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I Putu Udiyana Wasista
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Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
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INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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Musical Crossing Between The Balinese Gamelan and Gendang Beleq in Lombok West of Nusa Tenggara ketut supartha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 1 (2021): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Study on the Sasak and Balinese music are very limited. This is caused to the lack of cultural understanding between the Balinese and Sasak people. However, the historical ties between those people already rooted in the past of their history. The aims of this paper is to highlight the issues on to what estend the music could play a significant role in integrating those ethnic groups in harmonious and peaceful ways. The pertinent question that need to be addressed in this paper: firstly how is the musical crossing form ,between Balinese gamelan and the Gendang Beleq in Lombok, secondly, how the Balinese and the Sasak began to integrate one to each other. The method used in this research is qualitative with acquired data sources in the field based on the results of interviews of some informant. Theory used in analyzing the problem is ethnomusicology theory by Alan P Marriam.
WATER, ITS PRESENT, ITS FUTURE: A LOOK BACK AT ‘LIQUIDITY, INC.’. BY HITO STEYERL Dewa Ayu Eka Savitri Sastrawan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

“Liquidity, Inc.” is an unpredictable video art that plays for 30 minutes. What’s being shown by the artwork might not be something that we can relate to straight away, moreover in the context of Bali. However, this paper aims to pour the artwork back to another clean container, to look back at one of Hito Steyerl’s bizarrely montaged fictional documentaries. As water becomes a more and more important matter to talk, think and encounter within our daily lives in the changing climate, along with possible connections on Bali’s tirta (water) belief, this writing aims to give a perspective on how we could view water in its present and future, in Bali and beyond, through an artwork such as “Liquidity, Inc.”
UTILIZATION OF HINDU RELIGIOUS CEREMONIAL GARBAGE IN BALI AS FABRIC DYE Ni Made Santi Udiyani; Ni Kadek Yuni Diantari; Putu Ari Darmastuti
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This study aims to determine the ceremonial waste of the Hindu community in Bali which can be used as an environmentally friendly textile dye. In carrying out religious ceremonies, the Hindu community in Bali makes offerings such as offerings that cannot be utilized optimally after the ceremony takes place so most of it becomes organic waste. In this study, the waste of Hindu ceremonies in Bali in the form of organic waste will be tested to produce a solution of natural dyes using a pre-experimental method. The pre-experimental method explores the extraction technique of several samples of organic waste with water as a solvent on textile materials, namely cotton cloth. The process of making this natural dye solution goes through three main processes, namely pre-mordant, extraction of dye raw materials, and fixation. Some samples of organic waste found in Hindu religious ceremonies in Bali have plant color pigments such as balsamina purple, red, hydrangea, marigold, pandan leaves, shallot skin, turmeric, and areca nut was extracted to produce a natural color solution. The extraction of the color solution is able to bring out several color tones on textile materials, namely cotton fabrics. Through this research, it is hoped that it can be one of the people’s choices in producing natural color as textile materials that can be produced simply as well as an effort to reduce organic waste produced in Hindu community ceremonies in Bali.
THE PROCESS OF MAKING THE LASEM BATIK MODULE BOOK Pratiwi Kusumowardhani; Syafira Sukma Maharani
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Batik Lasem is one of the batiks that have a characteristic that Batik Lasem is very famous for because of its characteristics as a beautiful coastal batik with bold coloring so that the batik made has a high selling value. In the field study, it was found that the development of fashion design on lasem batik was minimal due to the lack of reference books and technical training in making fashion designs. In writing this time, the author wants to make a unique module book for lasem batik fashion design. The method used is the method of writing in two stages, namely the stage of qualitative method, qualitative field study (Field Study), and the second stage, namely the stage of the design production process and book layout with a focus on three stages of the process in making book designs, namely the pre-production process, production, and post-production. ThisThis discussion is limited to the first stage, namely the qualitative stage, the type of qualitative field study. The purpose of making this paper is to answer requests from craftsmen to present a design module book for the stages of making fashion clothing designs, especially the Batik Lasem design.
AESTHETIC FORM OF SEGARA KELANGON ART FASHION WORKS Dewa Ayu Putu Leliana Sari
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Earth is the only planet in space that has an ocean of water on its surface. The world is mostly covered by sea level. The oceans play an essential role in Earth's climate and the world's water cycle. The water cycle never stops from the atmosphere to the Earth, one of which is the ocean. The sea itself is a global water system that connected. The influence of currents in the sea causes waves. The waves crashing and rolling in the sea create inspiration in designing a dress. The method used in analyzing the aesthetics of this art fashion form is a qualitative research method. The qualitative approach aims to describe an object or problem under study. Collecting data is in the form of documentation and a literature study. Sustainable fashion in the form of free styling draping is one of the solutions to responding to the latest fashion trends. This piece of clothing is sewed 100 percent using hand stitches, with the freestyling draping technique (making clothes by draping, pleating, twisting, wrapping, sewn without cutouts, and machine stitching). This technique is one way to respond to sustainability because the work can be unstitched as a sheet of cloth and can do a new job again. Segara kelangon means the beauty of the sea's waves, the endless ocean applied by the freestyling draping technique that is not cut off. The aesthetics of this clothing include a cocktail dress intended for morning or afternoon parties. The light blue or light blue color itself symbolizes honesty and trust.
THE ROLE OF WATER IN THE FABRIC DYEING PROCESS FROM A SUSTAINABLE FASHION PERSPECTIVE Faradillah Nursari; Arini; Gina Shobiro Takao
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Synthetic fabric dyes pollute rivers and other water sources due to poor waste management and the high demand to create fabric for the fast fashion industry. Although water is an essential source for fabric dyeing, the merit of water is contradictive in this point due to its role in dyeing fabric but having its source polluted. The subject of fabric dyes, their formulation, and their techniques were discussed the most in academia, not only in fashion but also in science. However, there needs to be more discussion regarding how fresh water became a primary material to create fabric dyes or dye the fabric itself. This study focuses on how water plays a significant role in the fabric dyeing process for the fashion industry and its impact on the environment. Qualitative methods applied in this research include data collection, such as a literature review. Citarum river and its watercourses became an example of how freshwater resources support the factories' production process in the fashion industry. Data collection is analyzed based on the sustainable theory applied in textile and fashion. Water was a significant primary material in the fabric dyeing process in this study. Furthermore, fresh water is needed to produce a coloured fabric using synthetic dyes. Additionally, there is a concern regarding waste treatment to avoid water pollution. Water waste from natural dyes does not pollute the environment and could be a better alternative to reduce water usage and pollution from synthetic dyes.
WATER AS A SOURCE OF ART CREATION INSPIRATION TABUH KREASI PEPANGGUALAN AMBUH HREDANA BY ANDI PASTIKA PUTRA I Putu Agus Eko Sattvika
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

The purpose of this study was to examine Tabuh Kreasi Pepanggulan Ambuh Hredana, which was inspired by the Magpag Yeh tradition in the Kapal Village. This research is important to do because water is the source of life in Kapal Village, but it has not been widely used as a source of inspiration in the creation of works of art. The questions are 1. What is the process of creating Tabuh Kreasi Pepanggulan Ambuh Hredana 2. What is the form of Tabuh Kreasi Pepanggulan Ambuh Hredana. This study uses a qualitative method with an ethnomusicological approach. The data sources are from the gending itself, its creator, and cultural figures. Data collection techniques were carried out through participatory observation, interviews, and document studies. The analysis was carried out using the theory of the process of creating works of art based on local wisdom, ethnomusical theory, and functional structural theory. The results of this study are 1. The process of creating Tabuh Kreasi Pepanggulan Ambuh Hredana uses the stages of creation starting from basic capital, creativity, understanding of local culture, concepts, prayers, the process of realizing works of art. 2. Tabuh Kreasi Pepanggulan Ambuh Hredana is in the form of Tabuh Kreasi Pepanggulan with the Triangga concept, with a structure consisting of kawitan, pengawak, and pengecet.
PEIRCE’S VISUAL SEMIOTIC IN EMOTIONAL CORRELATION MESSAGE AT “I CHOOSE AQUA” TV ADS Andreas James Darmawan; Made Arini Hanindharputri; Kadek Adi Putra Wijaya
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

In Charles Sanders Peirce's theory, visual semiotics is the thinking behind how the representative could present a message with a suitable object for the audience as an interpreter. This research is conducted to learn visualization as an object; that could represent emotional correlation in one of AQUA's advertisements, titled "Family is the Most Important for Me". The research team found out that the correlation message in these ads is far from the product category itself; as bottled mineral water, this brand should not be consumed by a one-year-old child. In addition, the research team got a visual jump into the scene and considered dissociation in advertising message continuity. This research utilizes qualitative methods that divide several visual scenes in the ads and apply them to visual semiotics, focusing on object segmentation that implies content, context, and form. Data was collected by literature study, discussion with field experts, collecting data through video and social media, and interviews with advertising agencies and related advertising producers. These data were studied and divided scene by scene, correlated with visual semiotics and discussion results, then re-discussed with advertising agencies and producers to be concluded—the research team enlightened by advertising agency strategy, which is shrewdly sublimed visual, emotional message as the semiotic comparison. Also, in terms of continuity, these ads are visualized by a mother acting to protect her child and then being metaphorized to the mother's passion for protecting her child, sublimed with how AQUA protects nature quality.
THE CULTURAL VALUES OF FIGURATIVE LANGUAGE USED IN THE TEXT "PURANJANA BECOMES A WOMAN IN THE NEXT LIFE" Ni Ketut Dewi Yulianti; I Gst Ayu P. Jesika Sita Devi N
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

This paper aims to analyze the figurative language used in the text Puranjana Becomes Woman in The Next Life. In addition, the cultural values conveyed by the figurative language will also be presented. It will be significant for those engaged in the figure of speech and those who love to use figurative language in their performances. This study needs to be researched because it is a religious text with the figurative language of their cultural values. The meanings of the figurative language must be distinct from the text's theme, which is in line with the cultural values of the text. The data about figurative languages are collected through library research and analyzed based on semantic theory and cultural elements since cultural elements are needed to reveal the cultural values of the text. In this study, the cultural elements are limited to custom and tradition. This paper will provide an understanding of a religious text, specifically in relation to cultural value. Besides, this paper can contribute to the education world and help people gain insight into cultural values from a religious text.
IMPLEMENTATION OF WATER VALENCE ELECTRONS BY INTERLOCKING PITCH COMBINATION METHODS IN THE PROCESS CREATING MUSICAL WORKS Ketut Sumerjana; Ary Nugraha Wijayanto
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Water is the source of human life both personally and communally. As a source of life, the benefits of water are very diverse, especially as a source of energy for living things, in humans, water is an important factor because it has a percentage of 70%. The magnitude of the benefits of water, turns out to have a relationship with the chemical formula, namely H2O, a compound that has perfect bonds. The concept of perfect value in the complementary chemical bonds of water provides a way to implement the value of its valence electrons by working on interlocking pitch combinations in musical compositions. The research method uses Practice Led Research with the aspect of reflection that has a relationship with practice so that the relationship consists of several stages, namely: literature study, sound synthesis, complementary experiment, evaluation and reflection. Research shows that the combination of pitch tones is part of the mathematical function of a musical series, the output of Led Research is in the form of a musical "+26"

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