cover
Contact Name
Basori
Contact Email
tradisilisannusantara@gmail.com
Phone
+6288802310216
Journal Mail Official
tradisilisannusantara@gmail.com
Editorial Address
Jalan Soekarno Hatta No. 698B, Kelurahan Jatisari - Kecamatan Buahbatu Bandung, Jawa Barat 40286
Location
Kota bandung,
Jawa barat
INDONESIA
Jurnal Tradisi Lisan Nusantara
ISSN : -     EISSN : 29635152     DOI : https://doi.org/10.51817/jtln.v3i2.648
Journal of Nusantara Oral Tradition aims to publish high-quality researches and outstanding creative works combining the broad fields of literature and linguistics on the same intellectual platform. Article contains field study, case study, library research, and others. The article must be relevant with current issues in the scope of oral tradition. Those different segments that will be featured in each issue of Journal of Nusantara Oral Tradition are: (i) critical writings on literary, (ii) cultural and linguistics studies, and (iii) creative writings that include works of prose fiction and selections of poetry related to the oral tradition. Journal of Nusantara Oral Tradition invites scholars and writers to submit high-quality written works presenting original researches with profound ideas and insightful thoughts that could potentially inaugurate avenues to new perspectives in the fields of language, literature and culture.
Articles 43 Documents
DEIKSIS DALAM MANTRA RITUAL DI TAPAL KUDA: KAJIAN ANTROPOLINGUISTIK Alifian, Muhammad Afnani; Nurprihardianti, Viga Eka Putri; Farghani, Rizki Farizi; Martutik, Martutik
Jurnal Tradisi Lisan Nusantara Vol 5, No 2 (2025): Volume 5, Nomor 2, September 2025
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/jtln.v5i2.1586

Abstract

Penelitian ini bertujuan untuk membahas macam-macam deiksis yang terdapat dalam mantra di daerah Tapal Kuda. Mantra merupakan jenis karya sastra lama yang saat ini masih banyak digunakan oleh masyarakat di sejumlah daerah di Indonesia. Mantra juga masih eksis digunakan di daerah Tapal Kuda. Tapal kuda merupakan nama geografis yang diistilahkan pada sejumlah kabupaten, diantaranya Lumajang, Situbondo, Bondowoso, Jember, Banyuwangi, Pasuruan, dan Probolinggo. Mantra sebagai ritual yang menggunakan kekuatan kata memiliki sejumlah leksikon linguistik yang salah satunya adalah deiksis atau kata tunjuk. Pengetahuan tentang deiksis yang ada dalam mantra dapat meningkatkan pemahaman terkait fungsi deiksis yang digunakan. Deiksis dalam mantra menarik untuk ditelaah karena berkaitan dengan ujaran kata tunjuk yang digunakan dalam budaya masyarakat khususnya daerah Tapal Kuda. Penelitian ini merupakan penelitian kualitatif dengan pendekatan antropolinguistik yang menghubungkan antara budaya, bahasa, dan unsur pragmatik. Data penelitian berupa transkripsi ujaran yang terdapat dalam mantra di daerah Tapal Kuda. Teknik yang digunakan untuk mengumpulkan data dengan teknik simak catat dalam teks mantra. Teknik analisis data dengan model Miles dan Huberman dimulai dengan langkah pengumpulan, reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa ada berbagai macam bentuk deiksis yang muncul dalam mantra di daerah Tapal Kuda. Kemunculan deiksis diantaranya deiksis persona sebanyak 9 kali, deiksis waktu tidak ditemukan, deiksis tempat 10, deiksis wacana 5, dan deiksis sosial sebanyak 2. Deiksis persona paling banyak muncul karena mantra yang dipilih lekat dengan tendensi makna untuk sebuah ritual. Deiksis dalam mantra pada beberapa kemunculannya tidak hanya berfungsi sebagai pelengkap, tetapi sebagai penguat dari wacana teks mantra.
FROM RONGGENG TO WHITE CROCODILE: NARRATIVE, PERFORMATIVITY, AND CULTURAL ECOLOGY IN THE MYTH OF SAEDAH–SAENIH FROM INDRAMAYU Lailatunnuryah, Aprilia; Basori, B
Jurnal Tradisi Lisan Nusantara Vol 5, No 2 (2025): Volume 5, Nomor 2, September 2025
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/jtln.v5i2.1580

Abstract

This article discusses the myth of Saedah-Saenih from Indramayu as a form of oral literature that is alive and continues to be reproduced in various cultural mediums. Through a qualitative-ethnographic approach, this study analyzes written and oral texts, tarling performances, school plays, local films, and ritual practices on the Sewo Bridge. The results showed that despite variations in the details of the storytelling, the core motives—the cruel stepmother, the abandonment of the child, the supernatural pact, and the metamorphosis into the elements of nature—were always present as the basic structure of the narrative. Performative analysis shows that this myth is not only understood as a text, but also as a cultural event that involves interaction between speakers, audiences, and social spaces. Cultural ecology reveals the close connection between mythical figures and the landscape of the Sewo River, where the transformation into white crocodiles, trees, pring ori, and bale kambang confirms the role of myth as a cosmological map of the Indramayu people. From a social and gender point of view, the story reflects ambivalence: on the one hand it reinforces the stereotype of good and bad women, on the other hand it implies an attempt at symbolic resistance through the character of Saenih trying to get out of the snare of poverty. This myth serves a dual purpose: as an ideological device that affirms family values, morality, and religiosity, as well as an arena of cultural resistance that maintains local identity in the midst of modernization. Thus, the Saedah–Saenih myth shows that oral literature not only functions as a textual heritage, but also as a dynamic, meaningful, and relevant cultural practice in shaping the identity of contemporary society.
VERNACULAR ARCHITECTURE OF BUNISAKTI VILLAGE: SETTLEMENT PATTERNS, TRADITIONAL HOUSES, AND LOCAL WISDOM IN THE NUSANTARA’S PERSPECTIVE Priarana, Suwardi Alamsyah; Rusnandar, Nandang
Jurnal Tradisi Lisan Nusantara Vol 5, No 2 (2025): Volume 5, Nomor 2, September 2025
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/jtln.v5i2.1582

Abstract

Abstract; Kampung Bunisakti is one of the traditional villages in the archipelago that stores the richness of vernacular architecture through its traditional settlement patterns and houses. The vernacular architecture in this village is not just a physical form of a building, but a manifestation of local wisdom born from human interaction with nature, culture, and cosmology. This article aims to analyze the patterns of villages and houses of Kampung Bunisakti with a vernacular architectural approach, as well as relate them to the symbolic values contained in them. The research method used is qualitative-descriptive through field data analysis and literature, combined with vernacular architectural theories from Paul Oliver and Amos Rapoport. The results of the study show that the spatial layout of the village and the shape of traditional houses in Bunisakti reflect the ecological, spiritual, and social relations of the community. The village pattern is built by taking into account cosmological orientation, connectivity with the natural landscape, and inter-house relationships that affirm the social bonds of the community. Meanwhile, traditional houses combine practical functions with cultural symbolism, such as the use of local materials, the division of space by gender and age, and meaningful ornaments. This analysis confirms that the vernacular architecture of Bunisakti Village is a representation of cultural identity as well as ecological knowledge that is relevant to contemporary architectural challenges. Thus, this study contributes to a broader understanding of the vernacular architecture of the archipelago, as well as opens up opportunities for the development of sustainable architecture based on local wisdom.