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I Putu Udiyana Wasista
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Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
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INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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WATER AS INSPIRATION OF AUGMENTED REALITY CORAL SPONGES: INFORMATION AND EDUCATIONAL MEDIA I Komang Try Adi Stanaya; I Gst. Ngr. Dwijaksara
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

"Toya", the Sanskrit for water, has an excellent value for the survival of living things in the world. Around 71% of the earth's surface is covered by water, whereas the oceans hold about 96.5% of all water. The sea is currently affected by contamination from waste or garbage such as plastic, metal, glass, wood, paper, rubber, clothing, and textiles. The lack of public awareness of maintaining environmental cleanliness contributes to trash accumulation in the ocean, which also impacts marine ecosystems. One part of the marine ecosystems affected by marine trash is coral sponges through the implementation of augmented reality (AR) based science technology by creating applications that can be used as a medium of information about coral sponges in the form of three-dimensional (3D) objects, as well as a tangible layout of providing education about the diversity of marine ecosystems, especially the types of coral sponges. The data in this study were collected through direct observation, using the MDLC (Multimedia Development Life Cycle) method to create coral sponges augmented reality applications. Based on the application of the MDLC method to the coral sponges augmented reality application, the augmented reality coral sponges application can be realized and run on android mobile devices with excellent performance. This application has succeeded in bringing up various types of coral sponges in the form of three-dimensional (3D) objects as a form of information and educational media to the users about the importance of keeping the environment clean from marine trash to maintain the sustainability of the marine ecosystem for a better future.
THE MEANING OF "WATER" (TIRTA) AS A VISUAL MESSAGE ON “BAK TRUK” IMAGE Nicholas Wila Adi Pratama
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

When examined, the image on “bak truk” is very diverse, both in the type and object of the image. Per the intent and purpose of making images, there are visual expressions and messages. Issues to be discussed are The Meaning of “Water” (Tirta) as a Visual Message in the “Bak Truk” Image. “Argha-Tirtha-Sidhi” (Water Energy and Related Creative Prospects), everything related to the availability and quality of the sea and land water is visualized in “bak truk”. The “Bak truk” image with the theme of “Tirta” has not yet been studied in depth and specifically. This study uses a qualitative methodology in order to be able to capture contextual experiences and obtain data about the phenomenon of the “bak truk” image. They collected literature review data, field data, and direct observation and conducted in-depth interviews with truck owners who participated in the Jogjakarta Truck Festival contest. The selected resource persons include; three actors from members of the freight truck community in different locations (Bali, Padang, Kalimantan) and individuals implementing formal authorities and local informal actors. The “bak truk” image of turning the street into a display case or a demonstration vehicle also colours the public space through the appearance of street art / trans art. This image gives rise to various forms of expression that enliven the traffic atmosphere. Streets can be considered public spaces where various interests are contested.
THE LOCAL WISDOM OF THE TELUK NAGA COASTAL COMMUNITY, TANGERANG IN THE CREATIVE WORK OF THE SONG KRAMAT KAREM GAMBANG KROMONG Malona Sri Repelita
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Kramat Karem is one of the repertoires of Gambang Kromong songs whose lyrics describe the historical eruption of Mount Krakatau in 1883. To understand natural disasters, apart from weather forecasts, people need to understand the local wisdom of their ancestors in preserving nature. After the eruption which created the tsunami at Jakarta and Lampung, the ancestors of Betawi felt the need to share these historical events in saga stories and traditional songs. The song's lyric contains local wisdom regarding natural events and is passed on to the next generation to preserve nature in everyday life. Unfortunately, these days only a few can understand such songs. This study aims to examine the relationship of the text in a cultural context and the function of socializing local wisdom through the song. This research uses qualitative methods so that naturalistic, basic, and profound things can be obtained more accurately. The data collected through literature studies, interviews and observations in the community were analyzed using ethnomusicological theory and social anthropology, which help analyze the function of music in a cultural context. This study is expected to produce recommendations for coastal communities to appreciate and pay close attention to natural phenomena through local wisdom in the song Kramat Karem. In addition, the results of this study also become a trigger and impetus for local communities to strengthen traditional music as a medium of communication and socialization of local wisdom.
WATER IN THE VISUAL STRUCTURE OF DIGITAL COMIC BANG GABER BY RIZAL FAHMI Syarip Hidayat; Ranti Rachmawanti
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Water is a natural element for human survival, not just fulfilling daily needs in activities such as drinking, bathing, and others. Water has a crucial role in the process of life. This role indicates that water is a symbol attached to every living thing, especially humans. The relationship between water and humans is often visualized in various forms and mediums. One of them is in the digital comic Bang Gaber by Rizal Fahmi, which features the element of water in the digital comic theme. The use of water elements and symbols is one of the attractions of the digital comic to be studied more deeply related to its visual structure. This research is included in the Qualitative, using an approach to the Science of Fine Arts (Comic). The data source is Rizal Fahmi, comic artist of Bang Gaber, taken from Instagram. Data collection techniques through observation and visual studies. Data analysis with the support of the relevant literature review on the visual structure. The theory used to analyze is the structuralism theory of Levi-Strauss about the structure in a comic artwork. The research results show that the visual structure of digital comics with the theme of water in comics consists of the surface structure as a tangible visualization of water as an object that delivers philosophical thinking in life and is symbolized metaphorically. At the same time, deep structures are in the form of wisdom, toughness, and self-acceptance. Given that Bang Gaber's Digital Comics is one of the revivals of Indonesian comics, comic book fans may easily access them. Visual analysis is necessary to uncover the emerging visual structure and understand this digital comic's messages and meanings.
WATER IN THE PROCESS OF CREATING THE RANGDA MASK BY TJOKORDA OKA TUBLEN Cokorda Alit Artawan; A.A Dwi Dirgantini
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This study aims to profoundly understand the role of water in creating the Rangda Mask by Tjokorda Oka Tublen Singapadu Gianyar. In creating the Rangda mask, water is one of the most important means of a “sekala niskala.” However, until now, there has been no in-depth study of water’s role in creating the Rangda Mask. Therefore, the questions are: (1) What is water’s role in making the Rangda Mask by Tjokorda Oka Tublen? (2) What is the process of making the Rangda Mask by Tjokorda Oka Tublen? This research uses a qualitative approach to analyze the phenomena related to the process of its creation. The data source comes from Topeng Rangda by Tjokorda Oka Tublen (the sangging, artists) using purposive sampling and snowball. The data collection technique uses observation, interviews, and document studies. As well as solving the problem using the theories of the creation process as the leading theory and supported by aesthetic and functional, structural theory, the research results show that: (1) Water has a vital role in creating the Rangda Mask on a sekala-niskala. Regularly, water is used as a cleanser for the maker’s body and tools. In contrast, niskala water is used as tirtha (holy water) for ritual purification. (2) The process of creation is taken through several stages: newasen, nyalonan, makalan, nadiang, nelesang, ngalusang, ngewarna, and pasupati. Finally, after all the stages are passed, the Rangda mask that is sacred and profane is realized.
HOPES: INDONESIAN GOOD WATER QUALITY AS AN IDEA FOR PAINTING ART CREATIONS Arum Wilis Kartika Ayuningtari; Rizal Wahyu Bagas Pradana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This research aims to create artwork with ideas originating from an actual phenomenon regarding the poor quality of river water and the contamination of beaches and seas due to factory waste and garbage in Indonesia. Water is a basic human need such as for consumption, bathing, irrigating fields, and other activities. Based on this, water quality really needs to be maintained for the survival of a higher-quality human being. The data is obtained through documents and literature studies. This research used a combination method of practice-based research and practice-led research method. This research produces a two-dimensional painting that is representational-deformative and has symbolic meanings. This painting uses pop-surrealism style and acrylic on plywood media. This artwork visualizes the writer's hopes about the quality of Indonesian rivers and seas that will improve in the future so that our children and grandchildren can enjoy its beauty. This creation is useful as a medium of criticism and as a medium of education to society related to the phenomenon or topic of water pollution in Indonesian territory. This phenomenon should be aware of and must be fixed immediately to reduce the negative impact that is harming the environment.
CAMPUHAN RIVER UBUD AS AN INSPIRATION FOR THE ARTISTS I Wayan Karja
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

The purpose of this research is to open awareness about the significant history of the Campuhan River in terms of aesthetic, the prosperity of the people's lives, both physically and spiritually. This qualitative research method took place in Campuhan Ubud, due to the limited sources of written data and art artifacts. Data collection was mostly done through direct interviews, books, and the internet. Furthermore, an analysis that focuses on the significance of the Campuhan River as an inspiration for the artists is carried out. Artists with high awareness capture the vibrations of natural energy by creating various styles of painting. Campuhan River has a certain vibration so that many artists are inspired to create paintings in various styles such as the Pita Maha style, Young Artist, impressionism, and expressionism. The implications of the Campuhan River civilization as inspiration are an asset for the surrounding area.
AIR MENGALIR, THE EXPLORATION PROCESS OF DRAWING ON NOVELS I Wayan Sujana
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This study aims to write a model of the drawing on a novel exploration process, which has produced thousands of sheets of more visual concept patterns. This model project has been done for twenty years by the author and is continuing. Through intense and consistent expression, the estuary produces an approach to the art. The research problems were finding out the process of flowing water in drawing on Novels, investigating the correlation with automatic drawing, and exploring the types of expressions generated from year to year. Some theories used as the basis were the psychology of art and the method of creating MAL in the exploration process. Collecting data was done through observation, implementation, and literature study. The data analysis model was formal and informal. The results showed that human artists have a subconscious space with the potential to produce visual language. The expression of drawing on novels patterns indicated the transformation of shapes every year.
THE ROLE OF WATER ELEMENTS IN FILM ART DIRECTING Bintang B. Doeana; Diana Dewi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Water is a basic need for the survival of all creatures including all human beings, and water is also very influential in the order and pattern of people's life. In films, the appearance of water can relate to the elements of artistic planning, namely sets, make-up, properties and effects that make the aesthetics of the appearance of works of art to support the story and atmosphere that will be displayed, both positive and negative. The existence of elements of art directing in water is presented creatively and aesthetically in the field of film art directing. This research will discuss Water which can be described in the 'look and mood' of the story that will be displayed. And the purpose of this research is that filmmakers can use water as a medium in telling stories. This research method is descriptive qualitative accompanied by literature study, so that filmmakers can take advantage of aspects of art directing to produce good films. It is hoped that the results of the research will become input for filmmakers in the use of water through visual arrangement by paying attention to the elements of art directing according to the theme displayed.
GAGELARAN DALANG MANUT DHARMA PAWAYANGAN PUPPETEER’S DUTY ACCORDING ANCIENT WISDOM DHARMA PAWAYANGAN I Gusti Putu Sudarta
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Dharma Pawayangan is a palm leaf manuscript containing instructions about a puppeteer's obligations (dharma). The text must be understood and carried out by a puppeteer in fulfilling his obligations to remain consistent with Hindu ethics and spirituality. Before a candidate for the puppeteer studies Dharma Pawayangan, the first step must be to know about self-essence, wandering into himself to realize and exceed the layers of body consciousness, mind, emotions, and intelligence so that it reaches Budhi's consciousness. Examining and discussing the text of Dharma Pawayangan to formulate the question that leads to what exactly is the capacity of the puppeteer (gagelaran dalang)? In dissecting this question, the aesthetic theory is used and supported by hermeneutics theory. The result obtained is that the puppeteers’ capacities following the text of Dharma Pawayangan is the Ucap-ucap Tatwa Carita. Ucap-ucap means that the empowerment of vocal puppeteers, which includes the entire voice and developing techniques, understanding of the organs that produce sound, sound processing, breathing and prana techniques, script (aksara) as a symbol of sound (swara), and aware of the vibration of the universe, namely Nada Brahma. Tatwa is a philosophy and spiritual; the puppeteer must master philosophy, yoga, and spirituality. In comparison, Carita is to understand the epic Ramayana, Mahabharata, and Bodha Carita well.

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