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Dr. Mochamad Aviandy, S.Hum., M.Hum
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International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
Core Subject : Humanities, Science, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 324 Documents
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DE-RADICALIZATION OF FUNDAMENTALISM THROUGH THE THOUGHT OF MOHAMMED ARKOUN Rezan, Muhammad; Asnawi, Naupal
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Fundamentalism in religion has become an important issue in people's lives, especially in areas with high heterogeneity. The emergence of various cases of attacks against innocent people in the name of religion, has become an irony of its own, especially for religious believers. The irony arises when religion teaches peace in diversity, but there are many irregularities in its implementation. Various factors in the emergence of fundamentalism in religion do not necessarily become a reason for the lack of efforts to deradicalize this understanding. Mohammed Arkoun, through his various studies, has raised the significance of a re-understanding of religious texts with the present context. Relevance of religion - as a guideline for human life - is essential, especially in the current era of disruption. Based on these matters, this study was made to present the deradicalization of fundamentalism through a re-understanding of religious texts in a critical and integrated manner. Arkoun explained that the main problem in this matter was the effort to make religion an institutional product whose interpretation was absolute, which led to a single understanding. This incident is contrary to the concept of Islam as a religion that is rahmatanlilaminalamin (Islam as a religion that brings grace and prosperity to all people). By utilizing a disruption era that recognizes change quickly and radically, this moment can be used well to provide a comprehensive, integrated, and credible religious knowledge forum, and of course with a high level of accessibility.
CODE MIXING AS A FORM OF INDONESIAN IDENTITY BASED ON THE MOTTO OF BHINNEKA TUNGGAL IKA Nugraha, Fajar Muhammad
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

In 2018, the Language Comission of the Ministry of Education and Culture (Kemendikbud) of the Republic of Indonesia has made verification towards all the languages that exists in Indonesia. The verification conducted from 1991 to 2017 resulted in 652 languages to be found. That number still does not include the dialects and their sub-divisions of the 652 languages. Meanwhile, UNESCO recorded 143 languages based on their vitality status. Identity can be interpreted as similarity or unity with others in a certain area or other things (Rummens, 1993: 157-159). "The identity possessed by an individual can be in the form of personal identity and social identity" (Santoso, 2006: 44-45). Using statistical data on language issued by the Indonesian Central Bureau of Statistics as a corpus and literature study by tracing the title of mainstream online media coverage related to the use of code mixing, identity theory, and the concept of intercultural communication, this paper discusses the relationship between the use of code mixing in the Indonesian people's everyday life with the nation‟s identity as a country that is bhineka (mentioned as its official national motto) or diversed. Instead of being not nationalist, the practice of code mixing by the Indonesian people is actually a manifestation of the identity of the Indonesian people as a diverse society. The code mix that occurs in the daily life of the community is proof that Indonesian people can understand each other and communicate well in a very complex diversity
CITIZENSHIP AS EXPERIENCE: THE LIVES AND LABOURS OF OVERSEAS INDONESIAN SCHOLARS Latifa, Inditian
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

UNBREAKABLE DONG NGUYEN: REAFFIRMING ASIAN-AMERICAN MASCULINITY IN THE SERIES UNBREAKABLE KIMMY SCHMIDT Setiaki, Tsamarah Augustina
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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A PROJECT OF CONSTRUCTING A CONTEMPORARY JEWISH IDENTITY IN RABINOVICI’S NOVEL SUCHE NACH M Liyanti, Lisda
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Attitude to the Nazi past turns to its new phase in the 1980s, after the time of repressing, silent and mourning brings the new discourse in talking about the Holocaust. It was a tendency of "denying" the Holocaust and new anti semitism movement. In the 90s, Jewish authors confirm their position as „self determined agents' in the literary and political area. One of them is Doron Rabinovici, an Austrian Jewish author who wrote the novel Suche Nach M in engaging on the project of constructing a contemporary Jewish identity. In this article, the question of how Robinovici proposes the construction of contemporary Jewish identity will be answered through critical reading on Jewish myth and identity formation theory. The result shows two major strategies that he proposes in his novel: “deconstructs” the Jewish myth (by playing other possibilities to interpret them and unveil the truth) and suggests the self referential concept (find oneself based on 'the self' instead of immersing self in 'the Other‟). These two strategies can be seen as an active engagement with one own traumatic past. It is a historical and self awareness approach to construct a problematic contemporary Jewish identity.
JASMINE’S FAIL ATTEMPT TO ACHIEVE ‘TRANSCENDENCE’ AS A FORM OF HER INTERNALIZATION AS ‘THE OTHER’ IN BLUE JASMINE (2013) Veneralda, Livina; Mintarsih, Adriana Rahajeng
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Although there have been more Hollywood movies having their stories centered on female characters, their representation in Hollywood cinema is still problematic as most of these female characters do not become subjects in their own stories. They often internalize the notion of women as the Other. According to Beauvoir (2010), since women are deemed to be the Other, they become inessential part of the society. In the movie Blue Jasmine (2013), Jasmine has no power to design and lead her future as she subjugates herself to men. Then when she tries to free herself from this situation, she experiences oppression that comes from a male higher-up. Using textual analysis to analyze this character, this paper found that what she experiences represents women‟s everyday struggles in the society which resembles Beauvoir‟s concept of immanence and transcendence. Jasmine initially is stuck in immanence, when she depends on men, letting them have power over her. When she wants to take control over her own life, getting her independence, through education, she can achieve transcendence. However, this does not happen, and she falls back into the immanence instead because her environment makes it impossible for a woman to transcend. Moreover, this failure leads to her tragic ending which conveys a message that in the society women are bound to immanence.
TRANSLATING CODE-SWITCHING IN THE INDONESIAN VERSION OF DER BOXER Salim, Dias R.
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Code-switching is the use of more than one language in an utterance. Within a narrative work like comics, code-switching can be used to show exoticism, character identity, or dramatic effect. Translating such a speech pattern poses a challenge to a translator. This paper discusses how a translator covert speeches that code-switch to three foreign languages – English, Yiddish, and Hebrew – in the German comic der Boxer by Reinhard Kleist into Indonesian. Translation units such as words, phrases, and sentences in the the target text will be compared to its counterparts in the source text to note the procedures used by the translator. The data gathered will then be analyzed to observe which utterances are kept in their foreign form, kept with additional information, or translated functionally and literally. Each procedure taken has its effects on the target text. Some preserve story elements such as surprise effect and otherness, while some preserve the readers’ immersion in the story. The procedures taken show that one needs to consider the context of each unit in translating and that not only one procedure can be applied as a panacea in translating every unit in a code-switching language pair.
INDONESIA AND CENTRAL ASIA: ROMANTICIZING AUTHORITARIAN REGIME IN THE PAST? Aviandy, Mochamad
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Even though countries in Central Asia and Indonesia seem to be unrelated, both actually have experienced authoritarian regime and implemented decentralization system after that regime collapsed. Nevertheless, decentralization along with non-authoritarian regime does not automatically bring the desired good result since a new authoritarian regime based on decentralization appears. As a result, the citizens long for the welfare of the centralism system. Before talking further about the comparison of both regions, it is better to have a good understanding of each region.
MEDAN CHINESE AND THEIR STIGMA: GRABBING POWER IN MULTICULTURAL SOCIETY Alkatiri, Zeffry; Waworuntu, Adrianus L. G.; Gani, Fuad; Archellie, Reynaldo de
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

This article presents the result of a pilot project which seeks to examine the pattern of socio-cultural interaction between the Chinese people and other ethnic groups in the multicultural City of Medan, North Sumatra. The purpose of this article is to examine various obstacles in the pattern of socio-cultural interaction among those two groups of people. This article utilizes both field data and the data obtained from bibliographical references. This qualitative research applies the ethnographical approach and is conducted by observing various activities and behaviors that arise from the pattern of socio-cultural interaction between the Chinese people and other ethnic groups in Medan. From this project, we draw a preliminary conclusion that the Medanese Chinese have established domination over numerous areas of life in Medan by engaging in various socio-cultural activities, both conspicuously and inconspicuously. Such hegemonic tendencies have contributed to creating a negative perception of the Medanese Chinese among other members of the plural society in Medan. In addition to that, the difficulty of Medanese Chinese to assimilate themselves with the local populace only increases the social gap between them and other local communities. These factors constitute challenges for the Medanese Chinese to interact with people from other ethnic groups.
URBAN CULTURAL OMNIVORES, UPSCALING ETHNIC FOOD AND CULINARY REPRODUCTION IN MARCO AND SUNTIANG Tambunan, Shuri Mariasih Gietty; Widhiasti, Maria Regina; Bachrioktora, Yudi; Utami, Nila Ayu
International Review of Humanities Studies Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

Culinary practices have always been considered as social and cultural activities signifying ideas of continuity and transformation regarding one‟s culture and identity. As migration happens, people move from their hometown and recreate familiar food and flavors in their new home. Therefore, the study of culinary practices will reveal the dynamics of constant negotiation between having to trace back the familiar taste, for example by using inherited recipes, with the necessity to innovate and reproduce meals from their hometown with new ingredients and materials found in the new place. Furthermore, in an urban setting that has been heavily influenced with a variety of culinary practices from other locales in Indonesia or from other countries, culinary practices in Jakarta could no longer be analyzed as merely everyday activities as they have become an arena of contestation and negotiation. This research discusses how two up-scale restaurants, Suntiang (a Padangnese-Japanese fusion restaurant) and Marco (a self-proclaimed Padang peranakan restaurant), re-inscribe Padangnese cuisines and make new meanings on „old‟ traditional delicacies.

Page 8 of 33 | Total Record : 324

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