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Program Studi Pendidikan Sendratasik Departemen Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Barat, Padang, Sumatera Barat, Indonesia
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Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan
Published by Universitas Negeri Padang
ISSN : -     EISSN : 29866546     DOI : https://doi.org/10.24036/ag.v1i1
Core Subject : Humanities, Education, Art,
Arts Humanities Education Other
Avant-garde: The Scientific Journal of Performing Arts Education is published periodically three times a year, namely in February, June and October, is a forum for channeling thoughts and disseminating knowledge in the realm of Performing Arts (drama, dance and music) and learning in the form of research articles, review articles/literature studies, case report articles, and conceptual or policy articles. Editors accept manuscripts that have never been published in other media from researchers, lecturers, students, and performing arts practitioners with the writing requirements as listed on the Author Guidelines page. Manuscript submissions will be evaluated and edited for uniformity in format, terms and other procedures.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 144 Documents
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BENTUK PERTUNJUKAN RANDAI JALIKDALAM UPACARA PERKAWINAN DI KELURAHAN PADANG SARAI KOTO TANGAH Cindy Eka Putri; Rosalina , Venny
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 1 (2026): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/myhckm66

Abstract

This study aims to identify and describe the form of the Randai Jalik performance in wedding ceremonies in Padang Sarai Koto Tangah Sub-district. This research is qualitative with a descriptive approach. The research instrument is the researcher themselves, assisted by supporting instruments such as writing tools and a camera. Data was collected through literature studies, observation, interviews and documentation. The steps for analysing the data are data collection, data reduction, data processing and drawing conclusions. The results show that the form of the Randai Jalik performance in wedding ceremonies in Padang Sarai Koto Tangah Sub-district consists of Randai performers, galombang, songs, music, costumes, audience and the performance venue. Randai Jalik features 17 types of movements, namely: Tapuk Sarumpun Sarampak movement, Balabek movement, Mohon Ampun movement, Siku Tigo Duduak movement, Himbauan movement, Patik movement, Anta Japuik Tabao movement, Sipak Belaan Sambutan attack movement, Jago Jalik movement, Tamparan block movement, Sipak Lapeh movement, Tapuak Galembong inside-out movement, Manuai Padi movement, Mananam Padi movement, Siku Tigo Tagak movement, Sipak Kudo movement, and Sambah movement. Randai Jalik is performed by 4 men and 8 women with a duration of approximately 25 minutes. The accompanying music uses traditional instruments, namely, gandang tambua, talempong, pupuik batang padi, and tasa. The costume used is a black silek costume.
PELESTARIAN RANDAI OLEH SANGGAR SALUAK BADETA DAN GENERASI MUDA SINTUAK TOBOH GADANG Putri, Clara; Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 1 (2026): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ddrvwg45

Abstract

This study aims to analyze the Randai art preservation strategy by Sanggar Saluak Badeta and the involvement of the younger generation in Nagari Sintuak Toboh Gadang in facing the challenges of modernization. Using a descriptive qualitative approach, data were collected through observation, in-depth interviews, and documentation, which were then analyzed through the stages of data reduction, data presentation, and conclusion drawing. The results of the study revealed that Sanggar Saluak Badeta plays a central role in maintaining the existence of Randai through regular training programs, performances in traditional ceremonies, and intensive coaching for the younger generation who now play an active role as artists and organizational activists. The preservation strategy implemented includes adaptive performance innovation without reducing the value of originality, cross-sectoral collaboration with cultural institutions, and optimization of digital technology for documentation and promotion. It is concluded that the success of Randai preservation in this region is the result of collective synergy between art institutions, the active participation of the younger generation, and the support of the local community who have a high awareness of the sustainability of Minangkabau cultural heritage.
PERSEPSI PESERTA DIDIK TERHADAP PEMBELAJARAN SENI BUDAYA (TEATER) DI MAN 2 TANAH DATAR Fachry Setia Nofanto; Titiek Fujita Yusandra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 1 (2026): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/eprnd215

Abstract

This study aims to identify and describe students' perceptions of cultural arts (theatre) learning at MAN 2 Tanah Datar. This type of research is quantitative descriptive research. The instruments used in this study were questionnaires containing several statements, along with interviews and documentation. The stages of data analysis include data collection, data reduction, data presentation, and drawing conclusions. The results of this study proved that students have a very positive perception of cultural arts (theatre) learning at MAN 2 Tanah Datar. If the learning process is carried out and delivered well by the teacher and can be understood and accepted well by the students, it will also generate a good perception.
ANALISIS STRUKTUR GERAK TARI GALOMBANG DI SANGGAR SENI TUAH SAIYO KOTA PADANG SUMATERA BARAT Septhiani Fransiska Putri; Mansyur, Herlinda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 4 No. 1 (2026): Februari
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/6efstq91

Abstract

Galombang Dance is a traditional dance from Minangkabau which is used as a dance to welcome respected guests and has a strong symbolic meaning in the social life of the community. With the development of the times, a creative process has occurred in the development of Galombang Dance in various art venues, one of which is at the Tuah Saiyo Art Studio in Padang City. This study aims to describe and analyze the movement structure of the Galombang Dance at the Tuah Saiyo Art Studio in Padang City, West Sumatra. The method used is a qualitative method with a descriptive analytical approach. Data collection techniques include observation, interviews, and documentation. The analysis of the movement structure was carried out using Ben Suharto's theory, which includes the relationship between basic elements and grammatical hierarchical relationships in movement. The results of the study show that the movement structure of the Galombang Dance at the Tuah Saiyo Art Studio consists of attitudes and movements of the head, body, hands, and feet that are interrelated and form motifs, phrases, sentences, and movement groups.

Page 15 of 15 | Total Record : 144

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