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SAYED MUHAMMAD ICHSAN
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JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Published by YAYASAN HAIAH NUSRATUL ISLAM
ISSN : -     EISSN : 29862981     DOI : https://doi.org/10.59548
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Social Sciences
Focus and Scope of this journal is the result of research or literature review on economic, shariah, and Islamic studies
Arjuna Subject : Umum - Umum
Articles 41 Documents
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SENI KALIGRAFI SEBAGAI MEDIA DAKWAH DAN PENDIDIKAN ISLAM Yunisa, Rika Ananda; Brutu, Jihan Hijrahani Azizah
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.354

Abstract

The art of calligraphy is the art of beautiful writing which is one of the characteristics of Islamic art. The art of calligraphy not only has aesthetic value, but also the value of worship and preaching. This research aims to examine the role and function of calligraphy art as a medium for Islamic da'wah and education in Indonesia. The research method used is a qualitative method with a descriptive analytical approach. Research data was obtained from literature studies. The research results show that the art of calligraphy has an important role in conveying Islamic messages, enriching the treasures of Islamic art and culture, and increasing the appreciation and creativity of Muslims. The function of calligraphy art as a medium for Islamic da'wah and education includes educative, informative, motivational, inspirational and transformative functions.
ANALISIS SENI KALIGRAFI ARAB DALAM PENGEMBANGAN INDUSTRI KREATIF BERBASIS EKONOMI SYARI’AH Sholihin, M. Dzaki; Rambe, Siti Aisya
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.352

Abstract

This research identifies the potential of calligraphy art in the creative industry through its aesthetic value and spiritual meaning. By applying sharia economic principles—fairness, transparency, and sustainability—this study designs an ethical and sustainable business model for the development of calligraphy art. In addition, this research explores the opportunities and challenges of the calligraphy industry, such as the global market, technological innovation, as well as capital requirements and competition. Design innovation and digital media are the keys to maintaining the relevance of this art in the modern era. Using qualitative methods and literature studies, the research results show that Arabic calligraphy art can become a leading sector of creative industries based on a fair and sustainable sharia economy.
EFEKTIVITAS METODE UMMI DALAM MENGHAFAL AL-QUR’AN DI SEKOLAH DASAR ISLAM TERPADU AL-MUNADI MEDAN MARELAN-SUMATERA UTARA Rahmadani, Indi; Syahminan, Muhammad; Ashani, Sholahuddin
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.357

Abstract

The Ummi method is an easy and effective method for memorizing the Qur’an that has been applied for a long time at SD IT Al-Munadi Medan. The use of the Ummi method has been running from the initial stage to significant development, and has proven effective in improving the quality of memorization of students at SD IT Al-Munadi Medan. The purpose of this study was to determine the application of the Ummi method at SD IT Al-Munadi, and to assess the quality of students’ memorization of the Qur’an at the school using the Ummi method. In addition, this study also aims to identify the advantages and disadvantages of the Ummi method at SD IT Al-Munadi Medan. The subjects in this study included several tahfidz tutors, tahfizh coordinators, principals, and several students from grades V and VI who were selected as representatives. Data collection was carried out by direct observation in the field, as well as through interviews with research subjects. In addition, documentation related to this study was also collected. The results of this study indicate that there are four mandatory levels that must be completed during education at the school, where each tahfizh group is divided based on the level of surah memorized by the students. The tahfizh tutors use various methods to support the progress and development of memorization of their tahfizh members, such as muraja’ah (repeating memorization), motivation, writing, and talaqqi (direct reading in front of the teacher). In general, the quality of students’ memorization of the Qur’an has increased significantly, although it is not achieved in a short time, but rather requires a minimum of one semester. It is hoped that in the future, this ummi method program will continue to be a means for students to memorize and improve the quality of memorization of the Qur’an, so that it can produce a generation that loves the Qur’an and makes it a guideline and guidance in life.
PEMBERANTASAN BUTA AKSARA AL-QURAN DI RUMAH KALIGRAFI AN-NIDA’ MEDAN-SUMATERA UTARA Aini, Ulfa; Sitorus, Nurul Jumadissaniyah; Kusuma, Al Halim
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.358

Abstract

The challenge of Qur'an illiteracy is a serious obstacle in communities and institutions, limiting access to the interrelated understanding of the Qur'an and Arabic language learning. The development of science and technology is a challenge for Arabic language educators in improving the quality of learning. The art of calligraphy or khatt has emerged as an effective potential in overcoming illiteracy in the Koran and enriching Arabic language learning. Calligraphy is described as a beauty of taste, an advisor to the mind, a weapon of knowledge, and a secret keeper. This research discusses teachers' efforts to improve the ability to read and write the Qur'an through the art of calligraphy. Calligraphy is not only an aesthetic aspect, it is also a maharah kitabah, the ability to compose hijaiyah letters according to the rules of good and correct Arabic writing. The research methods used include literature review, direct interviews, observation and documentation. The research results show that through calligraphy training, efforts to help overcome Hijaiyah illiteracy are carried out by detecting individual abilities, designing learning programs, and assessing learning outcomes. Calligraphy is an effective instrument for overcoming illiteracy and increasing Arabic literacy. The success of learning calligraphy depends on an approach that suits individual needs. The art of calligraphy is not only a learning tool, but also brings the spiritual values ​​and beauty of the Koran to generations learning Arabic.
WARISAN SENI ISLAM DALAM KAJIAN ILMU KALIGRAFI ARAB Ulfa, Adila Umniati; Triastuti, Lely; Zamzam, Ruwiyah
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.359

Abstract

Calligraphy education is an effective means of preserving and strengthening the identity of Islamic art. In conclusion, calligraphy education has a very important role in maintaining the heritage of Islamic art. Through calligraphy education, the art of Islamic calligraphy can continue to live and develop, understanding of Arabic script and Arabic language can be enriched, and the social and economic impact of the art of calligraphy can be utilized. Thus, calligraphy education is key to ensuring that this valuable Islamic artistic legacy remains alive and is passed on to future generations. The method used is based on collecting and analyzing data sourced from literature, books, journal articles, scientific publications and other relevant sources. Calligraphy education in maintaining the heritage of Islamic art is very important, because calligraphy, as the art of beautiful writing using Arabic script, has been an integral part of Islamic culture and identity for centuries. The art of calligraphy not only has high aesthetic value, but also has deep spiritual and symbolic meaning in the Islamic religion. Keywords: Calligraphy, Islamic Artistic Heritage
ALTERNATIF PENYELESAIAN SENGKETA (APS) Damayanti, Arisma; Halimah, Firdatul; Ramadhani, Reva Khoirotul; Nurin N, Tabita Vasya; Ambarwati, Ulfa Khusnul; Salsabela, Zami
Jurnal Ekshis Vol 3 No 1 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i1.361

Abstract

Humans, as social beings, are often involved in legal relationships that may lead to disputes. To resolve such conflicts peacefully, Alternative Dispute Resolution (ADR) offers a non-litigation solution that is more efficient and cooperative. In Indonesia, although peaceful settlement has existed within traditional practices, the development of ADR has progressed more rapidly in Western countries. This study employs a descriptive qualitative approach through literature review to examine ADR mechanisms in resolving contractual disputes. Such disputes arise from violations of contractual rights and obligations, and may be resolved through litigation or alternative methods such as mediation and arbitration. A case study on a land sale agreement illustrates that a party who has not received full payment is entitled to withhold their obligations, in accordance with the principle of exceptio non adimpleti contractus. This research also highlights the importance of strengthening ADR education in universities to prepare legal practitioners capable of handling disputes outside of court
TRANSFORMASI KESULTANAN BANJAR DI ERA DIGITAL Ayudia Sari, Mira; Muhammad, Fadhel
Jurnal Ekshis Vol 3 No 2 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i2.476

Abstract

Social media has transformed how identities and authority are represented in digital spaces. This study examines how the Sultanate of Banjar, which lost political power after its dissolution by the Dutch in 1905, employs Instagram as a medium for cultural representation and identity negotiation. Using a qualitative approach through literature review and document analysis of the official account @kesultananbanjar_official, the research applies representation theory, identity negotiation, and Reading Images  Grammar of Visual Design as its framework. Findings reveal that the Sultanate revitalizes heritage through visual content, historical narratives, and hashtags such as #KesultananBanjar. By integrating religion, tradition, and mysticism, the account strengthens cultural identity and fosters interaction via likes, views, and collaborations. Ultimately, social media becomes a strategic arena for the Sultanate to preserve heritage, assert symbolic power, and expand cultural presence globally.
KALIGRAFI ISLAM SEBAGAI MEDIA DAKWAH EKONOMI SYARIAH DI ERA MODERN Rizla Kusuma, Sonya
Jurnal Ekshis Vol 3 No 2 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i2.484

Abstract

Islamic calligraphy, as a fusion of artistic expression and spirituality, holds a vital role in the modern era as a channel for spreading Islamic teachings and advocating Sharia-compliant economic principles. This research investigates the function of Islamic calligraphy as a tool for da'wah within the framework of the contemporary creative economy. Using a qualitative approach and literature analysis, the study underscores how Islamic calligraphy embodies both spiritual and economic values, linking aesthetic appeal with religious messages. Additionally, it explores the potential of Islamic calligraphy to support the growth of Sharia-based creative industries, highlighting its significance in empowering Muslim communities economically. By harmonizing artistic, economic, and religious elements, Islamic calligraphy not only safeguards cultural heritage but also acts as a driving force for advancing Sharia-compliant economic practices in today's world.
INTEGRASI NILAI SYARIAH DALAM GIG ECONOMY: REFLEKSI ATAS ETIKA KERJA, MANAJEMEN ALGORITMIK, DAN TATA KELOLA DI INDONESIA Fahmi, Rizqi Anfanni
Jurnal Ekshis Vol 3 No 2 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i2.493

Abstract

This study explores the intersection of the Gig Economy, algorithmic management, and Islamic work ethics within Indonesia’s halal economy governance. Using a narrative review approach based on the Scopus database with the Boolean string “GIG ECONOMY” AND “HALAL INDUSTRY,” it synthesizes multidisciplinary literature to evaluate how digital efficiency aligns with maqāṣid al-sharīʿah principles. Findings indicate hat while the platform economy expands employment opportunities, it also generates ethical challenges regarding worker autonomy, algorithmic transparency, and fair remuneration. Algorithmic control often contradicts Islamic values of ‘adl (justice), amanah (trust), and maslahah (public welfare). The study proposes sharia-based governance, Islamic social protection instruments, and blockchain-enabled algorithmic audits to enhance ethical digital labor systems. Contributing to the integration of Islamic ethics and digital governance, this research underscores the need for future empirical studies to develop measurable indicators of sharia-based algorithmic fairness for global application.
PERAN KALIGRAFI ISLAM DALAM PENYEBARAN NILAI-NILAI SYARIAH Aprilia Asty, Nazira
Jurnal Ekshis Vol 3 No 2 (2025): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/je.v3i2.489

Abstract

Islamic calligraphy is not only a beautiful visual art but also an effective medium for conveying Islamic values, including the principles of sharia-based economics. This study aims to explore the role of Islamic calligraphy in disseminating the values of Islamic economics, such as justice, honesty, zakat, charity, and the prohibition of usury. A qualitative approach with a literature study method was employed to analyze the relationship between calligraphic art, sharia values, and its potential for education and da'wah. The findings reveal that Islamic calligraphy possesses aesthetic and symbolic power capable of capturing attention and delivering moral and spiritual messages profoundly. Various calligraphy works, inspired by verses from the Qur'an and hadith, often reflect sharia economic values, such as encouragement for charitable acts through zakat and charity, as well as warnings against the practice of usury. Furthermore, calligraphy serves as an educational tool for society to comprehend and internalize Islamic economic principles. This study concludes that Islamic calligraphy is not merely a cultural heritage but also a relevant medium for promoting sharia-based economic principles in Muslim communities. Further research is recommended to explore the integration of Islamic art with other fields in modern life.

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