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E-Journal of Linguistics
Published by Universitas Udayana
ISSN : -     EISSN : 24427586     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
E-JURNAL LINGUISTIK adalah jurnal ilmiah linguistik yang terbit dua kali setahun, yaitu bulan Maret dan September yang dimulai pada awal bulan September. Jurnal ini memuat artikel yang mengkaji aspek-aspek kebahasaan, baik mikrolinguistik maupun makrolinguistik. Penerbitan jurnal ini bertujuan untuk mewadahi pemublikasian karya tulis ilmiah mahasiswa Program Magister (S2) Linguistik) Program Pascasarjana Universitas Udayana.
Arjuna Subject : -
Articles 5 Documents
 1 
Search results for , issue "Vol. 5. Januari 2011 No. 2" : 5 Documents clear
CEPUNG SASAK: ORAL TRADITION IN LOMBOK WEST NUSA TENGGARA Ida Bagus Kade Gunayasa; I Nyoman Weda Kusuma; I Wayan Cika; I Nyoman Suarka2
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The problems discussed in this study are the process of the creation of CepungSasak (abbreviated to CS), its structure, its context of image, its function and meaning.The data needed was collected by ethnographic method and library research. Four maintheories were adopted for analyzing the data; they are the structural theory, the Lord’sformula, the theory of literary semiotics and the functional theory. The objectives wereachieved by analyzing the process of the CS creation, its textual structure, its context ofimage, its function and meaning in the middle of Sasaknese community.Based on the results of the data analysis, it can be inferred that the elementsforming the CS structure are form, formula, theme, sound and style. One of the culturalcontextual elements which does not play any role is the particular event underlying theimage. The process of its creation takes place within and outside the plots. Its plotsfunction to recall the past, to educate, to amuse, to express interethnic group solidarity, tocontrol social matters, to resist social matters and to give religious teachings. Themeanings of the CS are love and affection, acknowledgement of social stratification andcollective awareness.The novelties in this study are the formula and theme are different from thoseintroduced in the Lord’ theory. The Lord’s theory of formula is not entirely applicable tothe CS. The reason is that the process how the CS is created is not based on formula buton the pattern of rhyme and stimulus such as flute, rebab (two-stringed musicalinstrument), music produced by the mouth and pengeriong ‘penurut’ (another musical instrument). The process of how it is created is not the same as that stated by Lord. It issimilar to that stated by Finnegan, that is, it takes place within and outside the plots.However, Finnegan does not include the element of stimulus. In this case, the mainfunction of the CS is as amusement. Its meaning is to stimulate social solidarity in allaspects of Sasaknese community life.
THE PICTURE AND CULTURAL STRUGGLE OF THE BALINESE WOMEN IN THE NOVELS WRITTEN BY PANJI TISNA, PUTU WIJAYA, AND OKA RUSMINI Gde Artawan; I Nyoman Kutha Ratna; I Nyoman Weda Kusuma; I Nyoman Suarka
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This study aims at revealing the picture and cultural struggle of the Balinesewomen in the novels written by Panji Tisna, Putu Wijaya, and Oka Rusmini, identifyingthe intertextuality of their works and the women’s attitude towards sociopoliticaldiscourse and the discourse of equality in gender. The texts investigated are the novelswritten by Panji Tisna entitled Ni Rawit Ceti Penjual Orang (1935) and Sukreni GadisBali (1936); the novel written by Putu Wijaya entitled Putri published in two books(2004); and the novels entitled by Tarian Bumi (2000) and Kenanga (2003).The theories such as the sociological theory of literature, the theory of feminismand the theory of intertextuality were adopted for investigating the novels. The resultsof the study show the real situation undergone by the women such as the strongconfinement of tradition, the manifestation of the situation undergone by themarginalized and subordinated women, suppression, taming (cooptation), the role ashard workers (double-burden), the role as single parents, the victims of violence and thetaming process (cooptation). Based on such a real situation, the female characters in thenovels showed their cultural struggle by accentuating concepts/the framework ofthinking, reinterpreting and behaving towards tradition. From the intertextuality point ofview, the female characters in the novels were consistent in their vision towardstradition. This was shown by implementing ideas/insights, reinterpreting and behavingtowards the space in the texts. However, as far as sociopolitical discourse and thediscourse of equality in gender are concerned, they behaved differently. Somecompromised on sociopolitical reality and equality in gender and the others were highlyreactive and tended to show struggles through their ways of thinking and behaving.This is the only study which has investigated the novels written by Panji Tisna,Putu Wijaya and Oka Rusmini at the same time. The novelty is that there isintertextuality among the novels. Such intertextuality is in the form of thematicelements which include sociopolitical discourse and the discourse of equality in gender.
COURT INTERPRETING AT DENPASAR COURT Ida Ayu Made Puspani; Ni Luh Sutjiati Beratha; Ida Bagus Putra Yadnya; I Wayan Pastika
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This is a research on interpreting (oral translation) on a criminal case ofdrug user in the court proceedings at Denpasar Court. The study of theinterpreting is concerned with two-ways rendition from Indonesian into Englishand vice-versa. The study is related to: (1) the description of modes of interpretingapplied by the interpreter, (2) the application of translation strategies: shift,addition and deletion of information, (3) factors that underlie the application ofthe strategies, and (4) the impact of the application of those strategies towards thequality of the interpreting.The methodology applied in this study is qualitative based on eclectictheories (translation, syntax, semantics and pragmatics). The utilization of thetheories is in accordance with the type of the data analyzed in regard to thetranslation phenomena as an applied study and its complexity.The interpreting at court applied the consecutive and simultaneous modes.The strategy of shift was applied when there were differences in structure betweenthe source and the target languages. Addition of information was used when theinterpreter emphasized the message of the source language in the target language.The deletion of information applied if the context in the target language has beencovered, and it was not necessary for the interpreter to interpret the same thingbecause the message of the source language was pragmatically implied in thetarget language.The factors which underlie the application of the interpreting strategies incourt interpreting were communication factor and the differences in the languagesystems between the source and the target languages. The impact of the use of thestrategies towards the quality of the interpreting happened when the interpretationof the source language message into the message of the target language and themessage in the source language was not completely render into the targetlanguage.The novelties of the research are: (1) relevance theory and its four maximsof communication can be applied to analyse equivalence of meaning of SLmessage rendered into the TL message Sperber and Wilson (1995), (2) theapplication of consecutive mode of interpreting can render more accuraterendition compared to the simultaneous mode, (3) the interpreter applied the strategies of shift, addition and deletion of information in the process ofinterpreting in court proceedings, and (4) some mistakes were found in theinterpretation of Indonesian legal terms into English such as: KUHAP (was nottranslated), BAP (was translated into brief), sita (was translated into seize), andayat (was not translated). The translation of those terms should be: IndonesianCriminal Code, the minutes of investigation, confiscate, and paragraph.
DHARMAYATRA IN THE DWIJENDRA TATTWA TEXT ANALYSIS OF RECEPTION Ida Bagus Rai Putra; I Nyoman Weda Kesuma; I Wayan Cika; I Made Suastika
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The object of the study is Dwijendra Text (hereinafter abbreviated to DT). It containsinteresting narrations and is importantly related to the dharmayatra, the holy religious journeymade by Dang Hyang Nirartha, the charismatic figure, in Bali, Lombok and Sumbawa. Beforethe analysis of reception was conducted, the corpus text of the DT texts completely andstructurally telling the religious journey made by Dang Hyang Nirartha was successfullydetermined. The analysis in this study was made to answer the following questions: what is thenarrative structure of the DT text; what are the enlightenment image entities of the dharmayatraof the DT text; how do people appreciate the dharmayatra of the DT text? The answers to thenarrative structure of the DT text; the image entities and the appreciation provided by people arethe main objectives of this study.The theories adopted in this study are the theory of reception introduced by Jauss, thetheory of semiotics introduced by Pierce and the theory of mythology introduced by Barthes. Asa qualitative study, the data needed were collected by the methods of observation, note taking,documentation and interview supported with a sound recorder and pictures. The results of theanalysis are informally presented, meaning that they are verbally described in the form of wordswhich are systematically composed based on the problems formulated in this study.The analysis of the narrative structure of the DT text contains narrative units which are inthe forms of theme, characters and plots. They all unite to form stories which are mythological,legendary, symbolic, hagiographic and suggestive in nature. Based on the analysis ofenlightenment image entities, it can be concluded that there are three basic entities leading to thecreation of the DT text. They are first enlightenment; second protection of Hinduism; and thirdconstruction of temple institutions. Based on the reception analysis, it can be concluded thatpeople, through their literary works, books, articles and websites, appreciate the discourse of thedharmayatra performed in Bali, Lombok and Sumbawa.The ten essential findings in this study can be described as follows. (1) The corpus text ofthe DT, which is in the form palm-leaf manuscript (lontar) and was obtained from GriyaBaturening Mambal, is kept as a collection at the Perpustakaan Lontar Fakultas SastraUniversitas Udayana (the Library of Palm-leaf Manuscripts of the Faculty of Letters, UdayanaUniversity). It is coded under no. 1514, kropak (box) no. 293. The DT text describes the real journey of Dang Hyang Nirarta, the great holy Hindu teacher, concretely, completely andstructurally. (2) As a literary text of history, the DT text has a highly narrative structure formedby theme, characters and plots which are unified in the forms of mythologies, legends,hagiographies, symbolisms and suggestive. (3) The dharmayatra made by Dang Hyang Nirartha,as described in the DT text, gave enlightenment and welfare to the kingdom and its people. (4)The teacher-learner (guru-sisya) teaching contained in the DT text may inspire a harmonious andethic relationship as far as teaching-learning process and priesthood are concerned. (5) Theconcern about the principle of unity in diversity taught by him may give relevant multiculturalperception of the current and upcoming way of life and Indonesianization. (6) The DT textreveals that those who belong to the Brahmin caste (Brahmana) have been descended from him.However, if viewed from the spiritual and priesthood points of view, he has been the source ofspirituality for Hindus, Buddhists, Moslems and those who do not belong to any religion (kapir).(7) The DT text shows that he is also called Pedanda/Bhatara Sakti Wawu Rawuh as he washighly powerful (sakti) and has symbolized the complete mastery of material and spiritualknowledge. (8) The religious journey (dharmayatra) made by him from Java to Bali, Lombokand Sumbawa aimed at protecting Majapahit Hinduism from being suppressed by Islam whichhad already spread all over the Archipelago. The protection of Hinduism and the construction ofthe temple institutions referred to the religious meaningfulness implemented by him. (9) Thisstudy explains that in Lombok he spread three religious teachings such as Gama Siki GamaThirtha, Gama Kalih Budha Paksa, and Gama Tiga Selame Metu Telu. (10) High appreciation isprovided to the dharmayatra he made in Bali, Lombok and Sumbawa. Such an appreciation orreception highly varies; in other words, it is expressed in the forms of literary works, books,articles and websites.
PHONOLOGICAL EVOLUTION OF OIRATA AND ITS GENETIC RELATIONSHIP WITH NON-AUSTRONESIAN LANGUAGES IN TIMOR LESTE Halus Mandala; Aron Meko Mbete; Ni Made Dhanawaty; Inyo Yos Fernandez
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Oirata (Or) as a NAN language was indicated to have a genetic relationshipwith languages in East Timor, i.e. Bunak (Bn) and Makasai (Mk) (Greenberg, 1971) andwith Mk, Fataluku (Ft) and Lovaea (Lov) (Capell, 1975). The two opinions are confusingand different from one another. Hence, an effort to trace the genetic relationship of thelanguages was made to clarify the matter. Or in Kisar Island was also assumed tooriginate from East Timor (de Jong, 1937). The native speakers should have brought withthem their language and it is believed that the acculturation and language contact with thelanguages in the surrounding areas must have occurred. This condition opened up roomfor internal and external evolution in Or.This study observed nine languages: two languages in Kisar Island and sevenin East Timor. The data were collected through interviews and face-to face conversationswith the informants who were selected by purposive sampling until a point of saturationwas reached. https://anton-nb.com The data analysis was done by using vertical-horizontal syncomparative anddiacomparative method which led to the following conclusions.Or, Ft and Mk were diachronically and convincingly proved to have a closegenetic relationship with a split patterned family tree. The Oirata-Fataluku-Makasai(OFM) group that was once the ancestor of the three languages underwent a split intoOirata-Fataluku (OF) and Mk. It means that Or is closer o Ft than Mk and at the sametime it refuted the opinions of Greenberg (1971) and Capell (1975) that Or is closer toMk.Or turned out to have undergone an internal phonological evolution as theresult of a diachronic interaction with languages that were genetically related to it in theform of: (1) vocal split */i//_#, */a//#_ and /_#; (2) vocal merger */e//_#, (3) vocalcentralization, (4) consonant split and (5) voiced stop consonant formation. The externalphonological evolution was caused by the contact with the languages in the region andOr has undergone: (1) enrichment of consonant phonemes: /b/, /c/, /d/, /j/, /g/, /ng/, /f/, /v/,and /z/, (2) formation of clusters, (3) addition of homorganic nasal stop consonantclusters: /mp/,/mb/, /nt/, /n?/, and (4) shift toward a non-vocalic language.

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