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Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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Visualisasi Kolonialisme Dalam Film Bumi Manusia Raditya Pandet, Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.634

Abstract

Film Bumi Manusia (2019) merupakan film yang diangkat dari novel berjudul sama karya Pramoedya Ananta Toer. Visualisasi film ini menggambarkan kenyataan sosial dan sejarah kolonial di Hindia Belanda. Teori mise-en-scene digunakan untuk menganalisis elemen-elemen visual di setiap frame. Penelitian ini menerapkan metode deskriptif kualitatif dengan analisis semiotik terhadap momen-momen penting dalam film. Elemen mise-en-scene digunakan dengan baik untuk mendukung narasi dan karakterisasi, seperti pemanfaatan pencahayaan alami untuk menciptakan suasana realisme sejarah, serta pengaturan ruang dan properti yang mencerminkan ketidaksetaraan sosial antara pribumi dan kolonial. Penggunaan long shot dan wide-angle shot yang konsisten menegaskan kesan ruang serta dominasi kekuasaan kolonial, sedangkan pencahayaan naturalistik dan warna hangat menciptakan nuansa nostalgia dan ironi terhadap era penjajahan. Selain itu, pergerakan kamera yang lembut dalam momen-momen emosional juga memperkuat karakter utama, Minke, sebagai lambang perlawanan intelektual. Film ini mengungkapkan bahwa mise-en-scene bisa menjadi alat interpretasi yang signifikan dalam memahami ideologi dan konteks sejarah melalui visual.
The Controversy of Pramoedya Ananta Toer: A Reception Study Toward Reconciliation Suaka, I Nyoman; Tia Wisma Adinda, Kadek
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.635

Abstract

The life journey of the writer Pramoedya Ananta Toer is filled with controversy. On one hand, he has been harshly criticized; on the other, he has been highly praised. Pramoedya and his works are scarcely mentioned in literature education in Indonesian schools. Strangely, abroad, this author from Blora, Central Java, enjoys great renown. This raises a fundamental question: what is Pramoedya’s position in the landscape of Indonesian literature? This study applies the theory of diachronic reception by Robert Jauss and Wolfgang Iser. The research employs a descriptive qualitative method, drawing on data sources such as books, magazines, newspapers, journals, and reviews discussing Pramoedya. Additional sources include Pramoedya’s tetralogy novels, Bumi Manusia, Anak Semua Bangsa, Jejak langkah, Rumah Kacaand as well as the film adaptation of Bumi Manusia. The findings reveal that the controversy surrounding Pramoedya’s life is closely tied to the political landscape in Indonesia between 1950 and 1966. During this period, the Institute of People’s Culture Lembaga Kebudayaan Rakyat (Lekra) emerged, ideologically opposed to the Cultural Manifesto movement (Manifes Kebudayaan). As a member of Lekra, Pramoedya sharply criticized Manifes Kebudayaan writers through his polemical writings. Several works by Manifest Kebudayaan affiliated authors were burned, and the writers imprisoned. Conversely, Pramoedya’s own works were banned and withdrawn from circulation. He himself was detained in Jakarta and later imprisoned on Buru Island. Through the lens of diachronic reception theory, this study identifies elements that may open a path toward reconciliation.
Citra Pemberontakan dalam Novel Larasati Dong Hoon, Kim
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.636

Abstract

Tujuan penelitian ini adalah untuk mendeskripsikan bagaimana Larasati, karakter utama Larasati, salah satu dari beberapa karya tersebut, melawan pemerintah kolonial untuk mewujudkan utopianya dan bagaimana gambaran perlawanan itu diamati. Selain itu, Pramoedya menyampaikan gambaran perempuan aktif dari heroine (pahlawan wanita) yang sulit ditemukan dalam karya sebelum dan sesudah masa kemerdekaan Indonesia melalui pengaturan seniman perempuan yang berbeda. Makalah ini memperkenalkan hubungan sastra dan masyarakat berdasarkan pandangan Lukas, Goldman, dan Pramoedya dalam pendahuluan sebagai karya lanjutan untuk menganalisis gambaran perlawanannya, dan pandangan hidup dan sastra penulis diperiksa untuk memahami penulis lebih dalam. Citra perlawanannya juga dianalisis berdasarkan karakter perlawanan dan karakteristik genre novel. Dalam analisis citra perlawanannya, dipastikan bahwa perlawanan berarti seseorang memiliki target sebagai syarat mutlak, terlepas dari sisi dalam atau luarnya, dan citra perlawanan seorang tokoh hanya diamati melalui target tertentu dalam karya tersebut. Artinya, citra perlawanannya bukanlah perlawanan yang memiliki ideologi atau struktur perjuangan bersenjata dalam struktur karya, melainkan diamati sebagai citra introspeksi berdasarkan filantropi, yang diungkapkan bahwa ia mengalami perubahan citra kewanitaannya dalam situasi keras periode revolusioner secara internal. Citra pemberontak dalan novel ini sangat penting karena memahami sistem nilai yang coba diatasi penulis dalam situasi problematis tersebut dengan kesadaran historisnya menyaksikan pergolakan revolusi Indonesia dengan mengekstraksi citra perlawanan dalam struktur sastra dan menafsirkan pesan penulis, serta pada akhirnya memperluas pemahaman tentang keseluruhan pandangan sastra penulis.
Ecological Folklore "I Swarnangkara" and Pramoedya Ananta Toer's View in The Perspective of Realism-Socialist Literature Dwiyani, Ni Kadek; Swandi, I Wayan; Karja, I Wayan; Bayu Pramana, I Made
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.637

Abstract

Ecological folklore is a part of literature that is widely developed by raising environmental themes through theme responses and moral messages conveyed as an effort to save the environment. One example of ecological literature in the form of Balinese folklore that also tends to convey character education values to save the forest is Balinese oral literature entitled "I Swarnangkara". The purpose of the study is to examine the existence of oral literature "I Swarnangkara" in Pramoedya Ananta Toer's view in the perspective of Socialist Realist Literature. The method used is descriptive qualitative to facilitate the delivery of the results of the analysis elaborated with the theory of Ecological Literature and Socialist Realist Literature. The object of the research is the oral literature "I Swarnangkara" which represents the message of saving the forest by a young man who grew up in Watukaru Village, precisely in Watukaru forest in Wongaya Gede Village, Tabanan Regency. The results show that the existence of oral literature "I Swarnangkara" contains social realist values that highlight efforts to save the forest environment as a strategy to balance the role of humans and nature for survival. The existence of ecological literature "I Swarnangkara" in the perspective of Social Realist Literature shows that oral literature can function as an educational medium to foster responsibility in protecting nature, especially forests which are the axis and source of oxygen for the world.
Karya Sastra Panji-Malat di Era Global Budiarsa, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.638

Abstract

Panji literature, known in Bali as Malat, is a literary work classified as old prose that still exists amidst the onslaught of global culture. This literature has been adapted into various forms of art, including new prose literature in the form of novels. The Balinese people interpret and translate Malat into the Gambuh dance drama, which uses dialogue Kawi and Balinese. This article uses qualitative methods, with data collection involving observation, interviews, documentation, and literature review. The results indicate that Malat literature remains an integral part of Balinese Hindu life, both in the form of vocal art and the performing art "Gambuh," and is inseparable from religious rituals. Even in a global era marked by technological advancement, art derived from Panji/Malat literature remains relevant and serves as a means of uniting the Unitary State of the Republic of Indonesia (NKRI) and can also serve as a reference source for contemporary works.
The Idea of Home and Displacement in Anak Semua Bangsa by Pramoedya Ananta Toer Sahiddan, Nurhanis; Azman Awang Pawi, Awang
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.639

Abstract

This paper explores the thematic construction of home and the experience of displacement in Anak Semua Bangsa (Child of All Nations) by Pramoedya Ananta Toer. As the second novel in the Buru Quartet, the text continues the journey of Minke, a native intellectual negotiating his identity amid the turbulence of Dutch colonial rule. The narrative presents home not merely as a physical dwelling, but as a contested ideological space shaped by race, power, and colonial epistemology. Through the characters of Minke and Nyai Ontosoroh, the novel interrogates how colonial structures displace native subjectivities, both literally and symbolically, resulting in fragmented identities and shifting notions of belonging. Drawing on postcolonial theories by Homi Bhabha and Edward Said, this paper examines how colonial modernity fractures indigenous connections to home while simultaneously generating hybrid spaces of resistance and redefinition. The analysis focuses on selected episodes that highlight exile, inheritance, and spatial marginalization, revealing how Pramoedya reclaims the narrative of home as a political site of cultural assertion. Ultimately, the study situates Anak Semua Bangsa within broader world-literature paradigms by showing how Indonesian anti-colonial resistance resonates through the language of displacement, memory, and imagined return.
Calon Arang: From Oral Tradition to Text in Pramoedya Ananta Toer’s Narrative for the Advancement of Literary Education Ayu Suciartini, Ni Nyoman; Payuyasa, I Nyoman
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.640

Abstract

This study examines the narrative transformation of Calon Arang, a Balinese folklore rich in mysticism and local ethics, into a modern literary text reinterpreted by Pramoedya Ananta Toer. The research assumes that Pramoedya did not merely adapt a folktale but carried out an ideological reconstruction of the character Calon Arang as a symbol of female resistance against structural injustice, gender stigma, and patriarchal epistemological hegemony. In Pramoedya's version, the elderly woman, long portrayed as an evil witch, is reimagined as an intelligent, courageous figure who subverts masculine power structures—both royal and religious. The study employs an intertextual approach and critical discourse analysis by comparing the oral narratives of Calon Arang in Balinese tradition—recorded in lontar manuscripts and dramatized in Calonarang performances—with Pramoedya’s literary text. Using postcolonial feminist theory and Paulo Freire’s critical pedagogy, this research explores the potential of Calon Arang as a teaching material that cultivates both local cultural literacy and critical gender awareness in the classroom. Findings show that the transformation of Calon Arang from oral folklore to modern literary text signifies a paradigmatic shift: from a myth of ostracism to a narrative of resistance. Pramoedya’s Calon Arang emerges not as an emblem of evil but as a metaphor for the educated woman oppressed for resisting sexist norms and unequal socio-religious power. The work is thus relevant for inclusion in secondary and higher education literary curricula as a progressive model of critical literacy rooted in local culture. The study concludes that integrating local folklore into modern literature not only enriches the Indonesian literary canon but also opens dialogic spaces across generations, between myth and social critique, and between education and emancipation. Within the context of the Merdeka Curriculum, this study offers a strategic contribution to the development of contextual, transformative, and gender-sensitive literary education.
Feudal Echoes: Unveiling Gendered Power Through Indonesian Literary Narratives The Girl from the Coast By Pramoedya Ananta Toer Tisna Andayani, Ni Putu; Candrayana, Ida Bagus
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.641

Abstract

This article analyzes Gadis Pantai (The Girl from the Coast) by Pramoedya Ananta Toer through a socialist feminist approach to uncover the forms of gender oppression embedded in the feudal social structure of early 20th-century in Java. Feudalism in The Girl from the Coast is portrayed as a system that freezes class and gender identity. It erases a woman's name, agency, and dignity in order to preserve the elite’s status quo. Bendoro positions the Girl from the Coast as a symbol of status rather than an equal partner. The Girl from the Coast serves as a vivid example of female resistance, even within constraints. Male dominance in the novel constructs a narrative that suppresses women's agency. The story illustrates how the institution of marriage can become a form of symbolic violence. Pramoedya gives voice to women who have long been silenced by social systems. The Girl from the Coast stands as a witness to how tradition can perpetuate subordination. Pramoedya not only critiques this feudal system, but also lays the foundation for reinterpreting the role of women within modern social structures. The protagonist, a young woman from a fishing community, is coerced into marriage with a Javanese aristocrat as a “trial wife,” reflecting the interwoven realities of patriarchy and class hierarchy. This study reveals that symbolic and social forms of violence depicted in the novel not only reinforce female subordination but also carve out space for symbolic resistance through the character’s emergence of self-awareness. By synthesizing feminist theory from Simone de Beauvoir and the patriarchy-class framework of Rosemarie Tong and Kate Millett, this article proposes that Gadis Pantai stands as an emancipatory narrative, remaining highly relevant for understanding gendered power relations in contemporary society.
Membahasakan Kritik Kekuasaan dalam Arok Dedes Karya Pramoedya Ananta Toer Tengsoe, Tjahjono; Koh Young, Hun; Kim Dong, Hoon
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.642

Abstract

Penelitian ini mengkaji narasi novel Arok Dedes karya Pramoedya Ananta Toer sebagai bentuk tafsir estetik terhadap kekuasaan. Berangkat dari pendekatan historis-kritis dan naratologis, tulisan ini memperlihatkan bagaimana Pramoedya memanfaatkan cerita mitologis Jawa kuno untuk mendekonstruksi narasi kekuasaan feodal. Dengan tokoh-tokoh yang kompleks, struktur alur berlapis, dan bahasa yang tajam, Pram menghadirkan kritik terhadap historiografi hegemonik dan sistem politik yang manipulatif. Artikel ini menelusuri bagaimana Pram menyusun narasi, menciptakan tokoh, memilih bahasa, dan menghadirkan kekuasaan sebagai medan tafsir estetis dan ideologis. Simpulan dari kajian ini menyatakan bahwa sastra, dalam tangan Pramoedya, menjadi instrumen pembongkaran ideologi dominan dan penyusun ulang kesadaran sejarah.
Postcolonial Feminism Discourse in Pramoedya Ananta Toer’s Novels Rahmayati, Rahmi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.643

Abstract

The portrayal of Indonesian women during the colonial era cannot be separated from the construction of the patriarchal and the colonial system, which gave rise to the burden of colonization and double oppression during that period. However, this did not deter Indonesian women from their struggle and resistance against the patriarchal and colonial system of the time, even though some were unable to secure their rights, both as women and as human beings. This is represented in Pramoedya Ananta Toer's novels. This study aims to explore Pramoedya Ananta Toer's thoughts on women in his works (in the form of novels) that intersect with the issues of feminism and colonialism. These works include the novels Gadis Pantai, Larasati, and Bumi Manusia. This study uses a qualitative method with a postcolonial feminism theory approach. The data analysis techniques in this study are (1) identifying; (2) classifying; (3) describing; (4) analyzing; and (5) drawing conclusions. The results of the study indicate that women face a double burden of colonization and oppression. This is because women are victims of both patriarchal and colonial systems. Furthermore, despite being caught between these two systems, they continue to struggle and resist both.

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