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SUSASTRA: jurnal Ilmu Susastra dan Budaya diterbitkan oleh Himpunan Sarjana Kesusastraan Indonesia (HISKI), Grha STR, Jalan Ampera Raya nomor 11, Telepon (021) 7813708, Jakarta Selatan 12550
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Susastra : Jurnal Ilmu Sastra dan Budaya
Published by Himpunan Sarjana Kesusastraan Indonesia Malang Indonesia
ISSN : 2580636X     EISSN : 2580636X     DOI : https://doi.org/10.51817/susastra
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
SUSASTRA: Jurnal Ilmu Susastra dan Budaya (2580-636X) is a journal aiming to publish articles about literature and culture. SUSASTRA: Jurnal Ilmu Susastra dan Budaya accepts articles from authors of national or international institutions, accepts submissions of original articles that have not been published elsewhere not being considered or processed for publication anywhere, and demonstrate no plagiarism whatsever. The prerequisites, standards, and format of the manuscript are listed in the author guidelines and templates. Any accepted manuscript will be reviewed by at least two referees. Authors are free of charge throughout the whole process, including article submission, review and editing process, and publication. Submissions are open year-around. Articles published in SUSASTRA: Jurnal Ilmu Susastra dan Budaya must be a requirement determined by the Editoria Board. Editorial the board has the right to change editorials and systematics without changing the substance of the recording from the author.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
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Hamzah Fansuri: Sastrawan dan Agamawan Achadiati Ikram
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 6 (2007): Susatra 6: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i6.65

Abstract

Hamzah Fansuri is widely known through his sufi poetry, which is inseparable from the tasawuf school of Wahdat al-Wujud. Nevertheless, he also produced prose in the form of teaching in three of his works, i.e., Asrar al-Arifin, Syarab al-Asyiqin, and Al-Muntahi. This Paper explores Hamzah Fansuri’s thought in those works, which received Persian influence.
USURRAN GANTI (NASKAH ULU 93 E 109 PNRI), TEKS KOSMOLOGI MASYARAKAT ULUAN: SUNTINGAN TEKS DAN TERJEMAHAN Muhammad Haidar Izzuddin
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 11, No 1 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2022)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v11i1.73

Abstract

Usurran Ganti is a text that contains the creation of nature to the description of the names of ancestors in the Uluan society of Southern Sumatra.  This text is found in Ulu manuscript 93 E 109 which is kept in the National Library of the Republic of Indonesia. Although this manuscript has an important value in understanding the form of cosmology of the Uluan society, until now there has been no comprehensive research in transliterating this manuscript. The purpose of this research is to produce text edits and translations so that the text on the cosmology of the Uluan society can be read, known, and used for the benefit of science more broadly. This research is philological research that consists of several stages, namely inventory, description, text editing, and translation. This research uses standard edition in text editing. It is known in this study that Usurran Ganti tries to display the local identity of the Uluan Besemah community through the reference to the ancestral figure, namely diwê Semidang Sakti. Usurran Ganti also displays errors, inconsistencies, and writing tendencies, and has the influence of local dialects in writing characters, tribes, and places. AbstrakUsurran Ganti merupakan teks yang berisi mengenai penciptaan alam hingga penjabaran nama-nama leluhur pada masyarakat Uluan Sumatera bagian Selatan.  Teks ini terdapat pada naskah Ulu 93 E 109 yang disimpan di Perpustakaan Nasional Republik Indonesia. Meskipun naskah ini memiliki nilai penting dalam memahami bentuk kosmologi masyarakat Uluan, namun hingga saat ini belum ada penelitian yang secara komprehensif dalam mengalihaksarakan naskah ini. Tujuan dari penelitian ini adalah untuk menghasilkan suntingan teks dan terjemahan agar teks mengenai kosmologi masyarakat Uluan ini dapat dibaca, diketahui, dan dipergunakan untuk kepentingan ilmu pengetahuan secara lebih luas. Penelitian ini merupakan penelitian filologi yang terdiri dari beberapa tahapan, yaitu inentarisasi, deskripsi, suntingan teks, dan terjemahan. Penelitian ini menggunakan edisi kritis dalam penyuntingan teks. Diketahui dalam penelitian ini bahwa Usurran Ganti berusaha menampilkan identitas lokal masyarakat Uluan Besemah melalui penyandaran terhadap sosok leluhur, yaitu diwê Semidang Sakti. Usurran Ganti juga menampilkan kesalahan, inkonsistensi, dan kecenderungan penulisan, serta memiliki pengaruh dialek lokal dalam penulisan tokoh, suku, dan tempat.
KARAKTERISTIK MELANKOLISME LIRIK LAGU DENNY CAKNAN DALAM PERSPEKTIF MOURNING AND MELANCHOLIA SIGMUND FREUD Darmawan, Arief
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 12, No 1 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2023)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v12i1.99

Abstract

Melancholism is one of the attractions in a song lyric as a means of conveying meaning. This research seeks to examine melancholism characteristics in the lyrics of Denny Caknan's Javanese pop songs in the last four years. This research was conducted with a descriptive qualitative approach. The research method used is library research with the object of Denny Caknan's song lyrics containing melancholism. The data collection technique used was note taking technique, while the data analysis used was inductive descriptive. The results obtained from this study indicate that the lyrics of the songs analyzed describe the characteristics of melancholy, namely resentment due to deep heartbreak; blaming oneself, others, or circumstances; lose the passion to communicate with the outside world; lose the power to love; a decrease in self-confidence that leads to self-criticism and self-condemnation. AbstrakMelankolisme menjadi salah satu daya tarik dalam sebuah lirik lagu sebagai sarana penyampaian makna. Penelitian ini berupaya meneliti karaketristik melankolisme dalam lirik lagu pop berbahasa Jawa ciptaan Denny Caknan dalam kurun waktu empat tahun terakhir. Penelitian ini dilakukan dengan pendekatan kualitatif deskriptif. Metode penelitian yang digunakan adalah penelitian pustaka (library research) dengan objek lirik lagu Denny Caknan bermuatan melankolis. Teknik pengumpulan data yang digunakan yakni teknik simak catat, sedangkan analisis data yang digunakan yaitu deskriptif induktif. Hasil yang diperoleh dari penelitian ini menunjukkan bahwa lirik lagu yang dianalisis menggambarkan karakteristik melankolisme, yaitu kekesalan karena patah hati yang mendalam; menyalahkan diri sendiri, orang lain, atau keadaan; kehilangan gairah untuk berkomunikasi dengan dunia luar; kehilangan daya untuk mencintai; penurunan rasa percaya diri yang berujung pada tindakan mencela dan mengutuk diri sendiri.
ZAMAN AKHIR ORDE BARU DAN PERUBAHAN SUARA LOKAL DALAM SASTRA INDONESIA Michael Bodden
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 1, No 1 (2005): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2005)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v1i1.14

Abstract

The conscious pattern of most Indonesian literary works presents a portrait of local culture as a conservative "tradition " that stands in the way of free and natural individual development, and may even bring about suffering and death. Modernization, or al least, modern individuals, are often portrayed in more positve ways, especially in the novels produced in the 7Os and 80s that carry local colors. Although the trend deviates in terms of apprecialion to individualism from the New Order ideology and practice, which worships technological and economic modernization yel is hostile to individualism and the ideology of democracy as characteristics of modernization not suitable with “kepribadian nasional modern"- from the perspective of commitment to modernization understood as “negara kesatuan” such a negative view by the national literature towards local culture is nonetheless in line wilh the government goals. This parallel view is also apparent in the centralized view of national culture in Jakarta from 1965 to 1985.Kata kunci: sastra nasional, warna daerah, warna lokal, identitas, budaya tradisional, modernisme.
Seksualitas dan Reproduksi Perempuan dalam Karya-karya Sekar Ayu Asmara Tineke Hellwig
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 1 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i1.31

Abstract

The Reformation era has freed the media and public life in general from the tight binding of the New Order era, and enabled the emergence of many women in the realm ofIiterature and culture production. Now, it is not impossible to question the normative standard of the Suharto regime formed by authoritarianism, militarism and monolithic way of thinking. A number of cultural products (literature, theater, film) produced after 1998 focused on urban-cosmopolitan Iife and consumerist life style, and openly brought up issues related with woman sexuality and homophobia, which broke down a bunch of taboos and the common views in the society about heterosexuality, marriage and family values. Even though several woman writers and artists of this time have shown empathy to the celebration of woman sexuality and functioned to break down the "traditional" gender ideology, still some contemporary works support the masculine patriarchal point of view about woman sexuality and reproduction. Sekar Ayu Asmara is film director, script writer and novelist who represents woman in the conservative and even misogynic context. This paper discusses two of her novels, Pintu Terlarang (2004) and Kembar Keempat (2005). These works will be analyzed from the feminist perspective. Sekar's position, point of view andsexual politics will be discussed in a bigger framework about the production of culture by women.
Wajah Laut dalam Sastra Indonesia, Perspektif Blue Cultural Studies: Menikmati Ikan-ikan Hiu, Ido, dan Homa-nya YB Mangunwijaya Anas Ahmadi
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v6i1.47

Abstract

In this study explained Indonesian literature through blue cultural studies perspective. Therefore, in this study refers to the views Mentz (2009) on blue cultural studies. Sources of data in this study is Ikan-ikan Hiu, Ido, dan Homaby Mangunwijaya (2015). The results showed that the daily life of people Mangunwijaya featuring sailors and pirates on Halmahera. He (Mangunwijaya) symbolizes human life such as sharks, Ido, and homa, there are ‘predators’, ‘conquered’, or ‘betrayer’.
Pemekaran Negeri Kata-kata: Konfigurasi Kebudayaan Melayu di Riau Jan van der Putten
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.60

Abstract

Since a long time ago artists in Riau Province have been proud with their contributon to the estabilishment of Indonesia as a nation-state in the form of language. Language is perceived not onlu as a means of communication in order to convey messages in a direct manner, but also as a complex civilization that includes manner, behavior, and way of life. Therefore, language does not ‘merely’ serve as an instrument, as it also refers to the overall complexity of life and is considered to be one of the determining factors that shape one’s identity.Unfortunately, ever since the handover of that contribution to the nation-state Indonesia, the contributors are no longer in the position to control and dierect the future development. In other words, the contributed a language, but the development of that language afterwards as the national language of modern state is no longer managed and monitored by them, but rather, by foreigners such as the Dutch, or other ethnic groups such as the Minangkabau through Balai Pustaka and the Javanese through the dominant discourse of the state. This has made the Malay language that exists in Riau a local language whose speakers are smaller comparaed to those of other local languages.It is not surprising, therefore, that many artists become disappointed and upset with the way ‘their’ language is developed by the center, i.e., Java/Jakarta. After the Reformasi and the ratification of the Regional Autonomy Bill, some developments have been taking palce, which is quite promising for those situated in the periphery as they will be able to play a new role in the ethnic configuration of the country. This article looks into the new development occurig in Riau after the Reformasi, as the implementation of regional autonomy and expansion has brought about the birth of two new provinces, i.e., Riau (inland) with Pekanbaru as its capital and Riau Islands with Tanjung Pinang as its administrative center. The latter is a new province which consist of several new regencies. In such a development, it is interesting to examine how these administrative regions develop their cultural uniqueness and how the linguistic ‘trauma’ that haunts the artists might be either overcome or worsen by the recent development.
Pementasan Daring: Kaidah Baru dalam Penyajian Seni Pertujukan Didik Suharijadi
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 10, No 1 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2021)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v10i1.8

Abstract

Abstract The impact of the corona virus has paralyzed the sector of the economy, social and culture. One of the protocols for handling a pandemic is social distancing, which is to keep the physical distance in social activities. People are encouraged to prioritize living at home. If you are forced to leave the house, you must keep a distance. As a result all activities involving the crowd are not allowed. Staging activities that involve the performer, stage, and the crowd's audience, including those affected by this protocol. In various activities bring up the term Work from Home. Related to staging activities, bring up the term Perform from Home, which is the activity of displaying performance art from home with individual actors. Staging from this house requires the presence of new media, namely a camera that captures the appearance as audio visual data which is then published on the internet to social media. Staging in front of the camera causes different rules. The rule is a combination of the rules of dramaturgy and cinematographic rules. This new rule is not widely understood by the performers. As a result, online staging does not pay much attention to the comfort of the audience. This article unveils the problem and tries to present a formulation that helps performing artists to present artwork that is comfortable to watch through online media. The method applied in this study is case analysis, which is empirical observation of various online appearance activities.AbstrakDampak virus korona telah melumpuhkan sendi-sendi perekonomian, sosial dan budaya. Protokol penanganan pandemi salah satunya adalah social distancing, yaitu menjaga jarak fisik dalam beraktivitas sosial. Masyarakat dianjurkan untuk mengtamakan tinggal di rumah. Jika terpaksa keluar rumah, diharuskan untuk menjaga jarak. Akibatnya segala kegiatan yang melibatkan kerumunan tidak diperbolehkan. Kegiatan pementasan yang melibatkan pemain, panggung, dan kerumuman penonton termasuk yang terdampak oleh protokol ini. Di berbagai aktivitas muncul istilah Work from Home. Terkait aktivitas pementasan, muncul istilah Perform from Home, yaitu aktivitas menampilkan karya seni pertunjukan dari rumah dengan pemeran individu-individu. Pementasan dari rumah ini mengharuskan hadirnya media baru yaitu kamera yang menangkap penyajian sebagai data audio visual yang kemudian dipublikasikan dengan internet ke media-media sosial. Pementasan di depan kamera menyebabkan hadirnya kaidah yang berbeda. Kaidah tersebut merupakan perpaduan antara kaidah dramaturgi dan kaidah sinematografi. Kaidah baru ini belum banyak dipahami oleh khalayak pelaku seni pertunjukan. Akibatnya pementasan daring menjadi kurang memperhatikan kenyamanan penonton. Artikel ini mengungkap permasalahan tersebut dan berusaha menghadirkan formulasi yang membantu para seniman seni pertunjukan untuk menghadirkan karya seni yang nyaman untuk ditonton melalui media daring. Metode yang diterapkan dalam kajian ini adalah analisis kasus, yaitu pengamatan empiri terhadap berbagai aktivitas penyajian daring.
Penerapan Nilai-Nilai Murni Menerusi Komsas Dalam Sistem Pendidikan Malaysia Chew Fong Peng
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 5, No 1 (2009): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v5i1.26

Abstract

Literature Component (KOMSAS) in Bahasa Melayu in Malaysia stresses on the fertilizing and comprehending of the pure values of the Malaysian society which are based on religion, tradition and customs, and in accordance with the universal moral values. This paper will only discuss 16 pure values in three dramatic scripts in the anthology Anak Laut, Level IV. Serunai Malam by Usman Awang. Titik-titik Perjuangan by Kala Dewata and Seri Nara by Shahrom Husain have the same theme, i.e. the spirit of patriotism, love of the country and nation in the people's heart. A study was done to 60 students of Level IV specializing in science, with a considerable balance of ethnicities, gender and social-economic status (SES). The result of the study showed that male Malay students from higher social class got a higher min score than non-Malay female students from middle class or lower class. Among the three factors SES has the strongest influence in the students' attitude toward the pure values contained in the three analyzed dramas. Considering this, the pure values contained in literary works should be used widely in the national education system to build tolerance and to draw those values near to different ethnic groups.
Ekranisasi, Sebuah Model Pengembangan Sastra Indonesia Herman R.
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v6i1.42

Abstract

Kajian ini mengulas proses ekranisasi novel menjadi film sebagai sebuah model pengembangan karya sastra Indonesia. Ekranisasi didefinisikan sebagai upaya pelayarputihan teks novel menjadi naskah film. Kajian ini didasari pemikiran bahwa proses kreativitas dalam ranah sastra tidak hanya pada penciptaan karya baru, tetapi juga dapat dilakukan pada karya lama dengan melakukan penggubahan yang sesuai dan tidak melanggar etika, baik etika akademik maupun etika sosial. Kajian ini juga dilandasi pemikiran semakin banyak muncul film-film yang diangkat dari novel. Untuk itu, penting dicermati sejauhmana proses ekranisasi film-film tersebut. Kajian ini dibatasi pada beberapa film yang diambil berdasarkan runut waktu kepopuleran ekranisasi di Indonesia, yakni sepanjang tahun 2008-2013. Kajian ini menggunakan metode deskriptifkualitatif. Hasil kajian menunjukkan bahwa beberapa film masih mempertahankan ide cerita, alur, dan sejumlah peristiwa dari novel yang diekranisasi. Namun, tidak sedikit pula film yang mengalami perubahan alur dan sejumlah peristiwa dari kisah dalam novel.

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