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<![CDATA[Uniknya Bahasa Arab ]]>
<![CDATA[Mita Atiiqah br Ginting]]>;
<![CDATA[br Ginting, Nita Qosiimah]]>;
<![CDATA[Ritonga, Rizki Aleyda]]>
<![CDATA[ Jurnal Ekshis Vol 1 No 2 (2023): Jurnal Ekonomi, Syariah dan Studi Islam ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v1i2.75
<![CDATA[Bahasa adalah lambang yang digunakan oleh sekelompok orang untuk berinteraksi dan berkomunikasi. Bahasa Arab merupakan bahasa yang digunakan oleh sebagian besar penduduk Afrika dan Asia untuk berkomunikasi. Bahasa-bahasa di dunia memiliki keistimewaan masing-masing, begitu pula dengan bahasa Arab. Keistimewaan yang dimiliki bahasa Arab menjadikannya sebagai bahasa yang unik. Library Research atau study pustaka merupakan metode yang digunakan dalam penelitian ini. Penelitian yang dilakukan dengan membaca dan mengkaji buku, jurnal-jurnal, dan artikel yang sesuai dengan permasalahan yang ada di dalam penelitian. Hasil dari penelitian ini mencakup delapan belas keunikan yang dimiliki bahasa Arab sehingga membedakannya dengan bahasa yang lain. Salah satu keunikan bahasa Arab ialah sebagai bahasa Al-Quran. Bahasa Arab merupakan yang mulia, terjaga dan abadi selama Al-Quran juga terjaga. Bahasa Arab juga sebagai bahasanya umat muslim di seluruh dunia.]]>
<![CDATA[CINTA ILAHI (MAHABBAH) SUFI WANITA: RABI’AH AL-ADAWIYAH ]]>
<![CDATA[Yanti, Milda]]>;
<![CDATA[Bahagia, Muhammad]]>
<![CDATA[ Jurnal Ekshis Vol 1 No 2 (2023): Jurnal Ekonomi, Syariah dan Studi Islam ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v1i2.77
<![CDATA[Tasawuf sering dikenal dengan mistisisme, karena mempelajarinya tidak menggunaan akal maupun panca indera, namun dengan pengalaman spiritual. Hal ini dilakukan seorang Sufi Wanita yaitu: Rabi’ah Al-Adawiyah dalam memberikan bentuk cintanya kepada Allah dengan memanfaatkan daya ruhiyah dan dikenal dengan julukan “ibunya para Sufi” (The Mother of The Grand Master). Metode yang digunakan selama penelitian yaitu metode Library Research(studi pustka), yang mana Penulis menghimpun data-data kepustakaan seperti jurnal ilmiah maupun beberapa literatur yang sistematis. Adapun mengetahui konsep tasawuf Rabi’ah agar mengetahui cara mendekatkan diri kepada Allah secara layak dan tidak terlenanya dengan kesenangan duniawi yang fana. Hasil penelitian ini menyebutkan bahwa Rabi’ah memiliki cinta yang murni tanpa adanya balasan dari Tuhannya (al-hubb) dan juga meninggalkan hal yang bersifat duniawi (zuhud). Sarraj al-Thusi mengemukakan tahapan-tahapan menuju puncak Mahabbah Rabi’ah diantaranya: taubah, wara’, zuhud, faqr, shabr, tawakkal dan ridha.]]>
<![CDATA[Peranan Bahasa Arab Dalam Pengembangan Studi Islam ]]>
<![CDATA[Gajah, Azizah Sabrina]]>;
<![CDATA[Muthia Inayah, Umairah]]>;
<![CDATA[Dwi Haryuni, Nadya]]>
<![CDATA[ Jurnal Ekshis Vol 1 No 2 (2023): Jurnal Ekonomi, Syariah dan Studi Islam ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v1i2.78
<![CDATA[Bahasa arab merupakan bahasa yang memiliki banyak sekali keistimewaan di dalamnya. Penelitian ini bertujuan untuk memberikan sebuah konsep dari pemahaman atau pengetahuan mengenai peran bahasa arab dalam dunia pengembangan ilmu pengetahuan. Metode yang digunakan dalam penelitian ini adalah metode berbentuk penelitian kepustakaan atau biasa kita sebut dengan “library research”.Melalui studi yangberupa buku, makalah, website, dan sebagainya. Hasil dari penelitian ini menunjukkan bahwa dengan datangnya Islam dan turunnya Al-Quran dalam bahasa Arab, kedudukan bahasa Arab menjadi lebih penting dan menarik perhatian kalangan masyarakat yang lebih luas. Semakin besar jumlah pemeluk Islam, semakin meluas pula pengaruh bahasa Arab ini sampai pada kehidupan kalangan orang-orang yang tidak mengetahui lebih luas tentang Al-Quran. Posisi bahasa Arab sebagai bahasa ilmu pengetahuan Islam, bahasa pendidikan, dan kebudayaan pada masa gemilang Islam tersebut dipandang penting sebagai “prestasi ganda”, yaitu prestasi Islam pada bahasa Arab.Selain merupakan bahasa Al-Quran dan hadist, bahasa Arab juga dikatakan sebagai bahasa resmi perserikatan bangsa-bangsa (PBB).]]>
<![CDATA[Seni Kaligrafi Dalam Pandangan Islam ]]>
<![CDATA[Fazira, Era]]>;
<![CDATA[S, Fahrurrozi]]>
<![CDATA[ Jurnal Ekshis Vol 1 No 2 (2023): Jurnal Ekonomi, Syariah dan Studi Islam ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v1i2.79
<![CDATA[Kaligrafi atau khat merupakan penulisan huruf-huruf Arab yang ditulis dengan sentuhan kesenian yang melahirkan keindahan lewat kesenian yang tumpahkan dalamnya. Kaligrafi juga merupakan salah satu wujud seni rupa Islam yang kedatangannya dapat membangkitkan seseorang kepada pedoman dan nilai-nilai yang terkandung dalam ayat Al-Qur’an. Selain itu kaligrafi ini juga sudah sangat terkenal diberbagai negara dengan kekayaan ilmu seni yang terkandung di dalam kaligrafi tersebut.Tujuan dari peneitian ini ialah untuk mengetahui bagaimana Islam memandang seni kaligrafi.Kajian ini bersifat kajian pustaka dengan mengumpulkan berbagai macam data-data melalui internet.Pengumpulan data dilakukan dengan sebanyaknya melalui jurnal dan buku sesuai dengan judul kajian.Hasil penelitian menjelaskan bahwa kaligrafi dalam agama Islam adalah seni tertinggi karena memiliki makna dan nilai spiritual keagamaan yang berisikan ayat-ayat Al-Qur’an yang ditulis dengan indah.Karena keistimewaan dari kaligrafi ini memiiki kegunaan dalam segala jenis seperti halnya menghias mesjid (mihrab, mimbar, dinding dan langit-langit), nisan, keramik, rak buku, kaca, dan sebagainya.]]>
<![CDATA[PROBLEMATIKA PEMBELAJARAN MAHĀRA KITĀBAH: STUDI KASUS MAHASISWA PENDIDIKAN BAHASA ARAB FAKULTAS ILMU TARBIYAH DAN KEGURUAN UNIVERSITAS ISLAM NEGERI SUMATERA UTARA ]]>
<![CDATA[Khairani, Bebi]]>;
<![CDATA[Sukma Ayu, Citra]]>;
<![CDATA[Ginting, Mita Atiqah]]>;
<![CDATA[Saidah, Siti]]>;
<![CDATA[Nasution, Sahkholid]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.125
<![CDATA[In Arabic, there are four special skills, namely mahārah istimā, mahārah kalām, mahārah qirā'ah and mahārah kitābah. In understanding each mahara, there are of course its own difficulties or problems, especially in studying the mahara kitabah. In this research, the author will discuss Mahārah Kitābah, namely the problem of learning mahārah kitābah which often occurs among students, especially UIN SU Medan Arabic Language Education students class. This research uses qualitative methods with data collection techniques through interviews and the data analysis techniques used are qualitative descriptive. The results that the author got were that students of Arabic Language Education at the State Islamic University of North Sumatra had problems learning mahārah kitābah. Students find it difficult to write texts or explanations given by lecturers in Arabic, this is because some of them have educational backgrounds that do not support Arabic language proficiency, such as high school and vocational school]]>
<![CDATA[BISNIS KALIGRAFI DALAM TINJAUAN EKONOMI ISLAM DI RUMAH KALIGRAFI AN-NIDA MEDAN-SUMATERA UTARA ]]>
<![CDATA[Wiguna, Almita]]>;
<![CDATA[Alpianti Manurung, Sartika]]>;
<![CDATA[Puspita Ardani, Devi]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.128
<![CDATA[The art of Islamic calligraphy is a work of art that has its own characteristics of beauty so that it has a high selling value. At this time, many institutions or special places were deliberately built to foster one's talent for the art of calligraphy as well as to become sales centers for calligraphy tools or even the works of calligraphy itself, one of which is the An-Nida Calligraphy House. This study aims to find out how the calligraphy business is developing according to economics at the An-Nida Calligraphy House from its inception to today. the method used in this study is a qualitative method, through literature review and interviews as data collection techniques, and descriptive statistics are data analysis techniques used. The results of this study indicate that the development of the calligraphy business at the Calligraphy House which was built in 2017 has increased every year, and the various types of goods traded are increasingly diverse. This is evidenced by the increase in consumers and the progress of the construction of the Calligraphy House from year to year.]]>
<![CDATA[PERBANDINGAN ANTARA JENIS KALIGRAFI KLASIK DAN KALIGRAFI KONTEMPORER ]]>
<![CDATA[Tri Budi Arti, Arum]]>;
<![CDATA[Nasfati, Nabila]]>;
<![CDATA[Siagian, Togar]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.129
<![CDATA[Calligraphy is a work of Islamic writing that has something to do with the history of Islamic civilization and the glory of Islam. Besides that, the existence of calligraphy does not only have aesthetic values, but in it there are also noble or spiritual values, which is when a calligrapher makes his written work there is a relationship between him and his rabb, so that is what makes calligraphy have an implied meaning. inside it. The types of division of calligraphy are divided into two, namely types of contemporary calligraphy and classical calligraphy. Therefore the purpose of this research is to find a comparison between contemporary calligraphy and classical calligraphy. This research is qualitative by using literature study using descriptive analysis method. The results of the study show that the comparison between contemporary calligraphy and classical calligraphy is that, if the type of contemporary calligraphy contains a lot of aesthetic or aesthetic values, contemporary calligraphy deviates a lot from the basic calligraphy formula. Whereas in the type of classical calligraphy, that is, it follows the rules of the procedure for writing according to the basic calligraphy formula. It focuses more on writing procedures according to the basic formula of calligraphy without containing aesthetic values]]>
<![CDATA[BISNIS KALIGRAFI DALAM TINJAUAN EKONOMI ISLAM ]]>
<![CDATA[Mulyadi, Mulyadi]]>;
<![CDATA[Wahid, As Sauti]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.130
<![CDATA[Calligraphy is part of Islamic art. Its appearance coincided with the spread of Islam in the ignorant Arab society until it spread to various parts of the world. Art that emerged as a result of Islamic civilization basically has a high meaning and value. Calligraphy is a work that has meaning because the work is an expression of divinity which is abstract in nature. Thus, calligraphy contains a communication between the artist and the Creator which is interpreted through expressions in painting or writing calligraphy from revelation (the Koran). In completing this study, researchers used the method of literature study. Literature study is a series of activities related to methods of collecting library data, reading and taking notes, and managing research materials. In running this business, calligraphy craftsmen are also oriented not only to seek worldly benefits but also to seek the pleasure of Allah SWT, calligraphy craftsmen have carried out several principles of Islamic economics, including the principles of divinity, justice, responsibility, and truth]]>
<![CDATA[KALIGRAFI DAN PENERAPANNYA DALAM SENI DESIGN INTERIROR MASJID QUBA MADINAH ]]>
<![CDATA[Zamzam, Ruwiyah]]>;
<![CDATA[Ufairo, Balqis]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.131
<![CDATA[The journal describes the types of calligraphy strokes and the application of calligraphy art in the field of interior design. Calligraphy is an art that contains aesthetic and spiritual values in it, while interior design is a series of planning processes for a space facility in accordance with the needs of its users physically and psychologically in order to give the feel of a comfortable space for its users. This study uses a qualitative method of content analysis as the main approach with a descriptive approach as an additional approach. This study aims to describe what is sulus calligraphy and how to apply it in the interior design of the Cuban mosque in the city of Medina, the result is that the interior design space using sulus type Arabic calligraphy when combined with the spiritual dimension in the overall composition of the interior design is able to perfect the meaning and aesthetic value of the art of calligraphy]]>
<![CDATA[TINJAUAN EKONOMI ISLAM DALAM BISNIS KARYA SENI KALIGRAFI ]]>
<![CDATA[RAMADHAN, FAHRIZA]]>;
<![CDATA[Syah Putra, Rahmad]]>
<![CDATA[ Jurnal Ekshis Vol 2 No 1 (2024): JURNAL EKONOMI, SYARIAH DAN STUDI ISLAM ]]>
Publisher : <![CDATA[Yayasan Haiah Nusratul Islam ]]>
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DOI: 10.59548/je.v2i1.132
<![CDATA[Calligraphy artwork is a work of art that is very popular with the general public, so it often becomes one of the branches of the competition in the Musabaqah Recitations of the Quran, namely the Musabaqah Khatil Qur'an branch. Therefore, not a few make calligraphy a profession and make it a business as a source of livelihood. This study aims to find out the review of Islamic economics in the business of calligraphy artwork. The author uses a descriptive qualitative method in conducting this research, using a literature review approach and conducting interviews with respondents who are resource persons about the calligraphy business world. The results obtained from this study are that Islamic economics does not interfere in how to find wealth, but Islamic economics leaves this matter to humans and recommends seeking wealth with expertise and knowledge. The calligraphy business is one of the jobs that requires expertise and knowledge to run the business, the business of calligraphy artwork is part of producing goods or services through handicrafts which is legally permissible as recommended by Ali Bin Abi Talib to learn calligraphy, because calligraphy is a door of fortune / business opportunities.]]>
