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Fariz Al Hazmi
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Program Studi Pendidikan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta Jl. Rawa Mangun Muka Raya No.11, Rawamangun, Kec. Pulo Gadung, Kota Jakarta Timur, Daerah Khusus Ibukota Jakarta 13220
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Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual
Published by Universitas Negeri Jakarta
ISSN : -     EISSN : 29867096     DOI : https://doi.org/10.21009/qualia.22
Core Subject : Education, Art,
Arts Education
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual merupakan jurnal ilmiah berisi artikel hasil penelitian, kajian teoretik, dan tinjauan buku bidang pendidikan seni rupa dan budaya visual. Qualia berasal dari kata quale (Latin), artinya kualitas rasa yang dialami seseorang dengan fokus bidang yang meliputi: seni rupa murni, desain, kriya, fotografi, videografi, media alternatif, dan berbagai bentuk teks visual Fokus jurnal tidak terbatas pada: Pendidikan Seni Rupa (model pembelajaran, evaluasi pembelajaran, manajemen pendidikan dan berbagai bentuk terkait pembelajaran seni rupa). Manajemen Seni Rupa (Organisasi, Komunitas, Konservasi seni budaya, Museum dan galeri) Pengkajian Seni Rupa dan Budaya Visual Penciptaan Karya Seni Rupa
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 10 Documents
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Search results for , issue "Vol 5 No 1 (2025): April" : 10 Documents clear
RELEVANSI SIMBOLISME DAN NILAI BUDAYA TIONGHOA DALAM POSTER 'TURNING RED' OLEH EMMANUEL ELIZABETH Dimas Saputra, Dimas Saputra
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.09

Abstract

The cultural elements in illustration are not a new phenomenon in the art world; symbolism and cultural values have long been integral to fine arts, culture, and visual arts. Even renowned animation studios like Disney Pixar consistently adopt this approach by incorporating cultural diversity from various countries into their animated works. For instance, in their latest animation, "Turning Red," they draw inspiration from Chinese culture as a primary element in its narrative and visualization. In this context, Immanuel Elizabeth, a student from Bandung Institute of Technology, has successfully crafted an illustrative work in the form of an official poster for the film. This research aims to conduct an in-depth analysis of the symbolic cultural elements in Immanuel Elizabeth's illustrative work, considering its relevance to the film's context and poster design. How do the Chinese cultural elements present in the poster interact with the story or message intended by the film "Turning Red"? Additionally, the research investigates public responses to the artwork. The results of this study are expected to provide a deeper understanding of the cultural relevance in visual arts and how art can serve as a means to convey cultural messages and strengthen cultural understanding among the public. These findings can serve as a reference for researchers and academics interested in the relationship between art and culture.
The Menganalisis Makna Simbolik Baju Adat Pesa’an Madura Jawa Timur Sandy Al Fauzan, Muhammad Hafizh; Abrar, Fany Ramadhanty; Listiana, Indah; Hafbi, Najwa; Bahar, Syairul; Alfarauq, Farkhan Abdurochim
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.10

Abstract

Madurese traditional clothing is a rich cultural heritage from the island of Madura, Indonesia, which not only reflects the identity of the community, but also the social and cultural values ​​passed down from generation to generation. These clothes, which are generally made from brightly colored fabrics with unique motifs, play an important role in various traditional events and cultural celebrations. This research aims to explore the history, social meaning and development of pesana clothes in a modern context. The research method uses a qualitative approach with observation techniques, semi-structured interviews, and documentation to analyze the symbolic meaning of this traditional clothing. The research results show that ordered clothes not only function as cultural identity, but also contain deep meaning related to the character of the Madurese people. Each design element, such as color and motif, has a certain symbolism that reflects boldness and simplicity. In addition, ordered clothes are often worn at formal events and reflect the social status of the wearer. The transformation of the pesana shirt in a social and economic context shows its adaptability while still maintaining traditional values. It is hoped that this research can encourage the younger generation to preserve the rich culture of Madura in the modern era.
Analisis Makna Kasih Sayang Orang Tua dalam Lukisan “Ibu Dan Anak” Karya Basuki Abdullah Talitha, Talitha Anindya; Budi, Setyo
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.05

Abstract

Painting is often a medium to express deep meaning including emotional feelings. Basuki Abdullah is an Indonesian painting maestro who is known for his realist style and often presents human portraits with emotional expressions. One of his works, the painting “Mother and Child” created in 1992, features a mother holding her child which gives an emotional impression such as the feelings of love and struggle of a mother towards her child to provide protection and great sacrifice to the child. So this work seems to be a general embodiment of a mother's boundless love. This research aims to identify and analyze the meaning of parental love expressed in the painting “Mother and Child” by Basuki Abdullah, as well as explore the visual elements and aesthetic responses generated from the painting. The approach method used is qualitative-descriptive by collecting data through observation, literature study, and visual analysis as data collection techniques. The results show that through the use of color, gesture, and composition, Basuki Abdullah presents a deep emotional message, making this work a symbol of eternal love between parents and children.
Strategi Eksistensi Salam Rancage sebagai Industri Kreatif Kerajinan Limbah Koran di Bogor Anisa Febriyani; Mudjiati
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.07

Abstract

The creative industry of recycled crafts is growing and innovating as an effort to reduce environmental pollution. One of the creative industries in this field is Salam Rancage. Salam Rancage processes newspaper waste into products of economic value. However, this creative industry faces various challenges, such as market competition and the availability of raw materials. The challenges affects business sustainability and hinder the production process. Therefore, this research aims to analyze the strategies of Salam Rancage in maintaining its existence based on Michael A. Porter's Competitive Strategy theory and the existence of handicrafts produced based on Martono's Craft Aesthetics theory. The research method used is a qualitative approach with descriptive analysis techniques. The results of this study indicate that Salam Rancage has implemented all aspects of Competitive Strategy as follows: (1) Cost Leadership is achieved by utilizing environmentally friendly raw materials sourced from waste banks, (2) Differentiation is achieved by differentiating the materials used in product creation, (3) Innovation is carried out through regular exhibitions and market research, (4) Growth is achieved by organizing sewing and cloth mask-making training to maintain its presence in society, and (5) Alliance is formed through collaborations with the government and the women weavers. Based on the Craft Aesthetics theory analysis, Salam Rancage has applied form follows function, creative coloring, contextual function, and economic efficiency. However, Salam Rancage has not yet applied ornamental aspects to the handicrafts produced.
Tinjauan Budaya Visual Adegan Pola Asuh Ayah pada Komik Digital “Bingkai Titik” Karya Gabriel Putu Dedi Adlinia, Nabila
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.06

Abstract

The phenomenon of paternal parenting highlights the important role of fathers in balanced and developmentally appropriate parenting. However, in the modern era this role is often overlooked, leading to many children growing up fatherless, which impacts emotional closeness, trust and the potential for juvenile delinquency. In contrast, father involvement directly contributes to a child's physical and emotional development as well as boosting self-confidence. Gabriel Putu Dedi's Comic Frame depicts the role of fathers in parenting through silent comics. This study analyses the depiction of fatherhood using qualitative methods with Kress & van Leeuwen's visual system and metafunction analysis techniques, which include representation structure, interaction, and composition. The results explore the creator's depiction of fatherhood through visual elements in parenting scenes in episodes 7, 9, and 10.
REPRESENTASI RWA BHINEDA DALAM ANIMASI 2D JAGADHITA SEBAGAI REFLEKSI SELF-ACCEPTANCE GENERASI Z Della Jessica; Candrasari, M. C. Wara
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.04

Abstract

This study explores the representation of Bali’s local wisdom, Rwa Bhineda, in a 2D animated Jagadhita as a reflection of self-acceptance among Generation Z. Rwa Bhineda illustrates the duality of opposing yet complementary forces in life, as depicted through Barong and Rangda. This animation highlights how the concept of balance is applied to teenagers' lives, particularly in facing social pressures and identity-seeking challenges. The research employs the practice-based research method, integrating visual and narrative exploration through observations, expert interviews, and audience testing with Generation Z teenagers. The findings indicate that this animation effectively conveys the philosophy of Rwa Bhineda in a way that is both understandable and relevant to the psychological struggles of today’s youth. Thus, this work has the potential to serve as an effective educational medium in introducing cultural values while fostering self-acceptance in Generation Z.
INTERAKSI SENI DAN RUANG PUBLIK: RELEVANSI MURAL TUGU TUNAS DALAM PENDIDIKAN SENI Sukma, Afra
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.03

Abstract

This research is motivated by the role of murals at Tugu Tunas as a visual communication medium in public spaces, which is unique because it is applied to the surface of a monument, differing from most murals that are usually found on building walls. This study aims to analyze visual communication and its relevance to art education in the murals at Tugu Tunas, Semarang City. The method used is qualitative with a phenomenological approach. Data was collected through field observations and interviews with various informants and validated through three stages of phenomenological validation.The results show that the mural at Tugu Tunas aims to visually represent Semarang's local culture. Through a semiotic study, the message conveyed in this mural aligns with the concept translated from government and artist ideas. The artists successfully translated cultural symbols accurately, allowing the public to understand their meaning. However, communication disturbances were found, such as the limited visual field of the monument and the public's lack of understanding of the symbols used. Thus, the mural at Tugu Tunas not only holds aesthetic value but also functions as an educational medium that provides artistic insights and aesthetic experiences to the community.
PERANCANGAN PROTOTYPE APLIKASI MOBILE SMARTPHONE KEPANDUAN UNTUK ANGGOTA PRAMUKA Zenmira, Kharisma Nanda; Abdila, Abu Bakar
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.02

Abstract

The advancement of digital technology has transformed youth learning patterns, particularly among Generation Z and Alpha who prefer visual and interactive media. However, scout education in Indonesia still mainly applies conventional methods. This study aims to design a prototype of a mobile scouting application as an alternative learning medium for scout members. Using the Research and Development (R&D) method with a 4P level 4 approach, the prototype includes features such as scouting materials, interactive quizzes, digital compass, maps, and e-books, all designed with visual communication principles. The prototype received positive feedback from target users.
Dekonstruksi Sungkun sebagai Medium Identitas Perempuan Kerinci Amelia, Olenda; Wastap, Jaeni
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.01

Abstract

This study explores sungkun as one of the traditional clothing attributes worn by Kerinci women in Jambi Province, conceptualized as a cultural text that stitches together identity, values, and social structure through the female body. In Kerinci tradition, sungkun functions not merely as attire, but as a symbolic layer that regulates how the female body is presented, interpreted, and governed within the context of custom, spirituality, and social relations. Using a descriptive qualitative approach and symbolic ethnography method, this research investigates the meanings embedded in the visual elements of sungkun and its usage in both ritual and everyday life. The findings reveal that sungkun serves as a performative medium that constructs the identity of women as moral guardians, custodians of tradition, and inheritors of cosmological values. Through a deconstructive lens, the article also reveals the transformation of sungkun’s meaning in contemporary cultural landscapes, as it undergoes resemanticization through performing arts, cultural festivals, and visual media. Thus, sungkun becomes a space of negotiation between traditional heritage and modern identity expression among Kerinci women. This article contributes to the fields of art, culture, and gender studies by offering a renewed reading of textile artifacts as symbolic texts and the body as a narrative medium.
TABUIK: WARISAN BUDAYA TAKBENDA DARI PARIAMAN Wahyuni, Riya
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.08

Abstract

This study discusses a traditional ceremony is a Hoyak Tabuik. A tradition that is always held every time the month of Muharram or the Hijri New Year from the city of Pariaman, West Sumatra. The Tabuik ceremony is held to see a flashback of the death of one of the grandsons of the Prophet Muhammad SAW, namely Husein bin Ali during the Battle of Karbala in fighting for Islam in 61 Hijriah by the army of Yazid bin Muawwiyah (680 AD/61 H). The time span used for the Tabuik event is 1-10 Muharram combined with Minangkabau traditional rituals. This study uses a qualitative descriptive analysis method with a literature study mode or library research related to local wisdom of the Pariaman region. The results of this study are expected to further introduce the hereditary tradition of Hoyak Tabuik to the wider community, the values obtained in this tradition are cooperation, solidarity, history and the strong relationship between religion and cultural tradition.

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