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I Nyoman Darma Putra
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JURNAL KAJIAN BALI Fakultas Ilmu Budaya Universitas Udayana Jln Nias 13 Denpasar 80114
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Jurnal Kajian Bali
Published by Universitas Udayana
ISSN : 20884443     EISSN : 25800698     DOI : https://doi.org/10.24843/JKB
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 13 Documents
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Search results for , issue "Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI" : 13 Documents clear
Perempuan Gianyar dan Belenggu Ranah Publik dan Privat Ni Made Ras Amanda Gelgel
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract Women’s roles in political and social world have been looked down by the society. The patriarchy system adhered by the Balinese people make women’s position subordinated to men. Even though women have big roles not just in private sector but also in public sector, Balinese’s women still think they do not have big contribution in their family. It is also happening in Gianyar, Bali. People in Gianyar Bali have a strict Balinese’s culture that make women have more role besides the other women in Indonesia. The research problem is what are women’s perception about their role in private and public sectors? The research was based on quantitative method by using questionnaire to 400 sample in Gianyar Bali. Research came out that women in Gianyar were spending their time dealing with household job and customary matters. They did not have time for themselves and consider themselves remain in the subordinated position. Women in Gianyar live under high hegemonic of their roles both in private and public spheres.
Interpretasi Pragmatis Analogis Metafora Bahasa Bali Nengah Arnawa
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract The research focused on semantic classification of Balinese metaphor. The research was intended to identify interpreting patterns of metaphor implicature. Thus, the theory underlying the research was semantic and pragmatic theories. The research design was ethnography of communication. Research data was collected from the use of metaphor of written and spoken text or domain. The data was analyzed with qualitative method. Result of analysis indicated that semantically, Balinese metaphor was dominated by concrete-abstract type of metaphor with quiet high tension. Metaphorical implicature was designed through two analogical patterns, they are logical and declarative analogy. The use of metaphor was based on cooperation and politeness principle.
Komodifikasi Makna Tenun Gringsing sebagai “Soft Power” Menghadapi Budaya Global I Nyoman Lodra
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract Tenun Gringsing (Gringsing woven cloth) is a craft made of colored cotton yarn with weaving technique. The woven fabric is in the form of cloth sheet with various sizes, colors, and motifs. Tenun Gringsing is commonly called double ikat, which is the landmark of Tenganan Pegringsingan village. The woven cloth functions as a ritual medium in customary, religious, and marital activities inherited from their ancestors. Commodification with creative touch creating a product with new meanings emerges as the influence of modernization. It causes the shift of values from sacred to secular ones, which has soft power. It is marked by the change of the cloth’s function from ritual purposes to fashion, which still upholds local values possessing cultural force ensuring victory in the global competition. The research used commodification and the main theory. The location of the study is Tenganan Pegringsingan village, Karangasem, Bali. It is a qualitative descriptive study with ethnographic and historical approaches. The data were collected by observing the use of Tenun Gringsing, interviewing relevant informants including crafters, community leaders, merchants, and tourists. In conclusion, the commodification of the cloth’s meaning is the villagers’ openness to global culture.   Keyword: Tenun Gringsing, landmark, creative field, commodification, soft power, global culture
Marginalisasi dan Revitalisasi Wayang Kulit Parwa di Kabupaten Gianyar pada Era Globalisasi I Made Yudabakti
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

On this globalization era many local arts have faced processes of marginalization, including parwa shadow puppet as can be seen in Gianyar Regency, Bali. This article studies about the marginalization of parwa shadow puppet (WKP) in Gianyar Regency. The study based on observation of this specific WKP in the period of a decade, 2000 until the year 2010. In addition of observation, data for the study were collected through interview and desk research. The research shows that in the last ten years, the popularity of WKP has declined marked by the decrease in number of audiences and performance schedule of all WKP puppeteer including that performances for religious activity. Marginalization of WKP are caused by an internal and external factors. Internal factor consisted of decreasing society fascination watch on the WKP, declining of puppeteer creativity, weaknesses in the policy of traditional institutions, and the lack of support from the government. The external factor included the obscure future of WKP, people are more intearested with aspects of an entertainment than moral teaching of the performance, the increasing influence of global arts, and the availability of modern entertainment amusement sources. The research also shows that amidst the strong marginalization phenomena of life of the WKP in the same time there has been efforts to preserve the WKP in Gianyar.
Living Prayer: Its Contributions for the World’s Ecosystems and Interreligious Harmony Diane Butler
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract Since the Assisi Declarations on man and nature were initially created by leaders from Buddhism, Christianity, Hinduism, Islam and Judaism at an interreligious meeting convened by World Wildlife Fund in Assisi, Italy in September 1986 and the first World Day of Prayer for Peace attended by representatives of many more faiths and ethnic religions in October 1986 in Assisi, a contemporary environmental movement that clearly encompasses spiritual as well as social dimensions has been growing exponentially. However, given the acceleration of global warming and environmental crises differentially affecting parts of the earth, we have now to ask, what is the application of the Assisi Declarations and peace prayers for facing the needs of today and in the future? This article thus aims to convey some ideas on the contributions of living prayer and associated creative practices in Indonesia in general, and Bali in particular, by discussing three dimensions: (a) the ways in which living prayer is embodied in customary ritual arts as well as in new forms of artistic expression; (b) its contributions to environmental, socio-cultural, and economic well-being; and (c) the means by which it fosters intercultural and interreligious dialogue and creativity. To illustrate this, I draw on examples of prayers and art from public participatory intercultural Sharing Art events held in Bali and Java as well as in other countries.
Hubungan Konseptual antara Candi-candi di Jawa Timur dengan Pura di Bali I Ketut Setiawan
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract Bali has contacted with Java in a long period of time in terms of historical and cultural aspects. Based on those historical and archeological evidences, it can be understood  that the Balinese clasical kingdoms had contacted with Java, particularly with the Middle and East Java kingdoms from the 8th Century. Those relations had been strengthened  in the 10th to 11th Century, especially in the reign of Udayana King, who married with a princesses from East Java, Gunapriya Dharmapatni. The impacts of those relations, we can see in terms of political and cultural aspects in the present day Bali. One of these impacts, we can see in the similar forms and functions between the East Java and the Balinese temples.
The River Civilization of the Balinese and Dayakese Legends: A Comparative Study on Anthropological Linguistics Maria Arina Luardini; Putu Sutama; Natalina Asi
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Legend is a kind of traditional knowledge which consists of various explanations reflecting the ethnic world views and social practices of a community. It is also considered as a very simple knowledge product of traditional community although it sometimes has very broad meanings. Legend texts of Tirta Solas and Tampara Tatum belonging to the Balinese and the Dayakese (Dayak Ngaju people) in Central Kalimantan, which use rivers as the setting of stories, can reveal the embryonic knowledge of local cultures. Based on anthropolinguistics, this article discusses the river civilizations of the two ethnic groups which have socio-cultural similarities and differences in religious systems – as the two native ethnic community groups share the livelihood of taking advantages of a river and practice the Hinduism based – the Balinese refers to India and the Dayakese to native people beliefs; social organization, which also influences their arts closely related to their beliefs; and livelihood system in taking advantages of a river.
Filosofi Pasupati Pratima Ratu Ngerurah dan Ratu Ayu di Pura Pasek Ngukuhin Tegeh Kori Tonja, Denpasar Relin D.E
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract The Hindu community in Bali have a tradition ceremony called pasupati pratima, sacralization of statue. Pasupati generally performed in the temple where pratima will be resided. This article examines the process and the philosophical meaning of pasupati pratima in Pura Pasek Ngukuhin, Banjar Tegeh Kori Denpasar. In this temple, the event has been a tradition but still gugon tuwon, meaning that without the efforts carried out by a tradition steeped in philosophical meaning. In the philosophy of pasupati ceremony is the process of uniting the power of Shiva (Trance Pasupati) on pratima characterized by melaspas ceremony, that is cleaning all the stains of Pratima. Ngatep, unifying symbol of soul and body in pratima is by tying a tridatu thread as the strength of Tri Murti. Chanting Mantram of Pasupati is a wish to Lord Shiva to reside on the Pratima. Chanting script of Dasa Bayu (ten forces of nature) Ing, Ang Kang, Sang, Mang, Pang, Lang, Wang, Yang, Ung means that ten natural forces entered the pratima. Pasupati also means the union of the power of God/ Spirit of the bhuwana agung with Pratima become one substance with God. When this unification happens, the status of pratima become  deities. The entire process of Pasupati, philosophically, is the changes status of an object from the profane to the sacred that is based on Satyam Siwam Sundaram (truth, purity and beauty) in order to achieve the purpose of life jagadhita (prosperous).
Harmonisasi Kearifan Lokal Nusantara dan Bali untuk Pendidikan Karakter di Sekolah Dasar: Sebuah Analisis Etno-Pedagogi I Wayan Rasna; Dewa Komang Tantra; Ni Made Rai Wisudariani
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract The present research is focused on the harmonization between Nusantara and Bali local geniuses for character education at the primary schools in Bali. The research design was purely qualitative. The informants were recruited purposively. The data were collected through in-depth interview and analyzed descriptively and coded according to text genres. Results show that the general themes and sub-themes derived from Nusantara local geniuses are well juxtaposed with the Bali geniuses. These newly derived themes and sub-themes are implemented in the curriculum at the primary schools in Bali. Character education, which include local wisdom and genius, are more reliable and valid for children in Bali. Bali’s local wisdom and genius, which adhere in the Hindu philosophy, are potentially rich for the development of character education’s themes and sub-themes. The central themes and sub-themes fleshed out from the Hindu philosophy are coherently tied into a system of meaningful moral entity. Children may learn moral characters contextually and meaningfully through the national language of Indonesia at schools. However, caution should be taken as the themes and sub-themes are critically beyondthe first and second graders’ cognitive and moral development stages.
Balinese Frame of Reference I Nyoman Aryawibawa
Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 1 (2016): REFLEKSI SENI BAHASA BALI
Publisher : Pusat Kajian Bali Universitas Udayana

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Abstract

Abstract: Balinese Frame of Reference. Wassmann and Dasen (1998) did a study on the acquisition of Balinese frames of reference. They pointed out that, in addition to the dominant use of absolute system, the use of relative system was also observed. This article aims at verifying Wassmann and Dasen’ study. Employing monolingual Balinese speakers and using linguistic and non-linguistic tasks, Aryawibawa (2010, 2012, 2015) showed that Balinese subjects used an absolute system dominantly in responding the two tasks, e.g. The man is north/south/east/west of the car. Unlike Wassmann and Dasen’s results, no relative system was used by the subjects in solving the tasks. Instead of the relative system, an intrinsic system was also observed in this study, even though it was unfrequent. The article concludes that the absolute system was dominantly employed by Balinese speakers in describing spatial relations in Balinese. The use of the system seems to affect their cognitive functions.

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