Seniman: Jurnal Publikasi Desain Komunikasi Visual
SENIMAN : Jurnal Publikasi Desain Komunikasi Visual merupakan jurnal ilmiah yang mempublikasikan hasil penelitian, kajian konseptual, studi kasus, dan praktik kreatif dalam bidang Desain Komunikasi Visual (DKV). Jurnal ini bertujuan menjadi wadah pertukaran gagasan, pengembangan keilmuan, serta dokumentasi praktik desain yang berkontribusi pada perkembangan teori, metodologi, dan aplikasi desain komunikasi visual di tingkat nasional maupun internasional. Fokus Fokus utama SENIMAN : Jurnal Publikasi Desain Komunikasi Visual adalah kajian dan pengembangan keilmuan Desain Komunikasi Visual yang mencakup aspek konseptual, strategis, estetis, sosial, budaya, dan teknologi visual dalam berbagai media komunikasi. Ruang Lingkup Ruang lingkup SENIMAN : Jurnal Publikasi Desain Komunikasi Visual mencakup kajian dan praktik Desain Komunikasi Visual, meliputi: Desain grafis cetak dan digital, tipografi, ilustrasi, fotografi, dan videografi Identitas visual, branding, periklanan, promosi, dan desain kemasan Media interaktif, multimedia, motion graphic, animasi, UI/UX, dan desain informasi Budaya visual, kearifan lokal, industri kreatif, serta media dan teknologi baru Teori, kritik, sejarah desain, metodologi penelitian, dan studi kasus desain SENIMAN : Jurnal Publikasi Desain Komunikasi Visual menerima artikel penelitian, artikel konseptual, dan laporan praktik kreatif yang relevan dengan bidang Desain Komunikasi Visual dan belum pernah dipublikasikan sebelumnya.
Articles
90 Documents
<![CDATA[Fungsi Musik Gala Di Kelurahan Tubo Kota Ternate Provinsi Maluku Utara ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.88
<![CDATA[The research entitled Functions of Gala Music in Tubo Village, Ternate City, North Maluku Province aims to discover how Gala music functions in Tubo Village, North Maluku Province. Along with the times, Gala Music in Ternate is no longer played for ritual activities, for example, wedding ceremonies, circumcisions, or picking up guests, but only for performances as public entertainment. Habits and traditions began to shift with the advent of modern music so that slowly the old customs or rituals rarely involved Gala music anymore. The theory used as a reference in this study is the Function Theory and the Sociology of Art approach. The research method used is a descriptive qualitative method using data collection techniques such as observation, interviews, documentation and literature studies with the acquisition of data encountered both directly and indirectly understood and evaluated. The existence of gala music continues to grow in the current generation. The results showed that the function of Gala music in the Tubo Village was a function of emotional expression, a function of appreciating aesthetics, entertainment function, communication function, symbolic function, a function of physical response and bodily reaction, a function of validating social institutions, a function related to social norms, a function of continuity of culture and function of integrating society. With the existing developments, Gala music is played in collaboration with the music of Togal, Lala and several other traditional musics. This indicates that Gala music is present to meet the community's cultural needs so that it greatly influences cultural stability in the City of Ternate, especially in the Tubo Village.]]>
<![CDATA[Motif Saik Galamai Dalam Bentuk Typeface SAGA ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.89
<![CDATA[Saik Galamai is a decorative variety originating from West Sumatra, the Saik Galamai motif itself comes from Minangkabau kgas food, namely galamai. Which is cut in the shape of a kite so that this form of the Saik Galamai motif is created. Making Galamai must be done carefully and with great care. It requires high precision and caution. The design of the typeface inspired by the Saik Galamai Minangkabau decoration is a form of cultural preservation. In addition, the application of the saik galamai motif into typeface exploration is a new innovation made to reintroduce local culture to the target audience in the form of typefaces. The method used in this design is the 4D method through 5W+1H data analysis. The results of this design will produce a new typeface which includes uppercase, lowercase, numerals, and punctuation characters which are presented in visual form through media, posters, stickers, X-banners, keychains and tote bags.]]>
<![CDATA[MEDIA BERBENTUK VIDEO COMPANY PROFILE SEBAGAI PENUNJANG INFORMASI DAN PROMOSI ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.91
<![CDATA[Pengaruh derasnya informasi multimedia sangat dirasakan oleh semua perusahaan, baik yang bergerak dibidang layanan jasa maupun produksi barang. CV. Mukti Manunggal, yang berlokasi di Jl. Singotoro 6A Kec. Candisari Semarang yang bergerak dibidang percetakan, merupakan salah satu perusahaan yang merasakan dampak dari derasnya informasi multimedia. CV. Mukti Manunggal harus bisa memanfaatkan informasi multimedia dengan baik sebagai upaya untuk mempertahankan kualitas produk yang dihasilkan agar mampu bersaing untuk merebut kepercayaan dan kepuasan konsumen.]]>
<![CDATA[PEMESANAN DAN PENJUALAN MENGGUNAKAN METODE REAL TIME PROCESSING BERBASIS WEB ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.92
<![CDATA[CV. New Flashphone Semarang adalah sebuah perusahaan yang bergerak dalam bidangdistributor handphone, smartphone, accesorieshandphoneyang terletak pada jalan raya PekundenSemarang. CV New Flashphone Semarang merupakan salah satu usaha milik perseorangan yang bergerakdalam bidang penjualan dan distributor berbagai macam produk gadget dan juga perlengkapan gadget.Beberapa costumer yang bermitra dengan CV. New Flashphone Semarang sejak tahun 2009 seperti counterhandphone dan dan juga agen-agen handphone yang berada di kota Semarang, Magelang, Yogyakarta danjuga kota Solo.]]>
<![CDATA[PROSES PRODUKSI PROGRAM ISLAM PEDIA DI SALAM TV ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.468
<![CDATA[This study aims to understand the Production Process of the Islamic Pedia Program at Salam TV Jl. Darmo, Ujung Serdang, Kec. Tj. Morawa, Deli Serdang Regency, North Sumatra. The research method used is a qualitative approach, using 1 informant as sources for data collection. The results obtained from this study are that the production process for the Islam Pedia program on Salam TV has several production stages, namely the pre-production process, the production process and the post-production process. In the pre-production process, the creative team drafted the concept, created the title, created the script, prepared materials starting from pictures and videos. The production stage is searching for photos from Google and videos from YouTube at sources that are trusted to be edited and combined with voice recordings (vo), this is done to support the script that has been written according to the theme being discussed. The post-production stage is uploading videos (media publicity) by the broadcast team (MCR) to YouTube, official Instagram greeting TV and other official websites and conducting evaluations through feedback from the public.]]>
<![CDATA[Persepsi Tayangan Sinetron Anak Jalanan Di Rcti Oleh Masyarakat Di Lingkungan Kelurahan Koto Baru, Pasaman Barat ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.476
<![CDATA[This study aims to find out about the perception of street children soap operas on RCTI by the Community in the Koto Baru Village, West Pasaman. The initial problems with television shows, especially the soap opera "Street Children" which is currently so loved by some Indonesian people today, and also people in West Pasaman and its surroundings. it seems that these shows no longer provide positive benefits to society. which often featured scenes of fights between motorbike gangs, then also always presented scenes with arrogant, cunning, and evil characters. This of course can have the effect of changing people's bad behavior as well, due to the habit of watching these shows. By using descriptive research methods to study problems in society, as well as procedures in society and certain situations including relationships, activities, attitudes, views and ongoing processes and the influence of a phenomenon including the street children soap opera. The results of the study found that: in general, street children soap operas are very much liked by Indonesian people, this is because these shows have several important elements that are the center of public attention, namely artists, the characters of the soap opera players and also the big names of RCTI TV stations, as well as broadcast time it's still not late. RCTI's soap operas for street children still don't provide many positive benefits for the development of society, because they still don't highlight elements of education, then they always highlight bad or evil behavior, and also always highlight scenes of fights between motorbike gangs, so that they display more elements of violence in the show. Street children soap operas that focus on elements of entertainment for the community and audience and there are a few religious elements that can be seen in these shows.]]>
<![CDATA[STRATEGI PROGRAM HALO USTAD DI SALAM TV DALAM MENARIK MINAT KHALAYAK UMUM ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.563
<![CDATA[The problem in this research is what is the strategy for the halo ustad program in attracting audience interest on salam tv. This study aims to find out how the strategy in the Halo Ustad program is to attract public interest on Salam TV. This study uses a qualitative method. Data collection was carried out using observation techniques and direct interviews at the research location. The strategy in the halo ustad program starts with compiling a broadcast schedule, choosing and preparing questions, choosing a teacher to present the program, which is very influential on the intended audience. For that we need a strategy in an event program.]]>
<![CDATA[ANALISA PROSES PRODUKSI PADA PROGRAM PEMBERITAAN KABAR SUMATERA DI TVONE BIRO MEDAN ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.564
<![CDATA[In an era that is increasingly controlled by technology and information, it requires people to always know when sharing information. The mass media is one of the most important means of information in human life. The mass media currently playing a role in presenting information to the wider community is television. TvOne Medan Bureau is one of the TV One bureaus in North Sumatra. Precisely in the city of Medan. Through daily observations, TV One focuses on wrapping its various programs in the form of news. The research method used is qualitative research using a descriptive approach so that it emphasizes more on the understanding aspect of a problem. The descriptive approach focuses on the actual problem as it was at the time the research took place. In the pre-production stage, there are several stages, namely field data research, camera, lighting and audio. The production stage of the process of sending signals to various locations simultaneously. This process can be via satellite, radio, television and SNG cars. Lastly, post-production, at this stage the editing process will begin after everything is okay, it will be broadcast every Friday at 10.00 am.]]>
<![CDATA[Strategi Komunikasi Salam TV Dalam Menyiarkan Dakwah Islam Melalui Media ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.644
<![CDATA[The communication system is related to the growing communication network in society. The components discussed when discussing communication systems include non-media communication systems and media communication. This type of research is qualitative research which describes data using a series of sentences. The method used in this research is descriptive method. Descriptive method is a method whose data sources are words, pictures, and data from books, journals and other scientific works. In addition, everything that is collected is likely to be the key to what has been researched. So the use of this method does not produce data in the form of numbers, but data that is descriptive in nature. This study uses written data sourced from scientific journals and previous research. In today's digital era, da'wah media is very important in spreading religious messages, especially in Islam. Salam TV is a communication system that plays an important role in spreading Islamic da'wah through da'wah media. Through Salam TV, Islamic da'wah messages can reach a wide audience, convey the right da'wah messages, play a role in religious education, and encourage positive social interaction.]]>
<![CDATA[Analisis Proses Produksi Program Citraloka di DAAI TV Pada Episode "Markisa Yang Melegenda" ]]>
<![CDATA[ SENIMAN: Jurnal Publikasi Desain Komunikasi Visual Vol. 1 No. 1 (2023): Mei : Jurnal Publikasi Desain Komunikasi Visual ]]>
Publisher : <![CDATA[International Forum of Researchers and Lecturers ]]>
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DOI: 10.59581/seniman-widyakarya.v1i1.659
<![CDATA[This program is one of the interesting programs on DAAI TV Medan. And it is not surprising that this program has received various awards from the North Sumatra KPID. So that researchers want to examine the production process of the Sumatra Frame program which has been trying to improve the corporate image of DAAI TV Medan. The purpose and benefits of this research are to find out the production process of the Citraloka program in building the image of DAAI TV Medan and I hope this research can be useful for readers. The research used is a descriptive qualitative approach. The theoretical description in this study uses mass communication, communication processes, agenda setting theory, and program production processes. The results of this study are the production process carried out by DAAI TV Medan in making news regularly from pre-production, production and post-production. The pre-production stage here begins with a projection meeting by gathering ideas according to the vision and mission, and related to inspirational values. Production activities, namely a reporter doing live coverage of the field. Then in post-production the process of editing and merging the coverage results into one news package. The Citraloka program has an inspiring value as a means of education for the community. Its consistency as a broadcasting media broadcasting useful news is quite good. DAAI TV Medan has carried out its social responsibility so that it has a good image in the community, and does not look at the ratings that have been achieved, but looks at how useful the broadcasts are.]]>
