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Lexicon
Published by Universitas Gadjah Mada
ISSN : 23022558     EISSN : 27462668     DOI : http://dx.doi.org/10.22146/lexicon
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Lexicon, Journal of English Language and Literature, is an open access, peer reviewed, academic journal published by the English Department, Universitas Gadjah Mada in cooperation with the English Studies Association in Indonesia (ESAI). It is devoted primarily to the publication of studies on English language and literature. It publishes original articles written exclusively in English twice a year in April and October. Manuscript submission is free of charge and open all year round to any author all across the globe.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 194 Documents
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Pragmatic Functions of Questions Found in the TV Series The Office Tiffani Rizki Putri Baihaqi; Tofan Dwi Hardjanto
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66562

Abstract

Questions are always present in people’s lives as they are used in daily conversation, not only as a tool to initiate a conversation but also to keep that conversation alive and at the same time to gain information from the interlocutor. This research aims to investigate the syntactic forms of questions and their pragmatic functions found in a TV series entitled The Office Season 1 as the data source. The data used in the research were interrogative utterances, their answers, and the context of the conversation. The results show that 409 questions were found, consisting of 214 (52%) yes/no questions and 195 (48%) WH questions. What outnumbers the other question words with a total of 117 (60%) questions. These questions were used to serve 27 pragmatics functions, seeking the most frequent function, amounting to 140 questions or 34% of the whole data. The dominant use of the questions word what and the function seeking information might be due to the setting of the place where the conversation is held, that is, The Office.
Request Strategies as Seen in the Movie Silver Linings Playbook Falminda Rahmadiyanti Tambulana; Adi Sutrisno
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66564

Abstract

This research aimed to investigate the types of request strategies used by the characters in the movie Silver Linings Playbook (2012). It also identified the types of request goals made by the characters. The data were taken from dialogues in the movie, which contained request utterances. The data were then classified into nine strategy types of request according to Blum-Kulka and Olshtain (1984), followed by the classification of the data into four types of request goals according to the theory proposed by Blum-Kulka et al. (1985, as cited in Forgas, 1985, p. 118). The result showed that 202 request strategies were made by the characters. The most frequently used request strategy found in the movie was a direct request, which was mood derivable with 111 occurrences (54.9%). Meanwhile, for request goals, requests for action was the most frequently implored type by the characters, and it was dominated by mood derivable strategy with 103 occurrences (64.8%).
Rethinking John Boyne’s The Boy in the Striped Pyjamas as Children’s Literature Nugraheni Bhakti Prajaningtyas; Ida Rochani Adi
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66566

Abstract

This graduating paper aims to examine whether or not John Boyne’s novel entitled The Boy in the Striped Pyjamas should be categorized as children’s literature. The story tells about a nine-year-old German boy named Bruno with his Jewish friend, Shmuel, who lives inside the concentration camp during the Holocaust. This graduating paper applies the genre approach since it is the most suitable approach to analyze the elements of children’s literature genre, which are character and characterization, didactic elements, the happy ending, and element of pictures in children’s literature. In order to support the analysis, library research was conducted alongside the novel itself as well as supporting articles from reliable websites. The result of the analysis shows that John Boyne’s The Boy in the Striped Pyjamas cannot be categorized as children’s literature as the characteristics of children’s literature suggested by Nodelman are not found in the novel. However, The Boy in the Striped Pyjamas can be categorized as high literature since the characteristics of high literature are primarily found in the novel.
"Octonauts": Blending in the Names of BBC UK Children’s Programs Amanda Amalia Noor Arifah; Rio Rini Diah Moehkardi
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66567

Abstract

This research investigates the formation process of the blends, the classification, and identify the semantic changes in the names of the BBC UK children’s programs. The methods used in this research are descriptive qualitative, and quantitative. To analyze the formation and classification of the blends, the writer used the theory proposed by Elisa Mattiello. The result shows that morphotactically, the blends are categorized into total and partial blends. Morphonologically, the blends are classified into overlapping and non-overlapping blends. Morphosemantically, the attributive blends are more frequently used than the coordinative blends. Furthermore, there are some semantic changes found in the attributive blends. 
Unreleased Bursts of Final Stops in English Words as Pronounced by Native Speakers of Javanese from Yogyakarta Muhammad Furqon Abrori; Aris Munandar
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66568

Abstract

This research aims to describe how native speakers of Javanese from Yogyakarta realize final stops in English words, understand how often they pronounce final stops in English words with audible release burst, and examine whether release burst in final stops is a feature of Yogyakartan Javanese accent of English, based on their occurrence frequency. 20 native Javanese speakers from Yogyakarta were asked to pronounce 24 English words ending in stops: /p/, /t/, /k/, /b/, /d/, and /g/. The recordings were then analyzed and compared against recordings of the words produced by native English speakers using Praat to identify the release bursts. The finding shows that release burst can be found in 7 out of 80 (8.75%) recordings of words ending in final /p/, 8 out of 80 (10%) recordings of words ending in final /t/, 15 out of 80 (18.75%) recordings of words ending in final /k/, 10 out of 80 (12.5%) recordings of words ending in final /b/, 9 out of 80 (11.25%) recordings of words ending in final /d/, and 16 out of 80 (20%) recordings of words ending in final /g/. In total, 165 out of 480 (13.54%) recordings contain release bursts in the final stop.
The Flouting of Gricean Maxims Found in the TV Series Mom Nurmalia Ayu Kharismawanti; Amin Basuki
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66569

Abstract

This research discusses the flouting of Gricean maxims done by all the characters in the TV series Mom in the first 10 episodes in season 1. This research aims to identify and to classify the flouting of Gricean maxims according to Cutting’s classification and the most used method of flouting. The quantitative and qualitative methods are used as data analysis instruments. It is discovered that there are 99 flouting, with 59.6% (59 cases) among which is flouting of maxim of quality, 18.2% (18 cases) is flouting of maxim of quantity, 13.1% (13 cases) is flouting of maxim of relation, and 9.1% (9 cases) is flouting of maxim of manner. The characters in Mom tend to flout the maxims by using metaphors, being irrelevant, using irony or sarcasm, using hyperbole, or being ambiguous or obscure. The analysis shows that the characters flouted the maxims for several reasons, with the most frequent one is to offend or to hurt the hearer and to convince the hearer.
New Woman as Seen in Bram Stoker’s Dracula Rheavanya Winandhini; Rahmawan Jatmiko
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66570

Abstract

This paper discusses the influence of feminism in the classic Victorian novel Dracula by Bram Stoker. The New Woman is a feminist ideal that appeared in the 19th century, more specifically amidst the rise of the first wave of feminism. The method of research used in this study covers close reading of the source material and analyzing the characters of the novel through the perspective of the New Woman ideals. The female characters in Bram Stoker’s Dracula portrayed the New Woman characteristic to some degree. Women’s independence, intellect, hyperfemininity, and hypersexuality, are some of the aspects of the movement that go against the norm and values of women in Victorian Britain, such as Mina’s “man’s brain” and Lucy’s hyperfemininity, while the Brides of Dracula provide contrast as the oppressed women with their submissive and compliant attitude towards him. Without erasing their representation of these New Woman ideals, Mina and Lucy also portrayed the complexity and dimensionality of being a woman in the Victorian era; their beauty and appeal were praised while their more “unwomanly” aspects present some threats towards men.
Impoliteness Strategies in Trevor Noah’s Afraid of The Dark Stand-up Comedy Show Aulia Hafisa; Sharifah Hanidar
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66571

Abstract

This research focuses on identifying the impoliteness strategies and explaining the purposes of the most frequently used strategy in Afraid of the Dark stand-up comedy show performed by Trevor Noah. The data of this research are Trevor Noah’s utterances which contains impoliteness strategies. The analysis was based on the impoliteness strategies theory proposed by Jonathan Culpeper (1996). The result of this research shows that Trevor Noah uses 105 instances of impoliteness strategies which cover all five types of strategies proposed by Culpeper; bald on record impoliteness, positive impoliteness, negative impoliteness, sarcasm or mock politeness, and withhold politeness. Based on the findings, negative impoliteness is found to be the most frequently used strategy. It occurs 42 times or with a percentage of 40% of the whole data. This high frequency of negative impoliteness strategy is used to entertain the audience. Trevor Noah mostly used ‘condescend, scorn, or ridicule’ sub-strategies of negative impoliteness intended to amuse and entertain the audience and also to induce laughter when hearing one being ridiculed or disparaged.
The Violation of Conversational Maxims in the Movie Series Divergent Adelia Fatmawati Pradani; Thomas Joko Priyo Sembodo
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66572

Abstract

This research focuses on identifying the types of conversational maxims violated by the characters in a feature film trilogy entitled The Divergent Series. This research also aims to explain the functions of the violation of conversational maxims in the series. The result shows that there are 100 violations of conversational maxim in Divergent series, and among those, there are 43 violations of maxim of relevance (43%), which is the most frequently occurred in the movie. The second violation identified is the violation of maxim of manner, which reaches 24 violations (24%), and the third frequently occurring violation is violations of maxim of quantity with 22 numbers of violation (22%)/. The least occurring violation found in the movie is violation of  maxim of quality, which reaches 11 numbers of violation (11%). There are several functions of the violation of conversational maxim found in the movie: keeping a secret, concealing half of the information, avoiding certain topic/question, and confusing the hearer.
The Significance of the Hero’s Journey in Siddhartha’s Character Development as Seen in Herman Hesse’s Siddhartha Adelia Damayanti; Achmad Munjid
Lexicon Vol 7, No 2 (2020)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v7i2.66573

Abstract

This paper discusses the character development of Siddhartha, the main character in Herman Hesse’s novel, Siddhartha (1973). This research aims to study how Siddhartha’s character develops during his journey to reach enlightenment. The analysis is conducted by using the theory of the hero's journey by Joseph Campbell. The result shows that Siddhartha’s journey follows twelve out of seventeen stages of the hero’s journey proposed by Campbell. All of the stages appear in the same order except the stage Belly of The Whale that comes late. It functions as a turning point rather than a preparation for a greater ordeal. The analysis also shows that Siddhartha undergoes two major changes; from an individualistic to a wise person and from someone who is always persistent and thirsty for knowledge to someone who is flexible.

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