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Jurnal Filsafat

wisdom
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Published by Universitas Gadjah Mada

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Core Subject : Humanities, Education, Art, Social,

Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Jurnal Filsafat is a scientific journal that first published in 1990, as a forum for scientific communication, development of thinking and research in philosophy. Jurnal Filsafat is published twice a year, in February and August with p-ISSN: 0853-1870, and e-ISSN: 2528-6811 The Editorial Team of Jurnal Filsafat accepts manuscript in the field of philosophy which has never been published in other media. Editorial Team has the right to edit the manuscript as far as not changing the substance of its contents. Jurnal Filsafat Address: Notonagoro Building, 2nd Floor, Faculty of Philosophy, Universitas Gadjah Mada, Yogyakarta; Jl. Olahraga Bulaksumur, Yogyakarta, 55281; Email: jurnal-wisdom@ugm.ac.id; Website: jurnal.ugm.ac.id/wisdom; Phone: (0274) 515368 / (0274) 546 605.

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Articles 600 Documents

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Objektivitas dan Subjektivitas Presentasi Seni Sudaryanto, Sudaryanto
Jurnal Filsafat "WISDOM" Vol 14, No 3 (2004)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Even though the probelms of subjectivity and objectivity in art are not parallel with probelms of form and matter, but there are relationbetween them. The mimesis theory, assuming that art imaitate the nature indicates that the existence of art basiclly convergent with concrete events, while subjective view of art emphasize more on creativity of atmosphere of mind actor.

Perbandingan Antara Etika Ibnu Miskawaih dan Etika Pancasila Basyir, Ahmad Azhar
Jurnal Filsafat "WISDOM" Jurnal Filsafat Seri 1 1990
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Pendidikan Nasional yang berdasarkan Pancasila bertujuan antara lain, untuk meningkatkan keimanan dan ketaqwaan terhadap Tuhan Yang Maha Esa dan budi luhur.

Wisuda 20 Mei 1991 Redaksi, Pengantar
Jurnal Filsafat "WISDOM" Jurnal Filsafat Seri 6 Mei 1991
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Konsep Estetika Jepang: Corak Naturalis yang Dijiwai oleh Tradisi, Kepercayaan, dan Alam Parmono, Kartini
Jurnal Filsafat "WISDOM" Jurnal Filsafat Seri 30 Oktober 1999
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

The Japanese Aesthetics concept is a blend of traditions, beliefs, and nature. This research was conducting by studying literature and the collected was analyzed by using interpretation method.The result of the study that the starting point of the Japanese Aesthetics is nature. Japanese believe that daily natural phenomenon such as sun, moon, mountain, water fail, and trees is believed to have or souls "kami". The nature is not only the place where masters strengthen receive the spirit and the meaning of life. The existing religion belief of Japanese (Shinto and Budha) provide the drive for their followers to be closer to the nature. According to the Shinto belief, the nature is full of the souls of human predecessors that there are an obligation to conservate the nature and to keep it in a harmony. It is proven by Japanese deep loving emotion and understanding of seasonal changes.Budhist beliefs spreads out in Japan with special characteristic wllkwon as Budhist Zen. Budhist Zen results in Japanese customs and traditions such as the ceremony of tea drinking considered to be sacred just in the sam cultural position as another religious rituals. The influence of the Budhist Zen in military area enables the new cultural group called Samurai to emerg in the spirit Bushido. The Samurai group is symbolized with Sakura flowers (the most beautiful flowers in Japan) willing to early die in the devotion for their king.The Japanese artistic works are naturalistic (resembling nature). Thus, Japanese always want to be close to nature and to live in a harmony with the nature.

Refleksi Aktualitas Fenomenologi Edmund Husserl dalam Filsafat Kontemporer Siswanto, Dwi
Jurnal Filsafat "WISDOM" Jurnal Filsafat Edisi Khusus Agustus 1997
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Edmund Husserl adalah orang yang telah meletakan pengaruh paling kuat dan mendalam atas pemikiran filsafat setelah Bergson.

Menyingkap Kodrat Hewani Manusia (Manusia dan Fenomena Kekerasan Massa menurut Elias Canetti) Wattimena, Reza A.A.
Jurnal Filsafat "WISDOM" Vol 21, No 3 (2011)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Despite humans achieve their civilizations in terms of science, philosophy, and technology, they still behave like animal. This is the main argument of Elias Canetti, a Bulgaria-German philosopher, in his magnum opus, namely Crowds and Power. One of animal symptoms of the humans is social conflicts which usually end up in violence, killing, genocide, and other destructive activities. According to Canetti, it occurs because of human nature, namely human abilities to change and combine themselves as masses which have both destructive and creative power. This article discusses the animal nature of human, their ability to change, their tendency to create masses, and relation between masses and power in human life.Keywords: animal nature of human, mass/crowds, power, social conflict

Teologi Pembebasan Menurut Asghar Ali Engineer Syamsuddin, M. Mukhtasar
Jurnal Filsafat "WISDOM" Vol 10, No 2 (2000)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

This research is intended a.tt an attempt to disclose the meaning of theology of liberation and its relevance in the context of plurality of' religions in Asia. The meaning and the relevance will be analyzed according to the notion ofAsghar Ali Engineer, a Muslim theolog borned in India who has vigorous mind and revolutionary attitude in working. This research used in the effort to actualize the theological transformative-revolutionary meanings, especially for Islamic theology to face the problematic of contemporary human lifeThe thought concept ofAsghar Ali in the context ofthe plurality ofreligion.s inAsia, in this research is analyzed by philosophy ofreligion approach. The following methods are applied in this research, thatÂ· are; historical continuity, analysis and synthesis, interpretation, and description.The results ofthi.tt research show that the fundamental problems ofthe Asghar Ali's theology of liberation in the context oj' the plurality of religions as its background, relate to the attempt to formulate thereltgionmeantng (essence) in the human life. The problems maintain all of the Â·theological, human, and justice dimensions. The thought of Asghar Ali about theology of liberation is constructed inÂ the frame ofreligion (Islam) values that are centralized on the tauhidÂ· concept by its moral vision. The thought is intended to realize a universal brotherhood,equality,Â and social justice. Interreligious dialogue and theactiono! the religions in Asia, therefore implemented through the basical paradigm in the frame ofthat value and mottol vision.

EPISTEMOLOGI TEKNOLOGI KERIS Wahyudi, Imam
Jurnal Filsafat "WISDOM" Vol 23, No 3 (2013)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Motif dan konteks yang memicu lahir dan berkembangnya teknik pembuatankeris ditentukan oleh suatu keyakinan epistemologis komunitas masyarakat yang hidup pada jamannya. Masing-masing jaman memberi nuansa epistemologis dalam mencari metode yang tepat untuk menghasilkan produk yang unggul dalam mengatasi persoalan yang dihadapi oleh masyarakat yang tersebar di Nusantara. Teknik pembuatan keris berevolusi seiring dengan perkembangan peradaban manusia yang memangkunya sehingga menghasilkan keris yang bervariasi.Epistemologi teknologi pembuatan keris berbeda dengan epistemologi teknologi modern. Teknologi modern berbasiskan ilmu pengetahuan modern dalam mengembangkan kualitas produknya. Sedangkan teknologi pembuatan keris berbasiskan pengetahuan (kewaskitaan), rasa olah seni, dan keahlian mpu yang sifatnya rahasia/individual dalam menghasilkan karya masterpiece.

Spritualitas Filsafat Kontemporer (Memahami "Peran" dan "Relevansi" dalam Evolusi Kehidupan) Siswanto, Joko
Jurnal Filsafat "WISDOM" Vol 16, No 3 (2006)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

The confusion of modern spiritualityâ€™s vision thought out a cultural model that destitute and insulted the sacred meaning oflife. Such situation expressed new awareness for the group ofcontemporary philosopher in rethinking a new vision of life. The new spiritualityâ€™s vision that presented by Chardin,Whitehead, and Marcel is an effort regarded to understand thecharacter and Godâ€™s relevance with the evolution of life. The newspirituality is drawn as a concrete thing or materialized. This newspirituality is often viewed in the contradictory with classical ideasof immaterialized transcendence. This kind of opinion is not true atall; because the contemporary spirituality is not an unwilling ofeverlasting truth of the transcendence vision of Allah, but thespiritual energy should be erected in nature, body, and societywhich are reflected as mystery mediation.

Nilai Estetis dalam Keris Budisutrisna, Budisutrisna
Jurnal Filsafat "WISDOM" Jurnal Filsafat Seri 7 Agustus 1991
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Keris sebagai karya seni tidak asing bagi masyarakat Jawa khususnya dan bangsa Indonesia pada umumnya.

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