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SAYED MUHAMMAD ICHSAN
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SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Published by YAYASAN HAIAH NUSRATUL ISLAM
ISSN : -     EISSN : 30255937     DOI : https://doi.org/10.59548/js.v1i1
Core Subject : Religion,
Religion
SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf menyediakan forum ilmiah internasional untuk penelitian tentang Sejarah, Pemikiran Islam, dan Tasawuf. Mengambil pandangan yang luas tentang subjek ini, jurnal ini menyatukan semua perspektif disiplin ilmu. Jurnal ini menerbitkan artikel-artikel yang telah ditelaah oleh rekan sejawat mengenai sejarah, pemikiran, sufisme, dan aspek-aspek lain dari subjek tersebut di segala waktu dan tempat. Jurnal ini bertujuan untuk menjadi salah satu platform terkemuka di dunia untuk temuan-temuan baru dan diskusi tentang semua bidang yang disebutkan di atas. Para akademisi dari berbagai negara yang tertarik dengan topik-topik ini diundang dengan hormat untuk mengirimkan artikel mereka ke SHAF: Jurnal Sejarah, Pemikiran dan Tasawuf dan menggunakan jurnal akses terbuka ini. Kebaruan dan kemutakhiran isu-isu, bagaimanapun, adalah prioritas dalam penerbitan.
Arjuna Subject : Umum - Umum
Articles 30 Documents
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KALIGRAFI SEBAGAI MEDIA EKSPRESI SPIRITUAL TINJAUAN ILMU TASAWUF Saluja Zamharira, Rupa; Pertiwi, Liana; Setiawati, Jimi
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.343

Abstract

Calligraphy is a medium of expression of Sufism that combines aesthetics and spirituality in Islam. This article discusses the history of Sufism calligraphy, an analysis of calligraphy as a medium of Sufism expression, and its implications for Islamic culture. Islamic calligraphy, with its beautiful Arabic writing, has become a powerful medium for expressing spiritual values in Sufism. Through the analysis of various calligraphic works, this study reveals how the shape, color, and composition of letters to be used to convey mystical messages and inspire Muslims. Sufism is a nameless form of worship that produces knowledge that aims to perfect human morals and make them more obedient to Allah SWT. In the science of Sufism, there are many schools of Sufism, one of which is irfani Sufism, which is an approach taken by creatures through an inner approach or what is often called ma`rifat science.
ILMU KALIGRAFI DALAM TINJAUAN SEJARAH PERADABAN ISLAM Syakila, Rodhiatul; Alifia Sirait, Putri Nabila
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.345

Abstract

The history of calligraphy is an important record of past events that helps us understand events that have occurred before. Calligraphy is recognized as an art form that has existed since the time of the Prophet Muhammad until the reign of Ali bin Abi Talib. This research uses qualitative methods with a descriptive design to explore the history and development of calligraphy from the time of Rasulullah SAW to the Abbasid period. The aim of using this instrument is to investigate in depth various unique aspects of the cases studied, so that researchers can understand the phenomenon and its context as a whole. The history of Islamic calligraphy shows significant evolution from the time of Rasulullah SAW to the Abbasid period. Initially, Arabic calligraphy during the time of the Prophet was characterized by simple writing forms and less emphasis on aesthetic aspects.
ESTETIKA KALIGRAFI ISLAM DAN IMPLIKASINYA DENGAN ILMU TASAWUF Hasani, Cincin; Yani, Euis Fitri; Putra, Muhammad Drajat Bima
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.346

Abstract

Sufi thought had a profound impact on the development of the aesthetics of Islamic calligraphy, making it more than just a visual art, but also a manifestation of Islamic spirituality. The teachings of Sufism, which emphasize divine love, tawhid (oneness of God), and the concept of fana (elimination of ego), are reflected in beautiful calligraphic works that are full of symbolic meaning. Each stroke of a letter in calligraphy is not only a decorative element, but also a means of contemplation and union with the Creator. Elements such as harmony of lines, compositional balance, and white space in calligraphy reflect the principles of Sufism, including simplicity and oneness with God. Furthermore, the symbolism of Arabic letters is often associated with Sufi teachings, giving this art a deep spiritual dimension. This article aims to explore how Sufi thought influences the visual elements and spiritual meanings in Islamic calligraphy, thereby strengthening the connection between art, spirituality and aesthetics in the Islamic tradition.
SEJARAH KALIGRAFI ISLAM DAN KAITANNYA DENGAN TASAWUF Harahap, Nurul Hidayah; Harahap, Annisa; Siregar, Evi Mahyati; Hasibuan, Ansor Hambali
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 2 No. 2 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v2i2.347

Abstract

In Arabic, the art of beautiful writing is called khat, which means lines, while in English, it is known as calligraphy, which comes from the Greek, namely “kalios” which means beautiful and “graph” which means writing. Thus, calligraphy is often referred to as the art of writing in a beautiful way, especially Arabic writing, which is produced by combining certain ideas and poured on the media in accordance with applicable rules.The art of Arabic calligraphy is the art of writing using Arabic letters and has existed since the time of the Prophet Muhammad. Apart from being an art, Arabic calligraphy is also considered as knowledge and skills in imagination, because its beauty contains meaning and certain rules in its writing. In this research, a qualitative method with literature study analysis was used. Data collection techniques were carried out through literature review relevant to the topic under study, while data analysis was carried out with a descriptive approach. The results show that calligraphy art began to develop during the time of the Prophet Muhammad, as evidenced by the existence of inscriptions containing Arabic calligraphy writing. The development of calligraphy styles also occurred over time, especially during the Umayyad and Abbasid eras. During the Abbasid era, the art of calligraphy developed rapidly, and the styles that emerged during that period are still used today, especially in Islamic countries in the West.
KORELASI DHOMMAH SEBAGAI TANDA ROFA’; Studi Sikap Kepemimpinan Ideal Dalam Perspektif Islam Arrahma, Nabila; Silmy Damanik, Nissa Zahra
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.426

Abstract

This article aims to explores the symbolic meaning of dhammah as a grammatical marker of rafa’ in Arabic and its relevance to ideal leadership in Islam. Using a qualitative library research method, the study draws on nahwu texts, academic articles, and Islamic sources such as the Qur’an and Hadiths. The analysis highlights how dhammah, which elevates a word’s position in a sentence, represents that leadership should be granted based on merit and noble character, not force. Like dhammah maintains grammatical balance, a leader is expected to uphold social harmony through justice and responsibility. Misplacing dhammah can drastically change a sentence’s meaning, just as leadership mistakes can deeply impact society. Thus, dhammah is not only a grammatical tool but also a metaphor for ethical leadership—emphasizing worthiness, moral integrity, and balanced governance. This study reveals the philosophical depth of Arabic grammar in illustrating Islamic leadership principles through linguistic symbolism.
TANDA ROFA’ WAWU DAN PENGARUHNYA TERHADAP AKHLAK SEORANG MUSLIM Harahap, Siti Rahimah; Sekarsari, Ayu
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.427

Abstract

This study examines the use of the rofa’ marker wawu in Arabic from linguistic, philosophical, and moral perspectives that are relevant to the formation of a Muslim’s character. Using a qualitative approach through library research, the study analyzes both classical and contemporary literature on the use of wawu as a nominative marker in jama’ mudzakkar salim and asma’ul khamsah. The findings reveal that wawu as a grammatical indicator not only reflects structural syntax but also conveys symbolic values representing social order, semantic stability, and respect for noble social relationships. As a rofa’ marker, wawu functions as a symbol of honor within the linguistic and spiritual context of Islam. This research positions nahwu (Arabic grammar) not merely as a technical linguistic tool, but as a means of character education and spiritual development. Thus, Arabic grammar instruction can serve to instill moral values such as responsibility, discipline, and reverence for social roles. This interdisciplinary approach broadens the understanding of Arabic as an ethical medium that shapes a morally upright and spiritually aware Muslim identity.
NILAI-NILAI TASAWUF DALAM TRADISI PERNIKAHAN MASYARAKAT BANJAR DI DESA TATAH PEMANGKIH LAUT KECAMATAN KERTAK HANYAR KABUPATEN BANJAR Muhammad, Fadhel
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.470

Abstract

The wedding tradition of the Banjar community in Desa Tatah Pemangkih Laut, Banjar Regency, is a cultural heritage that combines customary practices with Islamic spiritual values, particularly Sufism. This study aims to examine the implementation of the tradition and the Sufi values embedded in each stage of the wedding procession. A qualitative descriptive method was used through observation, interviews, and documentation. The findings show that the wedding procession includes basasuluh, batatakun, badatang, bapapayuan, meantar jujuran, bapingit, batimung, bepapai, berias and bepacar, batamat al-Qur’an, maarak pengantin, betatai, and bailang pengantin. Each stage contains Sufi values such as trust in God tawakal, spiritual vigilance muraqabah, humility tawadhu, gratitude syukur, self-purification tazkiyatun nafs, reflection tafakkur, love mahabbah, and Islamic brotherhood ukhuwah islamiyah, making marriage not only a physical bond but also a spiritual path. Thus, this tradition serves as a medium for internalizing Sufi teachings in family life.
FUNGSI KALIGRAFI ARAB SEBAGAI MEDIA DAKWAH VISUAL DI MASYARAKAT MUSLIM MODERN Qothrunnadha, Qothrunnadha; Billah, Muhammad Arif; Albab, Ulil; Al-Mujaki, Muhammad Fikri; Daffa, Dzulfaqor; Adli, Muhammad Mukti; Yazid, Sultan; Rokhim, Minatur
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.451

Abstract

Arabic calligraphy is one form of Islamic art that not only contains high aesthetic value, but is also full of spiritual messages. In the context of modern Muslim society, Arabic calligraphy is not only found in places of worship, but also in digital media, popular culture products, and public spaces. This study aims to examine the function of research using a descriptive qualitative approach through library studies and observations of visual da'wah media that utilize calligraphy. The results of the study show that Arabic calligraphy functions as a means of reminding Islamic values, strengthening the visual identity of Islam, and a bridge of communication for da'wah that is authentic in the digital era.
SEJARAH DAN TOKOH-TOKOH TASAWUF PASCA WALISONGO DI NUSANTARA Saputra, Rendi Imam; Nibrosy, Afaf
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.454

Abstract

Sufism has played a crucial role in the development of Islam in the Indonesian archipelago, influencing spiritual practices, education, and socio-cultural life. After the era of the Wali Songo, Sufi teachings did not decline but instead expanded through networks of tarekat scholars spread across various regions, particularly in Sumatra, Java, and Sulawesi. This study aims to examine the historical development of Sufism in the post-Wali Songo period and to identify key figures who contributed to the dissemination and strengthening of Sufi teachings in the archipelago. Using a qualitative-descriptive approach through literature review, this article discusses the roles of figures such as Syekh Abdurrauf Singkel (Syattariyah), Syekh Burhanuddin Ulakan (Minangkabau), Syekh Yusuf al-Makassari (Sulawesi), and KH Ahmad Rifa’i (Java). These scholars not only propagated their respective tarekat orders but also contributed to Islamic education and resistance against colonialism. The study finds that post-Wali Songo Sufism transformed into a deeply rooted cultural and social force that shaped the spiritual character of Muslim communities in Indonesia up to the present day.
JEJAK PERKEMBANGAN TAREKAT SYADZILIYAH DI NUSANTARA: STUDI HISTORIS DAN SOSIOLOGIS Firman, Firman; Hafsa, Hafsa; Munawwarah, Baiq Madinatul; Muzayanah, Fitrotul
Shaf: Jurnal Sejarah, Pemikiran dan Tasawuf Vol. 3 No. 1 (2025): SHAF: JURNAL SEJARAH, PEMIKIRAN DAN TASAWUF
Publisher : Yayasan Haiah Nusratul Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59548/js.v3i1.458

Abstract

This study explores the historical and sociological trajectory of the Syadziliyah Sufi order in the Indonesian archipelago. Although less prominent than other major Sufi orders such as Qadiriyah or Naqshabandiyah, the Syadziliyah order has played a vital role in shaping the spiritual and social dimensions of Muslim communities in the region. The study applies a qualitative-descriptive method based on literature analysis to examine how the order entered the Nusantara through trade, pilgrimage, and scholarly exchange, as well as how its teachings have been adapted to diverse local cultures. Emphasizing spiritual balance, social engagement, and moderation, the syadziliyah order continues to be relevant in the modern era as a response to spiritual crises and socio-moral challenges. The findings show that its values contribute significantly to ethical development, community solidarity, and the revitalization of Islamic spirituality within the pluralistic society of Indonesia.

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