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Susastra : Jurnal Ilmu Sastra dan Budaya
Published by Himpunan Sarjana Kesusastraan Indonesia Malang Indonesia
ISSN : 2580636X     EISSN : 2580636X     DOI : https://doi.org/10.51817/susastra
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
SUSASTRA: Jurnal Ilmu Susastra dan Budaya (2580-636X) is a journal aiming to publish articles about literature and culture. SUSASTRA: Jurnal Ilmu Susastra dan Budaya accepts articles from authors of national or international institutions, accepts submissions of original articles that have not been published elsewhere not being considered or processed for publication anywhere, and demonstrate no plagiarism whatsever. The prerequisites, standards, and format of the manuscript are listed in the author guidelines and templates. Any accepted manuscript will be reviewed by at least two referees. Authors are free of charge throughout the whole process, including article submission, review and editing process, and publication. Submissions are open year-around. Articles published in SUSASTRA: Jurnal Ilmu Susastra dan Budaya must be a requirement determined by the Editoria Board. Editorial the board has the right to change editorials and systematics without changing the substance of the recording from the author.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
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Analisis Wacana Erotisme dalam Ronggeng Dukuh Paruk Endut Ahadiat
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v6i1.48

Abstract

Pada dasarnya erotisme berkaitan erat, dan bahkan didasari oleh libido, yang dalam perkembangan selanjutnya teraktualisasi dalam keinginan seksual. Akan tetapi, sebelum kita teruskan uraian tentang erotisme ini, sebaiknya kita lihat dulu kaitan makna kata itu dengan pornografi yang juga didasarkan oleh hal-hal yang berkaitan dengan nafsu seksual.
Goethe dan Aspek Multikultural Sastra Dunia Lilawati Kurnia
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.61

Abstract

When we use the term 'World Literature', what comes into our minds is the meaning of the two words, what is the mean by World?Literature? We can browse through the internet and try to find the meaning of this phrase in the cyber world, but can all definitions and lists of works from the many writers in the sites actually be acknowledged as World Literature? Moreover, if we try  to explore the two words, does 'literature' only refer to literary works or all kinds of literature including books? The next word is 'world' of course has its own problem because we do not actually know whether it means the whole world in which every single literary work on earth is considered as world literature or it only refers to certain parts of the world like Europe and America.       The phare Weliliteratur was first articulated by a German writer, Wieland, in the context of world culture that privileges literary works in order to bring people to the world. It was quite different when Goethe used this phrase in his letter to Karl Streckfub, a translator of Italian classical works on 27 January1927, and Goethe used the word Welt in acontext of literature beyond the national context, literature outside German across national boundaries. Goethe articulated it by saying:       "I am more convinced, "Goehte remarked, " that poetry is the universal possession of mankind, revealing itself everywhere and at all times in hundreds and hundreds of men... I therefore like to look about me in foreign nations, and advise everyone to do the same. National literature is now a rather unmeaning term; the epoch of world literature is at hand, and everyone must strive to hasten its approach."       The term used by Goethe gives out a modern sense which suits the globalize era where we live now. In this case, Goethe seemed to be ahead of his time in making a literary contribution.
Realitas Kehidupan Pribadi Seorang Perempuan Jawa (Studi Kasus Melalui Sebuah Novel) A.M. Farina; N.S. Lestari
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 10, No 1 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2021)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v10i1.9

Abstract

Abstract In everyday life, the story of human life can be an idea to make an interesting story to be known by the public. The novel contains a series of events that occur in the world of imagination. The storyline in a novel has an important role in a series of events. In this research, the problem that will be discussed is about identifying the image of an ideal Javanese woman and the personality of a Javanese woman based on the viewpoint of a male author on the basis of a Javanese novel. In dismantling the structure of the story a qualitative approach based on data processing will be used, to get a picture of the personality of the story's character. The approach to the perspectives of Javanese authors will be based on reality in Javanese culture that is part of the life of Javanese people. The purpose of this study is to describe how Javanese women are depicted in this novel. The findings in this novel research are that the female characters in this novel, women can play a dual role, namely as a housewife and at the same time someone who must be able to help meet the needs of family life. In fulfilling the necessities of life, one of them women can act as a stage artist. The behavior of Javanese women, despite their dual role, must still be in accordance with Javanese cultural customs. This is then used as an idea to write a story about the life of a Javanese woman, which should be in Javanese culture.AbstrakDalam kehidupan sehari-hari, cerita kehidupan manusia dapat menjadi gagasan untuk membuat sebuah cerita yang menarik untuk dikenal oleh masyarakat. Novel berisi rangkaian peristiwa yang terjadi di dalam dunia imajinasi. Alur cerita dalam novel memiliki peran penting dalam rangkaian peristiwa. Dalam penelitian ini, masalah yang akan dibahas tentang identifikasi citra perempuan ideal Jawa dan kepribadian seorang perempuan Jawa berdasarkan sudut pandang pengarang laki-laki dengan dasar sebuah novel berbahasa Jawa. Dalam membongkar struktur cerita akan digunakan pendekatan kualitatif berdasarkan pengolahan data, untuk mendapatkan satu gambaran tentang kepribadian tokoh cerita. Pendekatan terhadap sudut pandang pengarang Jawa akan dilakukan berdasarkan kenyataan dalam budaya Jawa yang merupakan bagian dari kehidupan masyarakat Jawa. Tujuan penelitian ini yakni memaparkan bagaimana perempuan Jawa yang digambarkan di dalam novel ini. Temuan dalam penelitian novel ini adalah bahwa tokoh perempuan dalam novel ini, perempuan dapat berperan ganda yaitu sebagai ibu rumah tangga dan sekaligus seseorang yang harus mampu membantu memenuhi kebutuhan hidup keluarganya. Dalam memenuhi kebutuhan hidup tersebut, salah satunya perempuan dapat berperan sebagai seniman panggung. Perilaku perempuan Jawa meskipun berperan ganda tetap harus sesuai dengan adat istiadat budaya Jawa. Hal inilah yang kemudian dijadikan gagasan untuk menuliskan cerita tentang kehidupan seorang perempuan Jawa, yang seharusnya dalam budaya Jawa.
Colonial Cities in Motion Urban Symbolism and Popular Radicalism Abidin Kusno
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 1 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i1.27

Abstract

This paper concems with the change in the visual environment of colonial city and the ways in which they helped to shape political imagination. What kinds of architectural and urban spectacles were constructed and what role did they play in contributing to the formation of alternative identities for the Indonesians under Dutch colonial rule? How could colonial cities be understood less as a "form of dominance", but rather a city that was appropriated by the colonized to produce unintended consequences that contributed to the undermining of colonial power? The focus of this paper is thus the political implications of the visual environment of the colonial city. I rely on literature and a range of discursve visual representations in documenting the ways in which the material city was experienced in its wider social political context. Yet what can we except from the visual environment?
Profil Perempuan dalam Teks Sastra Pengarang Minangkabau Hermawan NN
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v6i1.43

Abstract

Penelitian ini bertujuan untuk mendeskripsikan (1) profil perempuan dalam kaba klasik Minangkabau, (2) profil perempuan dalam novel modern pengarang Minangkabau sebelum kemerdekaan, (3) profil perempuan dalam novel modern pengarang Minangkabau setelah kemerdekaan dan (4) perbandingan antara profil perempuan dalam kaba klasik Minangkabau dengan profil perempuan dalam novel modern pengarang Minangkabau sebelum kemerdekaan dan profil perempuan dalam novel modern pengarang Minangkabau setelah kemerdekaan. Penelitian ini merupakan penelitian kualitatif, yaitu penelitian kepustakaan yang dilaksanakan dengan mengkaji profil perempuan dalam karya pengarang Minangkabau melalui kajian psikolgi sastra. Jenis penelitian ini adalah penelitian kualitatif. Untuk mencapai tujuan tersebut digunakan metode dan teknik penelitian sastra dengan memanfaatkan teori psikosastra. Data penelitian: data profil perempuan. Sumber penelitian: Kaba (karya sastra kalsik Minangkabau) dan Novel sebelum dan sesudah kemerdekaan karya pengarang Minangkabau. Teknik analisis data dilakukan dengan langkah analisis isi kualitatif dengan menggunakan kata-kata. Dari temuan penelian disimpulkan (1) Profil perempuan dalam kaba klasik Minangkabau sebagai perempuan pendidik, perempuan egois perempuan setia, perempuan pemberi, perempuan yang ikhlas, perempuan pemimpin yang adil, perempuan penyayang dan perempuan bijaksana. (2) Profil perempuan dalam novel sebelum kemerdekaan sebagai perempuan yang pasif, perempuan penyayang, perempuan penyabar, perempuan beradab, perempuan pembimbang, perempuan setia dan perempuan emphatik, (3) Profil perempuan dalam novel setelah kemerdekaan. sebagai perempuan yang pengesal, perempuan pencemburu, perempuan pemfitnah, perempuan yang teguh pendirian, perempuan penggosip, dan perempuan bertanggung jawab. (4) Perbandingan antara profil perempuan dalam kaba klasik Minangkabau dengan profil perempuan dalam novel sebelum kemerdekaan dan profil perempuan dalam novel setelah kemerdekaan. (a) Perbandingan antara profil perempuan dalam kaba klasik Minangkabau dengan profil perempuan dalam novel sebelum kemerdekaan mempunyai persamaan. sedangkan profil lain mempunyai perbedaan. (b) Perbandingan antara profil perempuan dalam kaba klasik Minangkabau dengan profil perempuan dalam novel setelah kemerdekaan mempunyai perbedaan. (c) Perbandingan antrara profil perempuan dalam novel sebelum kemerdekaan dengan profil perempuan dalam novel setelah kemerdekaan mempunyai perbedaan
Politik Identitas dalam Budaya Indonesia/Melayu David T Hill
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.55

Abstract

In addition to looking into the socio-political milieu of the production and interpretation of Indonesian literature, as well as the historic interaction between some Indonesian and Malay writers, this article also attempts to discuss changes in the meaning of ‘Malay’ identity and ‘Malayness’ and the application of certain interpretations of such an identity in both the contemporary and historic perspectives. The discussion depends largely on Joel Kahn’s anthropological analysis of ‘nationalism and cosmopolitanism in Modern Malay world. ‘A comparison with the meaning and application of ‘Indonesia’ identity will then be made. Some conclusions that can be drawn are, among others, that the malayness/indonesianess’ of a writer is not relevant since literature as a text is not based on the ethnic category to which the writer belongs, but on its language or its milieu of production. However, it is also realized that this analysis may be too simplistic as it does not take into account the many exceptions that exist. Finally, this article does not aim to offer any solution to the indeterminacy surrounding the ‘Malay’ or ‘Indonesia’ identity in this global era, and at best, it can only bring up a set of questions for our contemplation.
ENOLA HOLMES 2020 MOVIE: REVEALING GRAMMATICAL COHESION Elik Khoirun Ni'mah; Afiifah Al Rosyiidah
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 10, No 2 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2021)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v10i2.107

Abstract

This study uses Enola Holmes movie script 2020 to reveal the types of grammatical cohesions. The theories used are the theory of Hasan and Halliday (1976). This study uses qualitative approach. The technique of data collection of this study is documentary. This study is analysed by using document as the data that are already transcribed. Based on the finding and data analysis, the writer finds 107 data of all the types of grammatical cohesion, they are: reference (81), substitution (3), ellipsis (12), and conjunction (11). The most dominant grammatical cohesion types used in the movie script is demonstrative reference “this” that occurs 17 times.AbstrakPenelitian ini menggunakan naskah film Enola Holmes 2020 untuk mengungkapkan jenis-jenis kohesi gramatikal. Teori yang digunakan adalah teori Hasan dan Halliday (1976). Penelitian ini menggunakan pendekatan kualitatif. Teknik pengumpulan data penelitian ini adalah dokumentasi. Berdasarkan temuan dan analisis data, penulis menemukan 107 data dari semua jenis kohesi gramatikal, yaitu; referensi (81), substitusi (3), elipsis (12), dan konjungsi (11). Jenis kohesi gramatikal yang paling dominan digunakan dalam naskahfilm adalah referensi demonstratif “this” yang muncul sebanyak 17 kali.
BENTUK RESEPSI DARI PELOKALAN TEKS PADA AKUN TIKTOK HI.KAAAL SEBAGAI UPAYA PELESTARIAN BAHASA & AKSARA DAERAH Afandi, Haekal Rheza
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 11, No 2 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2022)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v11i2.90

Abstract

The threat of losing successors to speakers of regional languages is a common problem that needs to be reviewed together. The way that can be done to attract the interest of the younger generation to learn local languages is to use social media. One of the existing social media butts makers is Hi.kaaal which produces localized butts trending on Tiktok. This research was conducted to reveal the form of transmission that occurs in hi.kaaal's stump localization. The method used in this study is a descriptive-qualitative method with a recipe approach by Jauss. Butts adapted from foreign trends on Hi.kaaal's butts total of 12 videos, five videos in Javanese script, 3 Javanese in Latin script, and 3 Indonesian videos in Jawi script. The form of acceptance found shows two different language styles; in Javanese, the literal meaning is used with Javanese Krama, and some Old Javanese vocabulary is found. Meanwhile, Indonesian uses a more foreign language or is rarely used in everyday life. The form of localization that was carried out succeeded in attracting the interest of many parties who wanted to study regional languages and scripts. Therefore, efforts to preserve culture must indeed keep up with the times, and this is intended so that regional languages and scripts do not seem old-fashioned and cannot adapt to changing times. AbstrakAncaman hilangnya penerus penutur bahasa daerah menjadi permasalahan bersama yang perlu ditinjau bersama. Cara yang dapat dilakukan untuk menarik minat generasi muda belajar bahasa daerah adalah dengan menggunakan media sosial. Salah satu pembuat konten media sosial yang ada adalah Hi.kaaal yang menghasilkan konten pelokalan pada tren di Tiktok. Penelitian ini dilakukan untuk mengungkap bentuk transmisi yang terjadi pada pelokalan konten milik hi.kaaal. Metode yang digunakan dalam penelitian ini adalah metode deskriptif-kualitatif dengan pendekataan resepsi oleh Jauss. Konten yang diadaptasi dari tren luar negeri pada konten Hi.kaaal berjumlah 12 vidio, 5 video berbahasa dengan aksara Jawa, 3 berbahasa Jawa dengan aksara latin dan 3 vidio berbahasa Indonesia dengan aksara Jawi. Bentuk resepsi yang ditemukan menunjukan dua gaya bahasa yang berbeda, pada bahasa Jawa digunakan arti literal dengan bahasa Jawa Krama dan ditemukan beberapa kosakata Jawa Kuna. Sedangkan pada bahasa Indonesia menggunakan bahasa yang lebih asing atau jarang digunakan pada kehidupan sehari-hari. Bentuk pelokalan yang dilakukan berhasil menarik minat banyak pihak yang ingin untuk mendalami bahasa dan aksara daerah. Oleh karena itu, upaya pelestarian budaya memang seharusnya mengikuti perkembangan jaman, hal ini bertujuan untuk membuat bahasa dan aksara daerah tidak terkesan kuno serta tidak bisa beradaptasi dengen bergeseran jaman.
The Inter-Textual Study Between Novels The Fellowship of Ring By J.R.R. Tolkien and The Philosopher’s Stone By J.K. Rowling Rosy Elvandari; NN Neisya
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 10, No 1 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2021)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v10i1.4

Abstract

Abstrak Tujuan dari studi ini adalah untuk menemukan unsur intrinsik di dalam novel The Fellowship of Ring dan The Philosopher’s Stone, prinsip hubungan intertekstual dan ekspansi cerita di dalam novel The Philosopher’s Stone. Metode yang digunakan dalam penulisan studi ini adalah menggunakan metode deskriptif. Data yang dikumpulkan berupa kalimat, paragraf, dan ujaran yang ada di dalam kedua novel dan dianalisis menggunakan teori inter-textual dari Kristeva. Unsur intrinsic yang terdapat di dalam kedua novel berupa tema, alur, tokoh dan penokohan, latar, dan simbol. Kedua novel memiliki persamaan dan perbedaan dalam unsur intrinsic. Persamaan terdapat pada tema cerita, bagian alur, tokoh dan penokohan. Perbedaan terdapat pada latar dan bagian akhir cerita. Prinsip hubungan intertekstual kedua novel ditemukan. Yaitu penyerapan karya dan mosaik kutipan. Ditemukan juga ekspansi cerita pada novel The Philosopher’s Stone. Cerita dalam novel The Philosopher’s Stone ditemukan ekspansi dalam hal penambahan karakter baru, alur dan latar. AbstractThe aim of this study is to find the intrinsic element of novel The Fellowship of Ring and its inter-textual correlation also the expansion of the story within novel The Philosopher’s Stone. By using description method. Datas that collected in the form of sentences, paragraphs, and utterances then analyzed by Kristeva’s inter-textual theory. The intrinsic elements are themes, plots, characters, characterization, backgrounds, and symbols. Both novels have similarities and differences. The similarities are the theme, plot, character and characterization. The differences are the plot, and the ending of the story. The relation of inter-textual principle is found in the novels, they are absorption of work, and quote mosaic. It is also found the expansion of the story in The Philosopher’s Stone. The expansions are the adding of the new characters, plots, and backgrounds.
Membaca Max Havelaar dan Berjuta-juta dari Deli; Mengkonstruksi Realitas Indonesia Pascakolonial Saifur Rohman
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 5, No 1 (2009): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v5i1.22

Abstract

This paper will discuss how a contemporary work of literature is coherent with a work of the past, corresponding with facts of the past and in the end seeks to construct present day Indonesia. The work discussed is Berjuta-juta dari Deli (2006) (BD) by Emil W. Aulia, which was strongly infuenced by Max Havelaar atau Lelang Kopi di Maskapai Dagang Belanda (1860) (MH). The influence can be seen in the story-telling technique, stereotyping of characters, plot and theme of colonialişm. The thing is, MH was written in colonial time and the writer was directly involved, while BD was written by an author who lives in postcolonial time about a century later. his difference resulted in the ways of interpreting the colonial society. The method applied is Russian formalism which puts an importance in sequence and plot. The analyzing technique is the historical hermeneutics of Hans-Georg Gadamer. Based on the postcolonial theory, heuristic analysis is employed to uncover the mask of present day Indonesian character. The result is, the construction of Indonesia today is actually the shadow of/infiuenced/constructed by yesterday's Indonesia The shaping of today's character can not be separated from the conception that existed in the time of the Dutch occupation. This shaping has three stages. First, Indonesian man is metaphorically characterized as animal (buffalo) Second, since the communicative character is buffalo, the media of communication are orders and physical punishments. Third, if not buffalo, the Indonesian man is a believer of false hopes spread by agents of neo-colonialism. Considering this result, we need to shape the nation's character with things that can free us from the three mentioned stages of interpretation, minderlijk, colonial mentality and the miserable condition of the Netherlands Indie Truly, we had been free before.

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