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E-Journal of Linguistics
Published by Universitas Udayana
ISSN : -     EISSN : 24427586     DOI : -
Core Subject : Education,
E-JURNAL LINGUISTIK adalah jurnal ilmiah linguistik yang terbit dua kali setahun, yaitu bulan Maret dan September yang dimulai pada awal bulan September. Jurnal ini memuat artikel yang mengkaji aspek-aspek kebahasaan, baik mikrolinguistik maupun makrolinguistik. Penerbitan jurnal ini bertujuan untuk mewadahi pemublikasian karya tulis ilmiah mahasiswa Program Magister (S2) Linguistik) Program Pascasarjana Universitas Udayana.
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Articles 5 Documents
Search results for , issue "Vol. 8. Juli 2014 No.2" : 5 Documents clear
ENGLISH LANGUAGE POLITENES OF TOURIST GUIDES IN BALI I Ketut Murdana; Made Budiarsa; I Made Suastra; Aro Meko Mbete
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This paper deals with the ways used by tourist guides (TG) in Bali to express their politeness to foreign tourists  (FT) through several speech acts, such as greetings the FT, welcoming the FT to Bali, introducing themselves to the FT, thanking the FT, and apologizing to the FT. The research is conducted in several tourist objects at two Regency and Municipality in Bali, which are Badung Regency and Denpasar Municipality. The research result reveals that the tourist guides employ those speech acts to express their English language politeness to the foreign tourists (FT). Those speech acts are also used to perform their friendliness in providing tour guide services to the FT.
REPRESENTATION OF INDONESIAN REVOLUTION IN POEM “RAPAT MENGGANYANG 7 SETAN” BY H.R. BANDAHARO I Wayan Artika; I Nyoman Kutha Ratna; I Nyoman Darma Putra; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This present study explores the representation of Indonesian Revolution in the poem “Rapat Mengganyang 7 Setan” written by H.R. Bandaharo. The meaning of the poem was revealed through the exploration of the reciprocal relationship between the speech delivered by President Soekarno and what was written by D.N. Aidit. The approach used was the qualitative one. The data were analyzed through parallel reading. The result of the study showed that the representation of the Indonesian Revolution through the themes and diction adopted from the expressions/slogans used during the revolution era. The reciprocal relationship between the poem “Rapat Mengganyang 7 Setan” and the speech delivered by President Soekarno and what was written by D.N. Aidit was based what is referred to as “Mukadimah Lekra” (Introduction to Lekra), “Konsepsi Kebudayaan Rakyat” (Conception of the People’s Culture), and “metode asas kombinasi 1-5-1” (Method of Combined Principle 1-5-1). Representation of the Indonesian Revolution in this literary work showed that literature was part of the political movement used to achieve what the Indonesian Revolution aimed at, namely, a community with justice and prosperity.      
THE FUNCTIONING OF IRONIES FOR AESTHETIC EFFECT IN ROALD DAHL’S SHORT STORY THE LANDLADY I Wayan Resen; Nyoman Kutha Ratna; I Nyoman Darma Putra; Aron Meko Mbete
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Artikel ini membicarakan tentang efek estetis yang dicapai melalui berfungsinya ironi yang hadir secara dominan pada cerita pendek The Landlady karya Roald Dahl. Ironi dalam berbagai tipe dan penggunaannya dalam cerita pendek ini berhasil membangun efek ketegangan yang intens pada pembaca sehingga pembaca menjadi penasaran mengenai apa yang akan terjadi selanjutnya. Ketegangan terjadi karena tatkala pembaca dengan jelas melihat keterancaman Billy Weaver sebagai calon korban pembunuhan oleh nyonya rumahnya, Billy Weaver sendiri yang langsung berhadapan dengan nyonya rumahnya justru tidak menyadari niat buruk di balik keramahtamahan nyonya rumahnya itu. Dengan demikian, Billy Weaver pun tidak mengambil kesimpulan seperti yang diharapkan pembaca tentang niat negatif nyonya rumahnya walaupun sinyal-sinyal keterancamannya sudah semakin berakumulasi dari sikap dan prilaku nyonya rumahnya yang jelas terbaca dari balik sikap manis yang dihadirkan di permukaan. Estetika ironi ini terbangun bukan saja melalui sikap dan prilaku serba ironis nyonya rumah tersebut, tetapi juga melalui kesenjangan kesadaran yang ada antara Billy Weaver dan pembaca. Kondisi ironis ini bersumber pada kehidupan bermuka dua nyonya rumah, yakni prilaku yang seolah-olah sangat baik di permukaan namun sesungguhnya sadistik di balik itu. Ketakterdugaan sikap dan prilaku nyonya rumah ini mengejutkan dan menegangkan pembaca. Sesungguhnya, ketegangan pembaca bertambah intens ketika mendapati Billy Weaver tetap lugu-lugu (‘innocent’) saja di hadapan nyonya rumahnya yang semakin mencengkeramkan muslihatnya. Pada keterkejutan dan ketegangan akibat prilaku serba ironis nyonya rumah ini dan pada ketidaksabaran pembaca terhadap kepolosan Billy Weaver inilah terletak estetika cerita pendek ini.
DISCOURSE OF AGURON-GURON SYSTEM IN GEGURITAN SIDHA YOGA KRAMA (GSYK) Ni Putu Parmini; I Nyoman Weda Kusuma; I Nyoman Kutha Ratna; I Made Suastika
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The object of the present study is the text of Geguritan Sidha Yoga Krama (hereinafter referred to as GSYK). This text contains narrations narrating priesthood teaching, which is interesting enough to discuss nowadays. The analysis in the present study is intended to answer the question concerning the discourse of the aguron-guron system in the GSYK text. The answer to this question is the specific objective of the present study. As a qualitative study, the data of the present study were collected using observation and interview methods. The data were also obtained through library study and using reading technique. The results of the present study are informally presented, meaning that the results of the present study are described using words which are systematically arranged in accordance with the findings. The analysis of the GSYK discourse includes the theme, plot and prominent characterization. It was found that there were three entities in the GSYK text, as far as the change in status from being walaka into being sadhaka is concerned; they are (1) the ethics of the senior priest ‘nabe’ and the prospective priest ‘sisya’; (2) the ceremony in which someone is informally acknowledged as a priest referred to as pediksan; (3) the implementation of Hinduism. The results of analysis showed that GSYK was a narrative discourse made up of pupuh (strophes),  narrating the priesthood teaching ‘ajaran kapanditaan’ with the aguron-guron system, meaning that the priesthood teaching is transmitted through informal learning. It could be concluded that GSYK could be used as a resource of the priesthood teaching which could be transmitted through the aguron-guron system, making the priesthood teaching easier and more interesting. The aguron-guron system could be observed more comprehensively through geguritan (philosophical verse); it is not only an educational medium but also an amusement. The priest ‘pandita’ is responsible for transmitting such a teaching to people.
MIDDLE DIATHESIS IN OLD JAVANESE LANGUAGE Ni Ketut Ratna Erawati; Ketut Artawa; I Wayan Pastika; Made Sri Satyawati
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Abstract Old Javanese Langusage (OJL) is the language of the archipelago which developed rapidly in the IX-XV centuries. The language has so many alternation verbs in the predicate of the clause structure. Therefore, the problem of the present study is interesting to explore. The term refers to the opinion proposed by Shibatani(1998) and Artawa (2003).Diathesis associated with middle in OJL was found to have three types, namely, the middle diathesis morphological, middle lexical, and middle perifrastic.

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