cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Manneke Budiman
Contact Email
wincifirdaus1@gmail.com
Phone
+6285220720191
Journal Mail Official
wincifirdaus1@gmail.com
Editorial Address
SUSASTRA: jurnal Ilmu Susastra dan Budaya diterbitkan oleh Himpunan Sarjana Kesusastraan Indonesia (HISKI), Grha STR, Jalan Ampera Raya nomor 11, Telepon (021) 7813708, Jakarta Selatan 12550
Location
Kota malang,
Jawa timur
INDONESIA
Susastra : Jurnal Ilmu Sastra dan Budaya
Published by Himpunan Sarjana Kesusastraan Indonesia Malang Indonesia
ISSN : 2580636X     EISSN : 2580636X     DOI : https://doi.org/10.51817/susastra
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
SUSASTRA: Jurnal Ilmu Susastra dan Budaya (2580-636X) is a journal aiming to publish articles about literature and culture. SUSASTRA: Jurnal Ilmu Susastra dan Budaya accepts articles from authors of national or international institutions, accepts submissions of original articles that have not been published elsewhere not being considered or processed for publication anywhere, and demonstrate no plagiarism whatsever. The prerequisites, standards, and format of the manuscript are listed in the author guidelines and templates. Any accepted manuscript will be reviewed by at least two referees. Authors are free of charge throughout the whole process, including article submission, review and editing process, and publication. Submissions are open year-around. Articles published in SUSASTRA: Jurnal Ilmu Susastra dan Budaya must be a requirement determined by the Editoria Board. Editorial the board has the right to change editorials and systematics without changing the substance of the recording from the author.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
 2   3   4   5   6 
Membaca Poststrukturalisme pada Karya Sastra Irmayanti M. Budianto
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 5 (2007): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i5.38

Abstract

This paper underlines the importance of understanding post structuralism, especially the deconstructive method, in analyzing and researching literary works. There are three elements in the deconstructive method: writing, metalanguage, and the subject, which should function as analytical tools in understanding a literary work.
Naskah Melayu dengan Nama dan Tokoh Perempuan Dewaki Kramadibrata
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 6 (2007): Susatra 6: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i6.67

Abstract

This paper discussed Malay manuscripts which titled with womens' name and they also conduct as the heroine. The heroine, for example Siti Zawiyah and Siti l lasanah, were described as a beautiful lady, kind hearted, and very obedient to God. Meanwhile, Siti Zuhrah (she disguised as a man) was described as an ideal llcro.
SEMAR MENCARI RAGA KARYA SINDHUNATA SEBAGAI NOVEL BERDIMENSI BARU DALAM GENRE SASTRA INDONESIA MODERN B. Rahmanto
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 1, No 1 (2005): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2005)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v1i1.16

Abstract

This article discusses to of Sindhunata’s novels, Semar Mencari Raga (1996) and Tak Enteni Keplokmu Tanpa Bunga dan Telegram Duka (2000), as novels produced by a local writer (Yogyakarta) who possesses an aesthetic vision marked by the blurring of literary genres that opens up a new dimension in the creative process. Semar Mencari Raga came out of Sindhunata’s intense observation of the paintings of ten artist living in Yogyakarta (Agung Leak Kumiawan, Djoko Pekik, Eddie Haru, Hanura Hosea, Hari Budiono, Hary Wahyu, Hendro Suseno, Murtianto Antik and Suatmaji). All of them took Semar as their central theme. Meanwhile, Tak Enteni Keplokmu Tanpa Bunga dan Telegram Duka was inspred by the paintings of Djoko Pekik that depicted wild boars. Sindhunata immersed himself in each painting, attempting to understand them without making any negative judgement regarding their qualities. Equipped with his genius for apprecialion, he then played with his wild imagination, expanding the horizon of neu possibilities to give birth to a new kind of novel rich with social critique that confronted the dark side of the New Order’s authoritarian and mililaristic politicians near the end of Soehurto’s rule. Both novels are imbued with profound philosophical reflections on the Javanese culture, which is part of Sindhunata's everyday life. Kata kunci: novel, kritik sosial, dimensi baru.
Sastra di Sekolah Sapardi Djoko Damono
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 5 (2007): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i5.33

Abstract

Today, the teaching of literature in schools is part of the teaching of the Indonesian language. Perhaps, due to the prevailing assumption that anything that is taught at schools should be scientific, all of the text books on literature for secondary schools are full of concepts, terms, lists of works, biography of authors and so on, which more often than not, take away much of the valuable time for the enjoyment of reading the work. In this paper the author argues that literary appreciation demands that students read literary works. However, there are three other problems related to, namely, reading material, selection of works worth reading, and the status and function of teachers in the appreciation process.
Sutan Takdir Alisjahbana's Thinking, Today and in the Future. Sutan Takdir Alisjahbana as a Literary Writer. E. Ulrich Kratz
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 2 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i2.49

Abstract

Until today, the discussion over Sutan Takdir Alisjahbana's works has still been controversial. On one hand, he was considered pro-West and anti-East, while on the other he was respected as a visionary and a man of principle whose contributions to 20"' century Indonesian intellectual and political life have been essential. Aside from these contradicting views, a thorough study on his lifelong works 1s still rare, and people based their views more on hearsay rather than on their own reading of his writings lhis paper, I hope, will mark an important point in the Indonesian and internation11 nppreciation and recognition ofSutan Takdir Alisjahbana's work. Particularly, I wish to encourage people to actually read his work, rather than to perpetuate , wl'll-established tradition of passing on unsubstantiated views, seemingly as illl' 1cs11lt of an immediate, intellectual conf
Pemaparan Krisis Identiti dalam Karya Pengarang Malaysia dan Indonesia: Satu Perbandingan Rahimah Haji A Ahmad
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.62

Abstract

During and after British Colonialism in Malaysia, as well as Dutch colonialism in Indonesia, many colonial subjects, especially the natives, have experienced an identity crisis. According to Linda Martin Alcoff (2000:324), since almost two decades ago, identity crisis has sparked a heated debate in psychoanalysis, poststructuralism and postcolonial studies. Specifically in postcolonial studies, identity crisis has clearly become a fundamental problem of people in the colony, considering that colonization by foreign power took place over a very long span of time.Prolonged colonization may have caused a colonized country, nation, or individual suffer from a contaminated identity as they have been co-opted and dominated by the culture of their colonizer, which was usually considered stronger, bigger, and more powerful. Then, as national consciousness began to emerge among the colonized, particularly after independence, once again they began to embark on the quest for a national and individual identity. However, what they mostly encountered is natives whose identity is fracture and shaped by double consciousness. Such an identity comes into being due to the long period of colonization, which helped institutionalize various colonial practices that had only served to dominate the natives and maintained unequal power relations.There are two determining factors that cause the natives to experience identity crisis. First, they were led to believe that they were inferior and taught to cultivate self-hatred. At the same time, they were also made to worship Western civilization. Second, colonialism brought about chronic moral degradation among the natives.Viewed from this perspective, some Malaysian and Indonesian native writers take on identity crisis as the theme of their works. Authors such as Keris Mas, Abdul Moeis and Mochtar Lubis will be examined using a comparative approach. The purpose of this study is to raise awareness among the natives in both countries in general and in the HISKI community in particular to maintain their independence. Independence is key to help the natives deal with any threat to the survival of their identity brought about by identity crisis. Actually, the selected works of these authors are a reflection of the past history of the people in the colony, which allows the present-day generation to draw a lesson from it so that the impact of colonialism may not linger forever.
EKSPRESI BENTUK KATA EROTISME DALAM PROSA INDONESIA TAHUN 2000-2015: ANALISIS STILISTIKA Mahfuddin Mahfuddin; Irna Fitriana
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 11, No 1 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2022)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v11i1.75

Abstract

The purpose of this study was to find differences in the forms of the word eroticism by male and female authors in contemporary Indonesian prose written from 2000 to 2015. The theory used to find the research objective is the theory of linguistic stylistics. This type of research is qualitative research. The research sample was obtained through purposive sampling and data analysis techniques using a flow model. This study shows that female authors are more vulgar in expressing eroticism than male authors. This is indicated by variations in both morphological construction patterns and the number of tenses used by female authors which are more varied. The study found that male and female authors used several morphological processes in forming the word eroticism. The word forms of eroticism are classified into two areas, namely the forms of the words of the organs of eroticism and the forms of the words of erotic activity. It was also found that male and female authors have the same process of forming the word eroticism. However, female authors are more explorative and varied in forming the word eroticism through morphological processes than male authors. AbstrakTujuan penelitian ini adalah menemukan perbedaan bentuk kata erotisme hasil karya pengarang pria dan pengarang wanita dalam prosa Indonesia mutakhir yang ditulis dari tahun 2000 sampai dengan tahun 2015. Teori yang dipakai untuk menemukan tujuan penelitian adalah teori stilistika linguistik. Jenis penelitian ini adalah penelitian kualitatif. Sampel penelitian diperoleh melalui purposive sampling dan teknik analisis data menggunakan flow model (model mengalir). Penelitian ini menunjukkan bahwa pengarang wanita lebih vulgar dalam mengungkapkan bentuk kata erotisme daripada pengarang pria. Hal ini ditandai dengan variasi baik pola konstruksi morfologis maupun jumlah bentuk kata yang digunakan pengarang wanita lebih variatif. Penelitian menemukan bahwa pengarang pria dan pengarang wanita menggunakan beberapa proses morfologis dalam membentuk kata erotisme. Bentuk kata erotisme diklasifikasikan menjadi dua wilayah, yaitu bentuk kata organ erotisme dan bentuk kata aktifitas erotisme. Ditemukan pula bahwa pengarang pria dan pengarang wanita memiliki persamaan proses membentuk kata erotisme. Akan tetapi, pengarang wanita lebih eksploratif dan variatif dalam membentuk kata erotisme melalui proses morfologis daripada pengarang pria. 
RESILIENSI PEREMPUAN DIFABEL DALAM NOVEL UNE FILLE COMME ELLE KARYA MARC LEVY Orchid, Andy Adawiyah; Artanti, Yeni
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 12, No 1 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2023)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v12i1.126

Abstract

This study aims to describe (1) the resilience aspect that exists in Chloé in the novel “Une Fille Comme Elle” by Marc Levy (2018); (2) the factors behind the resilience of the main character Chloé in the novel “Une Fille Comme Elle” by Marc Levy (2018). This study uses qualitative methods and a psychological approach by utilizing resilience theory. The subject of this research is a novel “Une Fille Comme Elle” by Marc Levy (2018). The object of research is in the form of words, phrases, sentences or paragraphs about (1) Chloé's resilience aspects in Marc Levy's “Une Fille Comme Elle” novel (2) Chloé's resilience factors in Marc Levy's Une Fille Comme Elle novel. Data collection techniques used content analysis and data analysis techniques, assisted by semantic validity and intra-rater reliability tests as well as expert judgment. The results of the research show that: (1) there is an aspect of resilience in Chloé as evidenced by the discovery of aspects of personal competency resilience: high standards and tenacity dominate, (2) the presence of resilience factors, as evidenced by the discovery of external community factors. So it can be concluded that Chloé has aspects of personal competence, with high standards and tenacity and external community factors that make her a resilient woman.AbstrakPenelitian ini bertujuan untuk mendeskripsikan (1) aspek resiliensi yang ada dalam diri Chloé pada novel Une Fille Comme Elle karya Marc Levy (2018); (2) faktor yang melatarbelakangi adanya resiliensi pada tokoh utama Chloé dalam novel Une Fille Comme Elle Karya Marc Levy (2018). Penelitian ini menggunakan metode kualitatif dan pendekatan psikologi dengan memanfaatkan teori resiliensi. Subjek penelitian ini adalah novel dengan judul Une Fille Comme Elle karya Marc Levy (2018). Objek penelitian berupa kata, frasa, kalimat ataupun paragraf tentang (1) aspek resiliensi Chloé pada novel Une Fille Comme Elle karya Marc Levy (2) faktor resiliensi Chloé dalam novel Une Fille Comme Elle Karya Marc Levy. Teknik pengumpulan data menggunakan teknik analisis konten dan analisis data, dibantu dengan uji validitas semantis dan reliabilitas intra-rater serta expert judgment. Hasil dari penelitian menunjukkan bahwa; (1) adanya aspek resiliensi dalam diri Chloé yang dibuktikan dengan ditemukannya aspek resiliensi kompetensi pribadi: standar tinggi dan keuletan yang mendominasi, (2) adanya faktor resiliensi, dibuktikan dengan ditemukannya faktor komunitas eksternal. Jadi dapat disimpulkan bahwa Chloé memiliki aspek kompetensi pribadi, dengan standar tinggi dan keuletan dan faktor komunitas eksternal yang melatarbelakangi dirinya menjadi perempuan yang berresiliensi.
Etnisitas dan Multikulturalitas dalam Novel-Novel Indonesia 2000-an Ethnicity and Multiculturality in The Novels of Indonesia 2000s NN Wiyatmi; NN Nurhadi
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 10, No 1 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2021)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v10i1.10

Abstract

Indonesia adalah negara multietnik dan multikultur. Hal tersebut terkespresikan dalam sejumlah novel Indonesia, terutama yang terbit pada periode 2000-an. Penelitian ini bertujuan untuk mengindentifikasi dan memahami masalah etnisitas dan multikulturalitas yang terdapat dalam novel-novel Indonesia periode 2000-an. Masalah tersebut akan dipahami dnegan menggunakan perpektif sosiologi sastra, yang memahami karya sastra sebagai dokumen sosial budaya. Secara metodologis, penelitian ini menggunakan jenis penelitian deskriptif kualitatif. Sumber data dipilih secara porpusif dari novel-novel Indonesia periode 2000-an yang mengangkat masalah etnisitas dan multikulturalitas sebagai dasar cerita. Novelnovel tersebut antara lain Perempuan Jogja (Achmad Munif, 2006)), Gelombang (Dee, 2014), Isinga (Dorothea Rosa Herliany, 2015), Tarian Bumi (Oka Rusmini, 2000), 2002). Hasil penelitian menunjukkan bahwa isu etnisitas dan multikulturalitas yang diangkat dalam novel-novel Indonesia, khsususnya etnis Jawa, Bali, Batak, dan Dani (Papua) di satu sisi masih mempertahankan karakteristik etniknya, tetapi di sisi lain juga telah mengalami pergeseran makna dan fungsi akibat pertemuan antaretnik dalam masyarakat multietnik dan multikultur. Dalam empat judul novel yang dikaji gambaran masyarakat multietnik dan multikultural tersebut tampak pada tampak pada nama orang dan gelar khasnya, agama dan kepercayaan, dan sistem kekerabatan yang diekspresikan dalam struktur dan sarana penceritaan. Masing-masing etnik (Jawa, Bali, Batak, Papua) memiliki karakteristik masing-masing. Dalam interaksinya dengan etnik lainnya dalam konteks nasional dan internasional, novel-novel yang dikaji menunjukkan adanya sikap multikulturalisme yang diekspresikan oleh tokoh-tokohnya yang dianggap mengekspresikan pandangan pengarangnya. Melalui novel yang ditulisnya, para sastrawan Indonesia mengekspresikan pentingnya multikulturalisme untuk mencapai harmonisasi dalam interaksi antaretnik di Indonesia dan dunia internasional.
Penghayatan Lintas Budaya Pribumi Menyoroti Tionghoa dalam Sastra Indonesia Pamela Allen
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 1 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i1.28

Abstract

Talking about literary works written by Chinese-lndonesians, we can mention three kinds of works. First, as once discussed by writers like Leo Suryadinata and Claudine Salmon, are the works written since the 1870s until 1965, either mixed literature (tusheng huaren wenxue), written in the Malay language, or Chinese literature written in Chinese language. In general, the works reflect the life of the Chinese in Indonesia. Second are the works written in the New Order era, when Chinese culture was almost eliminated in Indonesia. Writers like Marga Tjoa Liang Tjoe and Mira Widjaja, who wrote under the names of Marga T. dan Mira W. (which hide their Chinese origin) identified themselves with Indonesian national culture Chinese culture or problems were not a priority in their works. Third are the works written in post-Suharto era The life and problems of the Chinese in Indonesia were brought up by some Indonesian writers, who are not Chinese or whose ethnicity is not important or not clear. Examples of such works include the short story "Clara by Seno Gumira Ajidama, the romance Ca Bau Kan by Remy Sylado, and the compilation of short stories Panggil aku Pheng Hwa by Veven Sp. Wardhana. In this paper, I will analize the "Chineseness of Veven Sp. Wardhana, a writer who claimed to speak for the Chinese people in his short stories.

Page 4 of 11 | Total Record : 107

 2   3   4   5   6 

Filter by Year

2005 2025


Reset
Filter By Issues
All Issue Vol 14, No 1 (2025): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2025) Vol 13, No 2 (2024): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2024) Vol 13, No 1 (2024): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2024) Vol 12, No 2 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2023) Vol 12, No 1 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2023) Vol 11, No 2 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2022) Vol 11, No 1 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2022) Vol 10, No 2 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2021) Vol 10, No 1 (2021): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2021) Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya Vol 5, No 1 (2009): Susastra: Jurnal Ilmu Susastra dan Budaya Vol 4, No 2 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya Vol 4, No 1 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya Vol 3, No 6 (2007): Susatra 6: Jurnal Ilmu Sastra dan Budaya Vol 3, No 5 (2007): Susastra: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya Vol 1, No 1 (2005): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2005) More Issue