cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
DeKaVe
Published by Institut Seni Indonesia Yogyakarta
ISSN : -     EISSN : -     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Jurnal "dekave" diterbitkan oleh Program studi Desain Komunikasi Visual Fakultas Seni Rupa FSR, Institut Seni Indonesia Yogyakarta sebagai media publikasi ilmiah berupa karya penelitian maupun rancangan dalam bidang komunikasi visual, yang mencakup: bahasa rupa, budaya visual, desain grafis, multi media, dan lain-lain.
Arjuna Subject : -
Articles 214 Documents
 7   8   9   10   11 
Memahami Masalah=Menyelesaikan Masalah Andika Indrayana
DeKaVe Vol 8, No 2 (2015): DeKaVe Vol. 8 No. 2 Juli-Desember 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.866 KB) | DOI: 10.24821/dkv.v8i2.1632

Abstract

PERANCANGAN VISUAL BOOK SEJARAH POS DI INDONESIA MASA PRA-REPUBLIK HINGGA KEMERDEKAAN REPUBLIK INDONESIA Yuniar Arya Pradipta
DeKaVe Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1185.642 KB) | DOI: 10.24821/dkv.v8i1.1550

Abstract

TIPOGRAFI ARAB PEGON DALAM PRAKTIK BERBAHASA MADURA DI TENGAH DINAMIKA KEBUDAYAAN YANG DIUSUNG HURUF LATIN Naufan Noordyanto
DeKaVe Vol 9, No 2 (2016): Jurnal DeKaVe Vol. 9 No. 2 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7183.048 KB) | DOI: 10.24821/dkv.v9i2.1763

Abstract

Arabic pegon script or pegon script is the term of a few Hijaiyah/Arabic letters that is generally modified and used to write in Malay and Javanese. In Madura, East Java, Pegon script is used for the writing in the language of Madura and other languages, such as Java language. Unfortunately, practices of writing with Arabic typography Pegon in everyday life today, especially in the area of Madura, still as though vague, because the practice of typography around the world still dominated by "regimes" in Latin script. Pegon script as the focus of typography, is seen as an instrument to realize the visual language. Visuality of language in the form of Pegon script involving practices of language (Madura language). Pegon script actually is the result of "hard work" of efforts to "reconcile" the letter of the culture that was at first considered foreign (Arab-Islamic) with the local culture, especially the language of the local/indigenous (vernacular language). Now, practices of Pegon script can be said of a shift in usage habits. The practice Pegon script initially suspected rolling as a means of spread and transmission of Islamic knowledge, then it took place as an instrument of islamic education (literacy) in islamic students (santri) society, then it also turned increasingly popular and wider scope in the practice for the daily communications. However, in this era of Latin script, pegon script can be said to be marginalized in the corner of the specific socio-cultural environment, and has failed to return “to play” in the global arena, and tend to be replaced with Latin letters that dominate the world of typography practices.
ALIH WAHANA DALAM TRADISI LISAN MITOS PANGGUNG KRAPYAK PADA KARYA VIDEO MAPPING RAPHAEL DONNY “ALAS ING KRAPYAK” Erny Anggraeni
DeKaVe Vol 9, No 1 (2016): DeKaVe Volume 9 Nomor 1 Januari-Juni 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2986.227 KB) | DOI: 10.24821/dkv.v9i1.1656

Abstract

PERANCANGAN GRAFIS KEMASAN MAKANAN BURAYOT SEBAGAI OLEH-OLEH KHAS GARUT Egi Anwari; Ella Meilani; Oktarina Prasetyowati
DeKaVe Vol 10, No 2 (2017): Jurnal DeKaVe Vol.10 No.2 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5079.886 KB) | DOI: 10.24821/dkv.v10i2.1990

Abstract

This research was made to redesign the packing of Burayot, a typical snack from Garut. Food packaging, in addition to serving as a food protector, can also be a medium for communicating related food product information, brand, positioning and product differentiation. Burayot is a typical snack of Garut made from raw rice flour, brown sugar and coconut milk. In its development appeared other flavors, such as pandanus, black rice, menthol, strawberries, sesame and cheese. Generally, families in the area of Leles Garut can make burayot, but not every family sells it as commercial product. There are some small medium enterprises (SME) that produce burayot as commercial snack with different brands, such as Mak Ijoh, Saboga and Bu Lilis. However, those SMES haven’t made packaging design as one of their concern in doing their business, yet. Saboga has fairly good sales distribution, the products can be easily found in several gift shops in Garut and Bandung. But, as mentioned before, this brand has not been considering the packaging design. Its packaging hasn’t shown strong visual identities to distinguish it from other products, and it also hasn’t contained information needed for a packaging. This research method is qualitative by using experimental approach in the form of packaging design through design stages, visual studies and visual styling. Several trials of packaging materials are constrained by the content of cooking oil in the burayot confectionery that is widely absorbed in paper materials. The addition of paper material to the packaging structure has not been successful, so the experiment focuses more on the packaging label appearance. The results of this study are expected to help SME producers, especially Sabay burayot snacks can have packaging with a strong identity and clear information, so that consumers are easier to distinguish with other gifts. 
Rebranding Desa Wisata Kembang Arum untuk Meningkatkan Daya Saing Daerah di Bidang Pariwisata Wibowo Wibowo
DeKaVe Vol 10, No 1 (2017): Jurnal DeKaVe Vol. 10 No. 1 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2252.025 KB) | DOI: 10.24821/dkv.v10i1.1768

Abstract

KAJIAN BAHASA RUPA KARTUN KOMIK BENNY RACHMADI DALAM BUKU PR BUAT PRESIDEN Humrotin Humrotin
DeKaVe Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4387.425 KB) | DOI: 10.24821/dkv.v8i1.1546

Abstract

Fotografi Ruang Siber dan Layar Panoptik Analisis Foto dalam Media Sosial Instagram Daru Tunggul Aji
DeKaVe Vol 9, No 1 (2016): DeKaVe Volume 9 Nomor 1 Januari-Juni 2016
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5880.732 KB) | DOI: 10.24821/dkv.v9i1.1661

Abstract

Memperbincangkan Dialog Fotografi dan Sastra dalam 13 Keping Daru Tunggul Aji
DeKaVe Vol 8, No 2 (2015): DeKaVe Vol. 8 No. 2 Juli-Desember 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (419.724 KB) | DOI: 10.24821/dkv.v8i2.1633

Abstract

Ilustrasi Dalam Bingkai Tipografi Indiria Maharsi
DeKaVe Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (582.547 KB) | DOI: 10.24821/dkv.v8i1.1551

Abstract

Page 9 of 22 | Total Record : 214

 7   8   9   10   11 

Filter by Year

2011 2025


Reset
Filter By Issues
All Issue Vol 18, No 2 (2025): DeKaVe Vol. 18 No. 2 2025 Vol 18, No 1 (2025): DeKaVe Vol. 18 No. 1 2025 Vol 17, No 2 (2024): DeKaVe Vol. 17 No. 2 2024 Vol 17, No 1 (2024): DeKaVe Vol. 17 No. 1 2024 Vol 16, No 2 (2023): DeKaVe Vol. 16 No. 2 2023 Vol 16, No 1 (2023): DeKaVe Vol. 16 No. 1 2023 Vol 15, No 2 (2022): DeKaVe Vol. 15 No. 2 2022 Vol 15, No 1 (2022): DeKaVe Vol. 15 No. 1 2022 Vol 14, No 2 (2021): Jurnal DeKaVe Vol.14 No.2 2021 Vol 14, No 1 (2021): Jurnal DeKaVe Vol.14 No.1 2021 Vol 13, No 2 (2020): Jurnal DeKaVe Vol. 13 No. 2 2020 Vol 13, No 1 (2020): Jurnal DeKaVe Vol. 13 No. 1 2020 Vol 1, No 1 (2020): Jurnal DeKaVe Vol. 1 No. 1 2020 Vol 12, No 2 (2019): Jurnal DeKaVe Vol. 12 No. 2 2019 Vol 12, No 1 (2019): Jurnal DeKaVe Vol.12 No.1 2019 Vol 12, No 1 (2019): Jurnal DeKaVe Vol.12 No.1 2019 Vol 11, No 2 (2018): Jurnal DeKaVe Vol. 11 No. 2 2018 Vol 11, No 1 (2018): Jurnal DeKaVe Vol.11 No.1 2018 Vol 10, No 2 (2017): Jurnal DeKaVe Vol.10 No.2 2017 Vol 10, No 1 (2017): Jurnal DeKaVe Vol. 10 No. 1 2017 Vol 10, No 1 (2017): Jurnal DeKaVe Vol. 10 No. 1 2017 Vol 9, No 2 (2016): Jurnal DeKaVe Vol. 9 No. 2 2016 Vol 9, No 1 (2016): DeKaVe Volume 9 Nomor 1 Januari-Juni 2016 Vol 8, No 2 (2015): DeKaVe Vol. 8 No. 2 Juli-Desember 2015 Vol 8, No 1 (2015): DeKaVe Vol. 8 No. 1 Januari-Juni 2015 Vol 7, No 2 (2015): DeKaVe Volume 7 Nomor 2 Juli-Desember 2015 Vol 7, No 1 (2014): DeKaVe Vol. 07 No. 01 2014 Januari - Juni 2014 Vol 7, No 2 (2014): DeKaVe Vol. 7 No. 2 Juli-Desember 2014 Vol 3, No 6 (2013): DeKaVe Vol. 03 No. 06 2013 Juli- Desember 2013 Vol 3, No 5 (2013): DeKaVe Vol. 03 No. 05 2013 Januari - Juni 2013 Vol 2, No 4 (2012): DeKaVe Vol. 02 No. 04 2012 Juli- Desember 2012 Vol 1, No 3 (2012): DeKaVe Vol. 01 No. 03 Januari-Juni 2012 Vol 1, No 2 (2011): DeKaVe Vol. 1 No. 2 2011 Juli-Desember 2011 Vol 1, No 1: Januari 2011 More Issue