and examines two aspects, namely the aspect of social change in society in terms of urban village culture and changes in occupancy from horizontal housing to vertical housing for people in urban areas with a tropical tropical atmosphere. This study uses a multidisciplinary historical approach by tracing colonial period map documents, mass media news, government policies and past literature searches.]]>
<![CDATA[SEX AND WOMEN IN THE SCRIPT OF THE STORY OF SHEIKH MARDAN ACCORDING TO BUGESE AND MAKASSARESE VERSIONS ]]>
<![CDATA[Mustari, Mustari]]>;
<![CDATA[Zaini, Hisyam]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA[Sex and women are always interesting to talk about due to their mysterious nature. Discussion on the topic will get more interesting when it is related to illegal practice done by spiritual figures who look for the position of insan kamil or perfect human being. Such kind of depiction is found in popular stories that live among Bugis and Makassar people, known as Paupaunna Séheq Maradang in Bugis tradition, and Paupaunna Séhu Maradang in Makassar tradition. The script was originally transformed from Javanese to Malay and spread to Nusantara languages including, Bugese and Makassarese. Both versions of this text have been used as a tool of da'wah because the core of this story is the spiritual journey of a prince named Sheikh Mardan in perfecting his religious knowledge. Inhis spiritual journey, he always met a woman (the king's daughter) and married her. There are some differences between the Bugese language version and the Makassarese language version. That difference will be revealed in this study and followed by explanation of their differences. To sharpen the analysis, comparative literary theory is used. The output of this study is controversy related to illegal sex has been addressed differently by people through both versions. The Makassarese version allows the narrative of free sex performed by the main character with the two princesses he first met, while the Bugese language version seeks a way out by inner marriage.]]>
<![CDATA[TEXT RECEPTION OF THE MANUSCRIPT SYARAH MA’RIFAT ISLAM WRITTEN BY SYEIKH IMAM ZAHID ]]>
<![CDATA[Supriatna, Agus]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[This article aims to explain the reception of the ancient text "Sharah Ma'rifat Islam" by Sheikh Imam Zahid. The method used in this research is a descriptive-analytic method with a philological approach and reception theory. This ancient manuscript of Syarah Ma'rifat Islam (SMI) contains lessons about Islamic Aqeedah. The results showed that SMI contained knowledge about the meaning of Islam, Iman, Ihsan, and issues related to believers, families, groups, ummah, and schools of thought. Nusantara scholars widely absorbed the SMI text to teach basic Aqidah lessons to their students. The SMI text is explained in more detail, such as in terms of language and content in the form of reference sources and the intent of each discussion section of the manuscript.]]>
<![CDATA[CHINESE-NESS AS A SPACE OF CONTESTATION: REREADING TWO INDONESIAN PERANAKAN MUSEUMS IN TANGERANG ]]>
<![CDATA[Kurnia, Lilawati]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[This paper discusses two museums that deliberately adopt the concept of “Peranakan” as part of their identities, namely the Museum Pustaka Peranakan Tionghoa, or the Peranakan Chinese Literature Museum (2012), and the Museum Benteng Heritage (November 11, 2011). Both are located in South Tangerang (ca.10 km from Jakarta). The term “Peranakan” indicates a mélange of identities for the Indonesian and Chinese. A closer examination of the Chinese in Indonesia reveals that during the New Order regime, the Indonesian Peranakan Chinese underwent a “repression” taking the form of various political policies and laws limiting their public roles, even attaching negative stigmas to the Chinese identity. The void space in state museums could be filled by these museums, which would demonstrate the endeavor to develop a fairer concept of nationhood. This paper is not intended to provide any solution to the current problem underlying the establishment of the museums. Rather, it is meant to explain the process that takes place when the identity of an ethnic group is questioned and politicized.]]>
<![CDATA[POSTCOLONIAL IMMIGRANTS: THE MOLUCCAN DIASPORA IN THE NETHERLANDS ]]>
<![CDATA[Ismail, Indira]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[This research provides knowledge about the history of the arrival of the Moluccans to the Netherlands as part of the Dutch East Indies postcolonial immigrants who have now formed a diaspora in the Netherlands. Source tracing was carried out using literature reviews through search engines and keywords related to the research object. The results of the research show that migration, which later turned into integration into Dutch society, underwent a long process that was far from smooth as it had to go through a number of problems both internal (personal and group) and external (Dutch policies).]]>
<![CDATA[BETAWI CULTURAL VILLAGE AS YOUNG GENERATION COLLABORATION SPACE TO PRESERVE JAKARTA ]]>
<![CDATA[Astari, Safira]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[illennials, Gen Z, and Post Gen Z residents are the majority in DKI Jakarta. Understanding their characteristics and behavior is the key to the success of preserving and developing Betawi culture. The purpose of this study is to examine the Betawi Cultural Village of Setu Babakan and the potential of Betawi culture in RW 9, Srengseng Sawah Village for the millennial generation. The methods used were library research with descriptive explorative approaches and field studies. The conclusion is: (1) Setu Babakan Betawi Cultural Village and its surroundings have various elements of Betawi culture so it should be a Betawi Culture storefront; (2) The COVID-19 pandemic situation emphasizes the need for the development and use of information technology for the preservation, maintenance, and development of cultural values as the identity and wealth of the people of DKI Jakarta; (3) Promotion of Betawi culture must be innovative, creative, fun and applicable through collaborative schemes based on digital technology so which enjoyed by the younger generation; (4) The government and the Betawi cultural community must have a strategic plan with a clear, firm and holistic roadmap.]]>
<![CDATA[RAYMOND WESTERLING’S REPRESENTATION OF DE TURK CHARACTER IN THE FILM “DE OOST” (2020) ]]>
<![CDATA[Balfas, Orchida]]>;
<![CDATA[Nugraha, Fajar Muhammad]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
Publisher : <![CDATA[UI Scholars Hub ]]>
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<![CDATA["De Oost" is a film directed by Jim Taihuttu, a Netherlandsman of Ambon descent, which tells the story of the Westerling Tragedy. Its launch sparked controversy from former Netherlands East Indies veterans to Raymond Westerling's daughter because it was considered to distort facts and not fit Westerling's description. This controversy raises the problem of how Jim Taihuttu represents Westerling through the character de Turk. This research is intended so that readers can assess Jim Taihuttu's depiction of Westerling through the character de Turk and determine the suitability of the film with reality. The research method used is qualitative using the note-taking technique, by applying identity theory by Erick Erikson (1968) to find out the director's background and representation theory by Stuart Hall (1995) to examine Westerling's representation in films. This research resulted in the answer that Jim Taihuttu was quite objective in depicting Westerling by representing nicknames, life, and cruelty, but also balanced by de Turk's friendly nature towards his soldiers. The representation of the character de Turk by Jim Taihuttu's "De Oost" indirectly illustrates how the new generation of Netherlands views Raymond Westerling in a more objective way.]]>
<![CDATA[THE DEVELOPMENT DYNAMICS OF FOOTBALL AND ITS INFLUENCE ON CONSERVATISM CULTURE IN SAUDI ARABIA ]]>
<![CDATA[Fauzul, Ardia Yunda]]>;
<![CDATA[Imamuddin, Basuni]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[This research discusses the development dynamics of Saudi Arabian football and its influence on conservatism culture in that country. Saudi Arabia is known as a conservative country and tends not to be inclusive toward outside cultures. However, in the past few years, Saudi Arabia has begun to open up and be moderate, including in the realm of sports. This research is interesting to discuss because football, which is actually the most popular sport in Saudi Arabia, has actually become a channel for creating a cultural transformation from conservative to moderate. This study aims to explain the history and development of Saudi Arabian football and its relation to the culture of conservatism that has been rooted in Saudi Arabia for a long time. This research is a descriptive qualitative research with library research method. The theory in this study refers to the theory of social change according to John Lewis Gillin and John Phillip Gillin. The results of the study show that football is a channel that capable to transforming Saudi Arabia's conservatism culture into a moderate culture through loosening of prevailing norms such as allowing women to watch football matches in stadiums, establishing women's competitions and national teams, and allowing cohabitation for foreign football player.]]>
<![CDATA[SHAKESPEARE’S TRAGEDY OF MACBETH AS A STRANGE ATTRACTOR FOR THEATER PERFORMANCES AND CINEMATIC ADAPTATIONS ]]>
<![CDATA[Soenarto, Iswahyudi]]>;
<![CDATA[Wibawarta, Bambang]]>
<![CDATA[ International Review of Humanities Studies Vol. 8, No. 2 ]]>
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<![CDATA[Chaos theory explicates how small things can result in big differences. Its basic principles can provide an alternative means for literary and non-literary interpretations. This study will explore how the principles of chaos theory can be utilized, together with commonly used literary theories, as an analytic lens to analyze the dramatic text of Shakespeare. The argument is built upon how Macbeth, viewed as a complex and chaotic system, become a strange attractor for both theater performances and cinematic adaptations, in an effort to understand the interconnection between the play and its reproductions as complex networks. Various elements of the text will be discussed, including its structure, language expressions and character patterning, as well as the choices of action – reaction determined to be taken by the characters in the play.]]>
