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SAYED MUHAMMAD ICHSAN
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SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Published by YAYASAN HAIAH NUSRATUL ISLAM
ISSN : -     EISSN : 30255937     DOI : https://doi.org/10.59548/js.v1i1
Core Subject : Religion,
Religion
SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf menyediakan forum ilmiah internasional untuk penelitian tentang Sejarah, Pemikiran Islam, dan Tasawuf. Mengambil pandangan yang luas tentang subjek ini, jurnal ini menyatukan semua perspektif disiplin ilmu. Jurnal ini menerbitkan artikel-artikel yang telah ditelaah oleh rekan sejawat mengenai sejarah, pemikiran, sufisme, dan aspek-aspek lain dari subjek tersebut di segala waktu dan tempat. Jurnal ini bertujuan untuk menjadi salah satu platform terkemuka di dunia untuk temuan-temuan baru dan diskusi tentang semua bidang yang disebutkan di atas. Para akademisi dari berbagai negara yang tertarik dengan topik-topik ini diundang dengan hormat untuk mengirimkan artikel mereka ke SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf dan menggunakan jurnal akses terbuka ini. Kebaruan dan kemutakhiran isu-isu, bagaimanapun, adalah prioritas dalam penerbitan.
Arjuna Subject : Umum - Umum
Articles 30 Documents
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SENI KALIGRAFI DALAM TINJAUAN PEMIKIRAN ISLAM Ufairo, Balqis; Rahmawati, Andini; Yunisa, Rika Ananda
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 1 No. 2 (2024): SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v1i2.123

Abstract

Islam is a religion with the majority of its followers that is spread throughout the world. Art has an important position in Islam because the religion teaches to appreciate the three values, namely knowledge, technology, and art. Calligraphy art reflects the beauty, grandeur, and greatness of Allah which holds a significant position in Islam. This research explain the importance of calligraphy art in Islam using data from relevant textbooks and scientific article. In the Islamic perspective, calligraphy art is considered very important and has high aesthetic, philosophical, and religious values. Calligraphy art is often used to teach Islamic values and is respected for its honor to the Arabic language and the Qur’an. Calligraphy art is an integral part of Islamic culture and is a very important from of visual art.
PERAN DAN KONTRIBUSI ILMU KALIGRAFI PADA MASA DAULAH ABBASIYAH S, Fahrurrozi; Sibarani, Nurhasanah; Alfi Syahrina, Khuzaiman Putri
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 1 No. 2 (2024): SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v1i2.124

Abstract

Calligraphy is one of the works of art that is very popular in the Islamic world and has even become one of the extracurriculars that is in great demand among Islamic students. Far from this, the art of calligraphy gave a lot of roles and contributions in the Islamic world and developed rapidly during the Abbasid Daula  era. This is what encourages researchers to examine this discussion in a straightforward and thorough manner. The purpose of the researchers to study this discussion is to find out the role and contribution of calligraphy art in the Islamic world. The method used by researchers regarding this discussion is to use a qualitative method, namely the technique of collecting data from literature study through relevant references. The results of this study are that the art of calligraphy plays a very big role and contributes to the Islamic world because it is still strong with the value of monotheism. Keyword: art, calligraphy, abbasid.
Sejarah Perkembangan Kaligrafi Arab di Indonesia dan Penggunaannya Yunisa, Rika Ananda; Nazwa, Hanna; Daulay, Lili Sardiani
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.161

Abstract

As one of the beautiful works of art in Islamic culture, calligraphy also flourished in Indonesia. In addition to being a visual art form, calligraphy also embodies Islamic aesthetic and spiritual principles. The use of calligraphy in mosque decorations, Qur'an mushaf, and other religious objects adds to the majesty and beauty of the sacred writings. Furthermore, calligraphy is a significant component in Indonesian education. Lots of art schools and cultural centres offer calligraphy courses, giving the younger generation the opportunity to understand and inherit this art. The learning of calligraphy covers not just the functional elements, but also the cultural and spiritual values in each stroke of the letter. This research aims to explore the development, use, and impact of Arabic calligraphy in Indonesia, particularly in education. Qualitative research using a library research strategy is the methodology employed, through searching journal articles on the history of Arabic calligraphy in Indonesia.
Perjalanan Ilmu Kaligrafi Dalam Lintasan Sejarah Putri Wulandari
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.164

Abstract

Calligraphy is a scientific discipline regarding artistic writing which contains the value of beauty and in writing it must pay attention to predetermined writing rules such as single letters, their layout, ways of writing and the meaning represented in the writing. Khat has a complex and interesting historical background from its emergence on the Arabian Peninsula to its development throughout the world and even into the archipelago. The aim of the research is to more concretely understand the history of khat's journey. The research applies the Systematic Literature Review (SLR) method through the use of Publish or Perish (PoP) as a data searcher and then the VosViewers application is used to review it. The research produced findings that the idea of ​​the history of khat's journey can expand the knowledge of various aspects of the emergence and development of khat, as well as foster critical, innovative and quality thinking patterns in a learning perspective.
Seni Kaligrafi: Peran dan Kontribusinya Terhadap Pengembangan Peradaban Islam -, Sikni Sari Siagian; Kusuma, Al Halim
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.175

Abstract

The art of calligraphy has played an essential role in the history and development of Islamic civilization. The aim of this research is to review the contribution of calligraphy art to the development of culture, religion and science in Islamic civilization. Calligraphy is a form of visual art that is highly valued in the Islamic tradition. Calligraphy not only functions in the field of decoration, but it is also an intermediary in conveying religious messages and moral values. In this research method using historical and textual analysis, researchers found that the art of calligraphy enlarges the intellectual and spiritual life of Muslims, and also becomes an important tool in spreading Islamic teachings. Calligraphy participated in the development of Islamic art and architecture, publishing monumental works that combined aesthetic beauty and depth of religious meaning. This research shows that the art of calligraphy is not only a cultural heritage that must be preserved, but calligraphy also has a sustainable connection in the modern context.
Konsep Peserta Didik Dalam Pemikiran Abdul Wahid Hasyim Haq, Samsul; Siregar, Maragustam
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.264

Abstract

This research aims to explore the concept of learners, the values and principles underlying the concept of learners and the role of learners in the educational process in the thought of Abdul Wahid Hasyim. This research is a library research using a descriptive qualitative approach with documentation data collection techniques and data analysis using Milles and Huberman analysis techniques. The concept of learners thought Abdul Wahid Hasyim: 1) Individuals have unique potential and should be developed holistically including intellectual, moral, spiritual, and social aspects. 2) The importance of education as a means to prepare students to become responsible individuals and contribute positively to society. 3) Teaching Islamic values as a moral and spiritual foundation for education as an integral part of the learning process. 4) The importance of equality in education, regardless of social or economic background, has the same right to gain access and benefit from education. The values of the concept of learners thought Abdul Wahid Hasyim: 1) Humanity and Justice, 2) Character Building and Morality, 3) Independence and Responsibility, 4) Religion and Spirituality, and 5) Creativity and Innovation. The role of learners: 1) Active Subject in Learning, 2) Development of Individual Potential, 3) Responsibility in Learning, 4) Character and Personality Building, and 5) Collaborative Teacher-Learner Relationship. The relevance of Abdul Wahid Hasyim's concept of learners in the context of modern education: 1) Holistic Approach in Education, 2) Active Involvement of Learners in Learning, 3) Character and Morality Building, 4) Equality in Access and Educational Opportunities and 5) Development of Creativity and Innovation.
Seni Kaligrafi Dalam Perspektif Filsafat Seni Nur Rafiza, Siti; Ichsan, Sayed Muhammad
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.265

Abstract

Beauty or often known as aesthetics is not only in the form of carvings or shapes in a painting, but in the art of calligraphy, writing has its own beauty which has meaning in every writing written by a calligrapher. This research aims to find out how the art of calligraphy is from an art philosophy perspective. The research method used is library research with a descriptive qualitative approach. The results of this research are that the philosophy of art views calligraphy as a means of conveying meaning, beauty and spiritual feelings through the form, space and style of writing chosen. In fact, calligraphy is often valued for its ability to combine visual beauty with philosophical or religious meaning.
Perkembangan Ilmu Kaligrafi Pada Masa Pra-Islam Maulana, Arjuna Dwi
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 1 (2024): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i1.266

Abstract

The science of calligraphy appeared in pre-Islamic times, because of the writings around the walls of the Kaaba called Al-Mu'allaqat. However, at that time the Arabs preferred their minds and memories to remember something rather than write. This research uses literature study, in which the researcher takes references from several books and journals related to research. The results of this study show that, in pre-Islamic times, the science of calligraphy was not of interest to the Arabs. However, after the arrival of Islam, calligraphy became one of the Islamic arts. Because the science of calligraphy has a very big influence on the writing of the Qur'an. Until now there are many calligraphy sciences that have developed greatly such as Tsulus, Naskhi, Diwani, Rayhani, Pharisees, Diwani Jali, Kufi, Riq'a
PEMIKIRAN HARUN NASUTION (RELIGIUS-RASIONAL) TENTANG PENDIDIKAN ISLAM DAN RELEVANSINYA DENGAN DUNIA PENDIDIKAN ISLAM KONTEMPORER Dongoran, Rosita; Siregar, Maragustam
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.339

Abstract

This article aims to analyze Harun Nasution's thoughts regarding religious-rational Islamic education and its relevance to the world of contemporary Islamic education. This research uses a type of library research (Library Research) where the researcher tries to collect library data, read, take notes, and process various information about Harun Nasution's thoughts regarding education and its relevance to the modern world, especially in Indonesia, through various related sources. The results of this research are explaining Harun Nasution's thoughts regarding Rational Islam with the aim of deepening the teachings of the Islamic religion through the use of rational religious thinking so that he is able to adapt to current developments and be able to solve problems, as well as explaining Harun Nasution's thoughts which emphasize the importance of moral aspects to be instilled in students who aims to shape student behavior and morals that are in line with Islamic teachings
PERAN IBNU MUQLAH DALAM PENGEMBANGAN ILMU KALIGRAFI Harahap, Siti Rahimah
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.341

Abstract

Calligraphy holds a significant role in Islamic tradition, not only as a visual art form but also as a medium to convey religious, aesthetic, and philosophical messages. This study focuses on the contributions of Ibn Muqlah, a pivotal figure in the history of Islamic calligraphy, particularly through the development of the theory of al-Khaṭṭ al-Manṣūb. This theory bases the art of calligraphy on geometric proportions, creating visual harmony while reflecting Islamic spiritual values. The research employs a descriptive-qualitative approach through literature review, document analysis, and visual observation of calligraphic works. The findings indicate that the al-Khaṭṭ al-Manṣūb theory not only revolutionized calligraphy in its time but also became a foundation for the development of various script styles, such as naskhī and ṯuluth. Ibn Muqlah's contributions extend to the modern era, influencing both traditional art and digital applications. Moreover, calligraphy serves not only as an expression of aesthetics but also as a medium for disseminating religious values and Islamic cultural identity. This study provides new insights into the integration of art, spirituality, and culture in Islamic tradition and highlights the relevance of Ibn Muqlah's theory in contemporary art

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