cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
runtas@isi-ska.ac.id
Phone
-
Journal Mail Official
runtas@isi-ska.ac.id
Editorial Address
Prodi Desain Mode Batik, Jurusan Kriya, Fakultas Seni Rupa dan Desain ISI Surakarta. Kampus II: Jl. Ring Road, Mojosongo, Kec. Jebres, Kota Surakarta, Jawa Tengah 57127
Location
Kota surakarta,
Jawa tengah
INDONESIA
Runtas: Journal of Arts and Culture
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 29886546     DOI : -
Core Subject : Art,
Arts
Runtas: Journal of Fine and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 64 Documents
 1   2   3   4   5 
DANDELIONS AS MOTIF CREATION CONSTRUCT FOR READY TO WEAR Sandra, Alek; Komariah, Arfiati Nurul
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4883

Abstract

The main source of ideas that form the basis for the creation of fashion works is the dandelion flower which has 2 kinds of flower petals. The form and use of dandelion flowers makes the writer interested in creating batik motifs with elements of dandelion images. The purpose of this research, among other things, is to create a batik motif design with the source of the dandelion flower idea. Apart from that, it is also to create ready-to-wear fashion designs. The next goal is to apply dandelion batik motifs to the Ready To Wear clothing that will be created in this work. The method used for this research uses the method of art creation from Gustami SP, namely data collection, design and embodiment. The technique used in the creation process is written batik technique. Furthermore, in making motifs, it is carried out using the deformation method as a form to obtain motif development. The batik coloring technique used in this batik is the dyeing process of the dip cap and the dab technique. The selection of colors to be used in the manufacture of women's ready-to-wear batik uses bright and dark colors from Remasol batik dyes. The works consist of 4 Ready To Wear clothes taken from Sanskrit entitled "Bhanuresmi", "Canduri", "Cakra" and "Samiya", and are equipped with accessories such as earrings, necklaces, rings, hats, headbands, sunglasses and hair bands. 
BATIK MOTIFS FOR CHILDREN CASUAL FASHION INSPIRED BY BEDOUIN TRIBE HOUSE Agustin, Lisa Tri; Purnomo, Arif Jati
Runtas : Journal Of Arts And Culture Vol. 2 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i2.4893

Abstract

The fashion-artwork entitled Batik Motifs for Children Casual Fashion Inspired by Bedouin Tribe House is as a form of effort to introduce culture and traditions to children. The purpose of creation is to apply the traditional Bedouin house batik motifs for casual clothing for girls aged 10 years old. The methods of creating the fashion pieces are exploration stage, design stage, and creation stage. The process of creating works starts from the exploration stage, which was searching data about traditional Bedouin houses. Making batik motif designs that are embodied in children's casual clothing is applied to create the piece of art using batik tulis technique which were dab-cover-dip coloring using remasol, naptol and indigosol dyes using Japanese cotton and primissima. The color selection brings out cheerful colors. Starting from the design process, scratching, cutting, coloring, melorod, sewing, to making accessories. Casual clothing is clothing that is simple, practical, and comfortable to wear for children's daily playing activities. This work created 4 pieces of batik motifs, they are: Imah Sawarna, Imah Ngahiji, Imah Salonjor, Imah Kahuripan. With that created 4 fashion pieces: Inleum, Makaul, Galis, Bageur. All of the fashion pieces mentioned above were equipped with accessories to support the whole look.
LEGENDA SINGO BARONG SEBAGAI SUMBER IDE PENCIPTAAN MOTIF BATIK PADA BUSANA KEBAYA MODERN Alpado, Carissa Fitri; Safrudin, Dwi
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.4905

Abstract

Ide yang diangkat pada penciptaan karya seni ini berjudul Legenda Singo Barong sebagai Sumber Ide Penciptaan Motif Batik untuk Busana Kebaya Modern. Penciptaan karya ini didasari dengan keinginan penulis dalam melestarikan budaya kediri . Menurut cerita rakyat yang  tumbuh di Kediri budaya barongan berakar semenjak sejarah Panji, yaitu suatu riwayat yang dipelopori oleh rombongan prajurit berkuda membentengi  Pangeran Panji Asmarabangun dan juga Singo Barong pada saat melamar Dewi Sekartaji, Barong adalah  wujud yang mengumpamai campuran dari singa dan naga yang kebanyakan dibawakan oleh 4 orang pada pagelaran tari Barongan di Kediri. Tarian Barongan diikuti bersama gamelan jawa dan sinden. ada 4 karya batik diantaranya karya 1 berjudul Lingga babad dan bermotif Dirandra , karya 2 yaitu Phantera Bahuwirya bermotif Nyawiji , karya 3 berjudul Hastina Sudarsana yang mempunyai motif berjudul tuwuh dan karya ke 4 yaitu Arindama bermotif Amerta, Batik berawal dari bahasa jawa yang memiliki arti amba yaitu lebar dan nitik yaitu membuat titik. Proses pembuatan Batik berawal dari nyorek, lalu dilanjutkan ke tahap pembatikkan, setelah itu dilanjutkan dengan proses pewarnaan, penguncian warna menggunakan water glass, lalu dilanjutkan dengan proses terakhir yaitu nglorod, maka batik siap digunakan, Pada zaman dulu batik banyak digunakan di lingkungan keraton dan tidak sembarangan orang dapat mengenakannya. Berdasarkan metode batik ada dua antara lain batik tulis dan batik cap. Kebaya merupakan pakaian yang berasal dari budaya masyarakat Indonesia banyak dan ditemukan di pulau jawa. Pada masa modern ini kebaya telah banyak mengalami perubahan desain dan sering digunakan dalam acara formal seperti pernikahan pesta, wisuda bahkan kebaya digunakan sebagai seragam resmi pramugari.Kata Kunci: Singo Barong Kediri, Batik, Kebaya
THE WAYANG GOLEK PERFORMANCE AS ONE OF THE VARIETY OF THE ARTISTS OF THE PUP THAT ARE AVAILABLE ON THE ISLAND OF JAVA Fauzi, Ratna Puspita; Bahari, Nooryan
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5103

Abstract

The Indonesian nation has diverse cultural and ethnic backgrounds. One form of cultural diversity that exists is wayang. The islands of Java and Bali have become places for the development of traditional wayang arts. The UN oversees an institution called UNESCO as an institution that focuses on issues regarding education, culture and science, which then records wayang as a work of cultural art in the international world. By giving this award, the Indonesian people should protect and preserve wayang.This study aims to examine, identify, and know the meaning of cultural traditions and symbols contained in wayang golek performances and their influence on the surrounding community and daily activities. In this study, the method used is the observation method, by collecting data from various sources of journals and the internet, while in analyzing using the phenomenological method.From the research that has been done, it is found that the wayang golek show contains teachings and good values conveyed by a dalang with his characteristics so that the messages to be conveyed can be easily accepted by the public watching the wayang performance. Wayang shows have an impact on several aspects including social, political, economic, and religious aspects.Keywords: Wayang Golek, Symbol, Value
The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear Firdaus, Roihatal Jannati; Sudarwanto, Aan
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5250

Abstract

This Final Project entitled "The Morning Star in Semba Scarves as a Source of Ideas For Creating Batik Motifs for Casual Wear". The source of the idea that forms the basis for the creation of works is the weaving craft of the NTT region, especially the Ende region, namely Selendang Semba. On the Semba scarf there is a Morning Star motif which as a unique character so that the creators want to make it an idea for creating batik motifs. The purpose of creating this final project is to apply the Morning Star motif found in the Semba scarf into casual clothing for young women aged 17 year sand over. The methods used in making this work are expression, technique and creation. The process of making batik designs using the strongest character-taking technique found in the semba shawl becomes a batik motif. The making of the batik works uses the written batik process followed by the coloring process in the form of dyed caps with artificial dyes, namely napthol and remashol. The material in the work uses primissima cloth, atype of princess dance, whichhasa smooth character, dense fibers, easily absorbs sweat so it is comfortable when used as casual clothing. The output of this Final Project is in the form of 4 works of women's casual clothing, a fashion catalog, a teaser for the final work process and as cientificarticle. This work is titled "Abhita" and has different titles in each of his works, the clothes are titled : Asha, Sachi, Trisha, Agni.
JAYA STAMBA MOTIF NGANJUK REGENCY FOR BESKAP AND JARIK CLOTHING ON MILLENNIAL KEBAYA Aldi, Muhamad
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5260

Abstract

Creation of Final Project Work entitled Jaya Stamba Motif, Nganjuk Regency for Beskap and Jarik Clothing on Millennial kebaya. This final project aims to make beskap and kebaya dresses the newest models so that they are more attractive to the millennial generation by applying the Jaya Stamba motif, Nganjuk regency. The main source of ideas that form the basis for the creation of this work are various forms of Jaya Stamba motif ornaments and agricultural products of Nganjuk Regency. Jaya Stamba is an artifact originating from Nganjuk Regency, now it is a hallmark and was built in the middle of the city. The scope of the Jaya Stamba motif in Nganjuk Regency and agricultural products gave rise to the idea to be developed in the creation of batik. The creation process in making the work starts from observing the forms of Jaya Stamba and various things related to the natural wealth of Nganjuk Regency such as agricultural products and existing heritage sites. Observations through site surveys and print media were then carried out in the form of batik motifs and then poured into alternative patterns to be selected as batik motifs that would be applied to kebaya and beskap clothing. The results of the work amounted to 4, namely 2 beskap clothes and 2 kebaya clothes. Each is given a title according to the character and appearance and philosophy in it. 
A SOURCE OF INSPIRATIONS FOR BATIK MOTIFS IN CASUAL CLOTHING: PEARL OYSTERS Silvie, Aldina
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5261

Abstract

The Pearl Oyster theme is brought up in this work's final project as a potential source of inspiration for the design of batik motifs for casual wear. One type of marine life that has practically all of their bodily parts is the pearl oyster. has a selling point, including the shells themselves, pearls, and shells. The goal of this final project is to design a batik motif that may be used to decorate casual garments using the inspiration provided by pearl oysters. The author chose this theme in an effort to highlight the value involved in the pearl-creation process and to promote the worth of natural cultivation. The author develops works of art through multiple stages, including exploration, the design stage, and the embodiment of the work, using a variety of reference materials. Five pieces of casual batik apparel, including two for men and three for ladies, were produced as a result of the work's realization. Careful experimentation is required when using uncommon fabrics, such as denim fabric, for batik. Each work is given a title that reflects the plot of the pearl it depicts and the value it contains; for example, work 1 is called Bawono, work 2 is Lelono, work 3 is Murco, work 4 is Kahono, and work 5 is Mustiko. This design is an example of industrial innovation that gives motives priority.
JAPANESE WISTERIA AND KAWUNG MOTIFS AS THE DEVELOPMENT OF BATIK FOR ART WEAR Widi, Sayekti Nugrahaning; -, Septianti
Runtas : Journal Of Arts And Culture Vol. 1 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i2.5315

Abstract

Batik has various kinds of motifs. They are traditional and developed motifs. The combination of wisteria and kawung motifs for art wear is a work inspired by hokokai batik. It is a result of acculturation between Japan and Indonesia. Japanese wisteria (Wisteria Floribunda) is a kind of flower that grows in Japan. In Japan, it is called Fuji. The wisteria flower symbolizes loyalty, nobility, and immortality. Furthermore, kawung motif is a motif developed in Indonesia, especially in Java. It has a meaning of sedulur papat lima pancer. This article aims to batik by combining two motifs, wisteria, and kawung. These two motifs would be applied in art wear. Exploration is the first stage in creating this work. It starts from looking for some references of kawung motif and wisteria motif. The second is the design stage. In this stage, the creator designs motifs that would be chosen in some alternatives as a motif would be applied in art wear. The last stage is manifestation. Making batik motifs begins with making patterns, nyorek, nyanting, coloring, and, melorod. This creation results in four works. The first is titled Hi. The second is titled Kaze. The third is titled Ki. The fourth is titled Mizu. These four titles represent four elements ruled by the four guardian gods of the cardinal directions. The four gods are legends from Japan.
WOMEN CASUAL CLOTHES WITH TEACHING BATIK MOTIF PRINCE OF SAMUDRA AT MOUNT KEMUKUS Wati, Bintang Kusuma; Andini, Bertha Galuh
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5328

Abstract

Prince Samudra teachings on Mount Kemukus covering agriculture, culture, martial arts and Islamic religious knowledge are works of art that are applied to adult women's casual clothing, with this final project the author wants to bring and introduce to the general public through fashion trends. The process of creating a work starts from the exploration stage (searching for sources of ideas, concepts, and the basis for creation), design (the design of the work), and embodiment (making the work). The process of making works of art goes through the initial stages of making designs, making patterns, preparing tools and materials, scraping, printing, dyeing colors. sewing and finishing. The technique used in this work is hand-drawn batik using night wax as the main tool, canting, primisima cloth " Golden chariot" and naptol dye. The results in the creation of this work are 5 adult women's casual clothing which are titled according to the symbolic philosophy and meaning implied in each motif, namely work 1 with the title Pulun, work 2 with the title Anacara, work 3 with the title Adisaktiman, work 4 with the title Smara Religion, and 5 works entitled Kaharep. Each of the works created reflects the storyline of Prince Samudra's teaching on Mount Kemukus with the appearance of characters spreading agricultural science, cultural science, martial arts and religious knowledge.
CEPROTAN TRADITIONAL CEREMONY PROCESSION IN BATIK MOTIFS FOR CASUAL CLOTHES Ningsih, Nadia Puspita; Lestari, Rizki
Runtas : Journal Of Arts And Culture Vol. 1 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v1i1.5334

Abstract

Ceprotan traditional ceremonial procession, Sekar Village, Pacitan Regency is a tradition that contains many cultural, social, artistic and economic values. The final project of this work aims to describe ideas and create casual clothing by applying the ceprotan traditional ceremonial procession motif as the basic idea in creating works with an aesthetic approach. The scope of the Ceprotan traditional ceremonial procession gave rise to ideas to be developed into the creation of batik motifs. The process of creating works starts from the exploration stage, namely witnessing the procession of the Ceprotan traditional ceremony which is then poured into the design stage of batik motif designs on casual clothing . The last stage is the embodiment stage, in this process starting from making dress patterns, cutting, coloring cloth, pelorodan , producing, sewing to finishing. The technique used in the process of creating works is the dab and wipe technique. The materials and tools used are candles, canting, remasol, silk cotton fabrics, lurik fabrics, brocade fabrics and organza fabrics. The results of the work amounted to 5 clothes. Each work is titled according to the procession, namely work 1 entitled Balangan Cengkir, work 2 entitled Kirab Panjang Ilang, work 3 entitled Tabur Sekar, work 4 entitled Arak-arakan Jolen, and work 5 entitled Arak-arakan cengkir. This design resulted in an innovation to preserve the traditional Ceprotan ceremonial tradition and batik art in the fashion sector .

Page 2 of 7 | Total Record : 64

 1   2   3   4   5 

Filter by Year

2023 2025


Reset
Filter By Issues
All Issue Vol. 3 No. 1 (2025): Batik and Culture Vol. 2 No. 2 (2024) Vol. 2 No. 1 (2024) Vol. 1 No. 2 (2023) Vol. 1 No. 1 (2023)