Lire Journal (Journal of Linguistics and Literature)
Lire Journal (Journal of Linguistics and Literature) is a peer-reviewed, open-access journal published biannually by the English Department, Universitas Bangka Belitung, Indonesia. The journal aims to provide a platform for high-quality research in linguistics, literature, and cultural studies, promoting innovative methodologies and critical perspectives. It covers a wide range of topics, from theoretical linguistics to literary analysis, fostering interdisciplinary insights. Accredited by SINTA 3, the journal is indexed in DOAJ and follows an open-access policy, encouraging global knowledge exchange. Lire Journal adopts a continuous publication model, ensuring timely dissemination of research.
Articles
197 Documents
<![CDATA[INTRANSITIVE PHRASAL VERBS WITH PARTICLE 'THROUGH' IN BRITISH NATIONAL CORPUS ]]>
<![CDATA[Anggraeni, Diana]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 1 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i1.48
<![CDATA[The aim of this study is to describe the intransitive phrasal verbs with particlethrough used in the British National Corpus. The method used in this research is descriptive qualitative method. Linguistic data sources were taken from the British National Corpus. The data containing the phrasal verbs with particle through, collected and then classified into several categories. The categories that are suitable for the purpose of the research are separated and labeled and then explained in a narrative according to the theory and research objectives. The results showed that the intransitive phrasal verbs with particle through in the British National Corpus consisted of two types, namely dynamic and stative intransitive phrasal verbs. Dynamic intransitive is a phrasal verbs with a particle through which indicates the existence of an activity or event carried out by the subject of the sentence. Dynamic intransitive phrasal verbs consist of phrasal verbs belonging to event verbs and activity verbs. Stative intransitive phrasal verbs are classified as existence verbs.]]>
<![CDATA[THE RELATIONSHIP BETWEEN SYNTACTIC AND SEMANTIC: A STUDY OF LINGUISTIC TYPOLOGY ]]>
<![CDATA[Soares, Antonio]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.49
<![CDATA[This research entitled “The Relationship between Syntactic and Semantic : A Study of Linguistic Typology.” is intended to give a clear descriptions related to the relationship between syntactic and semantic on some languages. This research was focused on some clause structures typologycally either syntactically or semantically. The scope of this research was more focused on the transitive verbs to have more descriptions related to the relationship between syntactic and semantic to find out whether a clause structure on syntactic can be accepted or cannot be accepted semantically. The theory of linguistics typology was applied in this research because the principle of linguistics typpology is to find out the similarities and the differences among all the type of languages universally. The introspective reflexive and the descriptive method were applied to gain the data in this research and the qualitative descriptive method was applied to analyse the data.]]>
<![CDATA[DECONSTRUCTIVE HEGEMONY ON THE MARGINAL GENDER AND IDENTITY SEEN IN MAUGHAM’S “THE LOTUS EATER” AND HEAD’S “THE PRISONER WHO WORE GLASSES” ]]>
<![CDATA[Turuk, Didimus Estanto]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.50
<![CDATA[Hegemony is one of the Marxist applicative concepts employed during the European colonial period. The colonization constructed a power domination of the European countries toward the colonized. The constructed hegemony performed by the European colonizers is the center of discussion in this essay. This essay aims to examine the hegemony lies within the two short stories which are “The Lotus Eater” by W. Somerset Maugham and “The Prisoner Who Wore Glasses” by Bessie Head through Post-Colonial perspectives and accompanied by the gender perspectives. The constructed hegemony is the major theory of the analysis to scrutinize the oppressions both racial and gender base, however the further analysis is going to scrutinize the abrogation of the hegemony. On scrutinizing the hegemony, Derridian deconstruction is employed to construct the analysis on the abrogation of the European constructed hegemony. Keywords: Hegemony, Deconstruction, Post-colonial, Gender, Abrogation]]>
<![CDATA[WORD FORMATION PROCESSES OF FASHION TERMS LISTED IN UK VOGUE'S WEBSITE ]]>
<![CDATA[Hayuwardhani, Aurelia Reza]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.51
<![CDATA[This paper aims to see the word formation processes in the fashion terms proposed by UK Vogue’s website. There are twenty six terminologies listed from A to Z. The terminologies became the data of the analysis in this paper. Each of the terminology was paid attention closely to identify the processes in the termilogies. The results show that fashion terms that are specifically listed on UK Vogue’s website implement five kinds of processes: 1) eponym, 2) borrowing, 3) compunding, 4) affixation, and 5) multiple processes or combination of previously mentioned processes. Out of those processes, borrowing processes are commonly used in forming fashion terms. Thus, it can be inferred that the formation of fashion terms are linked to the language that contributes more words in the fashion terminology vocabulary.]]>
<![CDATA[AMERICAN TELEVANGELICAL FRAMES: RELIGIOSITY, SPIRITUALITY, AND COMMODIFICATION ]]>
<![CDATA[Trihastutie, Nopita]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.53
<![CDATA[A secular state, like United States of America, guarantees the private right of individual to express their religious ideas in public. In the era of media, religious broadcasting serves as a mean for individuals to express their private rights of speech and act based on their faith in public. By taking prosperity televangelical broadcasts as the main object, this article examines several aspects that are critical for understanding the religiousness and the secularization of American televangelism. This article provides an overview of the socio circumstances and movement roots of evangelism, examines the religiosity and spirituality frames in televangelism, and identifies the commodification of the religiosity and spirituality frames.]]>
<![CDATA[A PSYCHOLOGICAL ANALYSIS OF THE MAIN CHARACTER IN MARSIRAJI THAHIR’S KABAR BUNGA ]]>
<![CDATA[Afifulloh, M]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.54
<![CDATA[This paper aims to describe the female characters of the novel, her conflicts and its causes, and the impact of the conflicts experienced by the main character in the novel Kabar Bunga by Marsiraji Thahir. This novel is examined by a psychological approach in literature, a literary approach that emphasizes the psychological aspects of the types and laws of psychology that can be applied to literary works. The data is qualitative since the purpose of this research is to explain or describe the psychological phenomena of the research deeply. The data were obtained by categorizing all the related dialogues and the narrations in the story, then psychologically analyzed. Triangulation was used to validate the data. After finishing all the steps of analyzing data, the interpretations were made based on the data and the theory. The results of the research were, psychologically, the main character in this novel is described as a person who often feels worried, frightened, keeping the reality up, and she is burdened by the problems faced. This portrayal is the representation of Wulan as a woman and woman emotionally and mentally is depicted as weakness person without having the ability to solve the problems.]]>
<![CDATA[SEMIOTICS OF COLOR RED IN THE GIVER MOVIE ]]>
<![CDATA[Sudarwati, Emy]]>;
<![CDATA[Zatalini, Nur Amalina]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 3 No. 2 (2019): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v3i2.55
<![CDATA[Color is a visual tool usually used in a movie which functions not only to make the movie looks good, but it is also to serve the story and build a character. Color brings a meaning behind its presences giving a sign that it can be interpreted accordingly. Chandler (2002) stated that sign is a meaningful unit which is interpreted as ‘standing for’ something other than itself.This current study analyzes the color red in The Giver movie as a sign based on semiotics approach. This study is a qualitative descriptive study. Document or content analysis is applied to analyze the captured scenes of The Giver movie whichcontains the color red. The study found out that the color red has several meanings behind its presences.The color is reflected in some properties. I found several things painted in color red around Jonas. The things are Viona’s hair, apples, books, and clothes.Even though the things have the same color red, each of them has different meaning beyond. The color red itself and the things that possess it have related meanings to complete each other. Also, the meaning of color red is closely related to Jonas’ character as the main character]]>
<![CDATA[ARE ALL WOMEN FEMINISTS? A CRITICAL VIEW ON LADY BIRD (2017) FILM ]]>
<![CDATA[Putra, Gesang Manggala Nugraha]]>;
<![CDATA[Kharisa, Trisnavia Elma]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 4 No. 1 (2020): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v4i1.56
<![CDATA[In the study of film as media, there is a growing tendency on labelling films with female leads and female production crews as feminist films. This study aims to test such claim in the film Lady Bird (2017). To do so, the study employs Feminist Identity Development Model by Downing and Roush to look at the main lead of the film, along with analyses on the film’s narrative and cinematographic aspects. The study finds that the female lead fails to undergo all the five stages of Feminist Identity Development Model. The study further explores that her advancement through the stages is being held back by her dependence to her family and those around her. The study, then, suggests some further inquiries on the interrelatedness of age and feminism.]]>
<![CDATA[ANXIETY LEVEL IN ENGLISH SPEAKING AMONG AHMAD DAHLAN STUDENTS ]]>
<![CDATA[Basri, Megawati]]>;
<![CDATA[Djaguna, Fahmi]]>;
<![CDATA[Husain, Balqis]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 4 No. 1 (2020): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v4i1.57
<![CDATA[One language that is a communication tool in various parts of the world is English; English has become a language that must be mastered by the community, especially students. However, not everyone can easily speak English. The purpose of this research is to know the level of anxiety when they speak in English at Universitas Ahmad Dahlan students. This research uses a qualitative method. One hundred and twenty seven students were selected as the participants of the questionnaire; the tool used for this study was adapted from Horwitz, Horwitz & Cope (1986) Foreign Language Classroom Anxiety Scale (FLCAS). The result of this study was showed that the majority of the students (n=103) were found students had a moderate level of anxiety, one student had a very high level of anxiety and thirteen students were found to had a high level of anxiety. The level of anxiety by dimensions, such as the Fear of Negative Evaluation (FNE) ranks third. Meanwhile, Communication Apprehension (CA) and Test Anxiety (TA) are significantly dominant performance anxieties.]]>
<![CDATA[ISSUES OF INDIVIDUAL CAPITALISM IN THE NARRATIVE FILM OF THANK YOU FOR SMOKING AND THE COMPANY MEN ]]>
<![CDATA[Suryaningsih, Sukarni]]>
<![CDATA[ Lire Journal (Journal of Linguistics and Literature) Vol. 4 No. 1 (2020): Lire Journal (Journal of Linguistics and Literature) ]]>
Publisher : <![CDATA[Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung ]]>
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DOI: 10.33019/lire.v4i1.58
<![CDATA[The idea of capitalism always refers to the triumph of the U.S. giant industry. In economic field, American and British capitalism is called as individual capitalism – the contrary of communal capitalism a la Japan and Germany. This paper is intended to examine the identity of economic character of individual capitalism in two Hollywood movies Thank You for Smoking (2006) and The Company Men (2010). Exploring the theory of individual and communal capitalism stated by Lester Thurow, it can be found that through mechanistic relationship, hard individual competition and unending punishment, those all erase emotional bound between individual and corporation. In short it becomes one of the reasons why American industry perishes its superiority slowly.]]>
